File:Chassériau - Comtesse de La Tour-Maubourg (née Marie-Louise-Charlotte-Gabrielle Thomas de Pange, 1816–1850).jpg

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Summary

Théodore Chassériau: Comtesse de La Tour-Maubourg (Marie-Louise-Charlotte-Gabrielle Thomas de Pange, 1816–1850)  wikidata:Q19905172 reasonator:Q19905172
Artist
Théodore Chassériau  (1819–1856)  wikidata:Q342467
 
Théodore Chassériau
Alternative names
Theodore Chasseriau; Chasseriau; Theodore Chassériau
Description French painter
Date of birth/death 20 September 1819 Edit this at Wikidata 8 October 1856 Edit this at Wikidata
Location of birth/death El Limón (Dominican Republic) Paris
Work location
Authority file
artist QS:P170,Q342467
image of artwork listed in title parameter on this page
Title
Français : La comtesse de La Tour-Maubourg (née Marie-Louise-Charlotte-Gabrielle Thomas de Pange, 1816–1850)
Object type painting Edit this at Wikidata
Genre portrait Edit this at Wikidata
Depicted people Marie-Louise-Charlotte-Gabrielle Thomas de Pange Edit this at Wikidata
Date 1840 (19th century
date QS:P571,+1850-00-00T00:00:00Z/7
), Rome
Medium oil on canvas
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
Dimensions height: 132.1 cm (52 in); width: 94.6 cm (37.2 in)
dimensions QS:P2048,132.1U174728
dimensions QS:P2049,94.6U174728
institution QS:P195,Q160236
Accession number
Notes

For Chassériau, this portrait of the comtesse de La Tour-Maubourg, wife of the French ambassador to the Holy See, expressed a subtle defiance of his teacher J.-A.-D. Ingres. Chassériau subverted Ingres's approach by casting a melancholic mood over the painting, by banishing bright colors, and by abandoning Ingres's meticulous naturalism and smooth polish for a stylized and painterly depiction of sitter and setting.

In 1840, Charlotte de Pange, the second wife of Armand-Charles-Septime de Fay, comte de La Tour-Maubourg, posed in the garden of the French embassy in Rome: the domes of the churches in Trajan's Forum and the top of the Colosseum, dark ocher in the light of the sunset, are visible at right. When the portrait was shown at the 1841 Salon, critics objected to the expressive elongation of the head, the gazelle-like eyes, the pallor of the skin, and the delicacy of the hands—qualities that today make the picture seem truly remarkable.
References
Source/Photographer metmuseum.org

Licensing

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Date/TimeThumbnailDimensionsUserComment
current06:14, 13 November 2011Thumbnail for version as of 06:14, 13 November 20112,572 × 3,610 (1.94 MB)Jimmy44== {{int:filedesc}} == {{Artwork |Artist={{Creator:Théodore Chassériau}} |Title={{fr|''La comtesse de La Tour-Maubourg (née Marie-Louise-Charlotte-Gabrielle Thomas de Pange, 1816–1850)''}} |Technique={{oil on canvas}} |Dimensions={{size|cm|132.1|94.6
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