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India, officially the Republic of India (ISO: Bhārat Gaṇarājya), is a country in South Asia. It is the seventh-largest country by area; the most populous country as of June 2023; and from the time of its independence in 1947, the world's most populous democracy. Bounded by the Indian Ocean on the south, the Arabian Sea on the southwest, and the Bay of Bengal on the southeast, it shares land borders with Pakistan to the west; China, Nepal, and Bhutan to the north; and Bangladesh and Myanmar to the east. In the Indian Ocean, India is in the vicinity of Sri Lanka and the Maldives; its Andaman and Nicobar Islands share a maritime border with Thailand, Myanmar, and Indonesia. (Full article...)

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  • Image 1 India, officially the Republic of India (ISO: Bhārat Gaṇarājya), is a country in South Asia. It is the seventh-largest country by area; the most populous country as of June 2023; and from the time of its independence in 1947, the world's most populous democracy. Bounded by the Indian Ocean on the south, the Arabian Sea on the southwest, and the Bay of Bengal on the southeast, it shares land borders with Pakistan to the west; China, Nepal, and Bhutan to the north; and Bangladesh and Myanmar to the east. In the Indian Ocean, India is in the vicinity of Sri Lanka and the Maldives; its Andaman and Nicobar Islands share a maritime border with Thailand, Myanmar, and Indonesia. Modern humans arrived on the Indian subcontinent from Africa no later than 55,000 years ago. Their long occupation, initially in varying forms of isolation as hunter-gatherers, has made the region highly diverse, second only to Africa in human genetic diversity. Settled life emerged on the subcontinent in the western margins of the Indus river basin 9,000 years ago, evolving gradually into the Indus Valley Civilisation of the third millennium BCE. By 1200 BCE, an archaic form of Sanskrit, an Indo-European language, had diffused into India from the northwest. Its evidence today is found in the hymns of the Rigveda. Preserved by an oral tradition that was resolutely vigilant, the Rigveda records the dawning of Hinduism in India. The Dravidian languages of India were supplanted in the northern and western regions. By 400 BCE, stratification and exclusion by caste had emerged within Hinduism, and Buddhism and Jainism had arisen, proclaiming social orders unlinked to heredity. Early political consolidations gave rise to the loose-knit Maurya and Gupta Empires based in the Ganges Basin. Their collective era was suffused with wide-ranging creativity, but also marked by the declining status of women, and the incorporation of untouchability into an organised system of belief. In South India, the Middle kingdoms exported Dravidian-languages scripts and religious cultures to the kingdoms of Southeast Asia. (Full article...)

    India, officially the Republic of India (ISO: Bhārat Gaṇarājya), is a country in South Asia. It is the seventh-largest country by area; the most populous country as of June 2023; and from the time of its independence in 1947, the world's most populous democracy. Bounded by the Indian Ocean on the south, the Arabian Sea on the southwest, and the Bay of Bengal on the southeast, it shares land borders with Pakistan to the west; China, Nepal, and Bhutan to the north; and Bangladesh and Myanmar to the east. In the Indian Ocean, India is in the vicinity of Sri Lanka and the Maldives; its Andaman and Nicobar Islands share a maritime border with Thailand, Myanmar, and Indonesia.

    Modern humans arrived on the Indian subcontinent from Africa no later than 55,000 years ago.
    Their long occupation, initially in varying forms of isolation as hunter-gatherers, has made the region highly diverse, second only to Africa in human genetic diversity. Settled life emerged on the subcontinent in the western margins of the Indus river basin 9,000 years ago, evolving gradually into the Indus Valley Civilisation of the third millennium BCE.
    By 1200 BCE, an archaic form of Sanskrit, an Indo-European language, had diffused into India from the northwest. Its evidence today is found in the hymns of the Rigveda. Preserved by an oral tradition that was resolutely vigilant, the Rigveda records the dawning of Hinduism in India. The Dravidian languages of India were supplanted in the northern and western regions.
    By 400 BCE, stratification and exclusion by caste had emerged within Hinduism,
    and Buddhism and Jainism had arisen, proclaiming social orders unlinked to heredity.
    Early political consolidations gave rise to the loose-knit Maurya and Gupta Empires based in the Ganges Basin.
    Their collective era was suffused with wide-ranging creativity, but also marked by the declining status of women, and the incorporation of untouchability into an organised system of belief. In South India, the Middle kingdoms exported Dravidian-languages scripts and religious cultures to the kingdoms of Southeast Asia. (Full article...)
  • Image 2 Darjeeling (/dɑːrˈdʒiːlɪŋ/, Bengali: [ˈdarˌdʒiliŋ], Nepali: [ˈdard͡ziliŋ]) is a city in the northernmost region of the Indian state of West Bengal. Located in the Eastern Himalayas, it has an average elevation of 2,045 metres (6,709 ft). To the west of Darjeeling lies the easternmost province of Nepal, to the east the Kingdom of Bhutan, to the north the Indian state of Sikkim, and farther north the Tibet Autonomous Region region of China. Bangladesh lies to the south and southeast, and most of the state of West Bengal lies to the south and southwest, connected to the Darjeeling region by a narrow tract. Kangchenjunga, the world's third-highest mountain, rises to the north and is prominently visible on clear days. In the early 19th century, during East India Company rule in India, Darjeeling was identified as a potential summer retreat for British officials, soldiers and their families. The narrow mountain ridge was leased from the Kingdom of Sikkim, and eventually annexed to British India. Experimentation with growing tea on the slopes below Darjeeling was highly successful. Thousands of labourers were recruited chiefly from Nepal to clear the forests, build European-style cottages and work in the tea plantations. The widespread deforestation displaced the indigenous peoples. Residential schools were established in and around Darjeeling for the education of children of the domiciled British in India. By the late-19th century, a novel narrow-gauge mountain railway, the Darjeeling Himalayan Railway, was bringing summer residents into the town and carrying a freight of tea out for export to the world. After India's independence in 1947, as the British left Darjeeling, its cottages were purchased by wealthy Indians from the plains and its tea plantations by out-of-town Indian business owners and conglomerates. (Full article...)

    Darjeeling (/dɑːrˈdʒiːlɪŋ/, Bengali: [ˈdarˌdʒiliŋ], Nepali: [ˈdard͡ziliŋ]) is a city in the northernmost region of the Indian state of West Bengal. Located in the Eastern Himalayas, it has an average elevation of 2,045 metres (6,709 ft). To the west of Darjeeling lies the easternmost province of Nepal, to the east the Kingdom of Bhutan, to the north the Indian state of Sikkim, and farther north the Tibet Autonomous Region region of China. Bangladesh lies to the south and southeast, and most of the state of West Bengal lies to the south and southwest, connected to the Darjeeling region by a narrow tract. Kangchenjunga, the world's third-highest mountain, rises to the north and is prominently visible on clear days.

    In the early 19th century, during East India Company rule in India, Darjeeling was identified as a potential summer retreat for British officials, soldiers and their families. The narrow mountain ridge was leased from the Kingdom of Sikkim, and eventually annexed to British India. Experimentation with growing tea on the slopes below Darjeeling was highly successful. Thousands of labourers were recruited chiefly from Nepal to clear the forests, build European-style cottages and work in the tea plantations. The widespread deforestation displaced the indigenous peoples. Residential schools were established in and around Darjeeling for the education of children of the domiciled British in India. By the late-19th century, a novel narrow-gauge mountain railway, the Darjeeling Himalayan Railway, was bringing summer residents into the town and carrying a freight of tea out for export to the world. After India's independence in 1947, as the British left Darjeeling, its cottages were purchased by wealthy Indians from the plains and its tea plantations by out-of-town Indian business owners and conglomerates. (Full article...)
  • Image 3 Ganges river dolphin breaking the surface South Asian river dolphins are toothed whales in the genus Platanista, which inhabit the waterways of the Indian subcontinent. They were historically considered to be one species (P. gangetica) with the Ganges river dolphin and the Indus river dolphin being subspecies (P. g. gangetica and P. g. minor respectively). Genetic and morphological evidence led to their being described as separate species in 2021. The Ganges and Indus river dolphins are estimated to have diverged 550,000 years ago. They are the only living members of the family Platanistidae and the superfamily Platanistoidea. Fossils of ancient relatives date to the late Oligocene. South Asian river dolphins are small but stocky cetaceans with long snouts or rostra, broad flippers, and small dorsal fins. They have several unusual features. Living in murky river waters, they have eyes that are tiny and lensless; the dolphins rely instead on echolocation for navigation. The skull has large crests over the melon, which help direct their echolocation signals. These dolphins prey mainly on fish and shrimp and hunt them throughout the water column. They are active through the day and are sighted in small groups. Both species are listed as endangered by the IUCN Red List of mammals. Major threats include dams, barrages, fishing nets, and both chemical and acoustic pollution. (Full article...)

    Ganges river dolphin breaking the surface

    South Asian river dolphins are toothed whales in the genus Platanista, which inhabit the waterways of the Indian subcontinent. They were historically considered to be one species (P. gangetica) with the Ganges river dolphin and the Indus river dolphin being subspecies (P. g. gangetica and P. g. minor respectively). Genetic and morphological evidence led to their being described as separate species in 2021. The Ganges and Indus river dolphins are estimated to have diverged 550,000 years ago. They are the only living members of the family Platanistidae and the superfamily Platanistoidea. Fossils of ancient relatives date to the late Oligocene.

    South Asian river dolphins are small but stocky cetaceans with long snouts or rostra, broad flippers, and small dorsal fins. They have several unusual features. Living in murky river waters, they have eyes that are tiny and lensless; the dolphins rely instead on echolocation for navigation. The skull has large crests over the melon, which help direct their echolocation signals. These dolphins prey mainly on fish and shrimp and hunt them throughout the water column. They are active through the day and are sighted in small groups. Both species are listed as endangered by the IUCN Red List of mammals. Major threats include dams, barrages, fishing nets, and both chemical and acoustic pollution. (Full article...)
  • Image 4 Osbert Guy Stanhope Crawford CBE FBA FSA (28 October 1886 – 28 November 1957) was a British archaeologist who specialised in the archaeology of prehistoric Britain and Sudan. A keen proponent of aerial archaeology, he spent most of his career as the archaeological officer of the Ordnance Survey (OS) and also wrote a range of books on archaeological subjects. Born in Bombay, British India, to a wealthy middle-class Scottish family, Crawford moved to England as an infant and was raised by his aunts in London and Hampshire. He studied geography at Keble College, Oxford, and worked briefly in that field before devoting himself professionally to archaeology. Employed by the philanthropist Henry Wellcome, Crawford oversaw the excavation of Abu Geili in Sudan before returning to England shortly before the First World War. During the conflict he served in both the London Scottish Regiment and the Royal Flying Corps, where he was involved in ground and aerial reconnaissance along the Western Front. After an injury forced a period of convalescence in England, he returned to the Western Front, where he was captured by the German Army in 1918 and held as a prisoner of war until the end of the conflict. (Full article...)
    Osbert Guy Stanhope Crawford CBE FBA FSA (28 October 1886 – 28 November 1957) was a British archaeologist who specialised in the archaeology of prehistoric Britain and Sudan. A keen proponent of aerial archaeology, he spent most of his career as the archaeological officer of the Ordnance Survey (OS) and also wrote a range of books on archaeological subjects.

    Born in Bombay, British India, to a wealthy middle-class Scottish family, Crawford moved to England as an infant and was raised by his aunts in London and Hampshire. He studied geography at Keble College, Oxford, and worked briefly in that field before devoting himself professionally to archaeology. Employed by the philanthropist Henry Wellcome, Crawford oversaw the excavation of Abu Geili in Sudan before returning to England shortly before the First World War. During the conflict he served in both the London Scottish Regiment and the Royal Flying Corps, where he was involved in ground and aerial reconnaissance along the Western Front. After an injury forced a period of convalescence in England, he returned to the Western Front, where he was captured by the German Army in 1918 and held as a prisoner of war until the end of the conflict. (Full article...)
  • Image 5 Tripura (/ˈtrɪpʊrə, -ərə/) is a state in Northeast India. The third-smallest state in the country, it covers 10,491 km2 (4,051 sq mi); and the seventh-least populous state with a population of 3.67 million. It is bordered by Assam and Mizoram to the east and by Bangladesh to the north, south and west. Tripura is divided into 8 districts and 23 sub-divisions, where Agartala is the capital and the largest city in the state. Tripura has 19 different tribal communities with a majority Bengali population. Bengali, English and Kokborok are the state's official languages. The area of modern Tripura — ruled for several centuries by the Manikya Dynasty — was part of the Tripuri Kingdom (also known as Hill Tippera). It became a princely state under the British Raj during its tenure, and acceded to independent India in 1947. It merged with India in 1949 and was designated as a 'Part C State' (union territory). It became a full-fledged state of India in 1972. (Full article...)

    Tripura (/ˈtrɪpʊrə, -ərə/) is a state in Northeast India. The third-smallest state in the country, it covers 10,491 km2 (4,051 sq mi); and the seventh-least populous state with a population of 3.67 million. It is bordered by Assam and Mizoram to the east and by Bangladesh to the north, south and west. Tripura is divided into 8 districts and 23 sub-divisions, where Agartala is the capital and the largest city in the state. Tripura has 19 different tribal communities with a majority Bengali population. Bengali, English and Kokborok are the state's official languages.

    The area of modern Tripura — ruled for several centuries by the Manikya Dynasty — was part of the Tripuri Kingdom (also known as Hill Tippera). It became a princely state under the British Raj during its tenure, and acceded to independent India in 1947. It merged with India in 1949 and was designated as a 'Part C State' (union territory). It became a full-fledged state of India in 1972. (Full article...)
  • Image 6 Indian roller in Kanha National Park, India The Indian roller (Coracias benghalensis) is a bird of the family Coraciidae. It is 30–34 cm (12–13 in) long with a wingspan of 65–74 cm (26–29 in) and weighs 166–176 g (5.9–6.2 oz). The face and throat are pinkish, the head and back are brown, with blue on the rump and contrasting light and dark blue on the wings and tail. The bright blue markings on the wing are prominent in flight. The sexes are similar in appearance. Two subspecies are recognised. The Indian roller occurs widely from West Asia to the Indian subcontinent. Often found perched on roadside trees and wires, it is common in open grassland and scrub forest habitats, and has adapted well to human-modified landscapes. It mainly feeds on insects, especially beetles. The species is best known for the aerobatic displays of males during the breeding season. Adult males and females form pair bonds and raise the young together. The female lays 3–5 eggs in a cavity or crevice, which is lined with a thin mat of straw or feathers. The roller is the state bird of three Indian states. It is listed as a species of least concern on the IUCN Red List. (Full article...)

    Indian roller in Kanha National Park, India

    The Indian roller (Coracias benghalensis) is a bird of the family Coraciidae. It is 30–34 cm (12–13 in) long with a wingspan of 65–74 cm (26–29 in) and weighs 166–176 g (5.9–6.2 oz). The face and throat are pinkish, the head and back are brown, with blue on the rump and contrasting light and dark blue on the wings and tail. The bright blue markings on the wing are prominent in flight. The sexes are similar in appearance. Two subspecies are recognised.

