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Ayumi Hamasaki

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Ayumi Hamasaki
浜崎あゆみ
Hamasaki in London (2010)
Born
Ayumi Hamasaki (濱﨑 歩)

(1978-10-02) October 2, 1978 (age 45)
Fukuoka, Fukuoka Prefecture, Japan
Other names
  • Ayu
  • Crea
Occupations
  • Singer
  • songwriter
  • record producer
  • actress
  • model
  • spokesperson
  • entrepreneur
Spouses
Manuel Schwarz
​
​
(m. 2011; div. 2012)​
Tyson Bodkin
​
​
(m. 2014; div. 2016)​
Children2
Musical career
Genres
Years active
  • 1993–present
Labels
Websitewww.avex.jp/ayu
Signature
ayu
YouTube information
Channel
Years active2005 -
Subscribers666K[1]
Total views722 million[1]
100,000 subscribers
Last updated: May 22, 2024

Ayumi Hamasaki (浜崎あゆみ, Hamasaki Ayumi, born October 2, 1978) is a Japanese singer, songwriter, record producer, actress, model, spokesperson, and entrepreneur. By 2002, Hamasaki had earned the nickname "Empress of J-pop" due to her popularity in Japan and throughout Asia, as well as being referred to as "the voice of the lost generation".[2][3][4] Due to her success and relevance throughout her career, she is considered one of the top solo female artists of the Heisei era for her influence on the music industry and various fashion trends.[5]

Born and raised in Fukuoka, Fukuoka Prefecture, Hamasaki moved to Tokyo at 14 in 1993 to pursue a career in singing and acting. In 1998, Hamasaki released her debut single "Poker Face"[fn 1] and debut major-label album A Song for ××. The album debuted at the top of the Oricon charts and remained there for five weeks, selling over a million copies.[fn 1] This rapid rise to fame is typically attributed to her insightful style of lyric-writing in contrast to her young age; this would continue to be a defining aspect of her work, listeners praising her poetic way of conveying relatable subjects.[6] Her next ten albums shipped over a million copies in Japan, with her third, Duty, selling nearly three million. A Best, her first compilation album, further established her position as a crowning artist with more than four million copies sold in Japan.[7][8] It was at this time that she represented more than 40% of her record label's income.[9]

After A Best, Hamasaki went on to experiment with her music style and lyricism, incorporating English into her work from Rainbow onwards. Later albums would range from electronic dream-pop to rock genres, with Hamasaki herself saying she does not feel tied to follow music trends, instead focusing on what she enjoys and wants to create "whether it is trendy or not".[10] This perspective would continue to resonate with the public throughout her career, with her albums consistently placing in the top ten of the Oricon charts to present day; she currently holds the record for the most albums to place in the top ten by a female artist in Japan, with 54 of her releases reaching that distinction.[11]

Hamasaki has sold over 50.70 million units in Japan, making her the best-selling Japanese solo artist in history.[12] Hamasaki has several domestic record achievements for her singles, such as the most number-one hits by a female artist (38); the most consecutive number-one hits by a solo artist (25),[13] and the most million-sellers.[14][fn 2] From 1999 to 2010, Hamasaki had at least two singles each year topping the charts.[15] Hamasaki is also the first female recording artist to have ten studio albums since her debut to top the Oricon, and the first artist to have a number-one album for 13 consecutive years since her debut.[16][17] In addition to this, Hamasaki's remix albums Super Eurobeat Presents Ayu-ro Mix and Ayu-mi-x II Version Non-Stop Mega Mix, are recognized as two of the best selling remix albums of all time worldwide.[18]

Life and career[edit]

1978–1997: Childhood and early endeavors[edit]

Born in Fukuoka, Fukuoka Prefecture, Hamasaki was raised as an only child by her mother and grandmother; her father had left the family when she was three, and had no further contact with the family.[19][20] Hamasaki was primarily taken care of by her grandmother due to her mother working full-time.[19] She described herself as a "tomboy" when she was a teenager, and as a "strange kid" who "liked to be alone".[21]

At age seven, Hamasaki began modeling for local institutions, such as banks, to supplement the family's income. She continued this career path by leaving her family at fourteen and moving to Tokyo as a model under SOS, a talent agency.[19] Her modeling career did not last long; SOS eventually deemed her too short for a model and transferred her to Sun Music, a musicians' agency. Under the name of "Ayumi", Hamasaki released a rap EP, Nothing from Nothing, on the Nippon Columbia label in 1995. She was dismissed from the label when the album failed to chart on the Oricon.[22] After this failure, Hamasaki took up acting and starred in B-movies such as Ladys Ladys!! Sōcho Saigo no Hi and television dramas such as Miseinen, which were poorly received by the public.[20][23] From August 1995 to March 1996, Hamasaki also co-hosted the SoundLink "magazine" Hōkago no Ōsama (After-school King) for the Nintendo Satellaview once a week with Shigeru Izumiya.[24][25] Growing dissatisfied with her job, Hamasaki quit acting and moved in with her mother, who had recently moved to Tokyo.[19]

Hamasaki initially earned good grades in junior high school. Eventually, she lost faith in the curriculum, thinking that the subjects were of no use to her. Her grades worsened as she refused to put her mind to her studies. While living in Tokyo, she attempted to further her studies at Horikoshi Gakuen, a high school for the arts, but dropped out in the first year. Hamasaki did not attend school or have a job, so she spent much of her time shopping at Shibuya boutiques and dancing at Velfarre, an Avex-owned disco club.[19][20]

At Velfarre, she was introduced to her future producer Max Matsuura through a friend. After hearing Hamasaki sing karaoke, Matsuura offered her a recording deal, but Hamasaki suspected ulterior motives and turned the offer down.[20] He persisted and succeeded in recruiting her for the Avex label in the following year.[20] Hamasaki started vocal training, but skipped most of her classes after finding her instructors too rigid and the classes dull.[20] When she mentioned this to Matsuura, he sent her to New York to train her vocals under another method. While abroad, Hamasaki frequently corresponded with Matsuura and impressed him with her style of writing. It was on his suggestion that she began to write her own lyrics.[20]

1998–1999: Musical beginnings, A Song for xx, and Loveppears[edit]

Hamasaki made her debut under Avex at 19 on April 8, 1998, with the single "Poker Face". It—and the following four singles—were not major hits; however, each release was better than the last, thus gradually increasing her exposure and presence on the market. Hamasaki's debut album, A Song for ×× (released on January 1, 1999), was "unassuming": the tracks, composed by Yasuhiko Hoshino, Akio Togashi (of Da Pump), and Mitsuru Igarashi (of Every Little Thing), were "cautious" pop-rock songs.[20][26] However, Hamasaki's lyrics, introspective observations about her feelings and experiences that focused on loneliness and individualism, resonated with the Japanese public.[27] The songs gained Hamasaki a growing following, and the release of the album was a success: it topped the Oricon charts for five weeks and sold over a million copies.[22][28][29] For her achievements, she earned a Japan Gold Disc Award for "Best New Artist of the Year".[30]

