File:1819 bergeret filippo lippi esclave a alger 01.jpg

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1819_bergeret_filippo_lippi_esclave_a_alger_01.jpg ‎(511 × 410 pixels, file size: 54 KB, MIME type: image/jpeg)

Summary

Pierre-Nolasque Bergeret: Q50075439  wikidata:Q50075439 reasonator:Q50075439
Artist
Pierre-Nolasque Bergeret  (1782–1863)  wikidata:Q3031626
 
Pierre-Nolasque Bergeret
Alternative names
Pierre Nolsque Bergeret; Pierre Nolasque Bergeret; p. n. bergeret; Bergeret
Description French painter and engraver
Date of birth/death 30 January 1782 Edit this at Wikidata 21 February 1863 Edit this at Wikidata
Location of birth/death Bordeaux Paris
Work period 1797 Edit this at Wikidata–1863 Edit this at Wikidata
Work location
Paris Edit this at Wikidata
Authority file
artist QS:P170,Q3031626
image of artwork listed in title parameter on this page
Title
Français : Filippo Lippi, esclave à Alger, traçant sur le mur le portrait de son maître.
Object type painting
object_type QS:P31,Q3305213
Genre history painting Edit this at Wikidata
Description
English: Bergeret takes the subject of this painting from Giorgio Vasari, artist hands-on of the 16th century who has primarily made a name as a biographer. In its fast (1550), a collection of biographies of artists, he described the capture of Filippo Lippi by the Moors. Lippi was able to obtain his release by a faithful portrait of his abductor to charcoal. The story relies on the common place that wants that Muslims are not accustomed to the figurative images. It is the realism of the portrait which impressed the Moor and led to grant amnesty to Lippi.
Français : Bergeret emprunte le sujet de cette toile à Giorgio Vasari, l'artiste touche-à-tout du XVIe siècle qui s'est surtout fait un nom en tant que biographe. Dans ses Vite (1550), un recueil de biographies d'artistes, il décrit la capture de Filippo Lippi par les Maures. Lippi réussit à obtenir sa libération en faisant un portrait fidèle de son ravisseur au fusain. L'anecdote s'appuie sur le lieu commun qui veut que les musulmans ne soient pas habitués aux images figuratives. C'est le réalisme du portrait qui impressionne le Maure et le conduit à accorder l'amnistie à Lippi.
Date 1819
date QS:P571,+1819-00-00T00:00:00Z/9
Medium oil on canvas
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
Dimensions height: 80.7 cm (31.7 in); width: 100.3 cm (39.4 in)
dimensions QS:P2048,80.7U174728
dimensions QS:P2049,100.3U174728
institution QS:P195,Q3329368
Current location
Cherbourg-Octeville, musée d'art Thomas-Henry
Accession number
970.2
Exhibition history
References
Authority file
Source/Photographer www.expo-orientalisme.be
Permission
(Reusing this file)
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

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This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

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current18:47, 11 April 2012Thumbnail for version as of 18:47, 11 April 2012511 × 410 (54 KB)Dzlinker
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