Argio Orell

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Argio Orell
Born17 September 1884
Trieste, Austria-Hungary
Died10 January 1942 (1942-01-11) (aged 57)
Trieste, Italy
NationalityItalian
EducationAcademy of Fine Arts, Munich
Known forPainting, graphic arts, engraving
MovementVienna Secession; Japonisme

Argio Orell (17 September 1884 – 10 January 1942)[1][2] was an Italian painter and engraver.[3] He was one of the most sought-after Italian portraitists in the 1920s and 1930s.[4]

Biography[edit]

He was born in Trieste on 17 September 1884, the son of Giuseppe and Calliope Iconomo.[4] Orell trained with Eugenio Scomparini at the Scuola Industriale in Trieste.[2][3] Later, he enrolled at the Academy of Fine Arts in Munich, where he studied under Franz von Stuck.[2][5] He was admitted to the course even though he was seventeen and technically not allowed to do so, wanted by von Stuck, who appreciated his first works.[4] He was influenced by van Stuck who took him under his wing, and at the end of the course was awarded the prize for the best work by a foreign student.[4]

Portorose manifesto, 1920

Returned to Trieste, he had successful expositions there, and started "a production both of posters and paintings that extended his fame well above the local boundaries [of Trieste]."[4] After successful expositions in Rome and Bergamo, with the King of Italy among his estimators and clients, he became, in the 1920s and 1930s, one of the most sought-after Italian portraitists.[4] In 1906 he painted the windows of Trieste's Palazzo Modello in Piazza Grande, which hosted exhibitions, together with Vito Timmel.[6]

During the First World War he was recruited by the Austrian army, and sent to Radkersburg, together with several prominent artists and intellectuals, including his friend and fellow painter Vito Timmel.[4][6] During the time spent there, he painted mural paintings (now lost) for the club Bohem together with Timmel.[6]

Orell was a painter and a commercial artist, publishing posters for several companies. Some fifteen posters were found, some inspired by Leonetto Cappiello, others, such as "Pelliccerie Cohen," by Marcello Dudovich.[7]

He was an appreciator of Japanese culture.[5] He probably first came into contact with Japonisme during his stay in Munich. Orell approached Japanese art by reading journals and books on Ukiyo-e and studying specific Japanese woodcuts, and at the same time started collecting Ukiyo-e,[8] going on to own a precious collection.[9] In 1910 he painted the poster for the Fair of Capodistria, in which he "combined that Japonisme that came for the passion for Hokusai to the dictates of Secessionism, interpreting them in his own way, offering very elegant solutions."[4] In 1912 he was the curator of an exposition of Oriental art in Trieste.[10]

He died in Trieste on 10 January 1942.[3]

Gallery[edit]

  • Ritratto femminile, oil on panel
    Ritratto femminile, oil on panel
  • Il Navarca, oil on panel
    Il Navarca, oil on panel
  • Allegory, pastel and watercolor on cardboard
    Allegory, pastel and watercolor on cardboard
  • Trieste in the 19th Century, oil on panel
    Trieste in the 19th Century, oil on panel
  • Giovane donna con orecchini, oil on plywood
    Giovane donna con orecchini, oil on plywood
  • Portrait of a Woman
    Portrait of a Woman
  • Acqua Colonia Mizzan, poster
    Acqua Colonia Mizzan, poster
  • Pre-maiden voyage introductory brochure for the Saturnia
    Pre-maiden voyage introductory brochure for the Saturnia

References[edit]

  1. ^ "Mostra "ARGIO ORELL pittore triestino (1884-1942) – Raffinatezza e seduzione". arcipelagoadriatico. Archived from the original on 10 May 2021. Retrieved 11 May 2021.
  2. ^ a b c Istituto italiano per l'Africa e l'Oriente (2003). Adolfo Tamburello (ed.). Italia-Giappone, 450 anni. Istituto italiano per l'Africa e l'Oriente. p. 329.
  3. ^ a b c Giovanni Fanelli; Ezio Godoli (1987). Art nouveau postcards. Rizzoli. p. 358. ISBN 978-0-8478-0832-8.
  4. ^ a b c d e f g h Delbello, Piero. "Argio Orell, il pittore che Trieste ha dimenticato in fretta". Il Piccolo. Archived from the original on 10 May 2021. Retrieved 11 May 2021.
  5. ^ a b Franz Leitgeb; Gerhard Michael Dienes; Johanna Flitsch (1996). "TransLOKAL" 9 Städte im Netz (1848-1918): Bratislava/Pressburg, Brno/Brünn, Graz, Kraków/Krakau, Ljubljana/Laibach, München, Pécs/Fünfkirchen, Trieste/Triest, Zabreb/Agram. Leykam. p. 259. ISBN 978-3-7011-7335-8.
  6. ^ a b c Marri, Franca (December 2005). Vito Timmel (PDF). Fondazione CRT. Archived from the original (PDF) on 2021-05-10. Retrieved 6 May 2021.
  7. ^ Alberto Casella; Marco Cicolini; Paola Morelli (1995). Catalogo Bolaffi del manifesto italiano dizionario degli illustratori. Bolaffi. p. 165. ISBN 978-88-85846-57-9.
  8. ^ Roberto Curci; Vanja Strukelj (1977). Dudovich & C. i triestini nel cartellonismo italiano: Trieste-Stazione marittima, 1 agosto 8 settembre 1977. La editoriale libraria. p. 56.
  9. ^ Istituto italiano per l'Africa e l'Oriente, Università degli studi di Napoli "L'Orientale." (2003). Adolfo Tamburello (ed.). Italia-Giappone, 450 anni. Istituto italiano per l'Africa e l'Oriente. p. 329.
  10. ^ Print Quarterly Volume 22, Issue 1. Print Quarterly Limited. 2005. p. 62.
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