With Ayu-mi-x (March 1999), the first of a series of remix albums, Hamasaki began moving beyond the pop-rock of A Song for ×× and began to incorporate different styles including trance, dance, and orchestra.[26] Hamasaki began to experiment with different musical styles in her singles as well, releasing dance tunes and ballads as well as remixes on the singles which spanned reggae and house. The singles were milestones: Hamasaki earned her first number-one single ("Love: Destiny") and first million-selling single ("A").[15][31] Her second studio album, Loveppears (November 1999), not only topped the Oricon charts, it sold nearly 3 million copies.[28] The album also showcased a change in Hamasaki's lyrics. Though the lyrics of Loveppears still dealt with loneliness, many of them were written from a third-person perspective.[32] In support of Loveppears, she held her first tour, Ayumi Hamasaki Concert Tour 2000 A. A Film for XX is the first video clip collection by Ayumi Hamasaki, it was released on September 15, 1999.

2000–2002: Duty, A Best, I Am..., and Rainbow[edit]

From April to June 2000, Hamasaki released the "despair trilogy", a series of singles consisting of "Vogue", "Far Away", and "Seasons". The lyrics of these songs focused on hopelessness, a reflection of Hamasaki's disappointment that she had not expressed herself thoroughly in any of her previous lyrics and a sense of shame of her public image.[33] Likewise, many of the songs she wrote for her subsequent studio album, Duty (September 2000), involved feelings of loneliness, chaos, confusion, and the burden of her responsibilities. She described her feelings after the writing as "unnatural" and "nervous".[19][34] The musical style was darker as well; in contrast with Loveppears, Duty was a rock-influenced album with only one dance song, "Audience".[19][35] Duty resonated with fans: the "Trilogy" were "hit singles" ("Seasons" was a million-seller), and the album became Hamasaki's best-selling studio album.[36][37] At the end of 2000, Hamasaki held her first New Year countdown concert at the Yoyogi National Gymnasium.

In 2001, Avex pressured Hamasaki to release her first compilation album, A Best, on March 28, putting the album in direct competition with Hikaru Utada's second studio album, Distance. The rivalry between the two singers (which both claimed was a creation of their record companies and the media) was supposedly the reason for the success of the albums; both sold over 5 million copies.[38] In support of Duty and A Best, Hamasaki held a tour of Japan's domes, making her one of few top Japanese artists to hold a concert at the Tokyo Dome.[39]

In 2002, I Am... marked several milestones for Hamasaki. Hamasaki increased her control over her music by composing all of the songs on the album under the pseudonym "Crea", of which the 2000 single "M" was the first. "Connected" (November 2002) and "A Song Is Born" (December 2001) were the exceptions.[40] I Am... also showed evolution in Hamasaki's lyrical style: it was a retreat from the themes of "loneliness and confusion" of some of her earlier songs.[41] Moved by the September 11 attacks, Hamasaki revised her vision of I Am..., focusing on issues such as faith and world peace. "A Song Is Born", in particular, was directly influenced by the events.[41][42] The single, a duet with Keiko Yamada, was released as part of Avex's non-profit Song Nation project, which raised money for charity.[43][44][fn 3] She also dropped the planned cover and opted instead to be portrayed as a "peace muse", explaining,

I had a completely different idea for the cover at first. We'd already reserved the space, decided the hair and makeup and everything. But after the incident, as is typical of me, I suddenly changed my mind. I knew it wasn't the time for gaudiness, for elaborate sets and costumes. It sounds odd coming from me, but I realize what I say and how I look has a great impact.[42]

The outlook inspired by the September 11 attacks extended beyond I Am.... Hamasaki held her first concert outside Japan, at the MTV Asia music awards ceremony in Singapore,[42][45] a move interpreted as the beginning of a campaign prompted by a sluggish Japanese market.[46][47] At the ceremony, she received the award for "Most Influential Japanese Singer in Asia".[45]

In support of I Am..., Hamasaki held two tours, Ayumi Hamasaki Arena Tour 2002 A and Ayumi Hamasaki Stadium Tour 2002 A.[48] In November 2002, as "Ayu", she released her first European single, "Connected", a trance song from I Am... composed by DJ Ferry Corsten. It was released in Germany on the Drizzly label.[49] Hamasaki continued to release singles (all of them remixes of previously released songs) in Germany on Drizzly until 2005.[50] In April 2002, Hamasaki released the single "Free & Easy". "H", Hamasaki's next single, became the best-selling single of 2002.[fn 4][51] Hamasaki released her last single of 2002, "Voyage", on September 26.

Hamasaki's next studio album, Rainbow, was her first to use English lyrics. After performing at the 2002 MTV Asia music awards, Hamasaki felt that by writing only Japanese lyrics, she was limited in reaching her international audience. Realizing that English was a "common global language", she included English lyrics in three songs.[52][fn 5][fn 6] The album was stylistically diverse; Hamasaki included rock- and trip hop-influenced tracks as well as "summery", "up-tempo" and "grand gothic" songs and experimented with new techniques such as gospel choruses and the yells of an audience. The lyrics were also varied: themes in the album included freedom, the struggles of women, and "a summer that ends in sadness".[54]

2003–2006: My Story, (Miss)Understood, and Secret[edit]

Hamasaki in Taiwan, 2007

In 2003, Hamasaki released three singles, "&", "Forgiveness", and "No Way to Say". To celebrate the release of her thirtieth single ("Forgiveness"), Hamasaki held the A Museum concert at the Yoyogi National Gymnasium.[55] Her mini-album Memorial Address (December 2003) was her first album to be released in CD+DVD format in addition to the regular CD-only format, a decision that came from her increased interest in the direction of her music videos.[56] Like her previous albums, Memorial Address topped the Oricon chart and sold over a million copies.[57][58] Despite this, sales of Hamasaki's singles began to wane — although all three of the album's singles topped the Oricon charts, "&" was Hamasaki's last single to sell over 500,000 copies.[59] By the end of her Arena Tour 2003–2004, Hamasaki had grown disillusioned with her position in Avex: she felt that the company was treating her as a product instead of a person.[60] Along with her dissatisfaction over her last two studio albums (which she thought had been rushed), this period of reassessment led her to begin work on My Story ahead of schedule.

