The 1980s (pronounced "nineteen-eighties", shortened to "the '80s" or "the Eighties") was a decade that began January 1, 1980, and ended December 31, 1989.
The decade saw a dominance of conservatism and free market economics, and a socioeconomic change due to advances in technology and a worldwide move away from planned economies and towards laissez-faire capitalism compared to the 1970s. As economic deconstruction increased in the developed world, multiple multinational corporations associated with the manufacturing industry relocated into Thailand, Mexico, South Korea, Taiwan, and China. Japan and West Germany saw large economic growth during this decade. The AIDS epidemic became recognized in the 1980s and has since killed an estimated 39 million people (). Global warming became well known to the scientific and political community in the 1980s.
The final decade of the Cold War opened with the US-Soviet confrontation continuing largely without any interruption. Superpower tensions escalated rapidly as President Reagan scrapped the policy of détente and adopted a new, much more aggressive stance on the Soviet Union. The world came perilously close to nuclear war for the first time since the Cuban Missile Crisis in 1962, but the second half of the decade saw a dramatic easing of superpower tensions and ultimately the total collapse of Soviet communism.
Developing countries across the world faced economic and social difficulties as they suffered from multiple debt crises in the 1980s, requiring many of these countries to apply for financial assistance from the International Monetary Fund (IMF) and the World Bank. Ethiopia witnessed widespread famine in the mid-1980s during the corrupt rule of Mengistu Haile Mariam, resulting in the country having to depend on foreign aid to provide food to its population and worldwide efforts to address and raise money to help Ethiopians, such as the Live Aid concert in 1985.
By 1986, nationalism was making a comeback in the Eastern Bloc, and the desire for democracy in socialist states, combined with economic recession, resulted in Mikhail Gorbachev's glasnost and perestroika, which reduced Communist Party power, legalized dissent and sanctioned limited forms of capitalism such as joint ventures with companies from capitalist countries. After tension for most of the decade, by 1988 relations between the communist and capitalist blocs had improved significantly and the Soviet Union was increasingly unwilling to defend its governments in satellite states.
The 1980s was an era of tremendous population growth around the world, surpassing the 1970s and 1990s, and arguably being the largest in human history. During the 1980s, the world population grew from 4.4 to 5.3 billion people. There were approximately 1.33 billion births and 480 million deaths. Population growth was particularly rapid in a number of African, Middle Eastern, and South Asian countries during this decade, with rates of natural increase close to or exceeding 4% annually. The 1980s saw the advent of the ongoing practice of sex-selective abortion in China and India as ultrasound technology permitted parents to selectively abort baby girls.
The 1980s saw great advances in genetic and digital technology. After years of animal experimentation since 1985, the first genetic modification of 10 adult human beings took place in May 1989, a gene tagging experiment which led to the first true gene therapy implementation in September 1990. The first "designer babies", a pair of female twins, were created in a laboratory in late 1989 and born in July 1990 after being sex-selected via the controversial assisted reproductive technology procedure preimplantation genetic diagnosis. Gestational surrogacy was first performed in 1985 with the first birth in 1986, making it possible for a woman to become a biological mother without experiencing pregnancy for the first time in history.
The global internet took shape in academia by the second half of the 1980s, as well as many other computer networks of both academic and commercial use such as USENET, Fidonet, and the Bulletin Board System. By 1989, the Internet and the networks linked to it were a global system with extensive transoceanic satellite links and nodes in most developed countries. Based on earlier work, from 1980 onwards Tim Berners Lee formalized the concept of the World Wide Web by 1989. Television viewing became commonplace in the Third World, with the number of TV sets in China and India increasing by 15 and 10 times respectively.
The Sega Genesis, also known as the Mega Drive outside North America, is a 16-bitfourth generationhome video game console developed and sold by Sega. It was Sega's third console and the successor to the Master System. Sega released it in 1988 in Japan as the Mega Drive, and in 1989 in North America as the Genesis. In 1990, it was distributed as the Mega Drive by Virgin Mastertronic in Europe, Ozisoft in Australasia, and Tectoy in Brazil. In South Korea, it was distributed by Samsung Electronics as the Super Gam*Boy and later the Super Aladdin Boy.
Designed by an R&D team supervised by Hideki Sato and Masami Ishikawa, the Genesis was adapted from Sega's System 16 arcade board, centered on a Motorola 68000 processor as the CPU, a Zilog Z80 as a sound controller, and a video system supporting hardware sprites, tiles, and scrolling. It plays a library of more than 900 games on ROM-based cartridges. Several add-ons were released, including a Power Base Converter to play Master System games. It was released in several different versions, some created by third parties. Sega created two network services to support the Genesis: Sega Meganet and Sega Channel. (Full article...)
... that Shanghai Trolleybus Route 20 was so popular in the 1980s that it required 65 buses to run as little as 30 seconds apart?
... that Cathie Dunsford was unable to find many books about lesbianism in the 1970s, but by the 1980s had herself become a writer and anthologist of lesbian literature?
... that in the 1980s, international LGBT organizations organized protests in Europe and the Americas in support of Belgian teacher Eliane Morissens?
