Straw Dogs

From Wikipedia, the free encyclopedia

Jump to: navigation, search
Straw Dogs

U.S. theatrical poster for Straw Dogs.
Directed by Sam Peckinpah
Produced by Daniel Melnick
Written by Novel:
Gordon Williams
Screenplay:
David Zelag Goodman
Sam Peckinpah
Starring Dustin Hoffman
Susan George
Music by Jerry Fielding
Cinematography John Coquillon
Editing by Paul Davies
Tony Lawson
Roger Spottiswoode
Distributed by Cinerama Releasing Corporation
Release date(s) Flag of the United States December 29, 1971
Running time R-rated Version:
113 min.
Uncut Version:
118 min.
Country  United States
Language English
This article is about the film. For the band, see Straw Dogs (band). For the book, see Straw Dogs: Thoughts on Humans and Other Animals.

Straw Dogs is a 1971 film directed by Sam Peckinpah which stars Dustin Hoffman and Susan George. A dark, domestic psychological thriller, the screenplay by Peckinpah and David Zelag Goodman is based on the novel, The Siege of Trencher's Farm by Gordon Williams.[1]

Controversial to this day, the film is noted for its violent concluding sequences and a complicated rape scene that critics point to as an example of Peckinpah's (and Hollywood's) debasement of women.[2] Released theatrically the same year as A Clockwork Orange, The French Connection, and Dirty Harry, the film sparked heated controversy over the perceived escalation of violence in cinema.[3][4] Nevertheless, it is considered one of Peckinpah's greatest films.[5]

Contents

[edit] Plot

David Sumner (Dustin Hoffman), a timid American mathematician, leaves the chaos of college anti-war protests to live with his young wife Amy (Susan George) in her native village in Cornwall on the south coast of Great Britain. Almost immediately, there is tension between the couple as David becomes immersed in his academic work while ignoring Amy. Craving attention, Amy begins to flirt with several of the town locals (Jim Norton, Ken Hutchison, Donald Webster) doing repair work on the couple's isolated farmhouse. One of these locals is Amy's former lover Charlie Venner (Del Henney).

Amy's flirtations and David's intellectual reserve create resentment and the workmen begin to taunt and harass them. David discovers their pet cat strangled and hanging by a light chain in their bedroom closet. Amy claims the workmen did it to prove they could get into their bedroom and to intimidate David. She presses him to confront the villagers, but he refuses. David tries to win their friendship, and they invite him to go hunting in the woods the next day. During the hunting trip, the workmen take him to a remote forest meadow and leave him there with the promise they will drive the birds towards him. Having ditched David, Charlie Venner returns to the couple's farmhouse where he confronts Amy. He forcibly rapes her. A second villager arrives and forces Venner by shotgun to hold Amy down while he rapes her.

After several hours, David realizes he's been tricked and returns home to find a disheveled and withdrawn Amy. She does not tell him about the gang rape. Later that week, they attend a church social where Amy becomes distraught after seeing the men who raped her. David and Amy leave the social early and while driving home through thick fog they accidentally hit the village idiot Henry Niles (David Warner). They take the injured Niles to their home and David phones the local pub about the accident. Unbeknown to him, earlier that evening Niles strangled a young girl from the village and now her father and the workmen are looking for Niles.

The phone call alerts them to Niles's whereabouts. Soon the drunken locals, including the men who raped Amy, are pounding on the door of the Sumners' home. After a few minutes of their breaking the windows and hammering on the door, the local magistrate arrives and after attempting to defuse the situation, is shot dead by the young girl's father by accident. It's decided at that point that the father and the workmen agree that they cannot go back on what they've done, but only continue. At this point, David realizes that they will not allow anyone in the house to live and begins preparing to defend his home. First he boils two saucepans full of cooking oil. Then, when one of the men attempts to unlock the window, he ties his hands together at knife point. As more men appear at another window, he scalds them with the boiling oil, temporarily incapacitating them. Then he lays down a large bear trap in his living room and sends Amy upstairs to hide. As two more men enter and attempt to shoot him, he knocks the shotgun out of one of their hands, causing it to go off and blow off the man's foot. He then engages in a fight with the other man, beating him to death with a fire poker. Finally, Charlie appears and holds David at gunpoint, but before he can shoot him, the two hear Amy screaming. As they both run upstairs to rescue her, the fifth man is there attempting to rape her. Charlie shoots him and David begins to fight Charlie. As they reach the living room, David, despite Amy's pleas not to, kills Charlie by hitting him over the head with the bear trap. As David looks at the carnage around him, he exclaims 'Jesus, I got 'em all.' He is then attacked by one of the villagers, who is shot by Amy. At the end of the film, David is driving Niles to town, when the latter turns and says: "I don't know my way home". David solemnly replies: "That's okay, I don't either".

[edit] Production

Sam Peckinpah's two previous films, The Wild Bunch (1969) and The Ballad of Cable Hogue (1970), had been made at Warner Bros.-Seven Arts.[6] He was effectively terminated from the company after the chaotic filming of Cable Hogue wrapped 19 days over schedule and $3 million over budget. Left with a limited number of directing jobs, Peckinpah was forced to travel to England to direct Straw Dogs. Produced by Daniel Melnick, who had previously worked with Peckinpah on his 1966 television film Noon Wine, the screenplay was based on the novel The Siege of Trencher's Farm by Gordon Williams.[7].