In contrast with her previous albums, My Story had no set theme, nor did Hamasaki attempt to write "something good" or even "something that would give people hope"; rather, she simply wrote freely and honestly.[60][fn 7] As a result, the album contained mostly autobiographical lyrics about her emotions while reflecting on her career. She approached the composition of the music with the same freedom as the lyrics, with the album's notable rock overtones expressing her preference for that genre.[61] She was so pleased with the result that she declared My Story the first album she felt satisfied with.[61] My Story and its singles, "Moments", "Inspire", and "Carols", all topped the weekly Oricon charts; moreover, with sales of over 1,100,000 units, My Story became Hamasaki's last million-selling studio album according to Oricon.[fn 8][62][63] From January to April 2005, Hamasaki held the nationwide My Story arena tour, her first album-based tour.[60] Also in January, she began working with Lamoureux Orchestra to create My Story Classical, a classical version of My Story; the album served as an "alter-ego" of the more aggressive My Story.[64]

In 2006, (Miss)understood, Hamasaki's seventh studio album, showed new musical directions.[65] Hamasaki obtained the permission of Sweetbox composer Roberto "Geo" Rosan to use demo songs he had intended to use in Sweetbox's upcoming album. She edited the songs to fit her personal vision, rewriting the lyrics and rearranging some of the songs.[65] The result was more musically diverse than the previous album; (Miss)understood included ballads, funk, dance-pop, R&B, and rock songs.[66][67] Though (Miss)understood also reached the top of the charts, Oricon stated that it sold fewer than a million copies—Hamasaki's first studio album to do so.[68][fn 9][fn 8] In support of the album, Hamasaki held the (Miss)understood arena tour, which spanned three months with thirty concerts.[70]

Hamasaki's first single of the year, "Startin'", became Hamasaki's twenty-sixth number-one single.[71] The subsequent studio album, Secret, was released in November 2006.[72] Although Secret was originally intended to be a mini-album, Hamasaki "began brimming with things to say" while producing the album and wrote five more songs.[73][fn 10] The album consisted mostly of rock songs and ballads; to complement these, Hamasaki experimented with new vocal techniques.[72] The album also topped the Oricon weekly charts, making Hamasaki the only artist to have eight consecutive number-one studio albums.[74]

2007–2008: A Best 2, Guilty, and A Complete[edit]

In 2007, Hamasaki released A Best 2, a pair of compilation albums containing songs from I Am... to (Miss)understood. The two versions, White and Black, debuted at the first and second positions on the Oricon weekly charts, making Hamasaki the first female artist in 36 years to hold the top two positions on any Oricon album chart.[75] At the end of 2007, the pair became Japan's fifth and seventh best-selling albums of the year respectively.[76] In support of A Best 2 and Secret, Hamasaki held the four-month-long Tour of Secret from March to the end of June.[77][78]

Hamasaki in Paris for the filming of the music video for "Mirrorcle World"

In July 2007, Hamasaki released her first single in over a year, "Glitter/Fated". A short film, Distance Love, was used as the music video for "Glitter" and "Fated". The film, shot in Hong Kong, co-starred Hong Kong actor Shawn Yue as Hamasaki's romantic interest.[79] "Glitter/Fated" and the following single "Talkin' 2 Myself" reached the top of their respective charts, continuing Hamasaki's streak of number-one singles.[80] In December, Hamasaki released her first digital-only single, "Together When...", which topped the RIAJ's monthly download chart.[81][82] Hamasaki released her ninth studio album, Guilty, in January 2008. Most of the songs were darker in both tone and lyrical content; the album had a notable rock influence.[34][35] It would ultimately peak at number two on the Oricon chart.

In April 2008, to commemorate her tenth anniversary in Avex, Hamasaki released the single "Mirrorcle World".[15] Hamasaki also held her second tour of Asia, Asia Tour 2008: 10th Anniversary. On September 10, 2008, Hamasaki released A Complete: All Singles, a compilation album that includes the A-sides of all her singles, which became the 8th best selling album of 2008.[83]

2009–2011: Next Level, Rock 'n' Roll Circus, Love Songs, and Five[edit]

Hamasaki's next two singles, "Days/Green" and "Rule/Sparkle", continued Hamasaki's streak of number-one singles. "Rule" is used as the international theme song for the film Dragonball Evolution.[84] The subsequent studio album, Next Level, was released on March 25, 2009.[85][86] Next Level reached the top of the Oricon charts, making Hamasaki the only artist to have a number-one album every year for eleven years in a row since her debut.[17] On August 12, 2009, Hamasaki released her 46th single, "Sunrise/Sunset (Love Is All)". "Sunrise (Love Is All)",was used as the opening theme song for the Japanese television drama Dandy Daddy?.[87] Hamasaki's third single of the year, "You Were.../Ballad", was released on December 29, 2009, and was used as the theme for Tinker Bell and the Lost Treasure in Japan.[88][89][90]

Hamasaki's eleventh studio album Rock 'n' Roll Circus was released on April 14, 2010. Though the album contained some "powerful and melodramatic gothic rock" tracks, it was mainly "pure and classic J-pop".[91] Hamasaki also began expanding her online presence, setting up accounts on MySpace, Ustream, and Twitter.[92][93] In July, entertainment company Livespire announced that Hamasaki's 2009 Next Level tour would be shown in 3D at Toho cinemas nationwide during August 2010.[94][95][96] On July 14, Hamasaki released her forty-eighth single, "Moon/Blossom". The single was released as the first of a three-part project to celebrate her fiftieth single.[97] The two other singles in the project (her forty-ninth and fiftieth singles respectively), "Crossroad" and "L", were released within a week of each other, "Crossroad" on September 22 and "L" on September 29.[98] "Crossroad" was composed by Tetsuya Komuro, the single also including a cover version of Komuro's band TM Network's 1988 song "Seven Days War".[99]

Hamasaki during her 2010 concert tour, Rock n' Roll Circus: 7 Days Special

On December 22, Hamasaki released her twelfth original studio album, Love Songs. On the same day, Naoya Urata of AAA released his debut solo single "Dream On"; the song, which featured Hamasaki, was also written and produced by her, marking the first record she produced for another singer.[100] In February 2011, it was announced that her upcoming tour, Hotel Love Songs, would start in April. Shortly after the 2011 Tohoku earthquake and tsunami, it was announced that the tour was rescheduled to start in late May, and the tour was renamed to Power of Music.[101] Deeply affected by the Tohoku earthquake and tsunami devastation, Hamasaki decided to collaborate with fashion magazine, Vivi, with the sale of charity shirts and the profits going to help the victims in the devastation. On April 20, 2011, Hamasaki simultaneously released four new remix albums, Ayu-mi-x 7:House, Acoustic Orchestra, Trance 4, Ayu-ro Mix 4, and a Limited Complete Box Set, which were also released internationally on iTunes.[102] On that same day, Hamasaki also released 2010 Rock 'n' Roll Circus Tour and A 50 Singles: Live Selection which topped the weekly chart at No. 1 and No. 2 respectively. The simultaneous releases made Hamasaki the first artist ever to have 4 albums in Oricon's top 10, and also the first artist to hold 2 top positions in the Oricon DVD chart.[103]