... that in the 1980s, "Sherman Bonner, The Human Thermometer" presented the weather on an Arkansas TV station?
Image 12The world map of military alliances in 1980: NATO & Western allies, Warsaw Pact & other Soviet allies, Non-aligned countries, China and Albania (communist countries, but not aligned with USSR), ××× Armed resistance (from Portal:1980s/General images)
Image 14The Grateful Dead in 1980. Left to right: Jerry Garcia, Bill Kreutzmann, Bob Weir, Mickey Hart, Phil Lesh. Not pictured: Brent Mydland. (from Portal:1980s/General images)
Image 16Stage view of the Live Aid concert at Philadelphia's JFK Stadium in the United States in 1985. The concert was a major global international effort by musicians and activists to sponsor action to send aid to the people of Ethiopia who were suffering from a major famine. (from Portal:1980s/General images)
Set in rural Yorkshire during the summer of 1920, the film follows a destitute World War I veteran employed to carry out restoration work on a Medieval mural discovered in a rural church while coming to terms with the after-effects of the war. (Full article...)
Inchon's plot includes both military action and human drama. Characters face danger and are involved in various personal and dramatic situations. The film concludes with the American victory over North Korean forces in the Battle of Inchon, which is considered to have saved South Korea. Produced on $46 million with filming taking place in South Korea, California, Italy, Ireland and Japan, it encountered many problems during production, including a typhoon and the death of a cast member. Both the Unification movement and the United States military provided personnel as extras during the filming. (Full article...)
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Kids Can Say No!, stylized as Kids Can Say No, is a 1985 Britishshorteducational film produced and directed by Jessica Skippon and written by Anita Bennett. It is intended to teach children between ages five and eight how to avoid situations where they might be sexually abused, how to escape such situations, and how to get help if they are abused. In the film, Australian celebrity Rolf Harris is in a park with a group of four children and tells them about proper and improper physical intimacy, which he calls "yes" and "no" feelings. The film has four role-playing scenes in which children encounter paedophiles, with Harris and the children discussing each scene.
Harris said that he came up with the idea for the film on a 1982 Canadian tour when he saw Vancouver's Green Thumb Theatre production of Feeling Yes, Feeling No, a play about child sexual abuse. Kids Can Say No!, released in October 1985 on VHS in the United Kingdom, was the first British children's film about sexual abuse and was purchased by police forces, educational institutions, and libraries across Europe. Upon the film's release, The Times obtained opinions from four sexual-abuse experts, who unanimously opposed using Kids Can Say No! or any other film to teach children about the subject. The Australian Broadcasting Corporation received a positive response to its 1988 broadcast of Kids Can Say No! and therefore broadcast it a second time that year. Harris and Skippon collaborated on the 1986 sequel Beyond the Scare, which advises teachers about what to do if a child discloses abuse. Showings of Kids Can Say No! eventually decreased as VHS became less popular in favour of DVD-Video in the late 1990s and early to mid-2000s. (Full article...)
The Fabulous Baker Boys was Kloves's directorial debut and second screenplay. He conceived the story based on Ferrante & Teicher, a piano duo he had grown up watching perform on The Ed Sullivan Show. This inspired him to write a film about working class musicians who are also siblings. Determined to direct the film himself, Kloves sold the script to producers Paula Weinstein and Mark Rosenberg. It was subsequently rotated among several production companies before it was ultimately obtained by 20th Century Fox in 1986. Pfeiffer underwent several months of voice training to perform all of her character's songs, which largely consist of jazz and pop standards. While both Bridges brothers play their instruments on camera, their audio was dubbed by the film's composer, Dave Grusin, and musician John F. Hammond, respectively. Although primarily set in Seattle, Washington, the film was shot mostly in Los Angeles, California, from December 1988 to March 1989. (Full article...)
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Care Bears Movie II: A New Generation is a 1986 animatedmusicalfantasy film produced by LBS Communications and Nelvana. It is the third animated feature from Nelvana and the second film based on the Care Bears franchise. It was directed by Dale Schott, written by Peter Sauder, and produced by Nelvana's three founders; Michael Hirsh, Patrick Loubert, and Clive A. Smith. It stars the voices of Alyson Court, Cree Summer, Maxine Miller and Hadley Kay. In the story, The Great Wishing Star (voiced by Chris Wiggins) tells the origins of the Care Bears and the story of their first Caring Mission. True Heart Bear and Noble Heart Horse lead the other Care Bears and Care Bear Cousins in aiding Christy, a young camper who is tempted by the evil shape-shifting Dark Heart. This is also the first appearance of the Care Bear Cubs, who also had their own line of toys.
A New Generation was made over a seven-month period at Nelvana's Toronto facilities, with additional work handled by Taiwan's Wang Film Productions, and involved several crew members who had worked on the original Care Bears Movie. Patricia Cullen served as composer, and Los Angeles musicians Dean and Carol Parks worked on the film's six songs. The Samuel Goldwyn Company, the US distributor for the first film, was originally set to release the sequel, but demands from the film's producers caused the company to give up. The worldwide distribution rights were then acquired by Columbia Pictures. (Full article...)
