Naim Audio

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Naim Audio Limited
Company typeprivate limited company
IndustryHigh-end audio manufacture
Founded4 June 1973[1]
HeadquartersSalisbury, England, United Kingdom
Key people
Charlie Henderson (managing director)
ProductsDigital music systems, amplifiers, cd players and loudspeakers
Revenue£27 million (in 2021)[2]
OwnerVervent Audio Group
Websitewww.naimaudio.com Edit this at Wikidata

Naim Audio is a British hi-fi manufacturer based in Wiltshire, United Kingdom.

The company was founded in 1973. Following a 2011 merger with French loudspeaker manufacturer Focal, Naim is owned by VerVent Audio Group, a French company.

History[edit]

Naim began when Julian Vereker started Naim Audio Visual in 1969 and created a sound-to-light box that he hired out to film production companies. He designed his own power amplifier. The company Naim Audio was incorporated in 1973.[1][3] The convention at the time – dating back to audio pioneer Edgar Villchur – was that the loudspeakers determined the sound of a hi-fi system, and that amplifiers were a means to an end in moving the speakers.[1]

Amplifiers[edit]

Main article: Naim Audio amplification

The first product Naim put on the market was the NAP160 power amplifier; it was followed by the NAC12 pre-amplifier.[1] The two-channel NAP 250 amplifier, launched in 1975, is perhaps Naim Audio's most well-known analogue product, as its basic circuit layout was shared by all the company's power amplifiers until the introduction of the NAP500 in 2000. The Naim NAIT, its first integrated amplifier, is "one of the most controversial and famous integrated amps in the history of HiFi".[4]

R&D[edit]

In 1983, Guy Lamotte was hired as a designer. He completed the development of the NA T01 and NAT101 FM tuners and piloted the development of the Hi-Cap power supply and the −5 modifications to the company's pre-amplification (NAC42 and 32), the NAXO active crossover and the ARO uni-pivot tonearm (developed jointly with David Beck). Lamotte privately worked on a prototype electrostatic speaker design. It was brought into the Naim fold in 1987, after the Linn/Naim partnership ended.[1][5] Roy George, who joined in 1985 and was appointed Technical Director of Naim in 2000, is credited with designing many of Naim's products.[6]

In 2019, the parent company Vervent Audio Group expected to invest more than 8% of its sales revenue in research and development.[7]

Following[edit]

The company, and its products such as the NAIT, NAC52 pre-amplifier, the ARO uni-pivot tonearm and the SBL (Separate Box Loudspeaker) have assumed cult status among devotees.[8][9]

After Vereker[edit]

The company was headed by Vereker until his death in 2000, when Paul Stephenson, then Sales Director, became Managing Director[10] until 2015. The company saw turnover increase from £6m to £20m and began digital streaming. Former R&D Director Trevor Wilson was Managing Director from 2015 to 2018.[citation needed] The business was then led by Charlie Henderson as Managing Director between 2018 and 2021,[11] and by 2021 turnover had increased to £39 million, yielding profit before tax of nearly £5 million.[2]

Design characteristics[edit]

In terms of after-sales support, Naim states they can service all products ever manufactured by them.[12]

Typically, the electronics incorporate over-engineered power supplies to the audio circuitry. Naim market independent low-noise power supplies.[1][13]

Internally, the Naim design approach can be seen by their use of materials –– the semiconductors, heavy toroidal transformers, their attention to earthing, screening and isolation from electronic and mechanical interference,[14] through to their preference for XLR connector, DIN connector and the BNC connector for phono (as opposed to the RCA connector used by almost all other manufacturers).[1][4][13]

Naim design 1990 to 1999

Until 1989, the company's electronics could be identified by their heavy black aluminium casing. Since their replacement by the 'olive' range, the earlier vintages are known as 'chrome bumper' models.[10] Electrically, the amplifiers are matched and designed to be used together. Naim warns against experimentation with other manufacturers' components,[15] particularly in the case for some "high-end" loudspeaker cables, whose L/C characteristics were said by Naim to present unstable loads to the high-current devices used in Naim power amplifiers.[4]

As with other brands such as Arcam and Cyrus, the company's instruction manuals state that "better and more consistent performance will be achieved if the system is left switched on for long periods."[16] Reviewers have remarked on equipment sounding significantly better several weeks after being left switched on.[17][18][19][20]

Digital audio[edit]