On August 31, Hamasaki released her second mini album Five, her first since Memorial Address in 2003. This was her first album to have no singles released. The lead song, "Progress", was used as a theme song for the videogame, Tales of Xillia.[104] "How Beautiful You Are" was later released on February 8 as the theme song for a drama Saigo Kara Nibanme no Koi, and became Hamasaki's second digital single (55th single overall).[105]

2012–2013: 15th anniversary, Party Queen, Love Again, and A Summer Best[edit]

On March 21, Hamasaki released her thirteenth studio album, Party Queen. Its title track is inspired by the British slang of being a 'party queen' - someone who is partying hard and looks to be doing well, but is emotionally self-destructing.[106] The album spanned themes of grief, isolation, addiction, and regret, with the singer using upbeat dance beats on key tracks to represent the contrast of fame, glitz, and glamor with personal inner turmoil; she would later comment that the album cover includes callbacks to her previous work, Duty. During the press tour for Party Queen, Hamasaki would say that songwriting had been so easy for her during this era, that at one point she had considered making the release her first double album.[106]

Hamasaki (bottom center) in London with a group of European fans

On August 6, 2012, Hamasaki released her sixth compilation album A Summer Best. It included two new songs which were digitally released for the promotion of the album: the TRF cover, Happening Here, and You & Me. In September 2012, it was announced that, to commemorate Hamasaki's 15th anniversary, she would be releasing new material for five consecutive months starting November 8 2012, until 8 March 2013.[107] The first releases were two mini albums, Love and Again, which were put on sale on 8 November and December, respectively. The third release for 8 January was her compilation album A Classical, which included classical arrangements of previously released songs. The fourth release was Hamasaki's 14th studio album, Love Again, which compiled the songs included in the two previous mini albums and debuted atop the weekly Oricon Albums Chart. The fifth and final release was the DVD/Blu-ray of her Arena Tour 2012 A: Hotel Love Songs, released in March.[108]

In April 2013 Hamasaki began her 15th Anniversary Tour: A Best Live, which lasted for four months until the end of July. Its setlist was selected from online fan votes, and was later released as her first live album CD on September 18.[109] The DVD and Blu-ray versions were released on October 30, 2013.[110] On December 25, 2013, Hamasaki released "Feel the Love/Merry-go-round". "Feel the Love" was composed by Tetsuya Komuro and produced by Dj Hello Kitty, while "Merry-go-round" was produced by M-Flo's Taku Takahashi and features rapper Verbal.[111]

2014–2015: Colours, A One, and Sixxxxxx[edit]

In January 2014, it was announced that a new song,"Pray", was the theme song for Osamu Tezuka's Budda 2—Owarinaki Tabi.[112] The song was released digitally on January 27, 2014.[113] Another new song, entitled "Hello New Me", was the theme song for a season of Fuji TV drama Zoku—Saigo Kara Nibanme no Koi. which began broadcasting in April, 2014. The song was released digitally on May 14, 2014.[114] From May 30 to July 6, 2014, Hamasaki held her Premium Showcase: Feel the Love tour.[115] Hamasaki's fifteenth studio album, entitled Colours, was released on July 2, 2014. The album featured internationally renowned producers, such as RedOne, Rodney Jerkins, Armin van Buuren and Fedde le Grand.[116] In September 2014, Hamasaki released two recut singles from Colours: "Terminal" and "XOXO" on the PlugAir platform. The single was released under Linkin Park's Machine Shop Records for the American release.[117]

Ayumi Hamasaki in Taipei 2015

On November 2, 2014, Hamasaki announced through her official Facebook page that she had started recording new material composed by Tetsuya Komuro, Kunio Tago and Tetsuya Yukumi for a "winter ballad trilogy" single.[118] On November 6, 2014, the title of the single was revealed to be "Zutto.../Last Minute/Walk", and was released on December 24, 2014.[119] A Hikaru Utada tribute album, titled Utada Hikaru no Uta, was released on December 9, 2014 which included Hamasaki's version of "Movin' on Without You".[120][121] This was reportedly the track that the singer herself requested, with her stating that it was the only song she had in mind since being told of the project.[122] A One, her sixteenth album, was released on April 8, 2015. Between April and July 2015, Hamasaki embarked on her Arena Tour 2015 A: Cirque de Minuit tour throughout Japan, which was planned as an expanded version of her previous Countdown Live concerts held in late 2014.[123] At the final show of the aforementioned tour, Hamasaki announced that she would start another tour in September, this time exclusively for members of her official fan club, TeamAyu. The TA Limited Live Tour began in September 2015, and included a total of 16 concerts at 7 venues.[124]

In April 2015, a new song entitled "Step by Step" began to be broadcast as the theme song of NHK TV drama Bijo to Danshi, and was subsequently released as a digital single on July 1.[125] It became the lead single for the later released Sixxxxxx on August 5, 2015. The mini album featured six new songs, including drama theme song "Step by Step", and "Sayonara", which featured Taiwanese boyband SpeXial.[126] On December 23, 2015, Hamasaki released a winter-themed concept album entitled Winter Diary: A7 Classical, which reintepreted her songs using classical arrangements. The album also included "Winter Diary", produced by Tetsuya Komuro.[127]

2016–2020: Made in Japan, 20th anniversary, Trouble[edit]

A 15th anniversary edition of Hamasaki's 2001 greatest hits album, A Best, was released on March 28, 2016.[128] In May 2016, Hamasaki started her nationwide tour Arena Tour 2016 A: Made in Japan, which was an expanded version of her 2015–2016 Countdown Live Made in Tokyo.[129]

On May 11, her seventeeth studio album, titled Made in Japan, was released on the streaming platform AWA.[130][131] The album was released on physical formats on June 29, 2016. On September 30, 2016, Hamasaki released the digital single "We Are the Queens", which was used as a theme song of smartphone game Clash of Queens developed by Elex Wireless.[132] During 2017 Hamasaki embarked on her Just the Beginning -20- Tour 2017,[133] whose first leg started in May 2017. The second part of the tour, entitled Just the beginning Part 2: Sacrifice, held dates between September and November 2017. On September 6, 2017, Hamasaki released a new song entitled "Words" as a free download for Just the Beginning: Sacrifice tour attendees, available until November 30 through the mu-mo website.[134] The third chapter of the tour began in December 2017 through February 2018.[135]