    The Indian roller occurs widely from West Asia to the Indian subcontinent. Often found perched on roadside trees and wires, it is common in open grassland and scrub forest habitats, and has adapted well to human-modified landscapes. It mainly feeds on insects, especially beetles. The species is best known for the aerobatic displays of males during the breeding season. Adult males and females form pair bonds and raise the young together. The female lays 3–5 eggs in a cavity or crevice, which is lined with a thin mat of straw or feathers. The roller is the state bird of three Indian states. It is listed as a species of least concern on the IUCN Red List. (Full article...)
  • Image 7 Mukerji promoting Hichki in 2018 Rani Mukerji (pronounced [raːni mʊkʰərdʒi]; born 21 March 1978) is an Indian actress who works in Hindi films. Noted for her versatility, she is the recipient of multiple accolades, including eight Filmfare Awards. Mukerji has featured in listings of the leading and highest-paid actresses of the 2000s. Born into the Mukherjee-Samarth family, Mukerji dabbled with acting as a teenager by starring in her father Ram Mukherjee's Bengali-language film Biyer Phool and in the social drama Raja Ki Aayegi Baaraat (both 1996). Mukerji had her first commercial success with the action film Ghulam and breakthrough with the romance Kuch Kuch Hota Hai (both 1998). Following a brief setback, the year 2002 marked a turning point for her when she was cast by Yash Raj Films as the star of the drama Saathiya. (Full article...)

    Mukerji promoting Hichki in 2018

    Rani Mukerji (pronounced [raːni mʊkʰərdʒi]; born 21 March 1978) is an Indian actress who works in Hindi films. Noted for her versatility, she is the recipient of multiple accolades, including eight Filmfare Awards. Mukerji has featured in listings of the leading and highest-paid actresses of the 2000s.

    Born into the Mukherjee-Samarth family, Mukerji dabbled with acting as a teenager by starring in her father Ram Mukherjee's Bengali-language film Biyer Phool and in the social drama Raja Ki Aayegi Baaraat (both 1996). Mukerji had her first commercial success with the action film Ghulam and breakthrough with the romance Kuch Kuch Hota Hai (both 1998). Following a brief setback, the year 2002 marked a turning point for her when she was cast by Yash Raj Films as the star of the drama Saathiya. (Full article...)
  • Image 8 Tiruchirappalli (Tamil pronunciation: [ˈt̪iɾɯtːʃiɾaːpːaɭːi] ⓘ, formerly Trichinopoly in English), also called Tiruchi or Trichy, is a major tier II city in the Indian state of Tamil Nadu and the administrative headquarters of Tiruchirappalli district. The city is credited with being the best livable city, the cleanest city of Tamil Nadu, as well as the fifth safest city for women in India. It is the fourth largest city as well as the fourth largest urban agglomeration in the state. Located 322 kilometres (200 mi) south of Chennai and 374 kilometres (232 mi) north of Kanyakumari, Tiruchirappalli sits almost at the geographic centre of Tamil Nadu state. The Cauvery Delta begins 16 kilometres (9.9 mi) west of the city where the Kaveri river splits into two, forming the island of Srirangam which is now incorporated into the Tiruchirappalli City Municipal Corporation. The city occupies an area of 167.23 square kilometres (64.57 sq mi) and had a population of 916,857 in 2011. Tiruchirappalli's recorded history begins in the 3rd century BC, when it was under the rule of the Cholas. The city has also been ruled by the Mutharaiyars, Pallavas, Pandyas, Vijayanagar Empire, Nayak Dynasty, the Carnatic state and the British. The most prominent historical monuments in Tiruchirappalli include the Rockfort at Teppakulam, the Ranganathaswamy temple at Srirangam dedicated to the reclining form of Hindu God Vishnu, and is also the largest functioning temple in the world, and the Jambukeswarar temple at Thiruvanaikaval, which is also the largest temple for the Hindu God Shiva in the world. The archaeologically important town of Uraiyur, capital of the Early Cholas, is now a neighbourhood in Tiruchirappalli. The city played a critical role in the Carnatic Wars (1746–1763) between the British and the French East India companies. (Full article...)

    Tiruchirappalli (Tamil pronunciation: [ˈt̪iɾɯtːʃiɾaːpːaɭːi] ⓘ, formerly Trichinopoly in English), also called Tiruchi or Trichy, is a major tier II city in the Indian state of Tamil Nadu and the administrative headquarters of Tiruchirappalli district. The city is credited with being the best livable city, the cleanest city of Tamil Nadu, as well as the fifth safest city for women in India. It is the fourth largest city as well as the fourth largest urban agglomeration in the state. Located 322 kilometres (200 mi) south of Chennai and 374 kilometres (232 mi) north of Kanyakumari, Tiruchirappalli sits almost at the geographic centre of Tamil Nadu state. The Cauvery Delta begins 16 kilometres (9.9 mi) west of the city where the Kaveri river splits into two, forming the island of Srirangam which is now incorporated into the Tiruchirappalli City Municipal Corporation. The city occupies an area of 167.23 square kilometres (64.57 sq mi) and had a population of 916,857 in 2011.

    Tiruchirappalli's recorded history begins in the 3rd century BC, when it was under the rule of the Cholas. The city has also been ruled by the Mutharaiyars, Pallavas, Pandyas, Vijayanagar Empire, Nayak Dynasty, the Carnatic state and the British. The most prominent historical monuments in Tiruchirappalli include the Rockfort at Teppakulam, the Ranganathaswamy temple at Srirangam dedicated to the reclining form of Hindu God Vishnu, and is also the largest functioning temple in the world, and the Jambukeswarar temple at Thiruvanaikaval, which is also the largest temple for the Hindu God Shiva in the world. The archaeologically important town of Uraiyur, capital of the Early Cholas, is now a neighbourhood in Tiruchirappalli. The city played a critical role in the Carnatic Wars (1746–1763) between the British and the French East India companies. (Full article...)
  • Image 9 Khan in 1991 Prince Sadruddin Aga Khan (17 January 1933 – 12 May 2003) was a French-born statesman and activist who served as United Nations High Commissioner for Refugees from 1966 to 1977, during which he reoriented the agency's focus beyond Europe and prepared it for an explosion of complex refugee issues. He was also a proponent of greater collaboration between non-governmental organizations (NGOs) and UN agencies. The Prince's interest in ecological issues led him to establish the Bellerive Foundation in the late 1970s, and he was a knowledgeable and respected collector of Islamic art. Born in Paris, France, he was the son of Sir Sultan Mahomed Shah Aga Khan and Princess Andrée Aga Khan. He married twice, but had no children of his own. Prince Sadruddin died of cancer at the age of 70, and was buried in Switzerland. (Full article...)

    Khan in 1991

    Prince Sadruddin Aga Khan (17 January 1933 – 12 May 2003) was a French-born statesman and activist who served as United Nations High Commissioner for Refugees from 1966 to 1977, during which he reoriented the agency's focus beyond Europe and prepared it for an explosion of complex refugee issues. He was also a proponent of greater collaboration between non-governmental organizations (NGOs) and UN agencies. The Prince's interest in ecological issues led him to establish the Bellerive Foundation in the late 1970s, and he was a knowledgeable and respected collector of Islamic art.

    Born in Paris, France, he was the son of Sir Sultan Mahomed Shah Aga Khan and Princess Andrée Aga Khan. He married twice, but had no children of his own. Prince Sadruddin died of cancer at the age of 70, and was buried in Switzerland. (Full article...)
  • Image 10 Padukone at the 2018 Cannes Film Festival Deepika Padukone (pronounced [d̪iːpɪkaː pəɖʊkoːɳeː]; born 5 January 1986) is an Indian actress who works predominantly in Hindi films. She is India's highest-paid actress, as of 2023, and her accolades include three Filmfare Awards. She features in listings of the nation's most popular personalities; Time named her one of the 100 most influential people in the world in 2018 and awarded her the Time100 Impact Award in 2022. Padukone, the daughter of the badminton player Prakash Padukone, was born in Copenhagen and raised in Bangalore. As a teenager, she played badminton in national level championships but left her career in the sport to become a fashion model. She soon received offers for film roles and made her acting debut in 2006 as the title character of the Kannada film Aishwarya. Padukone then played a dual role opposite Shah Rukh Khan in her first Bollywood release, the romance Om Shanti Om (2007), which won her the Filmfare Award for Best Female Debut. Padukone received praise for her starring role in the romance Love Aaj Kal (2009), but this was followed by a brief setback. (Full article...)

    Padukone at the 2018 Cannes Film Festival

    Deepika Padukone (pronounced [d̪iːpɪkaː pəɖʊkoːɳeː]; born 5 January 1986) is an Indian actress who works predominantly in Hindi films. She is India's highest-paid actress, as of 2023, and her accolades include three Filmfare Awards. She features in listings of the nation's most popular personalities; Time named her one of the 100 most influential people in the world in 2018 and awarded her the Time100 Impact Award in 2022.

    Padukone, the daughter of the badminton player Prakash Padukone, was born in Copenhagen and raised in Bangalore. As a teenager, she played badminton in national level championships but left her career in the sport to become a fashion model. She soon received offers for film roles and made her acting debut in 2006 as the title character of the Kannada film Aishwarya. Padukone then played a dual role opposite Shah Rukh Khan in her first Bollywood release, the romance Om Shanti Om (2007), which won her the Filmfare Award for Best Female Debut. Padukone received praise for her starring role in the romance Love Aaj Kal (2009), but this was followed by a brief setback. (Full article...)
  • Image 11 Nil Battey Sannata (lit. 'Zero Divided by Zero Equals Nothing'; slang for "Good For Nothing"), released internationally as The New Classmate, is a 2015 Indian Hindi-language comedy drama film directed by Ashwiny Iyer Tiwari in her feature debut. Produced by Aanand L. Rai, Ajay Rai, and Alan McAlex under the banners of Colour Yellow Productions and JAR Pictures, the film was co-written by Iyer, Neeraj Singh, Pranjal Choudhary, and Nitesh Tiwari. Swara Bhaskar starred as Chanda Sahay, a high-school drop-out household maid and single mother of a sullen young girl named Apeksha, played by Riya Shukla. The film's theme is a person's right to dream and change their lives, irrespective of social status. Released in India on 22 April 2016, Nil Battey Sannata was distributed by Eros International and garnered critical and audience acclaim. Reviewers praised most aspects of the production, especially its narrative and realism, and the performances of the cast, Bhaskar's in particular. At the 62nd Filmfare Awards, Iyer won the Filmfare Award for Best Debut Director, while Bhaskar and Shukla won the Screen Awards for Best Actress (Critics) and Best Child Artist respectively. The film did well at the box-office, collecting a total of around ₹69 million (US$860,000) during its entire theatrical run. The same year, the film was remade in Tamil as Amma Kanakku, with Iyer returning to direct. The following year, it was remade in Malayalam as Udaharanam Sujatha. (Full article...)
    Nil Battey Sannata (lit. 'Zero Divided by Zero Equals Nothing'; slang for "Good For Nothing"), released internationally as The New Classmate, is a 2015 Indian Hindi-language comedy drama film directed by Ashwiny Iyer Tiwari in her feature debut. Produced by Aanand L. Rai, Ajay Rai, and Alan McAlex under the banners of Colour Yellow Productions and JAR Pictures, the film was co-written by Iyer, Neeraj Singh, Pranjal Choudhary, and Nitesh Tiwari. Swara Bhaskar starred as Chanda Sahay, a high-school drop-out household maid and single mother of a sullen young girl named Apeksha, played by Riya Shukla. The film's theme is a person's right to dream and change their lives, irrespective of social status.

    Released in India on 22 April 2016, Nil Battey Sannata was distributed by Eros International and garnered critical and audience acclaim. Reviewers praised most aspects of the production, especially its narrative and realism, and the performances of the cast, Bhaskar's in particular. At the 62nd Filmfare Awards, Iyer won the Filmfare Award for Best Debut Director, while Bhaskar and Shukla won the Screen Awards for Best Actress (Critics) and Best Child Artist respectively. The film did well at the box-office, collecting a total of around ₹69 million (US$860,000) during its entire theatrical run. The same year, the film was remade in Tamil as Amma Kanakku, with Iyer returning to direct. The following year, it was remade in Malayalam as Udaharanam Sujatha. (Full article...)
  • Image 12 In May 2003, a tropical cyclone officially called Very Severe Cyclonic Storm BOB 01 produced the worst flooding in Sri Lanka in 56 years. The first storm of the 2003 North Indian Ocean cyclone season, it developed over the Bay of Bengal on May 10. Favorable environmental conditions allowed the system to intensify steadily while moving northwestward. The storm reached peak maximum sustained winds of 140 km/h (85 mph) on May 13, making it a very severe cyclonic storm according to the India Meteorological Department (IMD), which is the official Regional Specialized Meteorological Center for the basin. The cyclone drifted north over the central Bay of Bengal, gradually weakening due to heightened wind shear. Turning eastward, the storm deteriorated to a deep depression on May 16 before it curved northeastward and re-intensified into a cyclonic storm. It came ashore in western Myanmar and dissipated over land the following day. In the wake of prolonged precipitation during the first half of May, the cyclone produced torrential rains across southwest Sri Lanka while stationary in the central Bay of Bengal. The storm drew extensive moisture that coalesced in the mountainous portion of the island. A station at Ratnapura recorded 366.1 mm (14.41 in) of rainfall in 18 hours on May 17, including 99.8 mm (3.93 in) in one hour. In southwestern Sri Lanka, the rainfall caused flooding and landslides that destroyed 24,750 homes and damaged 32,426 others, displacing about 800,000 people. Overall damage totaled about $135 million (2003 USD), and there were 260 deaths. The cyclone also produced some rainfall in the Andaman and Nicobar Islands of India and along the country's eastern coast. The storm funneled moisture away from the mainland, which possibly contributed to a heat wave that killed 1,900 people, and dropped heavy rainfall in Myanmar. (Full article...)

    In May 2003, a tropical cyclone officially called Very Severe Cyclonic Storm BOB 01 produced the worst flooding in Sri Lanka in 56 years. The first storm of the 2003 North Indian Ocean cyclone season, it developed over the Bay of Bengal on May 10. Favorable environmental conditions allowed the system to intensify steadily while moving northwestward. The storm reached peak maximum sustained winds of 140 km/h (85 mph) on May 13, making it a very severe cyclonic storm according to the India Meteorological Department (IMD), which is the official Regional Specialized Meteorological Center for the basin. The cyclone drifted north over the central Bay of Bengal, gradually weakening due to heightened wind shear. Turning eastward, the storm deteriorated to a deep depression on May 16 before it curved northeastward and re-intensified into a cyclonic storm. It came ashore in western Myanmar and dissipated over land the following day.

