File:Emperor Turc - Sultan Suleyman the Magnificent Wearing the Jewel-Studded Helmet.jpg

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Türkçe: Kanuni Sultan Süleyman'ın taktığı muhteşem dört katmanlı miğfer, Venedikli kuyumcular tarafından Alman girişimcilerle birlikte Osmanlı hükümdarına satılmak üzere üretilen bir grup mücevherli kıyafetin en önemli parçasıydı. Papa'nın üç katmanlı tacı örnek alınarak tasarlanan bu görünüşte imparatorluk başlığı, Süleyman'ın evrensel egemenlik hakkına işaret ediyordu. Süleyman'ın Sadrazamı İbrahim Paşa tasarımında işbirliği yapmış olabilir. Ayrıca Habsburg yönetimine meydan okumak amacıyla padişahın zenginliğinin şaşırtıcı şekilde sergilendiği Roma tarzı zafer girişleri de düzenledi. Elmas ve inci kaplı miğfer, 1532'de Venedik'teki Doge Sarayı'nda halka açık sergilendi; sanatçıyı bu gravür için miğferi dikkatli bir şekilde incelemeye sevk eden olay bu olsa gerek.
English: The magnificent four-tiered helmet that Suleyman wears was the centerpiece of a group of jeweled regalia produced by Venetian goldsmiths in conjunction with German entrepreneurs to sell to the Ottoman ruler. Modeled on the three-tiered tiara of the pope, this seemingly imperial headgear was meant to signal Suleyman’s right to universal sovereignty. Suleyman’s Grand Vizier, Ibrahim Pasha, may have collaborated on its design. He also orchestrated Roman-style triumphal entries that included staggering displays of the sultan’s wealth as a challenge to Habsburg rule. The diamond- and pearl-encrusted helmet was put on public display in the Doge’s Palace in Venice in 1532; this must have been the occasion that prompted the artist to draw a careful study of the helmet for this woodcut.
Français : Le magnifique casque à quatre niveaux que porte Soliman était la pièce maîtresse d'un groupe de bijoux fabriqués par des orfèvres vénitiens en collaboration avec des entrepreneurs allemands pour les vendre au souverain ottoman. Inspiré de la tiare à trois niveaux du pape, ce couvre-chef apparemment impérial était censé signaler le droit de Soliman à la souveraineté universelle. Le grand vizir de Suleyman, Ibrahim Pacha, a peut-être collaboré à sa conception. Il a également orchestré des entrées triomphales de style romain qui comprenaient des démonstrations stupéfiantes de la richesse du sultan pour défier le règne des Habsbourg. Le casque incrusté de diamants et de perles a été exposé au public au Palais des Doges à Venise en 1532 ; c'est sans doute l'occasion qui a incité l'artiste à dessiner une étude minutieuse du casque pour cette gravure sur bois.
Date
Source https://www.metmuseum.org/art/collection/search/338723
Author Anonymous, Italian or Venetian

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current21:54, 13 January 2024Thumbnail for version as of 21:54, 13 January 20242,148 × 3,722 (2.77 MB)Fenerbahce1994Uploaded a work by Anonymous, Italian or Venetian from https://www.metmuseum.org/art/collection/search/338723 with UploadWizard
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