Hamasaki embarked on the Power of Music: 20th Anniversary tour from April 7 to July 22, 2018.[136] She announced her seventh EP, Trouble—released on August 15, 2018—on the final day of the tour.[137] In August 2019, popular non-fiction author Narumi Komatsu released a novel about the early years of Hamasaki's life, titled M Aisubeki Hito ga Ite. The book was advertised as being based on interviews with Hamasaki herself, although before the book was published, the singer stated that the book "combined both fact and fiction" and had become its own story. A television drama-series based on the novel aired from April to July 2020.[138] A 20th anniversary edition of Hamasaki's 1999 album Loveppears, the album highlighted the most in Komatsu's novel, was released on November 10, 2019.[139] On December 30 and 31, Hamasaki held her annual New Year's Eve concerts, with the second date recorded and later released as Countdown Live 2019–2020: Promised Land.

In February 2020, the singer began Trouble Tour 2020: Saigo no Trouble: however, the tour was suspended after only two dates due to COVID-19 pandemic restrictions imposed by the Japanese government. On May 19, Hamasaki announced the cancellation of the remaining 36 dates through her official website.[140] On July 4, a TV commercial featuring a new song by the singer, "Ohia no Ki", was broadcast after the final episode of M Aisubeki Hito ga Ite. It was released on digital platforms the next day.[141][142] The singer held her Premium Limited Live A: Natsu no Trouble concert without an in-person audience on July 25; it was streamed live on AbemaTV.[143] A new digital single, "Dreamed a Dream", followed at the end of that month. On August 29, Hamasaki took part in A-Nation Online 2020 - the first time Avex had streamed their annual summer festival.[144] Due to the cancellation of her 2020 tour, Hamasaki held an online concert named Trouble Tour 2020 A: Saigo no Trouble - Final on October 2. This was without an in-person audience, the stream hosted by Mu-mo Live.[145] Later that same month, Hamasaki planned to hold an in-person Christmas concert titled Special Showcase Xmas Eve 2020, but it was later adapted to be a streaming exclusive via YouTube on December 24.[146] Countdown Live 2020-2021 A: Music For Life, two New Year concerts for December 30 and 31, were cancelled on December 29 due to a member of staff testing positive with COVID-19.[147] Hamasaki later confirmed she had not tested positive herself.[148]

2021–2022: A Ballads 2[edit]

Hamasaki released the compilation album A Ballads 2 on April 8, 2021, which included remastered versions of 29 previously released songs, as well as the single "Ohia no Ki" and a new cover of Yumi Matsutoya's "Haru yo, Koi".[149] Alongside A Ballads 2, she released the digital single "23rd Monster" on April 8.[150] In the track, Hamasaki covers the themes of public pressure, self-doubt, and retaking control of one's own life; the title in reference to it being released on the date of her own 23rd anniversary since her major label debut. On June 26, 2021, Hamasaki held an online concert titled Music for Life: Return, hosted on Mu-mo Live as well as having an in-person audience, which reused the concept and parts of the setlist she had planned for the cancelled Countdown Live 2020 - 2021 A: Music For Life.[151] Summer TA Party 2021, was held on August 23 at the Team Smile Toyosu Pit venue.[152] After the concert ended, Hamasaki announced a new tour named Asia Tour 2021-2022 A: 23rd Monster; despite the name, there were no confirmed dates outside of Japan due to COVID-19 restrictions. The tour began on October 2 at the Makuhari Event Hall, Chiba. On October 18, the singer appeared as a guest producer on 17LIVE 4th Anniversary meets Ayumi Hamasaki, judging auditioning artists alongside her own long-time collaborator, Yuta Nakano. The winner of the program would then work with both Hamasaki and Nakano for their own debut track.[153][154] At the end of the year, her Countdown Live 2021 - 2022 A: 23rd Monster concerts were held with an in-person audience, along with it being streamed online by dTV.[155]

"Nonfiction" was released as a digital single on April 22 2022, its lyrics condemning the recent uptick in false news reports and conspiracies.[156] It was first revealed at Hamasaki's Asia Tour: 24th Anniversary Special concert, held at PIA Arena MM on April 6 and streamed through dTV; the concert also had Kishidan as special guests, who performed her cover of their hit One Night Carnival with the singer.[157] Atsuo Nagahori of The First Times reviewed the concert, concluding "She continues to evolve and challenge herself as an artist, and there are more people than ever drawn to keep their eyes on her", citing her performances of "A Song For ××" , "Poker Face", and "Nonfiction" as highlights. Hamasaki commented on her feelings entering her 24th anniversary year, stating "I hope everyone who has been on this journey, whether they know me as Ayu or Ayumi Hamasaki, will think 'I'm glad I had this person in my life', even if just for a moment."[158] "Summer Again" was released on July 1, 2022.[159] From July to August, seven Summer TA Party 2022 concerts were held across Tokyo, Osaka, and Fukuoka.[160] Her third digital single of 2022, "Mask", was released on November 18, with its later released music video made in collaboration with TeamLabs.[161]

The final show for Asia Tour 2021-2022 A: 23rd Monster took place on December 10, 2022, in Nagoya.[162] Countdown Live 2022–2023: Remember You, Hamasaki's New Year's Eve concert, was held on December 30 and 31 at Yoyogi National Stadium.[163] The final date on December 31 was also streamed on dTV.

2023-present: 25th anniversary, Remember You[edit]

On January 25, Hamasaki released her eighteenth studio album, titled Remember You. Its tracklist included the seven singles released over the last two years.[164] The album's subsequent performance earned her the distinction of becoming the female artist with the most albums to reach the top ten on the Oricon charts.[165]

On March 28, Hamasaki was announced as a brand ambassador for Rhythm Co. Ltd. When asked about her 25th anniversary, the singer said: "I couldn't do all of this alone for 25 years, if I'd only done it for myself. I want to repay the people who took care of me. I want to make them happy. I don't really feel like celebrating myself at all."[166][167] The singer held her 25th Anniversary Live concert on April 8 alongside a livestream hosted by Abema.[168] From April 7, the "25th Anniversary Shibuya109 Campaign" took place to celebrate Hamasaki's milestone year.[169] Participating outlets sold limited edition clothing, merchandise, and confectionary, along with Hamasaki's music being played across the building until the campaign ended on April 23.[170]

Shibuya109 during Hamasaki's 25th Anniversary Campaign, April 2023

On July 8, Hamasaki began her 25th Anniversary Tour, announcing three different acts that would run until March 2024.[171] The scheduled dates included locations in all 47 prefectures of Japan, a first for the singer; Hamasaki would say later that this came from a wish to "see all of Team Ayu" for her 25th anniversary.[172] Hamasaki's new year concert, Countdown Live 2023-2024: A Complete 25, took place later that year at Yoyogi Stadium on December 30–31. A livestream of the final date was broadcast by Abema.[173]

In March 2024, Hamasaki released a cover of Miyuki Nakajima's "Jidai" as a theme song for Banpaku no Taiyo.[174] In April, a new song titled "Bye-Bye" was used as the April-May theme for Minna no Uta, becoming Hamasaki's first contribution to the program.[175] This was followed up by another collaboration, Hamasaki providing an anniversary track titled "Aurora" for the mobile game Azur Lane.[176] The song received a limited release on May 21.