    In the wake of prolonged precipitation during the first half of May, the cyclone produced torrential rains across southwest Sri Lanka while stationary in the central Bay of Bengal. The storm drew extensive moisture that coalesced in the mountainous portion of the island. A station at Ratnapura recorded 366.1 mm (14.41 in) of rainfall in 18 hours on May 17, including 99.8 mm (3.93 in) in one hour. In southwestern Sri Lanka, the rainfall caused flooding and landslides that destroyed 24,750 homes and damaged 32,426 others, displacing about 800,000 people. Overall damage totaled about $135 million (2003 USD), and there were 260 deaths. The cyclone also produced some rainfall in the Andaman and Nicobar Islands of India and along the country's eastern coast. The storm funneled moisture away from the mainland, which possibly contributed to a heat wave that killed 1,900 people, and dropped heavy rainfall in Myanmar. (Full article...)
  • Image 13 Core area of Western Chalukya architectural activity in modern Karnataka state, India Western Chalukya architecture (Kannada: ಪಶ್ಚಿಮ ಚಾಲುಕ್ಯ ವಾಸ್ತುಶಿಲ್ಪ), also known as Kalyani Chalukya or Later Chalukya architecture, is the distinctive style of ornamented architecture that evolved during the rule of the Western Chalukya Empire in the Tungabhadra region of modern central Karnataka, India, during the 11th and 12th centuries. Western Chalukyan political influence was at its peak in the Deccan Plateau during this period. The centre of cultural and temple-building activity lay in the Tungabhadra region, where large medieval workshops built numerous monuments. These monuments, regional variants of pre-existing dravida (South Indian) temples, form a climax to the wider regional temple architecture tradition called Vesara or Karnata dravida. Temples of all sizes built by the Chalukyan architects during this era remain today as examples of the architectural style. Most notable of the many buildings dating from this period are the Mahadeva Temple at Itagi in the Koppal district, the Kasivisvesvara Temple at Lakkundi in the Gadag district, the Mallikarjuna Temple at Kuruvatti in the Bellary district and the Kallesvara Temple at Bagali in the Davangere district. Other monuments notable for their craftsmanship include the Kaitabheshvara Temple in Kubatur and Kedareshvara Temple in Balligavi, both in the Shimoga district, the Siddhesvara Temple at Haveri in the Haveri district, the Amrtesvara Temple at Annigeri in the Dharwad district, the Sarasvati Temple in Gadag, and the Dodda Basappa Temple at Dambal, both in the Gadag district. (Full article...)
    Core area of Western Chalukya architectural activity in modern Karnataka state, India

    Western Chalukya architecture (Kannada: ಪಶ್ಚಿಮ ಚಾಲುಕ್ಯ ವಾಸ್ತುಶಿಲ್ಪ), also known as Kalyani Chalukya or Later Chalukya architecture, is the distinctive style of ornamented architecture that evolved during the rule of the Western Chalukya Empire in the Tungabhadra region of modern central Karnataka, India, during the 11th and 12th centuries. Western Chalukyan political influence was at its peak in the Deccan Plateau during this period. The centre of cultural and temple-building activity lay in the Tungabhadra region, where large medieval workshops built numerous monuments. These monuments, regional variants of pre-existing dravida (South Indian) temples, form a climax to the wider regional temple architecture tradition called Vesara or Karnata dravida. Temples of all sizes built by the Chalukyan architects during this era remain today as examples of the architectural style.

    Most notable of the many buildings dating from this period are the Mahadeva Temple at Itagi in the Koppal district, the Kasivisvesvara Temple at Lakkundi in the Gadag district, the Mallikarjuna Temple at Kuruvatti in the Bellary district and the Kallesvara Temple at Bagali in the Davangere district. Other monuments notable for their craftsmanship include the Kaitabheshvara Temple in Kubatur and Kedareshvara Temple in Balligavi, both in the Shimoga district, the Siddhesvara Temple at Haveri in the Haveri district, the Amrtesvara Temple at Annigeri in the Dharwad district, the Sarasvati Temple in Gadag, and the Dodda Basappa Temple at Dambal, both in the Gadag district. (Full article...)
  • Image 14 Kapadia in 2018 Dimple Kapadia (born 8 June 1957) is an Indian actress predominantly appearing in Hindi films. Born and raised in Mumbai by wealthy parents, she aspired to become an actress from a young age and received her first opportunity through her father's efforts to launch her in the film industry. She was discovered at age 14 by the filmmaker Raj Kapoor, who cast her in the title role of his teen romance Bobby (1973), which opened to major commercial success and gained her wide public recognition. Shortly before the film's release in 1973, she married the actor Rajesh Khanna and quit acting. Their daughters, Twinkle and Rinke Khanna, both briefly worked as actresses in their youth. Kapadia returned to films in 1984, two years after her separation from Khanna. Her comeback film Saagar, which was released a year later, revived her career. Both Bobby and Saagar won her Filmfare Awards for Best Actress. Through her work over the next decade, she established herself as one of Hindi cinema's leading actresses. While her initial roles often relied on her perceived beauty and sex appeal, Kapadia was keen to challenge herself and expand her range. She was among the first actresses who starred in women-centred Hindi action films but found greater favour with critics when she took on more dramatic roles in both mainstream and neorealist parallel cinema. Appearing in films ranging from marital dramas to literary adaptations, she played troubled women sometimes deemed reflective of her personal experience, and received acclaim for her performances in Kaash (1987), Drishti (1990), Lekin... (1991), and Rudaali (1993). For her role as a professional mourner in Rudaali, she won the National Film Award for Best Actress and a Filmfare Critics Award. She also had supporting roles in the crime dramas Prahaar (1991), Angaar (1992), Gardish (1993) and Krantiveer (1994), the latter securing her another Filmfare Award. (Full article...)

    Kapadia in 2018

    Dimple Kapadia (born 8 June 1957) is an Indian actress predominantly appearing in Hindi films. Born and raised in Mumbai by wealthy parents, she aspired to become an actress from a young age and received her first opportunity through her father's efforts to launch her in the film industry. She was discovered at age 14 by the filmmaker Raj Kapoor, who cast her in the title role of his teen romance Bobby (1973), which opened to major commercial success and gained her wide public recognition. Shortly before the film's release in 1973, she married the actor Rajesh Khanna and quit acting. Their daughters, Twinkle and Rinke Khanna, both briefly worked as actresses in their youth. Kapadia returned to films in 1984, two years after her separation from Khanna. Her comeback film Saagar, which was released a year later, revived her career. Both Bobby and Saagar won her Filmfare Awards for Best Actress. Through her work over the next decade, she established herself as one of Hindi cinema's leading actresses.

    While her initial roles often relied on her perceived beauty and sex appeal, Kapadia was keen to challenge herself and expand her range. She was among the first actresses who starred in women-centred Hindi action films but found greater favour with critics when she took on more dramatic roles in both mainstream and neorealist parallel cinema. Appearing in films ranging from marital dramas to literary adaptations, she played troubled women sometimes deemed reflective of her personal experience, and received acclaim for her performances in Kaash (1987), Drishti (1990), Lekin... (1991), and Rudaali (1993). For her role as a professional mourner in Rudaali, she won the National Film Award for Best Actress and a Filmfare Critics Award. She also had supporting roles in the crime dramas Prahaar (1991), Angaar (1992), Gardish (1993) and Krantiveer (1994), the latter securing her another Filmfare Award. (Full article...)
  • Image 15 Extent of Badami Chalukya Empire, 636 AD, 740 AD. The Chalukya dynasty ([tʃaːɭukjə]) was a Classical Indian dynasty that ruled large parts of southern and central India between the 6th and the 12th centuries. During this period, they ruled as three related yet individual dynasties. The earliest dynasty, known as the "Badami Chalukyas", ruled from Vatapi (modern Badami) from the middle of the 6th century. The Badami Chalukyas began to assert their independence at the decline of the Kadamba kingdom of Banavasi and rapidly rose to prominence during the reign of Pulakeshin II. After the death of Pulakeshin II, the Eastern Chalukyas became an independent kingdom in the eastern Deccan. They ruled from Vengi until about the 11th century. In the western Deccan, the rise of the Rashtrakutas in the middle of the 8th century eclipsed the Chalukyas of Badami before being revived by their descendants, the Western Chalukyas, in the late 10th century. These Western Chalukyas ruled from Kalyani (modern Basavakalyan) until the end of the 12th century. The rule of the Chalukyas marks an important milestone in the history of South India and a golden age in the history of Karnataka. The political atmosphere in South India shifted from smaller kingdoms to large empires with the ascendancy of Badami Chalukyas. A Southern India-based kingdom took control and consolidated the entire region between the Kaveri and the Narmada rivers. The rise of this empire saw the birth of efficient administration, overseas trade and commerce and the development of new style of architecture called "Chalukyan architecture". Kannada literature, which had enjoyed royal support in the 9th century Rashtrakuta court found eager patronage from the Western Chalukyas in the Jain and Veerashaiva traditions. The 11th century saw the patronage of Telugu literature under the Eastern Chalukyas. (Full article...)

    Extent of Badami Chalukya Empire, 636 AD, 740 AD.

    The Chalukya dynasty ([tʃaːɭukjə]) was a Classical Indian dynasty that ruled large parts of southern and central India between the 6th and the 12th centuries. During this period, they ruled as three related yet individual dynasties. The earliest dynasty, known as the "Badami Chalukyas", ruled from Vatapi (modern Badami) from the middle of the 6th century. The Badami Chalukyas began to assert their independence at the decline of the Kadamba kingdom of Banavasi and rapidly rose to prominence during the reign of Pulakeshin II. After the death of Pulakeshin II, the Eastern Chalukyas became an independent kingdom in the eastern Deccan. They ruled from Vengi until about the 11th century. In the western Deccan, the rise of the Rashtrakutas in the middle of the 8th century eclipsed the Chalukyas of Badami before being revived by their descendants, the Western Chalukyas, in the late 10th century. These Western Chalukyas ruled from Kalyani (modern Basavakalyan) until the end of the 12th century.

    The rule of the Chalukyas marks an important milestone in the history of South India and a golden age in the history of Karnataka. The political atmosphere in South India shifted from smaller kingdoms to large empires with the ascendancy of Badami Chalukyas. A Southern India-based kingdom took control and consolidated the entire region between the Kaveri and the Narmada rivers. The rise of this empire saw the birth of efficient administration, overseas trade and commerce and the development of new style of architecture called "Chalukyan architecture". Kannada literature, which had enjoyed royal support in the 9th century Rashtrakuta court found eager patronage from the Western Chalukyas in the Jain and Veerashaiva traditions. The 11th century saw the patronage of Telugu literature under the Eastern Chalukyas. (Full article...)
  • Image 16 In Kruger National Park, South Africa The black stork (Ciconia nigra) is a large bird in the stork family Ciconiidae. It was first described by Carl Linnaeus in the 10th edition of his Systema Naturae. Measuring on average 95 to 100 cm (37 to 39 in) from beak tip to end of tail with a 145-to-155 cm (57-to-61 in) wingspan, the adult black stork has mainly black plumage, with white underparts, long red legs and a long pointed red beak. A widespread but uncommon species, it breeds in scattered locations across Europe (predominantly in Portugal and Spain, and central and eastern parts), and east across the Palearctic to the Pacific Ocean. It is a long-distance migrant, with European populations wintering in tropical Sub-Saharan Africa, and Asian populations in the Indian subcontinent. When migrating between Europe and Africa, it avoids crossing broad expanses of the Mediterranean Sea and detours via the Levant in the east, the Strait of Sicily in the center, or the Strait of Gibraltar in the west. An isolated, non-migratory, population occurs in Southern Africa. Unlike the closely related white stork, the black stork is a shy and wary species. It is seen singly or in pairs, usually in marshy areas, rivers or inland waters. It feeds on amphibians, small fish and insects, generally wading slowly in shallow water stalking its prey. Breeding pairs usually build nests in large forest trees—most commonly deciduous but also coniferous—which can be seen from long distances, as well as on large boulders, or under overhanging ledges in mountainous areas. The female lays two to five greyish-white eggs, which become soiled over time in the nest. Incubation takes 32 to 38 days, with both sexes sharing duties, and fledging takes 60 to 71 days. (Full article...)

    In Kruger National Park, South Africa

    The black stork (Ciconia nigra) is a large bird in the stork family Ciconiidae. It was first described by Carl Linnaeus in the 10th edition of his Systema Naturae. Measuring on average 95 to 100 cm (37 to 39 in) from beak tip to end of tail with a 145-to-155 cm (57-to-61 in) wingspan, the adult black stork has mainly black plumage, with white underparts, long red legs and a long pointed red beak. A widespread but uncommon species, it breeds in scattered locations across Europe (predominantly in Portugal and Spain, and central and eastern parts), and east across the Palearctic to the Pacific Ocean. It is a long-distance migrant, with European populations wintering in tropical Sub-Saharan Africa, and Asian populations in the Indian subcontinent. When migrating between Europe and Africa, it avoids crossing broad expanses of the Mediterranean Sea and detours via the Levant in the east, the Strait of Sicily in the center, or the Strait of Gibraltar in the west. An isolated, non-migratory, population occurs in Southern Africa.

    Unlike the closely related white stork, the black stork is a shy and wary species. It is seen singly or in pairs, usually in marshy areas, rivers or inland waters. It feeds on amphibians, small fish and insects, generally wading slowly in shallow water stalking its prey. Breeding pairs usually build nests in large forest trees—most commonly deciduous but also coniferous—which can be seen from long distances, as well as on large boulders, or under overhanging ledges in mountainous areas. The female lays two to five greyish-white eggs, which become soiled over time in the nest. Incubation takes 32 to 38 days, with both sexes sharing duties, and fledging takes 60 to 71 days. (Full article...)
  • Image 17 Core Western Ganga Territory Western Ganga was an important ruling dynasty of ancient Karnataka in India which lasted from about 350 to 1000 CE. They are known as "Western Gangas" to distinguish them from the Eastern Gangas who in later centuries ruled over Kalinga (modern Odisha and Northern Andhra Pradesh). The general belief is that the Western Gangas began their rule during a time when multiple native clans asserted their freedom due to the weakening of the Pallava empire in South India, a geo-political event sometimes attributed to the southern conquests of Samudra Gupta. The Western Ganga sovereignty lasted from about 350 to 550 CE, initially ruling from Kolar and later, moving their capital to Talakadu on the banks of the Kaveri River in modern Mysore district. After the rise of the imperial Chalukyas of Badami, the Gangas accepted Chalukya overlordship and fought for the cause of their overlords against the Pallavas of Kanchi. The Chalukyas were replaced by the Rashtrakutas of Manyakheta in 753 CE as the dominant power in the Deccan. After a century of struggle for autonomy, the Western Gangas finally accepted Rashtrakuta overlordship and successfully fought alongside them against their foes, the Chola Dynasty of Tanjavur. In the late 10th century, north of Tungabhadra river, the Rashtrakutas were replaced by the emerging Western Chalukya Empire and the Chola Dynasty saw renewed power south of the Kaveri river. The defeat of the Western Gangas by Cholas around 1000 resulted in the end of the Ganga influence over the region. (Full article...)

    Core Western Ganga Territory

    Western Ganga was an important ruling dynasty of ancient Karnataka in India which lasted from about 350 to 1000 CE. They are known as "Western Gangas" to distinguish them from the Eastern Gangas who in later centuries ruled over Kalinga (modern Odisha and Northern Andhra Pradesh). The general belief is that the Western Gangas began their rule during a time when multiple native clans asserted their freedom due to the weakening of the Pallava empire in South India, a geo-political event sometimes attributed to the southern conquests of Samudra Gupta. The Western Ganga sovereignty lasted from about 350 to 550 CE, initially ruling from Kolar and later, moving their capital to Talakadu on the banks of the Kaveri River in modern Mysore district.