Naim CD 5

During much of the 1980s, Naim asserted that Compact Disc was a far inferior medium to the vinyl gramophone record, and Naim continued to design their products in this context.[1] The announcement in 1989 that the company was working on a CD player shocked the marketplace.[3] The player, called the CDS, was unusual for a two-box device in that Naim put the digital–analogue converter in the same box as the transport and audio circuitry, whilst keeping the power supply separate.[1] The player saw two major revisions, the CDS2 (1998) and CDS3 (2002).[21] Naim also made several less expensive single-box players such as the CD 5 XS (2009).[22] As of 2023, only the CD5si (introduced in 2012) continues to be made.[21]

Naim's Uniti range, introduced in 2009,[21] provides access to various digital streaming sources and services; these products contain power amplifiers and are connected to external speakers. The Uniti Atom received the EISA award for Best All in One System, 2018–19.[23] The Mu-so range, introduced in 2014, has internal speakers.[24]

Partnerships[edit]

Page of Naim Audio company calendar, February 1986, with image of founder Julian Vereker in a parody of a Mr Kipling advertising slogan

During much of the 1970s and 80s, Naim adopted a symbiotic relationship with Linn Products, and their names were often mentioned together.

The two companies had almost the same sales and marketing strategy, and shared many of the same retailers/dealers. Vereker, the company's founder, was active in marketing and promotion, and appeared in the company's advertising. The company's emphasis on selling products through comparative demonstrations in a single-speaker environment, was a move away from marketing space of the chain electronics stores in favour of small independent retailers [in the United Kingdom].

The two companies diverged during the 1980s. This was partly due to the convergence of technology, but also because Naim had significantly fewer dealers than Linn. This presented problems for Linn dealers trying to sell Linn speakers, that were specifically designed to work with Naim amplification. Both Naim and Linn began broadening their product ranges and started encroaching on each other's areas of expertise: in 1985, Linn launched its LK1/LK2 amplification combination, signalling the definitive end of the partnership. Naim began making loudspeakers and Linn expanded its range of electronic components. In 1987, Naim announced that chief designer Guy Lamotte had been working on a prototype electrostatic speaker design, and that a product launch was imminent. However, the product never became realised, having been cancelled because of cost escalation.[5] In 1995, Naim announced the launch of the Armageddon power supply for the LP12.[25]

In 2008, Naim partnered with car manufacturer Bentley in the "Naim for Bentley" project, an optional upgrade in-car sound system.[1]

In 2010, Naim employed 140 staff, with products exported to at least 40 countries and half of its £15 million turnover coming from export. One-third of the business was from CD players.[10] In 2011[26] and again in 2017,[27] around 60 percent of sales went to export markets.

Ownership[edit]

At the time of his death, Julian Vereker held half of the share capital of the company. The other half was owned by employees, including Paul Stephenson who owned 20 percent. Vereker bequeathed his shares to be held in a trust of which Stephenson is trustee.[10]

2011: Focal & Co[edit]

In August 2011, Naim and Focal-JMLab announced a merger of both companies. Focal & Co., the new entity to be formed to own the existing operations, would employ 325 people in total at two sites, in Saint Etienne, France, and Salisbury, UK. Pro-forma annual turnover of the new company was £48 million.[28][29] The Naim and Focal brands would continue to operate independently, while collaborating on R&D.[26]

The shareholders of Focal & Co are those that respectively owned the company prior to the merger (namely Jacques Mahul, CM-CIC and the management of Focal and Naim), suggesting the merger being executed by an exchange of shares for shares in the holding company. No ownership statistics and no valuation were mentioned.[26]

2014: Vervent Audio Group[edit]

In May 2014, French investors Naxicap Partners and French private equity firm Aquasorca announced they had acquired a majority stake in the Focal & Co group, which was renamed to Vervent Audio Group.[30][31]

In August 2017, Focal.JMLab UK Limited, the distributor of Focal speakers in the UK, was merged into Naim Audio Limited.[27] In late 2019, Alpha Private Equity became the majority shareholder of Vervent.[7] Naim Audio Limited continues to operate as a British company and as a subsidiary of Vervent.[2]

Record label[edit]

Main article: Naim Records

Naim entered into the record business to supply compact discs. The first CD to appear on the Naim record label was Electric Glide by Gary Boyle, one of the company's favourite vinyl demo records.[32] Naim's Marketing Director Ryan Latham led the record label until 2018, with James Tailby taking over in June 2018.[citation needed]

References[edit]

