Schott frères
Schott frères was a Belgian sheet music publishing house that operated between 1823 and 2006.
History
[edit]The company was founded in 1823 in Antwerp as the Belgian branch of B. Schott's Söhne (today: Schott Music). It was established by two of Bernhard Schott's four children, Johann Andreas Schott (1781–1840) and Johann Josef Schott (1782–1855).[1] Peter Bernhard Schott (1821–1873), Johann Andreas' son, became managing director and moved it the company to Brussels around 1839.
Schott frères was one of several European music publishing firms bearing the name Schott, all of which were originally subsidiaries of B. Schott's Söhne, including locations in Paris (1826–9, 1861–92), London (from 1835), and Sydney (1885–9). Of these, only Schott frères operated independently from the German parent company from 1889 to 2006. However, they always had their own publishing programmes, operating with a large degree of commercial independence, and ensuring the distribution of works from the other locations.
Peter ("Pierre") Schott (1857–1894) inherited the publishing business of Brussels and Paris while a minor. On 5 April 1879, two granddaughters of Bernhard Schott who had been managing the Brussels and Paris houses, created the brand name "Schott frères". On 11 November 1886, the granddaughters appointed Peter Schott as sole director;[2] On 30 September 1888, Schott frères was liquidated, with Peter Schott serving as liquidator. In 1889, he conveyed the exclusive rights of Schott frères to Otto Junne (1854–1935), a non-family managing partner.[3] The Paris house published under the name "Éditions Schott". Jean-Jacques Junne (1924–2012), Otto's grandson, had been managing director.[4] He was a jazz saxophonist and band leader known as Jacky June.[5]
In 2006, Schott frères was re-acquired by Schott and absorbed into the Schott Music Group. The shop had been domiciled at Ravensteinstraat and was subsequently closed.
Time line of Schott companies
[edit]![](http://upload.wikimedia.org/wikipedia/en/timeline/ts348aywosborcx0lvwklb6zbho88sa.png)
Selected plate numbers of music published by Schott frères
[edit]Plate | Composer | Work (public domain) | Year |
---|---|---|---|
A.G. 29 | Guilmant | Symphony No. 1, Op. 42 | 1879 |
S.F. 532 | Benoit | "Laura" | 1858 |
S.F. 638 | Benoit | "Petits bouquets" | 1859 |
S.F. 639 | Benoit | "Revenez petits oiseaux" | 1859 |
S.F. 820 | Benoit | "La trace de test pas" | 1861 |
S.F. 821 | Benoit | "Ici je veux rêver" | 1861 |
S.F. 1579-1583 | Battmann | "Bibliothèque religieuse complète, Op.330-341 | 1873 |
S.F. 2021 | Gobbaerts | "Souvenir du Camp," Op.49 | 1879 |
S.F. 2202 | Benoît | "Ave Maria" in F major | 1892 |
S.F. 3521 | Wieniawski | Piano Trio, Op. 40 | 1885 |
S.F. 3590 | Wieniawski | Fantasia for 2 Pianos, Op. 42 | 1886 |
S.F. 3601 (1) | Fernand Le Borne | Scènes de Ballet, Op. 9 | 1886 |
S.F. 3692 | Servais | Concerto in A minor, Op. posthumous | 1887 |
S.F. 3988 | Hartog, Eduard de | Ein Mährchen. Charakterskizze f. Orch., Op. 62 | 1889 |
S.F. 4169 | Gustav Hille, Gustav | Violin Concerto No. 3, Op. 60 | 1892 |
S.F. 4320 | Accolay | Violin Concerto No. 2 in D minor | 1895 |
S.F. 4594 | Rasse, François | Piano Trio, Op. 16 | 1898 |
S.F. 4760 | Reuss, Prince Heinrich | String Sextet No. 1, Op. 12 | 1899 |
S.F. 4859 | Closson | "Nocturne" (flute) | 1901 |
S.F. 4981ª | Holmès | Ton nom | 1890 |
S.F. 5106 | Azevedo e Silva | Piano Quintet | 1905 |
S.F. 5271-2 | Callaerts | 2 Sonates pour Orgue | 1908 |
S.F. 5594 | Ysaÿe | Divertimento, Op. 24 | 1921 |
S.F. 5595 | Ysaÿe | Au Rouet, Op. 13 | 1921 |
S.F. 5596 | Ysaÿe | Extase, Op. 21 | 1921 |
S.F. 5603 | Ysaÿe | Variations for 2 Pianos, Op. 10 | 1917 |
S.F. 6760 | Benoit | Contes et Ballades, Op.34 | |
S.F. 8641 | Mozart | Fantasia No. 3, K. 397 |
Influence on Belgian music
[edit]Schott frères and its Brussels predecessor, B. Schott's Söhne, played a critical role in defining a Belgian identity in music – a blend of Flemish and Belgian-French, both connected to the pure French school. Compositions were produced for chamber music, orchestras, military bands, Belgian royalty, churches, and music pedagogy, namely the Royal Conservatory of Brussels.
