Cooper (artist)

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Cooper
Born
Brian Cooper

1976
Miami, Florida
NationalityAmerican
Known forInstallation art, performance, photography, sculpture, film, video, sound

Cooper (stylized as COOPER; born Brian Cooper, 1976) is an American artist known for sculptures and assemblages He lives and works in Alaska.

Early life[edit]

Cooper was born and raised in Miami, Florida. He changed his name to a mononymous title in all capital letters in 1993. Graduated from the New World School of the Arts in 1995, received a BFA from the Pratt Institute in 1997, and an MFA from the University of Alabama, Tuscaloosa in 1999.

Career[edit]

Cooper's work has been published in Miami Contemporary Artists by Paul Clemence, Julie Davidow, and Elisa Turner and in Bonnie Clearwater's book Making Art in Miami, Travels in Hyper-reality, as well as Art in America, Sculpture Magazine, Art Papers, ArtNews, The New York Times, The Village Voice, Santa Fe Reporter and The Miami Herald.[citation needed]

Cooper's works are in the Rubell Family Collection and Miami Art Museum in Miami, Florida. In 2002, he received a Miami-Dade County site-specific arts commission.[citation needed]

In March 2005, the Fredric Snitzer Gallery in Miami exhibited Cooper's solo show titled "Whiskey for a Red Dawn" at which the Museum of Contemporary Art North Miami, acquired a large scale drawing titled "The finest palaces always make the most impressive ruins. So spend your money as fast as possible, and always use some sort of gold appliqué."[1] Art writer Jocelyn Adele Gonzalez comments, "The work is simultaneously humorous and distressing, and at some point lies on the edge of being socio-political."[2]

In May 2007, Dwight Hackett Projects exhibited a solo show of Cooper's sculpture called "I see a Red Door and want to Paint it Black". This exhibition included the piece titled "Dead Ringer, Low E is the Sound of Black" consisting of a baby grand piano buried underneath the gallery in a makeshift concrete tomb, a live video image of the piano was viewable on a flat screen television above the buried chamber, and a single piano key could be reached by the audience via a ground penetrating sword-like protrusion.[3]

Awards and honors[edit]

References[edit]

  1. ^ The Museum of Contemporary Art North Miami's quarterly report dated January 2008[non-primary source needed]
  2. ^ "COOPER at Fredric Snitzer Gallery" by Jocelyn Adele Gonzalez, Independent Review May 2001.
  3. ^ "Loud and Dirty" by Zane Fisher, The Santa Fe Reporter, May 2007.

External links[edit]