    After the rise of the imperial Chalukyas of Badami, the Gangas accepted Chalukya overlordship and fought for the cause of their overlords against the Pallavas of Kanchi. The Chalukyas were replaced by the Rashtrakutas of Manyakheta in 753 CE as the dominant power in the Deccan. After a century of struggle for autonomy, the Western Gangas finally accepted Rashtrakuta overlordship and successfully fought alongside them against their foes, the Chola Dynasty of Tanjavur. In the late 10th century, north of Tungabhadra river, the Rashtrakutas were replaced by the emerging Western Chalukya Empire and the Chola Dynasty saw renewed power south of the Kaveri river. The defeat of the Western Gangas by Cholas around 1000 resulted in the end of the Ganga influence over the region. (Full article...)
  • Image 18 Extent of Western Chalukya Empire, 1121 CE. The Western Chalukya Empire ruled most of the western Deccan, South India, between the 10th and 12th centuries. This Kannada dynasty is sometimes called the Kalyani Chalukya after its regal capital at Kalyani, today's Basavakalyan in the modern Bidar District of Karnataka state, and alternatively the Later Chalukya from its theoretical relationship to the 6th-century Chalukya dynasty of Badami. The dynasty is called Western Chalukyas to differentiate from the contemporaneous Eastern Chalukyas of Vengi, a separate dynasty. Prior to the rise of these Chalukyas, the Rashtrakuta empire of Manyakheta controlled most of Deccan and Central India for over two centuries. In 973, seeing confusion in the Rashtrakuta empire after a successful invasion of their capital by the ruler of the Paramara dynasty of Malwa, Tailapa II, a feudatory of the Rashtrakuta dynasty ruling from Bijapur region defeated his overlords and made Manyakheta his capital. The dynasty quickly rose to power and grew into an empire under Someshvara I who moved the capital to Kalyani. For over a century, the two empires of Southern India, the Western Chalukyas and the Chola dynasty of Tanjore fought many fierce wars to control the fertile region of Vengi. During these conflicts, the Eastern Chalukyas of Vengi, distant cousins of the Western Chalukyas but related to the Cholas by marriage took sides with the Cholas further complicating the situation. During the rule of Vikramaditya VI, in the late 11th and early 12th centuries, the Western Chalukyas convincingly contended with the Cholas and reached a peak ruling territories that spread over most of the Deccan, between the Narmada River in the north and Kaveri River in the south. His exploits were not limited to the south for even as a prince, during the rule of Someshvara I, he had led successful military campaigns as far east as modern Bihar and Bengal. During this period the other major ruling families of the Deccan, the Hoysalas, the Seuna Yadavas of Devagiri, the Kakatiya dynasty and the Southern Kalachuris of Kalyani, were subordinates of the Western Chalukyas and gained their independence only when the power of the Chalukya waned during the later half of the 12th century. (Full article...)

    Extent of Western Chalukya Empire, 1121 CE.

    The Western Chalukya Empire ruled most of the western Deccan, South India, between the 10th and 12th centuries. This Kannada dynasty is sometimes called the Kalyani Chalukya after its regal capital at Kalyani, today's Basavakalyan in the modern Bidar District of Karnataka state, and alternatively the Later Chalukya from its theoretical relationship to the 6th-century Chalukya dynasty of Badami. The dynasty is called Western Chalukyas to differentiate from the contemporaneous Eastern Chalukyas of Vengi, a separate dynasty. Prior to the rise of these Chalukyas, the Rashtrakuta empire of Manyakheta controlled most of Deccan and Central India for over two centuries. In 973, seeing confusion in the Rashtrakuta empire after a successful invasion of their capital by the ruler of the Paramara dynasty of Malwa, Tailapa II, a feudatory of the Rashtrakuta dynasty ruling from Bijapur region defeated his overlords and made Manyakheta his capital. The dynasty quickly rose to power and grew into an empire under Someshvara I who moved the capital to Kalyani.

    For over a century, the two empires of Southern India, the Western Chalukyas and the Chola dynasty of Tanjore fought many fierce wars to control the fertile region of Vengi. During these conflicts, the Eastern Chalukyas of Vengi, distant cousins of the Western Chalukyas but related to the Cholas by marriage took sides with the Cholas further complicating the situation. During the rule of Vikramaditya VI, in the late 11th and early 12th centuries, the Western Chalukyas convincingly contended with the Cholas and reached a peak ruling territories that spread over most of the Deccan, between the Narmada River in the north and Kaveri River in the south. His exploits were not limited to the south for even as a prince, during the rule of Someshvara I, he had led successful military campaigns as far east as modern Bihar and Bengal. During this period the other major ruling families of the Deccan, the Hoysalas, the Seuna Yadavas of Devagiri, the Kakatiya dynasty and the Southern Kalachuris of Kalyani, were subordinates of the Western Chalukyas and gained their independence only when the power of the Chalukya waned during the later half of the 12th century. (Full article...)
  • Image 19 Vidya in 2023 Vidya Balan (pronounced [ʋɪd̪ːja baːlən]; born 1 January 1979) is an Indian actress. Known for pioneering a change in the portrayal of women in Hindi cinema with her roles in female-led films, she is the recipient of several awards, including a National Film Award and seven Filmfare Awards. She was awarded the Padma Shri by the Government of India in 2014. Vidya aspired to a career in film from a young age and had her first acting role in the 1995 sitcom Hum Paanch. While pursuing a master's degree in sociology from the University of Mumbai, she made several unsuccessful attempts to start a career in film, and featured in television commercials and music videos. She made her film debut by starring in the Bengali film Bhalo Theko (2003) and received praise for her first Hindi film, the drama Parineeta (2005). This was followed by commercial successes in Lage Raho Munna Bhai (2006) and Bhool Bhulaiyaa (2007), but her subsequent roles failed to propel her career forward. (Full article...)

    Vidya in 2023

    Vidya Balan (pronounced [ʋɪd̪ːja baːlən]; born 1 January 1979) is an Indian actress. Known for pioneering a change in the portrayal of women in Hindi cinema with her roles in female-led films, she is the recipient of several awards, including a National Film Award and seven Filmfare Awards. She was awarded the Padma Shri by the Government of India in 2014.

    Vidya aspired to a career in film from a young age and had her first acting role in the 1995 sitcom Hum Paanch. While pursuing a master's degree in sociology from the University of Mumbai, she made several unsuccessful attempts to start a career in film, and featured in television commercials and music videos. She made her film debut by starring in the Bengali film Bhalo Theko (2003) and received praise for her first Hindi film, the drama Parineeta (2005). This was followed by commercial successes in Lage Raho Munna Bhai (2006) and Bhool Bhulaiyaa (2007), but her subsequent roles failed to propel her career forward. (Full article...)
  • Image 20 The Kingdom of Mysore was a realm in the southern part of Deccan Plateau (modern-day South India) traditionally believed to have been founded in 1399 by two Hindu brothers (claiming Yadava descent), in the vicinity of the modern city of Mysore. From 1799 until 1950, it was a princely state, until 1947 in a subsidiary alliance with British India. The British took direct control over the princely state in 1831. Upon accession to the Dominion of India, it became Mysore State, later uniting with other Kannada speaking regions to form the state of Karnataka, with its ruler remaining as Rajapramukh until 1956, when he became the first governor of the reformed state. The kingdom, which was founded and ruled for the most part by the Hindu Wodeyar family, initially served as feudatories under the Vijayanagara Empire. The 17th century saw a steady expansion of its territory and during the rule of Narasaraja Wodeyar I and Chikka Devaraja Wodeyar, the kingdom annexed large expanses of what is now southern Karnataka and parts of Tamil Nadu to become a powerful state in the southern Deccan. During a brief Muslim rule, the kingdom shifted to a Sultanate style of administration under Hyder Ali and Tipu Sultan, and was renamed the "Sultanat-e-Khudadad", translating into "The God gifted empire". (Full article...)

    The Kingdom of Mysore was a realm in the southern part of Deccan Plateau (modern-day South India) traditionally believed to have been founded in 1399 by two Hindu brothers (claiming Yadava descent), in the vicinity of the modern city of Mysore. From 1799 until 1950, it was a princely state, until 1947 in a subsidiary alliance with British India. The British took direct control over the princely state in 1831. Upon accession to the Dominion of India, it became Mysore State, later uniting with other Kannada speaking regions to form the state of Karnataka, with its ruler remaining as Rajapramukh until 1956, when he became the first governor of the reformed state.

    The kingdom, which was founded and ruled for the most part by the Hindu Wodeyar family, initially served as feudatories under the Vijayanagara Empire. The 17th century saw a steady expansion of its territory and during the rule of Narasaraja Wodeyar I and Chikka Devaraja Wodeyar, the kingdom annexed large expanses of what is now southern Karnataka and parts of Tamil Nadu to become a powerful state in the southern Deccan. During a brief Muslim rule, the kingdom shifted to a Sultanate style of administration under Hyder Ali and Tipu Sultan, and was renamed the "Sultanat-e-Khudadad", translating into "The God gifted empire". (Full article...)
  • Image 21 Pather Panchali (pronounced [pɔtʰer pãtʃali] transl. Song of the Little Road) is a 1955 Indian Bengali-language drama film written and directed by Satyajit Ray in his directoral debut and produced by the Government of West Bengal. It is an adaptation of Bibhutibhushan Bandyopadhyay's 1929 Bengali novel of the same name and features Subir Banerjee, Kanu Banerjee, Karuna Banerjee, Uma Dasgupta, Pinaki Sengupta and Chunibala Devi in major roles. The first film in The Apu Trilogy, Pather Panchali depicts the childhood travails of the protagonist Apu and his elder sister Durga amidst the harsh village life of their poor family. The film was shot mainly on location, had a limited budget, featured mostly amateur actors, and was made by an inexperienced crew. Lack of funds led to frequent interruptions in production which took nearly three years. The sitar player Ravi Shankar composed the film's soundtrack and score using classical Indian ragas. Subrata Mitra was in charge of the cinematography while editing was handled by Dulal Dutta. Following its premiere on 3 May 1955 during an exhibition at New York's Museum of Modern Art, Pather Panchali was released in Calcutta the same year to an enthusiastic reception. A special screening was attended by the Chief Minister of West Bengal and the Prime Minister of India. (Full article...)
    Pather Panchali (pronounced [pɔtʰer pãtʃali] transl. Song of the Little Road) is a 1955 Indian Bengali-language drama film written and directed by Satyajit Ray in his directoral debut and produced by the Government of West Bengal. It is an adaptation of Bibhutibhushan Bandyopadhyay's 1929 Bengali novel of the same name and features Subir Banerjee, Kanu Banerjee, Karuna Banerjee, Uma Dasgupta, Pinaki Sengupta and Chunibala Devi in major roles. The first film in The Apu Trilogy, Pather Panchali depicts the childhood travails of the protagonist Apu and his elder sister Durga amidst the harsh village life of their poor family.

    The film was shot mainly on location, had a limited budget, featured mostly amateur actors, and was made by an inexperienced crew. Lack of funds led to frequent interruptions in production which took nearly three years. The sitar player Ravi Shankar composed the film's soundtrack and score using classical Indian ragas. Subrata Mitra was in charge of the cinematography while editing was handled by Dulal Dutta. Following its premiere on 3 May 1955 during an exhibition at New York's Museum of Modern Art, Pather Panchali was released in Calcutta the same year to an enthusiastic reception. A special screening was attended by the Chief Minister of West Bengal and the Prime Minister of India. (Full article...)
  • Image 22 Territory of the Western Chalukyas (c. 1100 CE) in India (modern boundaries shown) and the empire's capital, Kalyani, in the modern Bidar district, Karnataka state, India A large body of Western Chalukya literature in the Kannada language was produced during the reign of the Western Chalukya Empire (973–1200 CE) in what is now southern India. This dynasty, which ruled most of the western Deccan in South India, is sometimes called the Kalyani Chalukya dynasty after its royal capital at Kalyani (now Basavakalyan), and sometimes called the Later Chalukya dynasty for its theoretical relationship to the 6th-century Chalukya dynasty of Badami. For a brief period (1162–1183), the Kalachuris of Kalyani, a dynasty of kings who had earlier migrated to the Karnataka region from central India and served as vassals for several generations, exploited the growing weakness of their overlords and annexed the Kalyani. Around 1183, the last Chalukya scion, Someshvara IV, overthrew the Kalachuris to regain control of the royal city. But his efforts were in vain, as other prominent Chalukya vassals in the Deccan, the Hoysalas, the Kakatiyas and the Seunas destroyed the remnants of the Chalukya power. Kannada literature from this period is usually categorised into the linguistic phase called Old-Kannada. It constituted the bulk of the Chalukya court's textual production and pertained mostly to writings relating to the socio-religious development of the Jain faith. The earliest well-known writers belonging to the Shaiva faith are also from this period. Under the patronage of Kalachuri King Bijjala II, whose prime minister was the well-known Kannada poet and social reformer Basavanna, a native form of poetic literature called Vachana literature (lit "utterance", "saying" or "sentence") proliferated. The beginnings of the Vachana poetic tradition in the Kannada-speaking region trace back to the early 11th century. Kannada literature written in the champu metre, composed of prose and verse, was popularised by the Chalukyan court poets. However, with the advent of the Veerashaiva (lit, "brave devotees of the god Shiva") religious movement in the mid-12th century, poets favoured the native tripadi (three-line verse composed of eleven ganas or prosodic units), hadugabba (song-poem) and free verse metres for their poems. (Full article...)
    Territory of the Western Chalukyas (c. 1100 CE) in India (modern boundaries shown) and the empire's capital, Kalyani, in the modern Bidar district, Karnataka state, India

    A large body of Western Chalukya literature in the Kannada language was produced during the reign of the Western Chalukya Empire (973–1200 CE) in what is now southern India. This dynasty, which ruled most of the western Deccan in South India, is sometimes called the Kalyani Chalukya dynasty after its royal capital at Kalyani (now Basavakalyan), and sometimes called the Later Chalukya dynasty for its theoretical relationship to the 6th-century Chalukya dynasty of Badami. For a brief period (1162–1183), the Kalachuris of Kalyani, a dynasty of kings who had earlier migrated to the Karnataka region from central India and served as vassals for several generations, exploited the growing weakness of their overlords and annexed the Kalyani. Around 1183, the last Chalukya scion, Someshvara IV, overthrew the Kalachuris to regain control of the royal city. But his efforts were in vain, as other prominent Chalukya vassals in the Deccan, the Hoysalas, the Kakatiyas and the Seunas destroyed the remnants of the Chalukya power.