Artistry[edit]

Lyrics[edit]

In the beginning, I was searching for myself in my music. My music was for me. I didn't have the mental room to be conscious of the listener; I wrote to save myself. I didn't understand what it was to write songs. But over time I began to see many things, my influence, the responsibilities that gave me.

— Hamasaki on the new lyrical directions in I Am....[42]

Hamasaki's lyrics have resonated among her fans throughout her career, who praise them as being honest and heartfelt and "expressing determination"; in two surveys conducted by Oricon, respondents voted Hamasaki's lyrics as their favorite aspect of her artistry.[177][178] Steve McClure of The Japan Times noted that Hamasaki has "developed a reputation as a thoughtful, introspective lyricist"; Barry Walters of The Village Voice comments that Hamasaki's lyrics "pack unlikely insights".[26][179] Having "trouble voicing her thoughts", Hamasaki uses her lyrics as an outlet; she draws inspiration from her own (and occasionally her friends') experiences and emotions and tries to put them "honestly into words".[180] She has stated that honesty is essential to her lyrics, saying, "If I write when I'm low, it will be a dark song, but I don't care. I want to be honest with myself at all times."[180]

As with her musical style, the themes of her lyrics have varied. Her debut album A Song for ×× dealt mostly with themes of "loneliness and confusion", as did her second album Loveppears. Duty likewise expressed feelings of disappointment and confusion. Hamasaki began to take on a more global outlook with her following albums I Am... and Rainbow, branching out to wider themes such as faith and peace.[41] Music critic Tetsu Misaki noted a large change in her lyrics style between her debut album A Song for ×× (1999), which mostly dealt with personal problems, and her following albums Loveppears and Duty. Misaki believed Hamasaki had begun thinking about her influence on society more, and began writing songs with important messages she wanted to express to her listeners. This was signalled by her not using first person pronouns as much, and instead using the words bokura (僕ら, "we") and tsutaeru (伝える, "convey/Tell") more often.[181]

"Evolution" (2001)
Many of Hamasaki's songs are dance tunes, such as "Evolution" (2001), a self-composed single that also has rock elements.
"M" (2000)
"M", the first song composed by Hamasaki under the pseudonym "Crea", shifts to a relative key, like most of her self-composed songs.[182]
"Bold & Delicious" (2005)
Hamasaki took new directions on (Miss)understood, as epitomized by the single "Bold & Delicious", a funk-influenced song that used a gospel-style chorus.
Problems playing these files? See media help.

Musical style[edit]

In addition to writing her own lyrics, Hamasaki has also involved herself in other aspects of production such as artistic direction. Though Max Matsuura is officially credited as the producer of her records, he said of Hamasaki, "Ayu is a very meticulous worker behind the scenes. A lot of the work she does by herself is more in the producer's arena. I think really we should say 'Produced by [A]yumi [H]amasaki'."[183] In 2022, Matsuura would state that he began to step away from the lead producer role from around 2000, leaving Hamasaki to coordinate her music production on her own.[184]

Until her single "M", Hamasaki left the task of composing to her staff: "I'm not a professional; I lack even basic knowledge about writing music."[40] It was only when she failed to find a melody for "M" that fit what she needed that she was inspired to compose herself.[19] However, (Miss)understood became the final album to use one of Hamasaki's own compositions.

Hamasaki cites Madonna, soul musicians Babyface and En Vogue, and rock bands Led Zeppelin and Deep Purple as her influences and states that she admires Michelle Branch, Kid Rock, Joan Osborne, Seiko Matsuda, Rie Miyazawa, and Keiko Yamada;[40][180] these diverse influences have led to the variety of her own music. Hamasaki began commissioning remixes of her songs early in her career, and this practice also influenced the diversity of her music.[26] Found on many of her records, these remixes span different genres of electronic dance music including Eurobeat, house, and trance, as well as acoustic genres such as classical and traditional Chinese music. The musicians and acts she has worked with directly include Above & Beyond, the Lamoureux Orchestra of France,[fn 11] Junkie XL, and the traditional Chinese music ensemble Princess China Music Orchestra.[185]

Hamasaki has released more than a hundred original songs; through them, she has covered a wide range of musical styles, such as dance, metal, R&B, progressive rock, pop, and classical.[26] She uses different instruments and techniques including piano, orchestra, gospel choirs, guitars, traditional Japanese strings, music boxes, and effects such as yells, claps, and scratching.[26][54]

Videos and stage[edit]

Hamasaki's live performances are often lavish productions that use "grand-scale props".[186] Performances of "Mirrorcle World" in her 2008 tour of Asia used a floating ship.

Hamasaki is often involved in the artistic direction of her music videos. They are often artistic productions through which Hamasaki tries to convey the meaning or feeling of their respective songs.[72] The themes of the videos are varied; she has made "sad and fragile" or "emotional" videos ("Momentum", "Endless Sorrow"), "refreshing" summer videos ("Blue Bird", "Fairyland"), surreal or "scary" videos ("1 Love", "Marionette"), and humorous videos ("Evolution", "Angel's Song", "Beautiful Fighters").[52][177] Additionally, many of the videos contain short storylines, some of which use symbolism to convey their respective messages.[177] Additionally, the videos of "Fairyland", "My Name's Women", "Jewel", "Green", and "Virgin Road" are among the top twenty or so most expensive music videos, making Hamasaki the only non-American artist to hold such a distinction.[187][188][189]

Hamasaki is also involved in the production and artistic direction of her live performances; they, like her videos, are often lavish productions and use a variety of props, extravagant costumes, and choreographed dances. She has used large video screens, fireworks, simulated rain drops, trick stage floors, and suspended devices.[186]

Public image and legacy[edit]

Hamasaki's lyrics and image initially gained a following predominantly among young Generation X and Millennials, often referred to as "the voice of the lost generation".[4][190] Music critic Tetsu Misaki believed that the juxtaposition of her fashionable appearance and her personal lyrics was one of her most important selling points.[181] The popularity of her music extends beyond Japan, with a sizeable following across Asia.[191][192][193] She began moving towards the wider Asian market in 2002, later taking her 2007 Tour of Secret to Hong Kong, Taiwan, and Shanghai.