Selected compositions (by instrument)
[edit]Plate | Composer | Work (public domain) | Year | Library ID |
---|---|---|---|---|
S.F. 9395 | Daneels | "Four Miniatures" (for saxophone) | 1982 | OCLC 421387160, 17466894 |
Daneels | "14 Etudes for Saxophone" | 1973 | OCLC 29246925 | |
Poot | "Ballade: for saxophone & piano" | 1948 | OCLC 494125394 |
Plate | Composer | Work (public domain) | Year | Library ID |
---|---|---|---|---|
Tournemire | "Symphony Chorale for Organ," Op. 69 | 1939 | OCLC 4387063 | |
Peeters | "Anthologia Pro Organo" | 1949 | OCLC 66012848 |
Plate | Composer | Work (public domain) | Year | Library ID |
---|---|---|---|---|
Alain | "15 negro spirituals" | 1967 | OCLC 31371641 |
Plate | Composer | Work (public domain) | Year | Library ID |
---|---|---|---|---|
S.F. 9145 | Ysaÿe | "Sonata for Cello Solo" | 1964 | OCLC 223237012 |
Related links
[edit]- Le guide musical, classical music periodical founded in 1855 by what then was the Brussels branch of B. Schott's Söhne
- Zéphyr Records (1978–1986), classical record label of Schott frères
- Jacky June (1924–2012), Otto Junne's grandson, a Belgian jazz pioneer, who served as director of Schott frères
References
[edit]General references
- Catalogue de la Maison Schott frères, Bruxelles
- Das Haus Schott, by Max Seiffert, Allgemeine musikalische Zeitung, Vol. 20 (1893), pp. 557–558
- Elf ungedruckte Briefe Liszts an Schott, edited by Edgar Istel , Die Musik, Vol. 3 (1905–1906), pp. 43–52 OCLC 1696908
- Zur Geschichte des Privilegium exclusivum des Mainzer Musikstechers Bernhard Schott, by Benno Ziegler in Festschrift für Georg Leidinger , edited by Albert Hartmann (1885–1973) Munich: H. Schmidt (1930),pp. 293–305 OCLC 731466159
- Die Musikpflege am Hofe der Kurfürsten von Mainz im 17. und 18. Jahrhundert by Karl Schweickert, Mainz: Commissioned by L. Wilckens (1937) OCLC 4364575
- Richard Wagner als Verlagsgefährte, by Ludwig Anderson, pseudonym of Ludwig Strecker Jr. (1883–1978) (Mainz, 1951) OCLC 2567318
- Mainzer Musikgeschichte von 1500 bis 1800, by Adam Gottron , City Library of Mainz (publisher) (1959) OCLC 4969614
- Bernhard Schott, Hofmusikstecher in Mainz: die Frühgeschichte seines Musikverlages bis 1797, mit einen Verzeichnis der Verlagswerke 1779–1797, by Hans-Christian Müller (1935–1993), Mainz: Schott Music (1977) OCLC 219228708
- Der Briefwechsel mit dem Verlag Schott, by Ludwig van Beethoven, edited by Beethoven-Haus, Munich: G. Henle Verlag (1985) OCLC 14001065
- Early Lithographed Music, by Michael Twyman, London: Farrand Press (1996) OCLC 36656281
- Bibliographie des Schrifttums zur Geschichte deutscher und österreichischer Musikverlage, by Hans-Martin Pleßke, Beiträge zur Geschichte des Buchwesens (journal) Vol. 3 (1968) pp. 135–222 OCLC 72339269
- B. Schott's Söhne, by Ernst Laaff, Musik in Geschichte und Gegenwart Vol. 12, New York: Bärenreiter (1965) pp. 50–52 OCLC 34080137
Inline citations
- ^ The Music Reviews and Criticism in Wallonia and Brussels in the Nineteenth Century, by Henri Albert Alexander Vanhulst (born 1943) (Brussels), Periodica Musica (in French), College Park: University of Maryland (publisher), Vol IX (1991), pp. 15–19 ISSN 0822-7594
- ^ Dictionnaire de Musique (in French), by Hugo Riemann, Fourth Edition, edited by Georges Humbert, Paris: Perrin et Cie, Libraires-Èditeurs (1899) OCLC 77452525
- ^ The Art of Music: A dictionary-index of musicians, by Daniel Gregory Mason, National Society of Music, Book 1 of 14, p. 248 (1917)
- ^ Dictionnaire des facteurs d'instruments de musique en Wallonie à Bruxelles du 9e siècle à nos jours, Conseil de la musique de la Communauté française de Belgique, Belgium: Pierre Mardaga (publisher), p. 369 (1986); Article: "Schott frères," by Malou Haine OCLC 15157333
- ^ Dictionnaire du jazz à Bruxelles et en Wallonie, Conseil de la musique de la Communauté française de Belgique, Belgium: Pierre Mardaga (publisher), p. 182; Article: "June, Jacky" (pseudonym of Jean-Jacques Junne; 1824–2012), by Marc Danval (born 1937) OCLC 26576672, 30357595