Jaynie Anderson

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Jaynie Anderson

AM FAHA OSI
Born (1944-12-15) 15 December 1944 (age 79)
Melbourne, Australia
CitizenshipAustralia, United Kingdom
Scientific career
FieldsArt History, Curatorship, Conservation, Italian Renaissance Art, Australian Art History
InstitutionsUniversity of Melbourne, Melbourne, Australia
Australian Academy of the Humanities
CIHA - Comité International d'Histoire de l'Art
National Gallery of Art, Washington
J. Paul Getty Museum, Los Angeles
Kunsthistorisches Museum, Vienna
Institut national d'histoire de l'art (INHA), Paris
Ruskin School of Drawing and Fine Art, University of Oxford, Oxford, England
Villa I Tatti, The Harvard University Center for Italian Renaissance Studies, Florence

Jaynie Louise Anderson AM FAHA OSI (born 15 December 1944)[1] is an Australian art historian, writer and curator of exhibitions, known for her publications and exhibitions on Giorgione and Venetian painting. Anderson is a Professor Emeritus at the University of Melbourne. She was the Herald Chair of Fine Arts at the University of Melbourne from 1997 until 2014, and was President of International Committee of the History of Art (Comité International d'Histoire de l'Art, CIHA) from 2008 to 2012.

Academic career[edit]

She studied at the University of Melbourne and Bryn Mawr College, Philadelphia. In 1970 she was elected the first woman Rhodes Fellow at St Hugh's College, Oxford. She remained as a lecturer in art history at the Ruskin School of Drawing and Fine Art, from 1975 to 1996.[2]

In 1997 Anderson was appointed Herald Chair of Fine Arts at the University of Melbourne, a post she held until 2014.[3] Her monograph on Giorgione (1996/7) remains one of the most authoritative studies of the artist.[4]

Anderson was elected a Fellow of the Australian Academy of the Humanities in 1999.[5]

In 2008 Anderson was elected president of the International Committee of the History of Art (Comité International d'Histoire de l'Art, CIHA), in which role she developed global art history until 2012.[6]

In 2009 she was appointed Foundation Director of the Australian Institute of Art History.[7][8]

In 2015 she received an Italian knighthood from the President of the Republic of Italy, the only art historian to have been awarded the Order of the Star of Italy (Ufficiale dell’Ordine della Stella d’Italia), for her outstanding contribution to the study of Venetian art history, especially Giorgione.[9]

In the 2021 Queen's Birthday Honours Anderson was appointed a Member of the Order of Australia for "significant service to tertiary education, particularly to art history in Australia".[10]

Writings[edit]

  • Giorgione: The Painter of Poetic Brevity, Paris/New York, 1997.[11]
  • Collecting, Connoisseurship and the Art Market in Risorgimento Italy: Giovanni Morelli’s Letters to Giovanni Melli and Pietro Zavaritt (1866 - 1872), Venice, Istituto Veneto, 1999.
  • Tiepolo's Cleopatra, Melbourne: Palgrave Macmillan, 2003.[12]
  • Crossing Cultures: Conflict, Migration and Convergence. The Proceedings of the 32nd International Congress in the History of Art, The Miegunyah Press, Melbourne University Publishing, Melbourne, 2009.[13]
  • The Cambridge Companion to Australian Art, Cambridge, 2011.[14]
  • Giuseppe Molteni in Correspondence with Giovanni Morelli - The Restoration of Renaissance Painting in mid nineteenth-century Milan, Florence 2014.
  • The Creation of Indigenous Collections in Melbourne: How Kenneth Clark, Charles Mountford, and Leonhard Adam Interrogated Australian Indigeneity. Musée du Quai Branly, Paris
  • Unconstrained Passions. The Architect’s House as a Museum, Lyon Housemuseum, 2016
  • 'The Life of Giovanni Morelli in Risorgimento Italy', [{Officina Libraria, Milan}], 2019Review by Brown, David Alan, [title+Review of The life of Giovanni Morelli in Risorgimento Italy]The Burlington Magazine, 163, January 2021, pages 88–89.
  • 'The Invention of Melbourne. A Baroque Archbishop and a Gothic Architect', edited by Jaynie Anderson, Max Vodola and Shane Carmody, 2019, reprinted 2020.

References[edit]

  1. ^ Who's Who in Australia, ConnectWeb.
  2. ^ "Jaynie Anderson". National Portrait Gallery. Retrieved 5 February 2018.
  3. ^ "Melbourne academic awarded Star of Italy Knighthood". University Of Melbourne. Retrieved 14 January 2018.
  4. ^ Huntington, Richard (6 December 1997). "ART'S GREATEST HITS, AND OTHER TRIBUTES TO CREATIVITY". The Buffalo News. Retrieved 14 January 2018.
  5. ^ "Fellows: Jaynie Anderson". Australian Academy of the Humanities. Retrieved 27 October 2020.
  6. ^ Jaynie Anderson,'CIHA as the Object of Art History', in The Challeng e of the Object. Die Herausforderund des Objekts, in 32. Wissenschaftlicher Beiband zum Anzeiger des Germanischen Nationalmuseums, Proceedings of the 33rd Congress of the International Committee of the History of Art, 15 – 20 July, Nürnberg, volume 4 (2014), pp. 1474-1476.
  7. ^ Thomas, Kim (15 July 2014). "Australian and UK universities research collaborations – in pictures". the Guardian. Retrieved 25 January 2018.
  8. ^ "A new global art history: CIHA 2008 (Congress of the International Committee of the History of Art)". Artlink Magazine. Retrieved 5 February 2018.
  9. ^ Woodward, Susannah. "Professor Jaynie Anderson awarded Star of Italy Knighthood". MUSSE. Retrieved 25 January 2018.
  10. ^ "Emeritus Professor Jaynie Louise Anderson". It's An Honour. Retrieved 13 June 2021.
  11. ^ Clough, Cecil H. (2004). "Review of Giorgione: The Painter of 'Poetic Brevity": 338–340. JSTOR 24413417. {{cite journal}}: Cite journal requires |journal= (help)
  12. ^ Mateer, John (27 March 2004). "Girl with a pearl ... in her drink". The Age. Retrieved 25 January 2018.
  13. ^ Patrick McCaughey, ‘Notions of Oneness’, Australian Book Review, October, 2009, pp. 39-40.
  14. ^ Grishin, Sasha (25 February 2012). "An unusual companion". The Sydney Morning Herald. Retrieved 25 January 2018.

88-89.

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