Trevor Howard
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- For the footballer, see: Trevor Howard (footballer)
| Trevor Howard | |
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| Born | Trevor Wallace Howard-Smith 29 September 1913 Cliftonville, Kent, England |
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| Died | 7 January 1988 (aged 74) Bushey, Hertfordshire, England |
| Occupation | Actor |
| Years active | 1944 - 1988 |
| Spouse(s) | Helen Cherry (1944 - 1988) |
Trevor Howard, CBE (29 September 1913 – 7 January 1988), born Trevor Wallace Howard-Smith, was an English film, stage and television actor.
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[edit] Early life
Trevor Wallace Howard-Smith was born in Cliftonville, Margate, Kent, England, on 29 September, 1913, the only son and elder child of Arthur John Howard-Smith, who worked as the Ceylon representative for Lloyd's of London, and his Canadian wife, Mabel Grey Wallace, a nurse. Until he was five, he lived in Colombo, Ceylon, but then travelled with his mother until the age of eight, when he was sent to school at Clifton College, Bristol.
Howard attended the Royal Academy of Dramatic Art (RADA), acting on the London stage for several years before World War II. His first paid work was in the play Revolt in a Reformatory (1934), before he left RADA in 1935 to take small roles. That year, he was spotted by a Paramount studio talent scout, but turned down the offer of film work in favour of a career in theatre. This decision seemed justified when, in 1936, he was invited to join the Stratford Memorial Theatre and, in London, given the role of one of the students in French without Tears by Terence Rattigan, which ran for two years. He returned to Stratford in 1939.
[edit] World War II
At the outbreak of World War II, Howard volunteered for the RAF and British Army, but was turned down by both. However, in 1940, after working at the Colchester repertory theatre, he was called up into the Royal Corps of Signals, airborne division, becoming a Second Lieutenant, before he was invalided out in 1943. Although stories of his courageous wartime service earned him much respect among fellow actors and fans alike, files held in the Public Records Office reveal he had actually been discharged from the Army for mental instability and having a "psychopathic personality".[1] The stories were originally fabricated without his consent for publicity purposes,[2] although Howard also recounted how he had parachuted into Nazi-occupied Norway and fought in the Allied invasion of Sicily.
[edit] Acting career
Howard moved back to the theatre in The Recruiting Officer (1943), where he met the actress Helen Cherry; they married in 1944 and stayed together until Howard's death in 1988.
A short part in one of the best British war films, The Way Ahead (1944), provided a springboard into cinema. This was followed by The Way to the Stars (1945), which led to the role for which Howard became well known, the doctor in the 1945 film Brief Encounter opposite co-star Celia Johnson. Directed by David Lean, the film won an award at the Cannes Film Festival and considerable critical acclaim for Howard. Next came two successful Frank Launder and Sidney Gilliat thrillers, I See a Dark Stranger (1945) and Green for Danger (1946), followed by They Made Me a Fugitive (1947), to which the roots of British realism in cinema can be traced. In 1947, he was invited by Laurence Olivier to play Petruchio in an Old Vic production of The Taming of the Shrew. Despite The Times declaring, "We can remember no better Petruchio",[3] the opportunity of working again with David Lean, in The Passionate Friends (1949), drew Howard back to film and, although he had a solid reputation as a theatre actor, his dislike of long runs, and the attractions of travel afforded by film, convinced him to concentrate on cinema from this point.[4]
Howard's film reputation was secured in The Third Man (1949). He played the character type with which he became most associated, the slightly dry, slightly crusty, but capable British military officer. Shortly thereafter, he worked with Lean again, co-starring in The Passionate Friends (1949) with Ann Todd and Claude Rains, playing a very similar character to Alec in Brief Encounter. He also starred in The Key, (1958; based on a Jan de Hartog novel), for which he received the best actor award from the British Academy of Film and Television Arts and Sons and Lovers, (1960), for which he was nominated for an Academy Award for Best Actor. Another notable film was The Heart of the Matter (1953), another Graham Greene story, in which he produced probably his best screen performance.
After time went on, Howard easily shifted to being one of England's finest character actors, many times appearing in war and period pieces. Howard's later works included such films as Mutiny on the Bounty (1962), Father Goose (1964), Morituri (1965), Von Ryan's Express (1965), The Charge of the Light Brigade (1968), Battle of Britain (1969), Ryan's Daughter (1970), Superman (1978), and Gandhi (1982). The Dawning (1988) was his final film. One of his strangest films, and one he took great delight in, was Vivian Stanshall's 1980 Sir Henry at Rawlinson End in which he played the title role.
In television, Howard began to find more substantial roles. In 1962, he played Løvborg in Hedda Gabler with Ingrid Bergman. He won an Emmy award the following year as Disraeli in The Invincible Mr Disraeli. In the 1970s, he was acclaimed for his playing of an abbot in ITV Saturday Night Theatre's" "Catholics (1973). He received an Emmy nomination in 1975 for his role as Abbé Faria in a television version of The Count of Monte Cristo. The decade ended with him reunited with Celia Johnson, giving a moving performance in the nostalgic Staying On (1980), written by Paul Scott.
The 1980s saw a resurgence of Howard as a film actor. The role of a Cheyenne Indian in Windwalker (1980) revitalized his acting. He continued with cameo roles, including Judge Broomfield in Gandhi (1982). His final films were White Mischief and The Dawning, both released in 1988.
Howard did not abandon the theatre altogether in 1947, returning to the stage on occasion, most notably as Lopakhin in The Cherry Orchard (1954) and the captain in The Father (1964). His last appearance on the British stage was in Waltz of the Toreadors in 1974.
Throughout his film career Howard insisted that all of his contracts held a clause excusing him from work whenever a cricket Test Match was being played.
