Art critic
From Wikipedia, the free encyclopedia
An art critic is a person who specializes in evaluating art. Their written critiques, or reviews, are published in newspapers, magazines, books and on web sites. Art collectors and patrons often utilize the advice of art critics as a way to enhance their appreciation of the art they are viewing.
Typically the art critic views art at exhibitions, galleries, museums or artists' studios.
Professional art critics are expected to have a keen eye for art and a thorough knowledge of art history. Knowledge, however, provides no guarantee that a critic will know if a work of art, an exhibition, or an artist will stand out in history as "great".
The opinions of art critics has the potential to stir debate on art related topics. Due to this the viewpoints of art critics writing for art publications and newspapers adds to public discourse concerning art and culture. Today art critics, such as Jerry Saltz, use art blogs and other online platforms in order to connect with a wider audience and expand debate about art.
Many now famous and celebrated artists were not recognized by the art critics of their time, often because their art was in a style not yet understood or favored. Conversely, some critics, called militant critics have helped to explain and promote new art movements — Roger Fry with the Post-Impressionist movement for example.
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[edit] Some famous art critics
[edit] Gallery
 Jean-Honoré Fragonard, Portrait of Denis Diderot, 1769, Louvre, Paris. His art criticism was highly influential. His Essais sur la peinture was described by Johann Wolfgang von Goethe, as "a magnificent work, which speaks even more helpfully to the poet than to the painter, though to the painter too it is as a blazing torch." Diderot's favorite painter was Jean-Baptiste Greuze. |
 Charles Baudelaire 1855, Photo by Nadar. Baudelaire is associated with the Decadent movement. His book of poetry Les Fleurs du mal is acknowledged as a classic of French literature[2] |
 Édouard Manet, Portrait of Zacharie Astruc 1866, Kunsthalle Bremen. He was a strong defender of Gustave Courbet, and was one of the first to recognize the talent of Édouard Manet. He also defended Claude Monet, James McNeill Whistler, Carolus-Duran, Fantin-Latour, and Alphonse Legros. |
 Édouard Manet, Portrait of Émile Zola, 1868, Musée d'Orsay. Émile Zola (1840-1902) was an influential French writer, and art critic. He was a major figure in the exoneration of the falsely accused and convicted army officer Alfred Dreyfus. [3] |
 Paul Signac, Félix Fénéon, 1890. A French anarchist and art critic in Paris during the late 1800s. He coined the term "Neo-impressionism" in 1886. |
 Guillaume Apollinaire (1880-1918), 1914, French poet, writer and art critic he is credited with coining the word surrealism |
 Roger Fry Self-portrait, 1928. He was described by Kenneth Clark as "incomparably the greatest influence on taste since Ruskin... In so far as taste can be changed by one man, it was changed by Roger Fry".[4] |
 Leo Stein (1872-1947), art collector/critic, elder brother of Gertrude Stein. Photo by Carl Van Vechten, November 9, 1937 |
[edit] See also
[edit] References
- ^ [1], from the Tate, retrieved April 12, 2009
- ^ Joanna Richardson, Baudelaire, St. Martin's Press, New York, 1994, p. 191, ISBN 0-312-11476-1.
- ^ J'accuse letter at French wikisource See also: Translation of J'accuse letter
- ^ IAN CHILVERS. "Fry, Roger." The Concise Oxford Dictionary of Art and Artists. 2003. Encyclopedia.com. 9 Mar. 2009 <http://www.encyclopedia.com>.Retrieved 9 March 2009