Peckinpah's adaptation of the novel drew inspiration from the books African Genesis and The Territorial Imperative by Robert Ardrey, which argued that man was essentially a carnivore who instinctively battled over control of territory. A significant difference between the novel and the movie is the Sumner couple have a daughter who is also trapped in the farmhouse. Peckinpah removed the daughter and rewrote the character of Amy Sumner as a younger and more liberated woman.[8] The movie was filmed on location at St Buryan in Cornwall.[9]

Beau Bridges, Stacy Keach, Sidney Poitier, Jack Nicholson and Donald Sutherland were considered for the lead role of David Sumner before Dustin Hoffman was hired.[10] Hoffman agreed to do the film because he was intrigued by the character, a pacifist unaware of his feelings and potential for violence that were the very same feelings he abhorred in society.[11] In the role of Amy, Judy Geeson, Jacqueline Bisset, Diana Rigg, Helen Mirren, Carol White, Charlotte Rampling and Hayley Mills were considered before the eventual casting of Susan George.[12] Hoffman disagreed with the casting, as he felt his character would never marry such a "Lolita-ish" kind of girl. Peckinpah insisted on George, an unknown actress at that time.[13]

[edit] Reception

Straw Dogs was controversial on its release in 1971, and remains so today, mostly because of the prolonged rape scene that is the film's centerpiece. Feminist cinema critics accused director Peckinpah of glamourising rape and of engaging in misogynistic sadism,[14][15] especially disturbed by the scene's ambiguity — after initially resisting, Amy appears to enjoy the rape, although afterwards she has traumatic flashbacks. Peckinpah's defenders claim the scene was unambiguously horrifying, that Amy's trauma was truthfully portrayed.[16]

The violence of Straw Dogs aroused strong reactions, many critics seeing an endorsement of violence as redemption, and the film as fascist celebration of violence and vigilantism, while others see it as anti-violence, noting the bleak ending consequent to the violence.[17] Director Peckinpah defended Straw Dogs as an exploration, not an endorsement, of violence, that was purging him of obsessions with violence resulting from human inability to communicate; that David is the story's true villain — deliberately, yet subconsciously, provoking the violence, his concluding homicidal rampage is his true self.[18]

[edit] Censorship

The studio edited the first rape scene before releasing the film in the US, to earn R rating from the MPAA.[19] In 1984, Straw Dogs gained more notoriety in the UK after the British Board of Film Classification banned it per the newly-introduced Video Recordings Act, because of Amy Sumner's violent rape.[20] The film had been released theatrically in the United Kingdom, gaining an 'X' rating in 1971, and an 18 rating for the cut version in 1995. In 1999, a partially cut version of Straw Dogs again was refused a licence, the BBFC objecting to what it considered the "the clear indication that Amy comes to enjoy being raped".[21]

On 1st of July 2002, Straw Dogs finally was certified unedited for video tape and DVD.[1] This version was uncut, and therefore included the second rape scene, in which the BBFC's opinion "Amy is clearly demonstrated not to enjoy the act of violation".[22] The BBFC noted that

“ The cuts made for American distribution, which were made to reduce the duration of the sequence, therefore tended paradoxically to compound the difficulty with the first rape, leaving the audience with the impression that Amy enjoyed the experience. The Board took the view in 1999 that the pre-cut version eroticised the rape and therefore raised concerns with the Video Recordings Act about promoting harmful activity.

The version considered in 2002 is substantially the original uncut version of the film, restoring much of the unambiguously unpleasant second rape. The ambiguity of the first rape is given context by the second rape, which now makes it quite clear that sexual assault is not something that Amy ultimately welcomes.

 ”

[edit] Remake

Rod Lurie will direct a remake of Straw Dogs which is scheduled for release on August 13, 2010.The film is currently being shot in Shreveport, Louisiana.[23]

[edit] Meaning of "straw dog"

The term "straw dog" appears in many English translations of the Tao Te Ching (the "Book of the Way"), attributed to the ancient Chinese philosopher Lao Tzu, and divided into 81 short sections or "chapters." One such translation interprets Chapter 5 thus[citation needed]:

“ Heaven and earth are ruthless, and treat the myriad creatures as straw dogs;

the sage is ruthless, and treats the people as straw dogs.

 ”
“ 天地不仁，以萬物為芻狗，聖人不仁，以百姓為芻狗。 ”


Theories as to the phrase's exact meaning vary[24]. In D.C. Lau's frequently cited and often disputed 1963 translation, Lau explains that the term refers to the ancient practice of constructing animal figures out of straw for use as religious offerings. Such figures would be treated with utmost reverence prior to the sacrificial fires—but afterward, their ashes were swept up and discarded with the common refuse.