Hamasaki is also noted for the visual aspects of her artistry; she was considered a significant fashion trendsetter in both the 2000s and 2010s, with her influence extending beyond Asia.[194][195][196] While maintaining tight control over her image,[3][197][198][199] Teresa Nieman of The Guardian said that Hamasaki "married accessible, mainstream hits with over-the-top costumes and high-concept videos".[200] Besides her frequent appearances in fashion magazines, such as Vivi, Popteen, and Cawaii!, Hamasaki had often been lauded for her trendy choices in apparels and accessories; Oricon repeatedly named her the "Most Fashionable Female Artist".[201][202] Among the trends Hamasaki has started is hime-kei (a look inspired by the fashions of 18th century French aristocracy), along with heavily influencing the 2000s kogal subculture.[203][204][205] Hamasaki's constantly changing image was apparent not only in her fashion photo shoots and commercial endorsements but also in her record covers, an element she considered essential in conveying her message.[41]

Although Hamasaki was promoted as a girl-next-door at her debut, she began to already evolve her public image from her second album Loveppears. After the release of Party Queen in 2012, Hamasaki once again reinvented her public image by favouring soft, pastel-shaded concepts through the mid-2010s, along with often wearing luxury loungewear.[206] However, she has begun to receive attention in the 2020s as an unquestionable influence on Y2K fashion, regarded as an icon of returning gyaru-kei inspired trends.[207]

During the singer's 25th anniversary, there was notable growing appreciation for Hamasaki's work ethic and dedication to her craft by the public. Atsuo Nagahori of The First Times wrote "Involved in the Japanese pop scene for now over 24 years, she has never stopped touring, never stopped releasing new music, and has never taken a break to recharge her batteries. How many artists can we say we have like that?".[158]

Other activities[edit]

Philanthropy[edit]

Throughout her career, Hamasaki has been a notable supporter of LGBTQ+ rights; in 2018, she was the invited headliner for Tokyo Pride, held in Yoyogi Park on May 6. During her performance, she spoke on having relied on friends made in the Ni-chōme district in the early days of her career for support, and the need to stand up for change: "Japan is still a conservative country, so there is a part of us that cannot shake off the image of those in minority groups being wrong. If there are moments in the future when you feel small and want to give up, please remember this day - I hope that you will always be proud of who you are, and keep going. I will always be walking alongside you."[208]

In March 2011, Hamasaki donated 30 million yen to relief efforts for the Tōhoku earthquake and tsunami.[209] In 2021, Hamasaki donated 10 million yen to the Japanese National Center for Global Health and Medicine, receiving the Medal of Honor.[210] During the 2022 typhoon aftermath in the Shizuoka prefecture, Hamasaki openly criticized the media for not reporting on the disaster thoroughly. Over a period of three days, she organized a donation point and visited Shizuoka to talk to survivors and coordinate resources.[211]

In 2023, Hamasaki worked closely with Anella to adopt two dogs, who both had severe medical issues and a background of abuse. Speaking jointly with Anella representatives, Hamasaki highlighted the need to provide care for long-term residents of rescue homes, and encouraged awareness of puppy mills and the impact adoption can have: "Saving an animal's life won't change the world, but you can change that animal's world forever".[212]

Ayuready?[edit]

From October 2002 to March 2004, Hamasaki was the host of her own talk and variety TV show, named Ayuready?, on Fuji Television. The talk show, which aired on Saturday nights from 11:30 to midnight, often featured her performing songs with guests. Among the names who appeared on the program were Goto Maki, Puffy, and Akina Nakamori. To promote the program (and her album Rainbow), Hamasaki opened the Rainbow House restaurant on Shōnan Beach on July 1, 2003, which was open until August 31, 2003.[213] After almost two years, the last episode of Ayuready? aired in March 2004.[214]

Branded products[edit]

In 2001, Hamasaki launched her own limited-run fashion brand, MTRLG (Material Girl); the clothes were sold at MTRLG boutiques and at Mise S*clusive stores.[213] In 2002, Hamasaki created Ayupan, a cartoon version of herself that appeared in a line of merchandise (mainly figurines), and in a 2003 animation. For her 2007 tour Tour of Secret, Hamasaki collaborated with Sanrio to create a line of merchandise, "Ayumi Hamasaki x Hello Kitty/", that featured Ayupan and Hello Kitty together.[215] The merchandise included cell phone straps and Lumix cameras decorated with a picture of Hello Kitty behind Hamasaki's "A" logo;[fn 12] the former product was a result of a collaboration with Sanrio and Japanese fashion brand Ash & Diamonds, the latter a collaboration with Sanrio and Panasonic.[216]

Product endorsements[edit]

Throughout her early career under Avex, Hamasaki promoted products that ranged from electronics (Tu-Ka cell phones and Panasonic)[23] to various snack foods.[201] Among the products she has advertised on television are the Honda Crea scooter,[217] KOSÉ cosmetics,[201] Mister Donut donuts,[218] and Boss coffee.[219] Although Hamasaki initially supported the exploitation of her popularity for commercial purposes, saying that it was "necessary that [she is] viewed as a product",[40] she eventually opposed Avex's decision to market her as a "product rather than a person".[220] Hamasaki avoided allowing her image to be used for widespread endorsements for many years after that statement.

In March 2023, Hamasaki became a beauty brand ambassador for Rhythm Co., representing their R-Face BFT Pack product.[221] The packaging included Hamasaki's signature "A" logo. The partnership included Hamasaki's first press conference in over 8 years, and used "MASK" for its related advertisements.

Hamasaki was announced as a brand ambassador for Gem Castle on October 2, 2023, her song "Dearest" used as the theme throughout their 45th anniversary campaign.[222]

Personal life[edit]

Hamasaki had a romantic relationship with her producer, Max Matsuura, from 1998 to 2000.[223] It was written that the reason for their break-up was Hamasaki's unprecedented success, with the singer abandoning her previous expectation of an early retirement, deciding that their relationship should be focused on their shared dream of "Ayumi Hamasaki".