[edit] Personal life
Howard is sometimes described as a serial philanderer who cheated on his loyal wife. During the filming of The Golden Salamander (1949), for instance, the English press widely reported that Howard was engaged in an affair with co-star Anouk Amiée, but this was based on nothing other than rumour. There is little evidence that Howard was anything other than a devoted husband and his marriage to Helen, though childless, appears to have been extremely happy. "Wonderful woman, my Helen. My life with her is one I'd like to keep to myself. From the day she came into my life [...] there's never been a moment when I've not wanted her, and only her. Never fooled around, amigo. Never wanted to, never needed to."[5]
However, Howard's reputation as a hard drinker was genuine enough. Following the filming of Von Ryan's Express (1965), Frank Sinatra would often comment that he had finally acted opposite "a guy who makes Dean Martin's drinking look like kid's stuff".[6] Under the influence of alcohol, he could embark on some celebrated exploits, the most famous of which led to his arrest in Vienna during the filming of The Third Man. "One evening I discovered a place which had a band [...] and just couldn't resist it. Problem was I was playing a British Military Police Chief, and I still had my uniform on [...] In no time at all I was conducting the band, having a few drinks and thoroughly enjoying myself. Some soldier saw me, realised I wasn't a real major and I suppose he thought I was impersonating an officer or whatever. Anyway, the silly bugger called the police and I was arrested. The next morning someone from the production office turned up and said, 'Please can we have our actor back?'"[7]
In 1981, Howard collaborated for the first time in a biography being written by Terence Pettigrew. (It was published in 2001 by Peter Owen). One day, in his local pub, a man congratulated Howard for his performance in The Cruel Sea, a 1953 film starring Jack Hawkins. Howard kept a straight face and pretended to be Hawkins. Afterwards, he told Pettigrew, "the chap was so sure he was right, I hadn't the heart to disillusion him."
Despite his drinking, Howard remained immaculately reliable and professional on set, never allowing alcohol to affect his work. Despite his perhaps gruff outward appearance, he was consistently praised for his courteous and gentlemanly behaviour, and was an extremely amiable and accessible actor. However, he had a famous distaste for Yul Brynner and Marlon Brando, two agenda-setting egos on the film set, both of whom he was unable to avoid working with more than once.
He died on 7 January, 1988, from a combination of bronchitis, influenza and jaundice, in Arkley, Barnet at the age of 74, survived by his widow Helen.
[edit] Shakespeare
Howard left behind just two Shakespeare performances, the first, recorded in the 1960s, was as Petruchio opposite Margaret Leighton's Kate in Caedmon Records' complete recording of The Taming of the Shrew; the second was in the title role of King Lear for the BBC World Service in 1986.
[edit] Partial filmography
- The Way Ahead (1944)
- Brief Encounter (1945)
- The Way to the Stars (1945)
- I See a Dark Stranger (1946)
- Green for Danger (1946)
- They Made Me a Fugitive (1947)
- So Well Remembered (1947)
- The Passionate Friends (1949)
- The Third Man (1949)
- Odette (1950)
- The Clouded Yellow (1951)
- Outcast of the Islands (1952)
- The Gift Horse (1952)
- The Heart of the Matter (1953)
- The Cockleshell Heroes (1955)
- Run for the Sun (1956)
- Around the World in Eighty Days (1956)
- Interpol (1957)
- The Key (1958)
- The Roots of Heaven (1958)
- Sons and Lovers (1960)
- The Lion (1962)
- Mutiny on the Bounty (1962)
- Father Goose (1964)
- Operation Crossbow (1965)
- Von Ryan's Express (1965)
- Morituri (1965)
- The Poppy Is Also a Flower (1966)
- Triple Cross (1966)
- Pretty Polly (1967)
- The Long Duel (1967)
- The Charge of the Light Brigade (1968)
- Battle of Britain (1969)
- Ryan's Daughter (1970)
- Kidnapped (1971)
- Mary, Queen of Scots (1972)
- The Offence (1972)
- Pope Joan (1972)
- Ludwig (1972)
- A Doll's House (1973) (TV)
- Catholics (1973)
- 11 Harrowhouse (1974)
- Persecution (1974)
- The Count of Monte Cristo (1975) (TV)
- Conduct Unbecoming (1975)
- Aces High (1976)
- Albino (1976)
- The Last Remake of Beau Geste (1977)
- Superman (1978)
- Meteor (1979)
- The Sea Wolves (1980)
- Windwalker (1980)
- Sir Henry at Rawlinson End (1980)
- Light Years Away, also known as Les Années lumière (1981)
- The Missionary (1982)
- Gandhi (1982)
- Sword of the Valiant (1984)
- Time After Time (1986)
- Shaka Zulu (1986)
- The Dawning (1988)
- The Unholy (1988)
[edit] References
- ^ Rachel Williams (3 March, 2008). "A CV that proved a recipe for disaster - US channel axes British celebrity chef / The other pork pies". The Guardian. http://www.guardian.co.uk/media/2008/mar/03/television.usa.
- ^ Oxford Dictionary of National Biography, Lib Taylor, 'Howard, Trevor (1913–1988)' Online edition
- ^ The Times, November 5, 1947
- ^ See Pettigrew
- ^ Munn, Michael - "Trevor Howard: The Man & His Films" Scarborough House 1989 (p. 42)
- ^ ibid (p. 102)
- ^ ibid (p. 39)
[edit] External links
- Trevor Howard at the Internet Movie Database
- Trevor Howard in the Archive of the University of Bristol
- Trevor Howard at Find A Grave
[edit] References and sources
- M. Munn, Trevor Howard: the man and his films, 1989
- V. Knight, Trevor Howard: a gentleman and a player, 1986
- T. Pettigrew, Trevor Howard: a personal biography, 2001
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