The starting point for the script was the ensemble cast of friends and previous collaborators Jarmusch had conceived characters for, while the tripartite formal structure of the film was inspired by his study of literary forms. Cinematographer Robby Müller and musician John Lurie were among the many contributors who had been involved in earlier Jarmusch projects and returned to work on the film. Mystery Train's US$2.8 million budget (financed by Japanese conglomerate JVC) was considerable compared to what the director had enjoyed before, and allowed him the freedom to rehearse many unscripted background scenes. It was the first of Jarmusch's feature films since Permanent Vacation to depart from his trademark black-and-white photography, though the use of color was tightly controlled to conform with the director's intuitive sense of the film's aesthetic.[according to whom?] (Full article...)
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White Dog is a 1982 American dramahorror film, which Samuel Fuller directed from a screenplay he and Curtis Hanson had dramatized, which, in turn, they based on Romain Gary's 1970 novel of the same title. The film depicts the struggle of a dog trainer named Keys (Paul Winfield), who is black, trying to retrain a stray dog found by a young actress (Kristy McNichol), that is a "white dog"—a dog trained to make vicious attacks upon, and to kill, any black person. Fuller uses the film as a platform to deliver a message against racism as it examines the question of whether racism is a treatable problem or an incurable condition.
The film's theatrical release was suppressed for a week in the United States by Paramount Pictures out of concern over negative press after rumors began circulating that the film was racist. Prior to the date, it was released internationally in France in July 1982. Its first official American home video release came in December 2008 when The Criterion Collection released the original uncut film to DVD. (Full article...)
After criticism that Indiana Jones and the Temple of Doom (1984) received, Spielberg chose to make a more lighthearted film for the next installment, as well as bringing back several elements from Raiders of the Lost Ark. During the five years between The Temple of Doom and The Last Crusade, he and executive producer Lucas reviewed several scripts before accepting Jeffrey Boam's. Filming locations included Spain, Italy, West Germany, Jordan, the United Kingdom, and the United States. (Full article...)
Payanangal Mudivathillai is Sundarrajan's directorial debut and the inaugural venture of Kovaithambi's Motherland Pictures. The film was produced by R. Elanchelian, Pollachi M. V. Rathinam and P. Muthusamy. Ilaiyaraaja composed the music and S. P. Balasubrahmanyam and S. Janaki performed the songs. Cinematography was handled by Kasthuri and the editing by R. Bhaskaran. (Full article...)
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Aliens is a 1986 science fictionaction film written and directed by James Cameron. It is the sequel to the 1979 science fiction horror film Alien, and the second film in the Alien franchise. Set in the far future, it stars Sigourney Weaver as Ellen Ripley, the sole survivor of an alien attack on her ship. When communications are lost with a human colony on the moon where her crew first saw the alien creatures, Ripley agrees to return to the site with a unit of Colonial Marines to investigate. Michael Biehn, Paul Reiser, Lance Henriksen, and Carrie Henn are featured in supporting roles.
Despite the success of Alien, its sequel took years to develop due to lawsuits, a lack of enthusiasm from 20th Century Fox, and repeated management changes. Although relatively inexperienced, Cameron was hired to write a story for Aliens in 1983 on the strength of his scripts for The Terminator (1984) and Rambo: First Blood Part II (1985). The project stalled again until new Fox executive Lawrence Gordon pursued a sequel. On an approximately $18.5million budget, Aliens began principal photography in September 1985 and concluded in January 1986. Like its development, filming was tumultuous and rife with conflicts between Cameron and the British crew at Pinewood Studios. The difficult shoot affected the composer, James Horner, who was given little time to record the music. (Full article...)
Goldman began writing the script in 1971, deriving inspiration from his encounters with dysfunctional couples. He spent several years trying to secure a major film studio to produce it before taking it to 20th Century Fox. Parker learned of the script as he was developing Fame (1980), and he later worked with Goldman to rewrite it. After an unsuccessful pre-production development at Fox, Parker moved the project to Metro-Goldwyn-Mayer, which provided a budget of $12 million. Principal photography lasted 62 days, in the period from January to April 1981, on location in Marin County. (Full article...)
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Roar is a 1981 American adventurecomedy film written and directed by Noel Marshall, and produced by Marshall and Tippi Hedren. Its plot follows Hank, a naturalist who lives on a nature preserve in Africa with lions, tigers, and other big cats. When his family visits him, they are instead confronted by the group of animals. The film stars Marshall as Hank, his real-life wife Tippi Hedren as his wife Madeleine, with Hedren's daughter Melanie Griffith and Marshall's sons John and Jerry Marshall in supporting roles.
In 1969, while Hedren was filming Satan's Harvest in Mozambique, she and Marshall had occasion to observe a pride of lions move into a recently vacated house, driven by increased poaching. They decided to make a film centered around that theme, with production starting when the first script was completed in 1970. They began bringing rescued big cats into their homes in California and living with them. Filming began in 1976; it was finished after five years. The film was fully completed after 11 years in production. (Full article...)
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