    Kannada literature from this period is usually categorised into the linguistic phase called Old-Kannada. It constituted the bulk of the Chalukya court's textual production and pertained mostly to writings relating to the socio-religious development of the Jain faith. The earliest well-known writers belonging to the Shaiva faith are also from this period. Under the patronage of Kalachuri King Bijjala II, whose prime minister was the well-known Kannada poet and social reformer Basavanna, a native form of poetic literature called Vachana literature (lit "utterance", "saying" or "sentence") proliferated. The beginnings of the Vachana poetic tradition in the Kannada-speaking region trace back to the early 11th century. Kannada literature written in the champu metre, composed of prose and verse, was popularised by the Chalukyan court poets. However, with the advent of the Veerashaiva (lit, "brave devotees of the god Shiva") religious movement in the mid-12th century, poets favoured the native tripadi (three-line verse composed of eleven ganas or prosodic units), hadugabba (song-poem) and free verse metres for their poems. (Full article...)
  • Image 23 Margarita with a Straw is a 2014 Indian Hindi-language drama film directed by Shonali Bose. It stars Kalki Koechlin as an Indian teenager with cerebral palsy who relocates to America for her undergraduate education and comes of age following her complex relationship with a blind girl, played by Sayani Gupta. Revathi, Kuljeet Singh, and William Moseley play supporting roles. Produced by Bose in partnership with Viacom18 Motion Pictures, Margarita with a Straw was co-written by Bose and Nilesh Maniyar. The film deals with the challenging concepts of sexuality, inclusion, self-love, and self-acceptance. Bose conceived the idea for the film in January 2011 during a conversation with Malini Chib, her cousin and a disability rights activist, about the latter's desire to have a normal sex life. Inspired by Chib's story, Bose wrote the first draft of the film's script. After winning a Sundance Mahindra Global Filmmaker Award for the draft, she modified the script to reflect her own perspective, incorporating several personal experiences into the narrative. Bose completed the screenplay with co-writer Maniyar and the advisory council of the Sundance Institute. (Full article...)
    Margarita with a Straw is a 2014 Indian Hindi-language drama film directed by Shonali Bose. It stars Kalki Koechlin as an Indian teenager with cerebral palsy who relocates to America for her undergraduate education and comes of age following her complex relationship with a blind girl, played by Sayani Gupta. Revathi, Kuljeet Singh, and William Moseley play supporting roles. Produced by Bose in partnership with Viacom18 Motion Pictures, Margarita with a Straw was co-written by Bose and Nilesh Maniyar. The film deals with the challenging concepts of sexuality, inclusion, self-love, and self-acceptance.

    Bose conceived the idea for the film in January 2011 during a conversation with Malini Chib, her cousin and a disability rights activist, about the latter's desire to have a normal sex life. Inspired by Chib's story, Bose wrote the first draft of the film's script. After winning a Sundance Mahindra Global Filmmaker Award for the draft, she modified the script to reflect her own perspective, incorporating several personal experiences into the narrative. Bose completed the screenplay with co-writer Maniyar and the advisory council of the Sundance Institute. (Full article...)
  • Image 24 The political history of medieval Karnataka spans the 4th to the 16th centuries in Karnataka region of India. Previously foreign empires held sway over the region, and the nucleus of power was outside modern Karnataka. The medieval era can be broadly divided into several periods: The earliest native kingdoms and imperialism; the successful domination of the Gangetic plains in northern India and rivalry with the empires of Tamilakam over the Vengi region; and the domination of the southern Deccan and consolidation against Muslim invasion. The origins of the rise of the Karnataka region as an independent power date back to the fourth-century birth of the Kadamba Dynasty of Banavasi, the earliest of the native rulers to conduct administration in the native language of Kannada in addition to the official Sanskrit. This is the historical starting point in studying the development of the region as an enduring geopolitical entity and of Kannada as an important regional language. In the southern regions of Karnataka, the Western Gangas of Talakad were contemporaries of the Kadambas. The Kadambas and Gangas were followed by the imperial dynasties of the Badami Chalukya Empire, the Rashtrakuta Empire, the Western Chalukya Empire, the Hoysala Empire and the Vijayanagara Empire, all patronising the ancient Indic religions while showing tolerance to the new cultures arriving from the west of the subcontinent. The Muslim invasion of the Deccan resulted in the breaking away of the feudatory Sultanates in the 14th century. The rule of the Bahamani Sultanate of Bidar and the Bijapur Sultanate from the northern Deccan region caused a mingling of the ancient Hindu traditions with the nascent Islamic culture in the region. The hereditary ruling families and clans ably served the large empires and upheld the local culture and traditions. The fall of the Vijayanagara Empire in 1565 brought about a slow disintegration of Kannada-speaking regions into minor kingdoms that struggled to maintain autonomy in an age dominated by foreigners until unification and independence in 1947. (Full article...)
    The political history of medieval Karnataka spans the 4th to the 16th centuries in Karnataka region of India. Previously foreign empires held sway over the region, and the nucleus of power was outside modern Karnataka. The medieval era can be broadly divided into several periods: The earliest native kingdoms and imperialism; the successful domination of the Gangetic plains in northern India and rivalry with the empires of Tamilakam over the Vengi region; and the domination of the southern Deccan and consolidation against Muslim invasion. The origins of the rise of the Karnataka region as an independent power date back to the fourth-century birth of the Kadamba Dynasty of Banavasi, the earliest of the native rulers to conduct administration in the native language of Kannada in addition to the official Sanskrit. This is the historical starting point in studying the development of the region as an enduring geopolitical entity and of Kannada as an important regional language.

    In the southern regions of Karnataka, the Western Gangas of Talakad were contemporaries of the Kadambas. The Kadambas and Gangas were followed by the imperial dynasties of the Badami Chalukya Empire, the Rashtrakuta Empire, the Western Chalukya Empire, the Hoysala Empire and the Vijayanagara Empire, all patronising the ancient Indic religions while showing tolerance to the new cultures arriving from the west of the subcontinent. The Muslim invasion of the Deccan resulted in the breaking away of the feudatory Sultanates in the 14th century. The rule of the Bahamani Sultanate of Bidar and the Bijapur Sultanate from the northern Deccan region caused a mingling of the ancient Hindu traditions with the nascent Islamic culture in the region. The hereditary ruling families and clans ably served the large empires and upheld the local culture and traditions. The fall of the Vijayanagara Empire in 1565 brought about a slow disintegration of Kannada-speaking regions into minor kingdoms that struggled to maintain autonomy in an age dominated by foreigners until unification and independence in 1947. (Full article...)
  • Image 25 Taare Zameen Par (lit. 'Stars on Earth'), also known as Like Stars on Earth in English, is a 2007 Indian Hindi-language musical drama film produced and directed by Aamir Khan. It stars Khan himself, with Darsheel Safary, Tanay Chheda, Vipin Sharma and Tisca Chopra. It explores the life and imagination of Ishaan (Safary), an artistically gifted 8-year-old boy whose poor academic performance leads his parents to send him to a boarding school, where a new art teacher Nikumbh (Khan) suspects that he is dyslexic and helps him to overcome his reading disorder. Creative director and writer Amole Gupte developed the idea with his wife Deepa Bhatia, who was the film's editor. Shankar–Ehsaan–Loy composed the score, and Prasoon Joshi wrote the lyrics for many of the songs. Principal photography took place in Mumbai, and in Panchgani's New Era High School, where some of the school's students participated in the filming. (Full article...)
    Taare Zameen Par (lit. 'Stars on Earth'), also known as Like Stars on Earth in English, is a 2007 Indian Hindi-language musical drama film produced and directed by Aamir Khan. It stars Khan himself, with Darsheel Safary, Tanay Chheda, Vipin Sharma and Tisca Chopra. It explores the life and imagination of Ishaan (Safary), an artistically gifted 8-year-old boy whose poor academic performance leads his parents to send him to a boarding school, where a new art teacher Nikumbh (Khan) suspects that he is dyslexic and helps him to overcome his reading disorder.

    Creative director and writer Amole Gupte developed the idea with his wife Deepa Bhatia, who was the film's editor. Shankar–Ehsaan–Loy composed the score, and Prasoon Joshi wrote the lyrics for many of the songs. Principal photography took place in Mumbai, and in Panchgani's New Era High School, where some of the school's students participated in the filming. (Full article...)
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  • Image 1 Painting of Sher Shah Suri from a manuscript of Tarikh-i-Khandan-i-Timuriya (dated between ca.1570–1590), prepared by the court painters of Mughal emperor Akbar Sher Shah Suri (Farid al-Din Khan; 1472, or 1486 – 22 May 1545), often referred to as Sultan Adil (The Just King), was the founder of the Sur Empire in India. He was the regent and later sole ruler of Bihar from 1529—1540 until he defeated the Mughal Empire in 1540, founding the Sur Empire, and establishing his rule in Delhi, crowning himself as Emperor. After his accidental death in 1545 CE, his son Islam Shah became his successor. The influence of his innovations and reforms extended far beyond his brief reign. In his reign, he remained undefeated in battle, being renowned as one of the most skillful Afghan generals ever produced. His early childhood saw him flee from home due to internal family strife. He pursued an education in Jaunpur, where he began his rise to power after his father offered a manager position of his jagirs. Sher Shah governed the territories of his father, and began garnering a reputation due to his reforms which saw prosperity in the region. He gave up his position over the jagirs due to family intrigues. Sher Shah left to Agra, where he remained until his father's death, allowing him to return to the jagirs and assume control over it. (Full article...)

    Painting of Sher Shah Suri from a manuscript of Tarikh-i-Khandan-i-Timuriya (dated between ca.1570–1590), prepared by the court painters of Mughal emperor Akbar

    Sher Shah Suri (Farid al-Din Khan; 1472, or 1486 – 22 May 1545), often referred to as Sultan Adil (The Just King), was the founder of the Sur Empire in India. He was the regent and later sole ruler of Bihar from 1529—1540 until he defeated the Mughal Empire in 1540, founding the Sur Empire, and establishing his rule in Delhi, crowning himself as Emperor. After his accidental death in 1545 CE, his son Islam Shah became his successor. The influence of his innovations and reforms extended far beyond his brief reign. In his reign, he remained undefeated in battle, being renowned as one of the most skillful Afghan generals ever produced.

    His early childhood saw him flee from home due to internal family strife. He pursued an education in Jaunpur, where he began his rise to power after his father offered a manager position of his jagirs. Sher Shah governed the territories of his father, and began garnering a reputation due to his reforms which saw prosperity in the region. He gave up his position over the jagirs due to family intrigues. Sher Shah left to Agra, where he remained until his father's death, allowing him to return to the jagirs and assume control over it. (Full article...)
  • Image 2 Lakshmana Meets with Tara (leftmost), her husband Sugriva (2nd from left) and Hanuman (rightmost) in the Palace of Kishkinda In the Hindu epic Ramayana, Tara (Sanskrit: तारा, Tārā, lit. 'star') is the Queen of Kishkindha and the wife of the monkey (vanara) King Vali. After being widowed, she becomes the Queen of Sugriva, Vali's younger brother. Tara is described as the daughter of the monkey physician Sushena in the Ramayana, and in later sources, as an apsara (celestial nymph) who rises from the churning of the milky ocean. She marries Vali and bears him a son named Angada. After Vali is presumed dead in a battle with a demon, his brother Sugriva becomes king and appropriates Tara; however, Vali returns and regains Tara and exiles his brother, accusing him of treachery. (Full article...)

    Lakshmana Meets with Tara (leftmost), her husband Sugriva (2nd from left) and Hanuman (rightmost) in the Palace of Kishkinda

    In the Hindu epic Ramayana, Tara (Sanskrit: तारा, Tārā, lit. 'star') is the Queen of Kishkindha and the wife of the monkey (vanara) King Vali. After being widowed, she becomes the Queen of Sugriva, Vali's younger brother.

    Tara is described as the daughter of the monkey physician Sushena in the Ramayana, and in later sources, as an apsara (celestial nymph) who rises from the churning of the milky ocean. She marries Vali and bears him a son named Angada. After Vali is presumed dead in a battle with a demon, his brother Sugriva becomes king and appropriates Tara; however, Vali returns and regains Tara and exiles his brother, accusing him of treachery. (Full article...)
  • Image 3 Hum Aapke Hain Koun..! (transl. Who am I to you?) also known by the initialism HAHK, is a 1994 Indian Hindi-language musical romantic drama film written and directed by Sooraj Barjatya and produced by Rajshri Productions. The film stars Madhuri Dixit and Salman Khan and celebrates Indian wedding traditions by means of a story of a married couple and the relationship between their families; a story about sacrificing one's love for one's family. The basic plot is based on studio's earlier film Nadiya Ke Paar (1982), which was based on Keshav Prasad Mishra's Hindi novel Kohbar Ki Shart. The film features music by Raamlaxman who also composed a 14-song soundtrack, an unusually large number of songs for that period. Hum Aapke Hain Koun..! released on 5 August 1994, and became the highest-grossing film of the year, having grossed between ₹2 billion ($63.8 million) and ₹2.5 billion ($82 million) worldwide, It also became the highest-grossing Indian film at the time of its release. It contributed to a change in the Indian film industry, with new methods of distribution and a turn towards less violent stories. It was the first film to gross over ₹1 billion in India, and when adjusted for inflation, is the highest-grossing Indian film of the 1990s and also one of the highest-earning Bollywood films ever. Box Office India described it as "the biggest blockbuster of the modern era." (Full article...)
    Hum Aapke Hain Koun..! (transl. Who am I to you?) also known by the initialism HAHK, is a 1994 Indian Hindi-language musical romantic drama film written and directed by Sooraj Barjatya and produced by Rajshri Productions. The film stars Madhuri Dixit and Salman Khan and celebrates Indian wedding traditions by means of a story of a married couple and the relationship between their families; a story about sacrificing one's love for one's family. The basic plot is based on studio's earlier film Nadiya Ke Paar (1982), which was based on Keshav Prasad Mishra's Hindi novel Kohbar Ki Shart. The film features music by Raamlaxman who also composed a 14-song soundtrack, an unusually large number of songs for that period.

    Hum Aapke Hain Koun..! released on 5 August 1994, and became the highest-grossing film of the year, having grossed between ₹2 billion ($63.8 million) and ₹2.5 billion ($82 million) worldwide, It also became the highest-grossing Indian film at the time of its release. It contributed to a change in the Indian film industry, with new methods of distribution and a turn towards less violent stories. It was the first film to gross over ₹1 billion in India, and when adjusted for inflation, is the highest-grossing Indian film of the 1990s and also one of the highest-earning Bollywood films ever. Box Office India described it as "the biggest blockbuster of the modern era." (Full article...)
  • Image 4 Mahadevi or Durga The Devi Upanishad (Sanskrit:देवी उपनिषत्), is one of the minor Upanishads of Hinduism and a text composed in Sanskrit. It is one of the 19 Upanishads attached to the Atharvaveda, and is classified as one of the eight Shakta Upanishads. It is, as an Upanishad, a part of the corpus of Vedanta literature collection that present the philosophical concepts of Hinduism. The text was likely composed between 9th- to 14th-centuries CE. It refers to Mahadevi as representing all goddesses. The Devi Upanishad is part of the five Atharvashiras Upanishads important to Tantra and Shakta philosophy traditions. (Full article...)

    Mahadevi or Durga

    The Devi Upanishad (Sanskrit:देवी उपनिषत्), is one of the minor Upanishads of Hinduism and a text composed in Sanskrit. It is one of the 19 Upanishads attached to the Atharvaveda, and is classified as one of the eight Shakta Upanishads. It is, as an Upanishad, a part of the corpus of Vedanta literature collection that present the philosophical concepts of Hinduism.

