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Anagoge

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Anagoge (ἀναγωγή), sometimes spelled anagogy, is a Greek word suggesting a climb or ascent upwards. The anagogical is a method of mystical or spiritual interpretation of statements or events, especially scriptural exegesis, that detects allusions to the afterlife.[1] Certain medieval theologians describe four methods of interpreting the scriptures: literal/historical, tropological/moral, allegorical/typological, and anagogical. The four methods of interpretation point in four different directions: The literal/historical backwards to the past, the allegoric forwards to the future, the tropological downwards to the moral/human, and the anagogic upwards to the spiritual/heavenly.[2]

Hugh of Saint Victor, in De scripturis et scriptoribus sacris, distinguishes anagoge from simple allegory as a kind of allegory.[3] He differentiates in the following way: in a simple allegory, an invisible action is (simply) signified or represented by a visible action; anagoge is that "reasoning upwards" (sursum ductio), when, from the visible, the invisible action is disclosed or revealed.[4] In a letter to his patron Can Grande della Scala, the poet Dante explains that his Divine Comedy could be read both literally and allegorically; and that the allegorical meaning could be subdivided into the moral and the anagogical.[5]

See also

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References

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  1. ^ Encyclopædia Britannica Online, s. v. "anagogical interpretation", accessed October 11, 2012
  2. ^ Charles Cummings, Monastic Practices, CS 75 (Kalamazoo: Cistercian Publications, 1986), 14-15.
  3. ^ "De Scripturis et Scriptoribus Sacris", in Hugonis de S. Victore... Opera Omnia, I (of 3), Patrologia Latina Vol. 175 (J.-P. Migne, 1854), columns 9-28, Chapter III: De triplici intelligentia sacrae Scripturae, at Column 12, loc. B.
  4. ^ "... est simplex allegoria, cum per visibile factum aliud invisibile factum significatur. Anagoge, id est sursum ductio, cum per visibile invisibile factum declaratur."
  5. ^ Dante (1949). The Divine Comedy. Vol. I: Hell. Translated by Dorothy L. Sayers. Penguin Classics. pp. 14–15.