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Sambhaji Kadam

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Achievements

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Won awards including Dolly Cursetji's competition in 1956 as a student. Won several prizes in the exhibition of the Bombay Art Society and State Art Exhibitions of Maharashtra.

Exhibitions

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Gallery Oasis, Mumbai- 1969. Chamarajendra Academy of Visual Arts, Mysore – 1985. Chetana Art Gallery, Mumbai- 1988. Jehangir Art Gallery, Mumbai- 1997.

Paintings in Collection

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  • Nagpur Museum, Nagpur.
  • Government of Karnataka.
  • Larsen & Tubro.
  • Gadkari Rangaytan, Thane.
  • Dr. M.D Deshmukh.

Portrait Demonstrations

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Nootan Kala Mandir, Mumbai- 1958. Raheja School Of Art, Bandra, Mumbai- 1959, 1977, 1982. Dept. of English, Mumbai University, 1971, 1973. Kala Niketan, Kolhapur- 1978. Dalvi's Institute of Art, Kolhapur- 1978. Dept. of Painting, Udaipur University, 1977. Rajasthan school of art, Jaipur- 1978. Indira Kala Sangit Vishwavidyalaya, Khairagarh. M.P – 1975, 1977, 1978. Chitrakala MAhavidyalaya, Nagpur- 1979. Abhinav Kala Mahavidyalaya, Pune- 1977, 81, 82, 86, 87, 88, 91. Chamarajendra Academy of Visual Arts, Mysore – 1985.

Achievements as art critic.

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  • Started writing Art-criticism, under the pen-name "Virupaksha" in tha "Mauj", a prestigious weekly in Marathi, Since, 1958.which was considered as the most unbias and illuminating.
  • He started writing by his own name since, 1961, in the "Satyakatha" and other periodicals in Marathi, Devoted Seriously to Literature and Art.

Literature

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"Palasban" book of poems in Marathi, published by "Mouj". He has directed a play " Aarsa Bolto", in Marathi, the first one-act play by the Marathi Play Writer & poet Shri. C.T. Khanolkar, Where the dramatic talent of Shri. Amol Palekar, the then student of Sir. J.J School of Art, was discovered for the first time.

Achievements as a musician and musicologist

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Known as a Harmonium soloist. He has written articles on music, discussing the musicological and aesthetic problems. He has also studied Musicology, especially the "Shruti" intervals or the micro-tonic intervals in Indian music.

References

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