    The text was likely composed between 9th- to 14th-centuries CE. It refers to Mahadevi as representing all goddesses. The Devi Upanishad is part of the five Atharvashiras Upanishads important to Tantra and Shakta philosophy traditions. (Full article...)
  • Image 5 Yash Chopra (known as Yash Chopra: Fifty Years in Indian Cinema in India) is a biography written by the British professor and author Rachel Dwyer, chronicling the life and career of the Indian filmmaker Yash Chopra. The book details Chopra's birth in 1932 in Lahore, his career both as a director and producer, and his 1970 marriage to the then-playback singer Pamela, with whom he had two sons Aditya and Uday. The British Film Institute published Yash Chopra on 29 April 2002 in the United Kingdom and Roli Books did so on 30 July in India. While writing All You Want is Money, All You Need is Love: Sexuality and Romance in Modern India (2000), Dwyer saw Chopra on a televised interview in 1993, which aired following the release of Darr. She watched the film and was impressed by it. She subsequently conceived a biography about the filmmaker and with some difficulty held meetings to interview him. Upon its release, the book received mixed reviews, with Dwyer's writing garnering the most appreciation, but her literal translation of Chopra's interviews from Hindi and Urdu to English generated critical negative responses. (Full article...)
    Yash Chopra (known as Yash Chopra: Fifty Years in Indian Cinema in India) is a biography written by the British professor and author Rachel Dwyer, chronicling the life and career of the Indian filmmaker Yash Chopra. The book details Chopra's birth in 1932 in Lahore, his career both as a director and producer, and his 1970 marriage to the then-playback singer Pamela, with whom he had two sons Aditya and Uday. The British Film Institute published Yash Chopra on 29 April 2002 in the United Kingdom and Roli Books did so on 30 July in India.

    While writing All You Want is Money, All You Need is Love: Sexuality and Romance in Modern India (2000), Dwyer saw Chopra on a televised interview in 1993, which aired following the release of Darr. She watched the film and was impressed by it. She subsequently conceived a biography about the filmmaker and with some difficulty held meetings to interview him. Upon its release, the book received mixed reviews, with Dwyer's writing garnering the most appreciation, but her literal translation of Chopra's interviews from Hindi and Urdu to English generated critical negative responses. (Full article...)
  • Image 6 The Bharat Ratna (Hindi pronunciation: [bʰaːɾət̪ rət̪nə]; Jewel of India) is the highest civilian award of the Republic of India. Instituted on 2 January 1954, the award is conferred in recognition of "exceptional service/performance of the highest order", without distinction of race, occupation, position or gender. The award was originally limited to achievements in the arts, literature, science, and public services, but the Government of India expanded the criteria to include "any field of human endeavor" in December 2011. The recommendations for the award are made by the Prime Minister to the President. The recipients receive a Sanad (certificate) signed by the President and a peepal leaf-shaped medallion with no monetary grant associated with the award. Bharat Ratna recipients rank seventh in the Indian order of precedence. The first recipients of the Bharat Ratna were: the former Governor-General of the Union of India C. Rajagopalachari, the former President of the Republic of India Sarvepalli Radhakrishnan; and the Indian physicist C. V. Raman, who were honoured in 1954. Since then, the award has been bestowed upon 53 individuals, including 18 who were awarded posthumously. The original statutes did not provide for posthumous awards but were amended in January 1966 to permit them to honor former Prime Minister Lal Bahadur Shastri, the first individual to be honored posthumously. In 2014, cricketer Sachin Tendulkar, then aged 40, became the youngest recipient, while social reformer Dhondo Keshav Karve was the oldest recipient when he was awarded on his 100th birthday. Though usually conferred on India-born citizens, the award has been conferred on one naturalized citizen, Mother Teresa, and on two non-Indians: Abdul Ghaffar Khan (born in British India and later a citizen of Pakistan) and Nelson Mandela, a citizen of South Africa. (Full article...)

    The Bharat Ratna (Hindi pronunciation: [bʰaːɾət̪ rət̪nə]; Jewel of India) is the highest civilian award of the Republic of India. Instituted on 2 January 1954, the award is conferred in recognition of "exceptional service/performance of the highest order", without distinction of race, occupation, position or gender. The award was originally limited to achievements in the arts, literature, science, and public services, but the Government of India expanded the criteria to include "any field of human endeavor" in December 2011. The recommendations for the award are made by the Prime Minister to the President. The recipients receive a Sanad (certificate) signed by the President and a peepal leaf-shaped medallion with no monetary grant associated with the award. Bharat Ratna recipients rank seventh in the Indian order of precedence.

    The first recipients of the Bharat Ratna were: the former Governor-General of the Union of India C. Rajagopalachari, the former President of the Republic of India Sarvepalli Radhakrishnan; and the Indian physicist C. V. Raman, who were honoured in 1954. Since then, the award has been bestowed upon 53 individuals, including 18 who were awarded posthumously. The original statutes did not provide for posthumous awards but were amended in January 1966 to permit them to honor former Prime Minister Lal Bahadur Shastri, the first individual to be honored posthumously. In 2014, cricketer Sachin Tendulkar, then aged 40, became the youngest recipient, while social reformer Dhondo Keshav Karve was the oldest recipient when he was awarded on his 100th birthday. Though usually conferred on India-born citizens, the award has been conferred on one naturalized citizen, Mother Teresa, and on two non-Indians: Abdul Ghaffar Khan (born in British India and later a citizen of Pakistan) and Nelson Mandela, a citizen of South Africa. (Full article...)
  • Image 7 Erode Subramanian Raja Gopal (12 May 1936 – 15 November 2018) was an Indian condensed matter physicist, a former professor at the Indian Institute of Science and a former director of the National Physical Laboratory of India. Known for his research in condensed matter physics, Raja Gopal was an elected fellow of all the three major Indian science academies – the Indian National Science Academy, the National Academy of Sciences, India, and the Indian Academy of Sciences – as well as a member of the Institute of Physics. He was a former CSIR emeritus scientist, an alumnus of the University of Oxford and the author of three reference texts in condensed matter physics. The Council of Scientific and Industrial Research, the apex agency of the Government of India for scientific research, awarded him the Shanti Swarup Bhatnagar Prize for Science and Technology, one of the highest Indian science awards, for his contributions to Physical Sciences in 1978. (Full article...)
    Erode Subramanian Raja Gopal (12 May 1936 – 15 November 2018) was an Indian condensed matter physicist, a former professor at the Indian Institute of Science and a former director of the National Physical Laboratory of India. Known for his research in condensed matter physics, Raja Gopal was an elected fellow of all the three major Indian science academies – the Indian National Science Academy, the National Academy of Sciences, India, and the Indian Academy of Sciences – as well as a member of the Institute of Physics. He was a former CSIR emeritus scientist, an alumnus of the University of Oxford and the author of three reference texts in condensed matter physics. The Council of Scientific and Industrial Research, the apex agency of the Government of India for scientific research, awarded him the Shanti Swarup Bhatnagar Prize for Science and Technology, one of the highest Indian science awards, for his contributions to Physical Sciences in 1978. (Full article...)
  • Image 8 Shyam Swarup Agarwal (5 July 1941 – 2 December 2013) was an Indian geneticist, immunologist and the director of Sanjay Gandhi Postgraduate Institute of Medical Sciences (SGPGI-MS), Lucknow. A former director of the Advanced Center for Treatment, Research and Education in Cancer (ACTREC) at the Tata Memorial Centre, he was the pioneer of medical genetics and clinical immunology education in India. Known for his researches in the fields of genetics and molecular biology, he was an Emeritus Professor of the National Academy of Medical Sciences, and an elected fellow of all the three major Indian science academies, namely, the Indian Academy of Sciences, National Academy of Sciences, India, and the Indian National Science Academy. The Council of Scientific and Industrial Research, the apex agency of the Government of India for scientific research, awarded him the Shanti Swarup Bhatnagar Prize for Science and Technology, one of the highest Indian science awards for his contributions to Medical Sciences in 1986. (Full article...)
    Shyam Swarup Agarwal (5 July 1941 – 2 December 2013) was an Indian geneticist, immunologist and the director of Sanjay Gandhi Postgraduate Institute of Medical Sciences (SGPGI-MS), Lucknow. A former director of the Advanced Center for Treatment, Research and Education in Cancer (ACTREC) at the Tata Memorial Centre, he was the pioneer of medical genetics and clinical immunology education in India. Known for his researches in the fields of genetics and molecular biology, he was an Emeritus Professor of the National Academy of Medical Sciences, and an elected fellow of all the three major Indian science academies, namely, the Indian Academy of Sciences, National Academy of Sciences, India, and the Indian National Science Academy. The Council of Scientific and Industrial Research, the apex agency of the Government of India for scientific research, awarded him the Shanti Swarup Bhatnagar Prize for Science and Technology, one of the highest Indian science awards for his contributions to Medical Sciences in 1986. (Full article...)
  • Image 9 Bust of Mesrop Taghiadian in the village of Karbi in Armenia Mesrop Davtian Taghiadian or Taghiadiants (Armenian: Մեսրոպ Դաւթեան Թաղիադեան; 2 January 1803 – 10 June 1858) was a nineteenth-century Armenian writer, educator and journalist. He wrote prolifically in Classical Armenian and is regarded as one of the first Armenian authors of the Romantic movement, as well as one of the earliest modern Armenian fiction writers. Taghiadian was born in Iranian-ruled Armenia, but lived most of his life away from his homeland. He was educated at the seminary of Etchmiadzin and traveled throughout Armenia with his teacher collecting folk songs and oral traditions. He attained the rank of deacon in the Armenian Church. Taghiadian emigrated to India to pursue further education. He graduated from Bishop's College in Calcutta (then ruled by the British East India Company, now modern Kolkata) in 1830 and published his first literary works during his time there. In 1831, Taghiadian left India and unsuccessfully attempted to establish a school of his own, first in New Julfa, Iran, then in Armenia. He worked as a teacher in Iran and married Tangkhatun Setian, the daughter of an Armenian merchant, who died in 1837. Taghiadian then lived briefly in Constantinople, where he narrowly escaped a plot against him by the Armenian Patriarch and again settled in Calcutta. In the 1840s and 1850s, he published an Armenian periodical, Azgaser, and ran an Armenian school for boys and girls. Having closed his periodical and school and frequently clashing with other members of the Armenian community of Calcutta, Taghiadian decided to return to Armenia. He fell ill and died on the way to Armenia in Shiraz, Iran in 1858. (Full article...)

    Bust of Mesrop Taghiadian in the village of Karbi in Armenia

    Mesrop Davtian Taghiadian or Taghiadiants (Armenian: Մեսրոպ Դաւթեան Թաղիադեան; 2 January 1803 – 10 June 1858) was a nineteenth-century Armenian writer, educator and journalist. He wrote prolifically in Classical Armenian and is regarded as one of the first Armenian authors of the Romantic movement, as well as one of the earliest modern Armenian fiction writers.

    Taghiadian was born in Iranian-ruled Armenia, but lived most of his life away from his homeland. He was educated at the seminary of Etchmiadzin and traveled throughout Armenia with his teacher collecting folk songs and oral traditions. He attained the rank of deacon in the Armenian Church. Taghiadian emigrated to India to pursue further education. He graduated from Bishop's College in Calcutta (then ruled by the British East India Company, now modern Kolkata) in 1830 and published his first literary works during his time there. In 1831, Taghiadian left India and unsuccessfully attempted to establish a school of his own, first in New Julfa, Iran, then in Armenia. He worked as a teacher in Iran and married Tangkhatun Setian, the daughter of an Armenian merchant, who died in 1837. Taghiadian then lived briefly in Constantinople, where he narrowly escaped a plot against him by the Armenian Patriarch and again settled in Calcutta. In the 1840s and 1850s, he published an Armenian periodical, Azgaser, and ran an Armenian school for boys and girls. Having closed his periodical and school and frequently clashing with other members of the Armenian community of Calcutta, Taghiadian decided to return to Armenia. He fell ill and died on the way to Armenia in Shiraz, Iran in 1858. (Full article...)
  • Thozha (transl. Friend) is a 2016 Indian comedy-drama film directed by Vamshi Paidipally, and produced by PVP Cinema. The film is produced in the Telugu film industry, and is shot simultaneously in Telugu and Tamil languages. The film stars Nagarjuna, Karthi and Tamannaah Bhatia while Prakash Raj, Ali, Vivek, Jayasudha, Kalpana and Tanikella Bharani playing supporting roles. Karthi debuts in Telugu cinema through this film. The film focuses on the lives of Vikramaditya, a quadriplegic billionaire, and Seenu, his ex-convict caretaker. Their realisation of the primacy of life and relationships over money and disability forms the major part of its story. A remake of Éric Toledano and Olivier Nakache's French film The Intouchables (2011). The remake rights for The Intouchables were earlier acquired by Karan Johar and Guneet Monga in May 2014, who authorised PVP Cinema to produce the adaptation of this film in regional languages, postponing their previous plans; thus making Oopiri its first remake. Principal photography began in March 2015 and ended by February 2016 taking place in Chennai, Hyderabad, Paris, Belgrade and Novi Sad. Gopi Sundar composed the film's soundtrack and score, and P. S. Vinod handled the cinematography. Madhu and Praveen K. L. edited the Telugu and Tamil versions, respectively. (Full article...)
    Thozha (transl. Friend) is a 2016 Indian comedy-drama film directed by Vamshi Paidipally, and produced by PVP Cinema. The film is produced in the Telugu film industry, and is shot simultaneously in Telugu and Tamil languages. The film stars Nagarjuna, Karthi and Tamannaah Bhatia while Prakash Raj, Ali, Vivek, Jayasudha, Kalpana and Tanikella Bharani playing supporting roles. Karthi debuts in Telugu cinema through this film. The film focuses on the lives of Vikramaditya, a quadriplegic billionaire, and Seenu, his ex-convict caretaker. Their realisation of the primacy of life and relationships over money and disability forms the major part of its story.

    A remake of Éric Toledano and Olivier Nakache's French film The Intouchables (2011). The remake rights for The Intouchables were earlier acquired by Karan Johar and Guneet Monga in May 2014, who authorised PVP Cinema to produce the adaptation of this film in regional languages, postponing their previous plans; thus making Oopiri its first remake. Principal photography began in March 2015 and ended by February 2016 taking place in Chennai, Hyderabad, Paris, Belgrade and Novi Sad. Gopi Sundar composed the film's soundtrack and score, and P. S. Vinod handled the cinematography. Madhu and Praveen K. L. edited the Telugu and Tamil versions, respectively. (Full article...)
  • Image 11 Vyāsatīrtha (c. 1460 – c. 1539), also called Vyasaraja or Chandrikacharya, was a Hindu philosopher, scholar, polemicist, commentator and poet belonging to the Madhwacharya's Dvaita order of Vedanta. As the rajaguru of Vijayanagara Empire, Vyasatirtha was at the forefront of a golden age in Dvaita which saw new developments in dialectical thought, growth of the Haridasa literature under bards like Purandara Dasa and Kanaka Dasa and an increased spread of Dvaita across the subcontinent. He himself composed many kīrtanas in Kannada and Sanskrit. Three of his polemically themed doxographical works Nyayamruta, Tatparya Chandrika and Tarka Tandava (collectively called Vyasa Traya) documented and critiqued an encyclopaedic range of sub-philosophies in Advaita, Visistadvaita, Mahayana Buddhism, Mimamsa and Nyaya, revealing internal contradictions and fallacies. His Nyayamruta caused a stir in the Advaita community across the country requiring a rebuttal by Madhusudhana Saraswati through his text, Advaitasiddhi. He is considered as an amsha of Prahlada in the Madhva Parampara. (Full article...)