  1. ^ a b c d e f g h i j Everard, Andrew (6 June 2013). "A famous Naim for 40 years". What Hi-fi?. Archived from the original on 20 July 2013.
  2. ^ a b c "Naim Audio Limited: Annual Report". Companies House. 31 December 2021. pp. 5, 12. Retrieved 5 October 2022.
  3. ^ a b Price, David "Naim That Tume". Hi-Fi World Magazine. Archived from the original on 23 November 2010
  4. ^ a b c Cadeddu, Lucio ( March 2003). "Naim Nait 1 - A living legend (1983–1987)". TNT Italy. Archived from the original on 13 January 2012.
  5. ^ a b Christian Steingruber (October 2000). "History of the Naim Audio FL1". Hi-fi Answers (via personal website)[dead link]
  6. ^ Everard, Andrew (19 April 2012). "Naim SuperUniti: moving all-in-one hi-fi forward". Gramophone. Archived 28 July 2013 at the Wayback Machine
  7. ^ a b Stereo Magazine, 11 November 2019: Change of ownership at Focal-Naim
  8. ^ "NAIM CD5I". Classic Rock, pg 96, Christmas 2004[dead link]
  9. ^ Harrison, Andrew (12 May 2011). "Naim Audio UnitiQute review". PC Advisor Archived 1 March 2013 at the Wayback Machine
  10. ^ a b c d Quaschik, Hartmut (26 August 2010). "Interview with Paul Stephenson of Naim Audio UK :Once Cult – Now Facing The Future". TNT Germany. Archived from the original on 13 January 2012.
  11. ^ "Charlie Hendersen Leaves Naim Audio". Hifi Pig. 26 February 2021. Retrieved 5 October 2022.
  12. ^ Holgate, David (8 October 2003). "Naim Audio Factory Tour". TNT UK. Archived from the original on 13 January 2012.
  13. ^ a b "Modifying and building audio power supplies". www.acoustica.org.uk. Retrieved 4 May 2023.
  14. ^ Martens, Chris (15 June 2013). "Meet Your Maker: Hi-Fi+ Visits Naim Audio". Hi-Fi+. Archived 13 November 2013 at the Wayback Machine
  15. ^ "Product Manuals | Naim Audio". www.naimaudio.com. Retrieved 4 May 2023.
  16. ^ "Product Manuals". Naim Audio.
  17. ^ "Naim Nait 5i". The Hi-fi Journal, November 2009. Archived from the original on 15 July 2013.
  18. ^ Dudley, Art (30 January 2008). "Naim Supernait integrated amplifier", pg1; pg2. Stereophile. Pg1, pg2 archived from the original on 30 July 2013.
  19. ^ Loh, Joseph (22 July 2004). "To Naim a tune". The Star (Malaysia). Archived from the original on 15 July 2013.
  20. ^ What Hi-Fi? (13 September 2003). "Home review". whathifi. Retrieved 4 May 2023.
  21. ^ a b c "Product history". Naim Audio. 8 August 2014. Retrieved 28 August 2023.
  22. ^ "Naim CD5 XS CD player". Stereophile.com. 2 November 2017. Retrieved 28 August 2023.
  23. ^ "Naim Audio Uniti Atom | EISA – Expert Imaging and Sound Association". www.eisa.eu. 2018. Archived from the original on 6 September 2018.
  24. ^ "Naim Mu-so 2 review". What Hi-Fi?. 19 June 2019. Retrieved 28 August 2023.
  25. ^ Wes Phillips (9 February 1996). "Naim ARO tonearm & Armageddon turntable power supply". stereophile.com. Retrieved 11 September 2022.
  26. ^ a b c Newsome, Clare (19 August 2011). "Q&A – Naim Audio and Focal merger". What Hi-Fi?. Archived from the original on 13 January 2012.
  27. ^ a b "Naim Audio Limited: Annual Report and Financial Statements, 2017". Companies House. August 2018. Retrieved 20 July 2019.
  28. ^ "Focal and Naim, a Shared Passion for Perfect Sound". Archived from the original on 22 September 2011.
  29. ^ "Passionate about sound, Focal & Naim unite". Naim Audio. August 2011 the original on 13 January 2012
  30. ^ Sircom, Alan (8 May 2014). "Audio's transfer window". Hi-Fi+. Retrieved 20 July 2019.
  31. ^ "Vervent Audio Group". vervent-audio-group.com. Retrieved 20 July 2019.
  32. ^ Ward, Phil (June 2001) "A Naim of Note – Recording For The Naim Label". Sound on Sound Magazine. Archived from the original on 13 January 2012

External links[edit]

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