Hamasaki began dating actor Tomoya Nagase in 2000, with their relationship ending in 2007. The pair had known each other since co-starring a TV drama in 1997.[224]

On January 1, 2011, Hamasaki announced her engagement to Austrian actor and model Manuel Schwarz, whom Hamasaki met in August 2010 on the set of her music video for "Virgin Road".[225] On January 2, her office announced that she and Schwarz had married in the United States the day before.[226] On January 16, 2012, Hamasaki announced her divorce through her fanclub website. Hamasaki would go on to say that she initially planned to move to the United States, where Schwarz primarily resided; however, her experiences watching the March 2011 Tōhoku disaster footage while being outside of Japan at the time impacted her so greatly, that she felt unable to go through with a permanent relocation.[227][228]

On December 13, 2013, it was announced on her official TeamAyu site that Hamasaki was engaged. In the announcement, the singer said "As my partner is an ordinary student, I would be very happy if you could watch over us quietly."[229] On March 3, 2014, the singer announced her second marriage on her fanclub site "TeamAyu". The couple filed for divorce in September 2016.[230][231]

On January 1, 2020, Hamasaki revealed that she had given birth to her first child "at the end of last year".[232] On October 2, 2020, Hamasaki announced her second pregnancy through her official TeamAyu website, and in May 2021 confirmed the arrival of her second child "sometime in spring".[233]

Hearing loss[edit]

In January 2008, Hamasaki announced on her blog that an inoperable condition, possibly tinnitus or Ménière's disease, had caused complete deafness in her left ear.[234][235] While the diagnosis was made in 2006, she admitted to the symptoms dating back to 2000, originating from her continuing stage performances while having an ear infection.[236][237] Hamasaki stated in the blog post that she wished to continue singing, and that as a professional, she wanted to "continue delivering the best performance I can".[236][238]

On May 20, 2017, Hamasaki revealed that she had also began losing hearing in her right ear, experiencing severe bouts dizziness and nausea. She vowed to continue performing, writing: "The stage is where I belong. It's the only place I really, truly exist. I don't know anything else."[237]

Discography[edit]

Main articles: Ayumi Hamasaki discography and Ayumi Hamasaki videography

Concert tours[edit]

Filmography[edit]

Year Title Role Notes
1993 Twins Teacher Momo Tachibana
Battle Spirits Ryūko no Ken Yuri Sakazaki Voice role
1995 Sumomo mo Momo Kuriko
Miseinen Hitomi Tabata
Ladys Ladys!! Soucho Saigo no Hi Misaki
Like Grains of Sand Kasane Aihara
1996 Gakko II
2002 Tsuki ni Shizumu Minamo Hamasaki's song "Voyage" was the theme song for this movie.
2007 Distance Love Herself Short film based on her songs "Glitter" and "Fated".

Video games/software[edit]

  • Visual Mix Ayumi Hamasaki Dome Tour 2001 (PlayStation 2)[239]
  • A-TYPE ayumi hamasaki touch typing software (March 29, 2002, e frontier, Windows)[240]

Awards[edit]

Main article: List of awards received by Ayumi Hamasaki

See also[edit]

Footnotes[edit]

  1. ^ a b Oricon does not count Nothing from Nothing, released by Nippon Columbia, among Hamasaki's albums.
  2. ^ This last record is shared with Pink Lady, Namie Amuro, and Hikaru Utada.
  3. ^ Original text: "このシングルは2001年9月11に米国で発生した同時多発テロを追悼するために企画され、リリースと同時に日本で話題を集めたチャリティーシングル『song+nation』の3枚だ。"
    "まず、浜崎あゆみとKEIKOがデュエットした『a song is born』が2001年12月12日にリリースされた。"
  4. ^ All sales and charting positions in this article apply only to Japan or Japan's Oricon charts unless otherwise stated.
  5. ^ Two of Hamasaki's songs released prior to Rainbow, "Love: Since 1999" and "Audience" used English. However, the lyrics of "Love (Since 1999)" were not written by Hamasaki, and the only English in "Audience" is the word "yes"; therefore these songs are usually not counted among her songs using English.[53]
  6. ^ Original text from Cawaii: "英語を解禁にしようと思ったのは、アルバムの「Rainbow」からなんだけど、あのころMTVなどで賞をいただいてアジアでパフォーマンスするっていうようをことか何回か続いたの。そのときに、日本語だとやっぱけ傳れってをいかもっていう気がしちゃって、単純な少女はやっぱけ世界共通語だよな~っで思ったんだよね。"
  7. ^ Original text from Oricon Style: "今回、正直にとか自由にっていうことはずっと頭の中にありましたね。だから、いいことを書 こうとか感動してもらおうとか、希望を持ってもらおうっていうようをことは一切意誠していなくて。単純に、ただ正直に書いていこうというだけでした。"
  8. ^ a b (Miss)understood is listed as a million-seller by the RIAJ, but the RIAJ's certification is based on the number of albums shipped to retailers; Oricon gathers its tallies from the retailers themselves.
  9. ^ I Am... sold over 2 million copies;[29] Rainbow sold a little over 1.8 million copies.[69]
  10. ^ Original text from Vivi: "今回のアルバムは、はじめはミニアルバムのはずだったのを急フルアルバムに變更 したもの。傳えたいにことか、ある日を境にふねーっと溢れてきて、これは歌にして傳えなきゃ思って、詞は1日に3曲、きた1日に2曲つてハイペスで書き上げたの。"
  11. ^ For a comprehensive list of Hamasaki's Avex-sanctioned remixes released in Japan, see Hamasaki's discography at mu-mo.net Archived January 16, 2009, at archive.today.
  12. ^ This is the symbol: . It is used either as a substitute for the letter a or to represent Hamasaki's name. The titles of six albums, Rainbow, A Best, A Ballads, A Best 2 -White-, A Best 2 -Black-, and A Complete use this symbol; the titles of these albums appearing as RINBOW, Best, Ballads, Best 2 -White-, Best 2 -Black-, and Complete. (Dashes are commonly used in Japanese script to enclose subtitles.)

References[edit]

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Further reading[edit]

  • Ayu Press Crew (あゆ報道班) (2005). Secrets of Ayumi Hamasaki (浜崎あゆみの秘密). Data House (データハウス). ISBN 978-4-88718-851-8.
  • 富坂 剛 (2005). Ayumi Hamasaki Pure Stories (浜崎あゆみPure Stories). R's Publishing (アールズ出版). ISBN 978-4-901226-99-8.
  • 本郷陽二 (2003). Ayumi Hamasaki Stories (今輝く歌姫たち 浜崎あゆみ物語). Chobun (汐文社). ISBN 978-4-8113-7623-3.

External links[edit]

Retrieved from "https://en.wikipedia.org/w/index.php?title=Ayumi_Hamasaki&oldid=1230078870"