    Vyāsatīrtha (c. 1460 – c. 1539), also called Vyasaraja or Chandrikacharya, was a Hindu philosopher, scholar, polemicist, commentator and poet belonging to the Madhwacharya's Dvaita order of Vedanta. As the rajaguru of Vijayanagara Empire, Vyasatirtha was at the forefront of a golden age in Dvaita which saw new developments in dialectical thought, growth of the Haridasa literature under bards like Purandara Dasa and Kanaka Dasa and an increased spread of Dvaita across the subcontinent.
    He himself composed many kīrtanas in Kannada and Sanskrit.

    Three of his polemically themed doxographical works Nyayamruta, Tatparya Chandrika and Tarka Tandava (collectively called Vyasa Traya) documented and critiqued an encyclopaedic range of sub-philosophies in Advaita, Visistadvaita, Mahayana Buddhism, Mimamsa and Nyaya, revealing internal contradictions and fallacies. His Nyayamruta caused a stir in the Advaita community across the country requiring a rebuttal by Madhusudhana Saraswati through his text, Advaitasiddhi. He is considered as an amsha of Prahlada in the Madhva Parampara. (Full article...)
  • Image 12 Pair of ruddy shelducks The ruddy shelduck (Tadorna ferruginea), known in India as the Brahminy duck, is a member of the family Anatidae. It is a distinctive waterfowl, 58 to 70 cm (23 to 28 in) in length with a wingspan of 110 to 135 cm (43 to 53 in). It has orange-brown body plumage with a paler head, while the tail and the flight feathers in the wings are black, contrasting with the white wing-coverts. It is a migratory bird, wintering in the Indian subcontinent and breeding in southeastern Europe and central Asia, though there are small resident populations in North Africa. It has a loud honking call. The ruddy shelduck mostly inhabits inland water-bodies such as lakes, reservoirs and rivers. The male and female form a lasting pair bond and the nest may be well away from water, in a crevice or hole in a cliff, tree or similar site. A clutch of about eight eggs is laid and is incubated solely by the female for about four weeks. The young are cared for by both parents and fledge about eight weeks after hatching. (Full article...)

    Pair of ruddy shelducks

    The ruddy shelduck (Tadorna ferruginea), known in India as the Brahminy duck, is a member of the family Anatidae. It is a distinctive waterfowl, 58 to 70 cm (23 to 28 in) in length with a wingspan of 110 to 135 cm (43 to 53 in). It has orange-brown body plumage with a paler head, while the tail and the flight feathers in the wings are black, contrasting with the white wing-coverts. It is a migratory bird, wintering in the Indian subcontinent and breeding in southeastern Europe and central Asia, though there are small resident populations in North Africa. It has a loud honking call.

    The ruddy shelduck mostly inhabits inland water-bodies such as lakes, reservoirs and rivers. The male and female form a lasting pair bond and the nest may be well away from water, in a crevice or hole in a cliff, tree or similar site. A clutch of about eight eggs is laid and is incubated solely by the female for about four weeks. The young are cared for by both parents and fledge about eight weeks after hatching. (Full article...)
  • Image 13 The route of the 1870s Inland Customs Line (red) and Great Hedge (green) The Inland Customs Line, incorporating the Great Hedge of India (or Indian Salt Hedge), was a customs barrier built by the British colonial rulers of India to prevent smuggling of salt from coastal regions in order to avoid the substantial salt tax. The customs line was begun under the East India Company and continued into direct British rule. The line had its beginnings in a series of customs houses established in Bengal in 1803 to prevent the smuggling of salt to avoid the tax. These customs houses were eventually formed into a continuous barrier that was brought under the control of the Inland Customs Department in 1843. (Full article...)
    The route of the 1870s Inland Customs Line (red) and Great Hedge (green)

    The Inland Customs Line, incorporating the Great Hedge of India (or Indian Salt Hedge), was a customs barrier built by the British colonial rulers of India to prevent smuggling of salt from coastal regions in order to avoid the substantial salt tax.

    The customs line was begun under the East India Company and continued into direct British rule. The line had its beginnings in a series of customs houses established in Bengal in 1803 to prevent the smuggling of salt to avoid the tax. These customs houses were eventually formed into a continuous barrier that was brought under the control of the Inland Customs Department in 1843. (Full article...)
  • Image 14 Koi... Mil Gaya (Hindi pronunciation: [ˈkoːɪ mɪl ɡəjaː] transl. Someone...is found) is a 2003 Indian Hindi-language science fiction film directed and produced by Rakesh Roshan. It stars Hrithik Roshan, Preity Zinta and Rekha. In addition to writing the story, Rakesh Roshan also wrote the screenplay with Sachin Bhowmick, Honey Irani, and Robin Bhatt. Koi... Mil Gaya focuses on Rohit (Hrithik Roshan), a developmentally disabled man who contacts an extraterrestrial being (Indravardhan Purohit) with his late father Sanjay's (Rakesh Roshan) computer. The film follows his relationship with Nisha (Zinta), Rohit's friend, who falls in love with him. After the release of the commercially and critically successful romantic film Kaho Naa... Pyaar Hai (2000), Roshan wanted to work again with his son Hrithik on a different type of film. In June 2001, during the 2nd IIFA Awards, he announced the second film when he received the Best Director award for Kaho Naa... Pyaar Hai. Principal photography was shot by Ravi K. Chandran and Sameer Arya from November 2001 to March 2003 on sets built by Sharmishta Roy in Canada, India, and New Zealand. Roshan's brother, Rajesh Roshan, composed the film's soundtrack and background score. American artists Mark Clobe and Craig Mumma spent ₹4 crore (US$500,000) on its visual effects. (Full article...)
    Koi... Mil Gaya (Hindi pronunciation: [ˈkoːɪ mɪl ɡəjaː] transl. Someone...is found) is a 2003 Indian Hindi-language science fiction film directed and produced by Rakesh Roshan. It stars Hrithik Roshan, Preity Zinta and Rekha. In addition to writing the story, Rakesh Roshan also wrote the screenplay with Sachin Bhowmick, Honey Irani, and Robin Bhatt. Koi... Mil Gaya focuses on Rohit (Hrithik Roshan), a developmentally disabled man who contacts an extraterrestrial being (Indravardhan Purohit) with his late father Sanjay's (Rakesh Roshan) computer. The film follows his relationship with Nisha (Zinta), Rohit's friend, who falls in love with him.

    After the release of the commercially and critically successful romantic film Kaho Naa... Pyaar Hai (2000), Roshan wanted to work again with his son Hrithik on a different type of film. In June 2001, during the 2nd IIFA Awards, he announced the second film when he received the Best Director award for Kaho Naa... Pyaar Hai. Principal photography was shot by Ravi K. Chandran and Sameer Arya from November 2001 to March 2003 on sets built by Sharmishta Roy in Canada, India, and New Zealand. Roshan's brother, Rajesh Roshan, composed the film's soundtrack and background score. American artists Mark Clobe and Craig Mumma spent ₹4 crore (US$500,000) on its visual effects. (Full article...)
  • Image 15 Mohabbatein (transl. Romantic Love) is a 2000 Indian Hindi-language musical romantic drama film written and directed by Aditya Chopra and produced by Yash Chopra under his banner Yash Raj Films. The film stars Amitabh Bachchan, Shah Rukh Khan and Aishwarya Rai, and newcomers Uday Chopra, Shamita Shetty, Jugal Hansraj, Kim Sharma, Jimmy Sheirgill, and Preeti Jhangiani. It narrates the story of Narayan, the strict principal of Gurukul college whose daughter Megha, commits suicide after he opposes her relationship with Raj, a music teacher at the college. The story follows Raj aiding with three Gurukul students and their love interests to rebel against Narayan's intolerance of love. The film was originally planned to be Aditya Chopra's directorial debut, but it was his second film after Dilwale Dulhania Le Jayenge (1995). Its themes were inspired by those from the 1989 American coming-of-age drama Dead Poets Society. Produced on a budget of more than ₹100 million (US$2.23 million), the principal photography of Mohabbatein, which was filmed in the United Kingdom, was handled by Manmohan Singh between October 1999 and July 2000. Sharmishta Roy and Karan Johar built the sets and designed the costumes, respectively. The duo Jatin–Lalit composed its music while Anand Bakshi wrote the lyrics. (Full article...)
    Mohabbatein (transl. Romantic Love) is a 2000 Indian Hindi-language musical romantic drama film written and directed by Aditya Chopra and produced by Yash Chopra under his banner Yash Raj Films. The film stars Amitabh Bachchan, Shah Rukh Khan and Aishwarya Rai, and newcomers Uday Chopra, Shamita Shetty, Jugal Hansraj, Kim Sharma, Jimmy Sheirgill, and Preeti Jhangiani. It narrates the story of Narayan, the strict principal of Gurukul college whose daughter Megha, commits suicide after he opposes her relationship with Raj, a music teacher at the college. The story follows Raj aiding with three Gurukul students and their love interests to rebel against Narayan's intolerance of love.

    The film was originally planned to be Aditya Chopra's directorial debut, but it was his second film after Dilwale Dulhania Le Jayenge (1995). Its themes were inspired by those from the 1989 American coming-of-age drama Dead Poets Society. Produced on a budget of more than ₹100 million (US$2.23 million), the principal photography of Mohabbatein, which was filmed in the United Kingdom, was handled by Manmohan Singh between October 1999 and July 2000. Sharmishta Roy and Karan Johar built the sets and designed the costumes, respectively. The duo Jatin–Lalit composed its music while Anand Bakshi wrote the lyrics. (Full article...)
  • Image 16 Pauline Diana Baynes (9 September 1922 – 1 August 2008) was an English illustrator, author, and commercial artist. She contributed drawings and paintings to more than 200 books, mostly in the children's genre. She was the first illustrator of some of J. R. R. Tolkien's minor works, including Farmer Giles of Ham, Smith of Wootton Major, and The Adventures of Tom Bombadil. She became well-known for her cover illustrations for The Hobbit and The Lord of the Rings, and for her poster map with inset illustrations, A Map of Middle-earth. She illustrated all seven volumes of C. S. Lewis's Chronicles of Narnia, from the first book, The Lion, the Witch and the Wardrobe. Gaining a reputation as the "Narnia artist", she illustratred spinoffs like Brian Sibley's The Land of Narnia. In addition to work for other authors, including illustrating Roger Lancelyn Green's The Tales of Troy and Iona and Peter Opie's books of nursery rhymes, Baynes created some 600 illustrations for Grant Uden's A Dictionary of Chivalry, for which she won the Kate Greenaway Medal. Late in her life she began to write and illustrate her own books, with animal or Biblical themes. (Full article...)
    Pauline Diana Baynes (9 September 1922 – 1 August 2008) was an English illustrator, author, and commercial artist. She contributed drawings and paintings to more than 200 books, mostly in the children's genre. She was the first illustrator of some of J. R. R. Tolkien's minor works, including Farmer Giles of Ham, Smith of Wootton Major, and The Adventures of Tom Bombadil. She became well-known for her cover illustrations for The Hobbit and The Lord of the Rings, and for her poster map with inset illustrations, A Map of Middle-earth. She illustrated all seven volumes of C. S. Lewis's Chronicles of Narnia, from the first book, The Lion, the Witch and the Wardrobe. Gaining a reputation as the "Narnia artist", she illustratred spinoffs like Brian Sibley's The Land of Narnia. In addition to work for other authors, including illustrating Roger Lancelyn Green's The Tales of Troy and Iona and Peter Opie's books of nursery rhymes, Baynes created some 600 illustrations for Grant Uden's A Dictionary of Chivalry, for which she won the Kate Greenaway Medal. Late in her life she began to write and illustrate her own books, with animal or Biblical themes. (Full article...)
  • Image 17 Kapoor in 2022 Ranbir Kapoor (pronounced [ɾəɳˈbiːɾ kəˈpuːɾ], born 28 September 1982) is an Indian actor known for his work in Hindi-language films. He is one of the highest-paid actors of Hindi cinema and has featured in Forbes India's Celebrity 100 list since 2012. Kapoor is the recipient of several awards, including seven Filmfare Awards. The son of actors Rishi Kapoor and Neetu Singh, and the grandson of actor-director Raj Kapoor, Kapoor pursued filmmaking and method acting at the School of Visual Arts and the Lee Strasberg Theatre and Film Institute, respectively. He subsequently assisted Sanjay Leela Bhansali on the film Black (2005) and made his acting debut with Bhansali's tragic romance Saawariya (2007), a critical and commercial failure. He rose to prominence with the coming-of-age film Wake Up Sid, the romantic comedy Ajab Prem Ki Ghazab Kahani (both 2009), and the political drama Raajneeti (2010). (Full article...)

    Kapoor in 2022

    Ranbir Kapoor (pronounced [ɾəɳˈbiːɾ kəˈpuːɾ], born 28 September 1982) is an Indian actor known for his work in Hindi-language films. He is one of the highest-paid actors of Hindi cinema and has featured in Forbes India's Celebrity 100 list since 2012. Kapoor is the recipient of several awards, including seven Filmfare Awards.

    The son of actors Rishi Kapoor and Neetu Singh, and the grandson of actor-director Raj Kapoor, Kapoor pursued filmmaking and method acting at the School of Visual Arts and the Lee Strasberg Theatre and Film Institute, respectively. He subsequently assisted Sanjay Leela Bhansali on the film Black (2005) and made his acting debut with Bhansali's tragic romance Saawariya (2007), a critical and commercial failure. He rose to prominence with the coming-of-age film Wake Up Sid, the romantic comedy Ajab Prem Ki Ghazab Kahani (both 2009), and the political drama Raajneeti (2010). (Full article...)
  • Image 18 The Mānasollāsa also known as Abhilashitartha Chintamani, is an early 12th-century Sanskrit text composed by the Kalyani Chalukya king Someshvara III, who ruled in present-day Karnataka . It is an encyclopedic work covering topics such as polity, governance, ethics, economics, astronomy, astrology, rhetoric, veterinary medicine, horticulture, perfumes, food, architecture, games, painting, poetry, dance and music. The text is a valuable source of socio-cultural information on 11th- and 12th-century India. The encyclopedic treatise is structured as five sub-books with a cumulative total of 100 chapters. It is notable for its extensive discussion of arts, particularly music and dance. It is also notable for including chapters on food recipes and festivals, many of which are a part of modern Indian culture. (Full article...)
    The Mānasollāsa also known as Abhilashitartha Chintamani, is an early 12th-century Sanskrit text composed by the Kalyani Chalukya king Someshvara III, who ruled in present-day Karnataka . It is an encyclopedic work covering topics such as polity, governance, ethics, economics, astronomy, astrology, rhetoric, veterinary medicine, horticulture, perfumes, food, architecture, games, painting, poetry, dance and music. The text is a valuable source of socio-cultural information on 11th- and 12th-century India.

