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Junction Theatre Company

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The Junction Theatre Company was South Australia's first professional community theatre company, founded in 1984. It was located in the Adelaide suburb of Thebarton, until its closure in 2002. Its touring productions were performed in schools, factories and other workplaces, with the aim of reaching sections of the community who may not otherwise access theatre. In its early days it was a proponent of the Art and Working Life funding program. Geoff Crowhurst was its most prominent artistic director.

History

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Junction Theatre Company was South Australia's first professional community theatre company, founded in 1983–4 by Malcolm Blaylock,[1][2] "with a mission to bring important social and workplace issues to the forefront".[3]

Geoff Crowhurst (23 March 1951 – 4 July 2009) was artistic director from 1990 until the closure of the company in 2001. Crowhurst was considered “a master of making theatre work for the good of whole communities”,[4] and had an Arts South Australia Ruby Award category posthumously named in his honour, the Geoff Crowhurst Memorial Award, for individuals who make "an outstanding contribution to community cultural development”.[5][6]

Through the use of its own venue, it also became known as having an important role in facilitating the work of smaller companies in South Australia.[7]

Art and Working Life funding

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In its early days, Junction Theatre was one of the country's main proponents of work supported by the funding program Art and Working Life,[2] along with companies such as Melbourne Workers Theatre in Victoria. The Art and Working Life funding program supported projects created in partnership with trade unions.[7] It was a joint funding initiative by the Australia Council for the Arts and the Australian Council of Trade Unions, which funded and promoted cultural activities by artists, art workers and unions in the workplace as well as elsewhere. The program aimed to "encourage art practice and policy, informed by the concerns and issues affecting workers own lives and acknowledges working class cultural traditions and the multicultural nature of those traditions". It ran until 1986.[8]

Directors

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Junction Theatre Company's first artistic director was Malcolm Blaylock.[2]

The subsequent and artistic director was Geoff Crowhurst, who was in the role until the closure of the company in 2001. Geoff Crowhurst was considered “A master of making theatre work for the good of whole communities”,[9] and had an Arts South Australia Ruby Award category posthumously named in his honour, the Geoff Crowhurst Memorial Award, for individuals who make "an outstanding contribution to community cultural development”.[5]

Touring

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The Company created touring works in schools, factories and other workplaces, with an aim to “create theatre of a high artistic quality which is accessible to those sections of the community who have not traditionally participated in theatre as an accessible option for entertainment, learning and expressing issues”.[10]

Selected productions

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References

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  1. ^ New Theatre Company Formed Adelaide Advertiser 6 October 1984 page 10
  2. ^ a b c Geoffrey Milne, Theatre Australia (un)limited: Australian Theatre Since the 1950s, Rodopi 2004
  3. ^ "Junction Theatre". Ausstage. Retrieved 22 August 2019.
  4. ^ "Australia Council Mourns Geoff Crowhurst". Australia Council. 22 July 2009. Retrieved 22 August 2019."
  5. ^ a b "Ruby Awards have an art of glass for 10th Anniversary" The Advertiser
  6. ^ "Geoff Crowhurst". Ausstage. Retrieved 22 August 2019.
  7. ^ a b Don Rubin, Chua Soo Pong, Ravi Chaturvedi, The World Encyclopedia of Contemporary Theatre: Asia/Pacific, Taylor & Francis 2001
  8. ^ "Art and Working Life: Seminar/forum". University of Melbourne. Retrieved 22 August 2019.
  9. ^ "Australia Council Mourns Geoff Crowhurst"
  10. ^ "Junction Theatre Company Annual Report 1990", State Library of South Australia
  11. ^ "AusStage Database"
  12. ^ "Peta Murray | Australian Plays Online"
  13. ^ Junction Theatre Company Annual Report, 1993, pp 6
  14. ^ "The Adelaide Review, No.222, March, 2002. pp.22–23"

Further reading

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