In a filmed interview included with the Criterion Collection DVD of Straw Dogs, producer Daniel Melnick reveals that he and Peckinpah were very dissatisfied with "The Siege of Trencher's Farm" as a title for the film. An informal "contest" was held among the film crew and even "the hotel waiters" during production for the best suggested title. It was a crew member (unnamed by Melnick) and close associate of Peckinpah who suggested the term from the Tao Te Ching. According to Melnick, it is a term that, in the context of the film, "means nothing".

[edit] References

  1. ^ a b "Internet Movie Database, Straw Dogs". imdb.com. http://www.imdb.com/title/tt0067800/. Retrieved on 2007-10-23. 
  2. ^ Weddle, David (1994). "If They Move...Kill 'Em!". Grove Press. pp. 399–400. ISBN 0–8021–3776–8. 
  3. ^ Simmons, Garner (1982). Peckinpah, A Portrait in Montage. University of Texas Press. pp. 137–138. ISBN 0–292–76493–6. 
  4. ^ "Salon.com article, "Eyes Opening Up" by Michael Sragow". salon.com. http://www.salon.com/ent/col/srag/1999/07/29/straw/index.html. Retrieved on 2007-10-24. 
  5. ^ Weddle, David (1994). "If They Move...Kill 'Em!". Grove Press. pp. 12. ISBN 0–8021–3776–8. 
  6. ^ "Internet Movie Database, Sam Peckinpah". imdb.com. http://www.imdb.com/name/nm0001603/. Retrieved on 2007-10-23. 
  7. ^ Weddle, David (1994). "If They Move...Kill 'Em!". Grove Press. pp. 391–393. ISBN 0–8021–3776–8. 
  8. ^ Weddle, David (1994). "If They Move...Kill 'Em!". Grove Press. pp. 396–397. ISBN 0–8021–3776–8. 
  9. ^ "Internet Movie Database, Filming locations for Straw Dogs". imdb.com. http://www.imdb.com/title/tt0067800/locations. Retrieved on 2007-10-23. 
  10. ^ Weddle, David (1994). "If They Move...Kill 'Em!". Grove Press. pp. 403. ISBN 0–8021–3776–8. 
  11. ^ Simmons, Garner (1982). Peckinpah, A Portrait in Montage. University of Texas Press. pp. 125. ISBN 0–292–76493–6. 
  12. ^ Weddle, David (1994). "If They Move...Kill 'Em!". Grove Press. pp. 410. ISBN 0–8021–3776–8. 
  13. ^ Simmons, Garner (1982). Peckinpah, A Portrait in Montage. University of Texas Press. pp. 126. ISBN 0–292–76493–6. 
  14. ^ Weddle, David (1994). "If They Move...Kill 'Em!". Grove Press. pp. 399–400. ISBN 0–8021–3776–8. 
  15. ^ Weddle, David (1994). "If They Move...Kill 'Em!". Grove Press. pp. 426–428. ISBN 0–8021–3776–8. 
  16. ^ Weddle, David (1994). "If They Move...Kill 'Em!". Grove Press. pp. 399–400. ISBN 0–8021–3776–8. 
  17. ^ Simmons, Garner (1982). Peckinpah, A Portrait in Montage. University of Texas Press. pp. 137–138. ISBN 0–292–76493–6. 
  18. ^ Simmons, Garner (1982). Peckinpah, A Portrait in Montage. University of Texas Press. pp. 137–138. ISBN 0–292–76493–6. 
  19. ^ Simmons, Garner (1982). Peckinpah, A Portrait in Montage. University of Texas Press. pp. 137. ISBN 0–292–76493–6. 
  20. ^ "Internet Movie Database, Trivia for Straw Dogs". imdb.com. http://www.imdb.com/title/tt0067800/trivia. Retrieved on 2007-10-23. 
  21. ^ "The BBFC has refused a certificate for a video version of this 1971 film". 1999-06-02. http://www.bbfc.co.uk/news/press/19990602.html. 
  22. ^ "BBFC passes STRAW DOGS uncut on video". 2002-07-01. http://www.bbfc.co.uk/news/press/20020701.html. 
  23. ^ Straw Dogs (2010) @ Comingsoon.net
  24. ^ Kam-leung Chan, Alan. Two Visions of the Way. SUNY Press. p. 62. ISBN 0791404552. http://books.google.com/books?id=FgDEZmK1bDYC&pg=PA62&lpg=PA62&dq=%22ten+thousand+things%22+%22straw+dogs%22&source=bl&ots=nwur-u8KjV&sig=PmQYvyKfh6b779k_SvBZKLHVs7w&hl=en&sa=X&oi=book_result&resnum=4&ct=result. 

[edit] External links

v • d • e
Films directed by Sam Peckinpah
1960s
1970s
The Ballad of Cable Hogue (1970) · Straw Dogs (1971) · Junior Bonner (1972) · The Getaway (1972) · Pat Garrett and Billy the Kid (1973) · Bring Me the Head of Alfredo Garcia (1974) · The Killer Elite (1975) · Cross of Iron (1977) · Convoy (1978)
1980s
Retrieved from "http://en.wikipedia.org/wiki/Straw_Dogs"
Personal tools