    The encyclopedic treatise is structured as five sub-books with a cumulative total of 100 chapters. It is notable for its extensive discussion of arts, particularly music and dance. It is also notable for including chapters on food recipes and festivals, many of which are a part of modern Indian culture. (Full article...)
  • Image 19 U Me Aur Hum (transl. You, Me, and Us) is a 2008 Indian Hindi-language romantic drama film co-written, directed, and produced by Ajay Devgn. The film tells the story of Ajay (Devgn), who meets barmaid Piya (Kajol) on a cruise with his friends (Sumeet Raghavan, Divya Dutta, Karan Khanna, and Isha Sharvani). They fall in love and marry; a few months later, Piya is diagnosed with Alzheimer's disease. The film was announced in May 2007 and was the directorial debut of Devgn, who had long wanted to direct a film. He wrote the story, and the screenplay was written by Robin Bhatt, Sutanu Gupta, and Akash Khurana. Principal photography, by Aseem Bajaj, began in India shortly after the film was announced. It was edited by Dharmendra Sharma, and the background score was written by Monty Sharma. The soundtrack was composed by Vishal Bhardwaj, with lyrics by Munna Dhiman. (Full article...)
    U Me Aur Hum (transl. You, Me, and Us) is a 2008 Indian Hindi-language romantic drama film co-written, directed, and produced by Ajay Devgn. The film tells the story of Ajay (Devgn), who meets barmaid Piya (Kajol) on a cruise with his friends (Sumeet Raghavan, Divya Dutta, Karan Khanna, and Isha Sharvani). They fall in love and marry; a few months later, Piya is diagnosed with Alzheimer's disease.

    The film was announced in May 2007 and was the directorial debut of Devgn, who had long wanted to direct a film. He wrote the story, and the screenplay was written by Robin Bhatt, Sutanu Gupta, and Akash Khurana. Principal photography, by Aseem Bajaj, began in India shortly after the film was announced. It was edited by Dharmendra Sharma, and the background score was written by Monty Sharma. The soundtrack was composed by Vishal Bhardwaj, with lyrics by Munna Dhiman. (Full article...)
  • Image 20 Vishnudevananda Saraswati (31 December 1927 – 9 November 1993) was an Indian yoga guru known for his teaching of asanas, a disciple of Sivananda Saraswati, and founder of the International Sivananda Yoga Vedanta Centres and Ashrams. He established the Sivananda Yoga Teachers' Training Course, possibly the first yoga teacher training programs in the West. His books The Complete Illustrated Book of Yoga (1960) and Meditation and Mantras (1978) established him as an authority on Hatha and Raja yoga. Vishnudevananda was a peace activist who rode in several "peace flights" over places of conflict, including the Berlin Wall prior to German reunification. (Full article...)

    Vishnudevananda Saraswati (31 December 1927 – 9 November 1993) was an Indian yoga guru known for his teaching of asanas, a disciple of Sivananda Saraswati, and founder of the International Sivananda Yoga Vedanta Centres and Ashrams. He established the Sivananda Yoga Teachers' Training Course, possibly the first yoga teacher training programs in the West. His books The Complete Illustrated Book of Yoga (1960) and Meditation and Mantras (1978) established him as an authority on Hatha and Raja yoga. Vishnudevananda was a peace activist who rode in several "peace flights" over places of conflict, including the Berlin Wall prior to German reunification. (Full article...)
  • Image 21 Network18 Media & Investments Limited, (formerly SGA Finance and Management Service and Network18 Fincap Limited) commonly referred to as the Network18 Group and sometimes as the Network18–Eenadu Group, is an Indian media conglomerate owned by the energy giant Reliance Industries, headed by billionaire Mukesh Ambani. Rahul Joshi is the managing director, chief executive officer and group editor-in-chief of Network18, and Adil Zainulbhai is the chairman of its board of directors. Network18 is the holding company of TV18, Web18, Network18 Publishing and Capital18. Through its subsidiaries and franchise licensing agreements, the group owns and operates the news broadcasting networks of News18, and CNBC channels in India, the magazines of Forbes India and Overdrive, the websites of Firstpost and Moneycontrol, and owns various other assets and investments. The broadcasting subsidiary TV18 is the controlling partner in two mass media joint ventures, Viacom18 and AETN18, through which it operates the OTT platforms of Voot, the production house Viacom18 Studios, the television networks of Colors TV, Nickelodeon, Comedy Central, VH1, MTV and the channel History TV18. (Full article...)
    Network18 Media & Investments Limited, (formerly SGA Finance and Management Service and Network18 Fincap Limited) commonly referred to as the Network18 Group and sometimes as the Network18–Eenadu Group, is an Indian media conglomerate owned by the energy giant Reliance Industries, headed by billionaire Mukesh Ambani. Rahul Joshi is the managing director, chief executive officer and group editor-in-chief of Network18, and Adil Zainulbhai is the chairman of its board of directors.

    Network18 is the holding company of TV18, Web18, Network18 Publishing and Capital18. Through its subsidiaries and franchise licensing agreements, the group owns and operates the news broadcasting networks of News18, and CNBC channels in India, the magazines of Forbes India and Overdrive, the websites of Firstpost and Moneycontrol, and owns various other assets and investments. The broadcasting subsidiary TV18 is the controlling partner in two mass media joint ventures, Viacom18 and AETN18, through which it operates the OTT platforms of Voot, the production house Viacom18 Studios, the television networks of Colors TV, Nickelodeon, Comedy Central, VH1, MTV and the channel History TV18. (Full article...)
  • Image 22 Minsara Kanavu (transl. The electric dream) is a 1997 Indian Tamil-language musical romantic comedy film that was co-written and directed by Rajiv Menon. The film stars Arvind Swamy, Prabhu Deva, and Kajol in her Tamil debut, and revolves around Priya (Kajol), a convent student who wants to become a nun. Having returned to India from his studies overseas, Thomas (Swamy)—Priya's childhood friend—falls in love with her following their first meeting at her convent. With the help of hairstylist Deva (Prabhu Deva), who is known for his ability to change woman's minds, Thomas tries to dissuade Priya from her ambition but Deva instead falls in love with her. AVM Productions wanted to make a film to celebrate their golden jubilee in 1997. The project, which would be titled Minsara Kanavu, was produced by M. Saravanan, M. Balasubramanian, and M. S. Guhan. Menon responded to an advertisement for a director and cinematographer, and made his directorial debut with the film. Venu and Ravi K. Chandran completed the principal photography, and Prabhu Deva choreographed the film. A. R. Rahman composed the soundtrack, which received positive reviews, and the songs "Mana Madurai", "Strawberry", "Thanga Thamarai", and "Vennilave" became popular. (Full article...)
    Minsara Kanavu (transl. The electric dream) is a 1997 Indian Tamil-language musical romantic comedy film that was co-written and directed by Rajiv Menon. The film stars Arvind Swamy, Prabhu Deva, and Kajol in her Tamil debut, and revolves around Priya (Kajol), a convent student who wants to become a nun. Having returned to India from his studies overseas, Thomas (Swamy)—Priya's childhood friend—falls in love with her following their first meeting at her convent. With the help of hairstylist Deva (Prabhu Deva), who is known for his ability to change woman's minds, Thomas tries to dissuade Priya from her ambition but Deva instead falls in love with her.

    AVM Productions wanted to make a film to celebrate their golden jubilee in 1997. The project, which would be titled Minsara Kanavu, was produced by M. Saravanan, M. Balasubramanian, and M. S. Guhan. Menon responded to an advertisement for a director and cinematographer, and made his directorial debut with the film. Venu and Ravi K. Chandran completed the principal photography, and Prabhu Deva choreographed the film. A. R. Rahman composed the soundtrack, which received positive reviews, and the songs "Mana Madurai", "Strawberry", "Thanga Thamarai", and "Vennilave" became popular. (Full article...)
  • Image 23 Javanese shadow puppet of Kripa Kripa (Sanskrit: कृप, lit. 'pity', IAST: Kṛpa), also known as Kripacharya (Sanskrit: कृपाचार्य, IAST: Kṛpācārya), is a figure in Hindu mythology. According to the epic Mahabharata, he was a council member of Kuru Kingdom and a teacher of the Pandava and Kaurava princes. Born to warrior-sage Sharadvan and nymph Janapadi in an extraordinary manner, Kripa and his sister Kripi were adopted by King Shantanu of Kuru Kingdom. Kripa was trained by his birth father and became a great archer like him. Later in the epic, he fought on the Kauravas's side against the Pandavas in the Kurukshetra war and was among the few survivors of the war. (Full article...)

    Javanese shadow puppet of Kripa

    Kripa (Sanskrit: कृप, lit. 'pity', IAST: Kṛpa), also known as Kripacharya (Sanskrit: कृपाचार्य, IAST: Kṛpācārya), is a figure in Hindu mythology. According to the epic Mahabharata, he was a council member of Kuru Kingdom and a teacher of the Pandava and Kaurava princes.

    Born to warrior-sage Sharadvan and nymph Janapadi in an extraordinary manner, Kripa and his sister Kripi were adopted by King Shantanu of Kuru Kingdom. Kripa was trained by his birth father and became a great archer like him. Later in the epic, he fought on the Kauravas's side against the Pandavas in the Kurukshetra war and was among the few survivors of the war. (Full article...)
  • Image 24 Cyclone Giri near peak intensity on October 22 Extremely Severe Cyclonic Storm Giri (IMD designation: BOB 04, JTWC designation 04B, also known as Cyclone Giri) was a powerful tropical cyclone in terms of 1-minute sustained wind speed which caused catastrophic damage in parts of Myanmar in late October 2010. Originating from an area of low pressure over the Bay of Bengal on October 19, the system began as a weak depression 250 km (155 mi) south of Myanmar. Over the following few days, the depression underwent explosive intensification, reaching its peak intensity with winds of 195 km/h (120 mph 3-minute sustained) on October 22. Cyclone Giri made landfall roughly 50 km (31 mi) northwest of Kyaukpyu, shortly after peaking. Within hours of moving onshore, the system had substantially weakened. By the following day, Giri had degenerated into a tropical depression and the final advisory was issued on the storm. Unlike during Cyclone Nargis in 2008, the Government of Myanmar took steps to ensure the safety of residents in the path of Cyclone Giri. An estimated 53,000 are believed to have evacuated Kyaukphyu before the arrival of the storm. Throughout central Myanmar, at least 157 people are known to have been killed by Giri. Thousands of structures near where the storm made landfall were destroyed, leaving more than 70,000 people homeless. An international relief effort began shortly after the storm passed to assist survivors of the storm. Local and foreign media initially criticized the Myanmar government for not giving residents enough warning of the storm and then for keeping quiet on the situation, but the focus later shifted to the loss of life and relief efforts. (Full article...)

    Cyclone Giri near peak intensity on October 22

    Extremely Severe Cyclonic Storm Giri (IMD designation: BOB 04, JTWC designation 04B, also known as Cyclone Giri) was a powerful tropical cyclone in terms of 1-minute sustained wind speed which caused catastrophic damage in parts of Myanmar in late October 2010. Originating from an area of low pressure over the Bay of Bengal on October 19, the system began as a weak depression 250 km (155 mi) south of Myanmar. Over the following few days, the depression underwent explosive intensification, reaching its peak intensity with winds of 195 km/h (120 mph 3-minute sustained) on October 22. Cyclone Giri made landfall roughly 50 km (31 mi) northwest of Kyaukpyu, shortly after peaking. Within hours of moving onshore, the system had substantially weakened. By the following day, Giri had degenerated into a tropical depression and the final advisory was issued on the storm.

    Unlike during Cyclone Nargis in 2008, the Government of Myanmar took steps to ensure the safety of residents in the path of Cyclone Giri. An estimated 53,000 are believed to have evacuated Kyaukphyu before the arrival of the storm. Throughout central Myanmar, at least 157 people are known to have been killed by Giri. Thousands of structures near where the storm made landfall were destroyed, leaving more than 70,000 people homeless. An international relief effort began shortly after the storm passed to assist survivors of the storm. Local and foreign media initially criticized the Myanmar government for not giving residents enough warning of the storm and then for keeping quiet on the situation, but the focus later shifted to the loss of life and relief efforts. (Full article...)
  • Image 25 "Love You To" is a song by the English rock band the Beatles from their 1966 album Revolver. The song was written and sung by George Harrison and features Indian instrumentation such as sitar and tabla. Following Harrison's introduction of the sitar on "Norwegian Wood (This Bird Has Flown)" in 1965, it was the first Beatles song to fully reflect the influence of Indian classical music. The recording was made with minimal participation from Harrison's bandmates; instead, he created the track with tabla player Anil Bhagwat and other Indian musicians from the Asian Music Circle in London. The composition adheres to the pitches of the Indian equivalent of Dorian mode and emulates the khyal vocal tradition of Hindustani classical music. For musical inspiration, Harrison drew from the work of master sitarist Ravi Shankar, who became his sitar tutor shortly after the recording was completed. In its lyrical themes, "Love You To" is partly a love song to Harrison's wife, Pattie Boyd, while also incorporating philosophical concepts inspired by his experimentation with the hallucinogenic drug LSD. In the context of its release, the song served as one of the first examples of the Beatles expressing an ideology aligned with that of the emergent counterculture. (Full article...)
    "Love You To" is a song by the English rock band the Beatles from their 1966 album Revolver. The song was written and sung by George Harrison and features Indian instrumentation such as sitar and tabla. Following Harrison's introduction of the sitar on "Norwegian Wood (This Bird Has Flown)" in 1965, it was the first Beatles song to fully reflect the influence of Indian classical music. The recording was made with minimal participation from Harrison's bandmates; instead, he created the track with tabla player Anil Bhagwat and other Indian musicians from the Asian Music Circle in London.

    The composition adheres to the pitches of the Indian equivalent of Dorian mode and emulates the khyal vocal tradition of Hindustani classical music. For musical inspiration, Harrison drew from the work of master sitarist Ravi Shankar, who became his sitar tutor shortly after the recording was completed. In its lyrical themes, "Love You To" is partly a love song to Harrison's wife, Pattie Boyd, while also incorporating philosophical concepts inspired by his experimentation with the hallucinogenic drug LSD. In the context of its release, the song served as one of the first examples of the Beatles expressing an ideology aligned with that of the emergent counterculture. (Full article...)
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    Indians begin voting to elect members to the 18th Lok Sabha. There are 969 million people eligible to vote, and voting will continue until June in seven phases. (AP)
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    About 20 armed pirates hijack a Bangladeshi bulk carrier in the Indian Ocean that was en route to the United Arab Emirates. The vessel is under the control of the pirates and is heading towards the coast of Somalia. (The National News)
    1 March 2024 –
    At least eight people are injured when a suspected homemade bomb explodes in a cafe in Bengaluru, Karnataka, India. (Reuters)

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