File:Helen O'Leary Untitled 1989.jpg
Helen_O'Leary_Untitled_1989.jpg (322 × 310 pixels, file size: 67 KB, MIME type: image/jpeg)
Summary[edit]
 | This image represents a two-dimensional work of art, such as a drawing, painting, print, or similar creation. The copyright for this image is likely owned by either the artist who created it, the individual who commissioned the work, or their legal heirs. It is believed that the use of low-resolution images of artworks:
qualifies as fair use under United States copyright law. Any other use of this image, whether on Wikipedia or elsewhere, could potentially constitute a copyright infringement. For further information, please refer to Wikipedia's guidelines on non-free content. |
| Description |
Painting by Helen O'Leary (Untitled, oil on linen, 72" x 72", 1989). The painting illustrates a key early period in Helen O'Leary’s work in the late 1980s and early 1990s, when she gained recognition in Chicago for large-scale, fragmented abstract paintings created by laying canvas on the floor, capturing drips, mistakes and overshot gestures normally bound for floorboards. This work and similar works were publicly exhibited in prominent venues and discussed in major art journals and daily press publications. |
|---|---|
| Source |
Artist Helen O'Leary. Copyright held by the artist. |
| Article | |
| Portion used |
Entire artwork |
| Low resolution? |
Yes |
| Purpose of use |
The image serves an informational and educational purpose as the primary means of illustrating a key early body of work in Helen O'Leary’s career the late 1980s and early 1990s: her large-scale, fragmented abstract paintings riffing on "heroic" abstract expressionism. She made them by laying canvas on the floor, capturing drips, mistakes and overshot gestures normally bound for floorboards, creating lattice-like forms whose improvised look was likened to early works of Kandinsky. Because the article is about an artist and her work, the omission of the image would significantly limit a reader's understanding and ability to visualize this key developmental phase in her work and its impact. O'Leary’s work of this type gained notice in Chicago for is discussed in the article and by prominent critics cited in the article. |
| Replaceable? |
There is no free equivalent of this or any other of this series by Helen O'Leary, so the image cannot be replaced by a free image. |
| Other information |
The image will not affect the value of the original work or limit the copyright holder's rights or ability to distribute the original due to its low resolution and the general workings of the art market, which values the actual work of art. Because of the low resolution, illegal copies could not be made. |
| Fair useFair use of copyrighted material in the context of Helen O'Leary//en.wikipedia.org/wiki/File:Helen_O%27Leary_Untitled_1989.jpgtrue | |
File history
Click on a date/time to view the file as it appeared at that time.
| Date/Time | Thumbnail | Dimensions | User | Comment | |
|---|---|---|---|---|---|
| current | 14:55, 2 April 2019 | | 322 × 310 (67 KB) | Mianvar1 (talk | contribs) | {{Non-free 2D art|image has rationale=yes}} {{Non-free use rationale | Article = Helen O'Leary | Description = Painting by Helen O'Leary (''Untitled'', oil on linen, 72" x 72", 1989). The painting illustrates a key early period in Helen O'Leary’s work in the late 1980s and early 1990s, when she gained recognition in Chicago for large-scale, fragmented abstract paintings created by laying canvas on the floor, capturing drips, mistakes and overshot gestures normally bound for f... |
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