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This is a collection of discussions on the deletion of articles related to Film. It is one of many deletion lists coordinated by WikiProject Deletion sorting. Anyone can help maintain the list on this page.

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Film

[edit]
List of movie theater chains (edit | talk | history | protect | delete | links | watch | logs | views) – (View AfD | edits since nomination)
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Huge unsourced, unverifiable list of mostly non-notable cinemas/movie theatres. Tagged for lack of secondary sources for 12 years. Fails WP:NLIST and WP:NOTDIRECTORY as "a Simple listing without contextual information showing encyclopedic merit." AusLondonder (talk) 05:49, 10 October 2024 (UTC)[reply]

Lego Minions: The Rise of Gru (edit | talk | history | protect | delete | links | watch | logs | views) – (View AfD | edits since nomination)
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A short-lived Lego toy line created to promote a film and discontinued after its release is likely not notable for its own article (note: the toy line lasted two years because the film was delayed for two years due to COVID, not because they continued to sell toys long after the film came out due to its popularity). In fact, probably a bunch of Category:Lego themes need to go, but that just opens a can of worms. We don't need an article for every Lego product line, and especially not "one-off" ones. This article doesn't seem to contain anything significant other than toy specifications that read like WP:NOTCATALOG and a single review. InfiniteNexus (talk) 23:30, 9 October 2024 (UTC)[reply]

Brussels International Festival of Eroticism (edit | talk | history | protect | delete | links | watch | logs | views) – (View AfD | edits since nomination)
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Fails WP:GNG due to not having any WP:SIGCOV. Only took placed for two years and doesn't not meet notability Demt1298 (talk) 01:32, 9 October 2024 (UTC)[reply]

FilmFreeway (edit | talk | history | protect | delete | links | watch | logs | views) – (View AfD | edits since nomination)
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I am unable to find WP:SIGCOV. Hardly meet WP:GNG or WP:NWEB. AmericanY (talk) 14:58, 7 October 2024 (UTC)[reply]

Three Men and a Baby (franchise) (edit | talk | history | protect | delete | links | watch | logs | views) – (View AfD | edits since nomination)
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Similar to Rosemary's Baby discussion as a franchise here, I can not find much to apply WP:SIGCOV which addresses the topic of this series in detail (see WP:SIGCOV "addresses the topic directly and in detail") as well as MOS:FILMSERIES which suggests "an article would also benefit from coverage that discusses the series as a whole, or at least commentators who compare later films to their predecessors".

While there has been a lot of effort and work to put this together sources within the article are either about individual topics (Rotten Tomatoes, MetaCritic, the Numbers, etc.). Of the few that discuss the films with a bit more depth, they primarily discuss the first film, with no oversight or commentary on it as a series outside a mention of a sequel.

On my own research to try to expand the article, it was similarly limited to usually a single sentence with no signifigant coverage. Overviews just state the first film received sequels and remakes, with no commentary on the topic. This is seen in articles like Empire here or Yahoo! Life here While I looked through pages of google books to find information on it as a franchise or series, it had similar results (either in relation to the careers of Nimoy, in context of Hollywood remaking American films here (University of California Press), or the first film for various historical reasons (place in 80s cinema, etc.) here (Rutgers University Press), here), and again, even these were very brief mentions of even just the first film. Placing the films name into searches into the Wikipedia Library or Google Scholar predominantly have articles about Hollywood Remaking the first film as a franchise here, or others going into detail on the how the first film treats masculinity in film, and other gender studies topics.

Content within the article and on my own predominantly discusses the first film either in the context of popular hollywood films of the 1980s, the career of the actors and director Leonard Nimoy (with only brief mentions to the series),

    • Den of Geek here, while it seems less like a news blurb and a proper retrospective, is mostly comparing the French-language film that inspired it, and the original hit film. There isn't any information/content/reception about the follow-ups or the film as a franchise/series.
  • Other sources that go more into detail such as Eighties Kids appears to not pass WP:REPUTABLE ("a reputation for fact-checking and accuracy"), it appears to be an extension of a popular Facebook nostalgia page.

The article in its current state might even fail MOS:FILMSERIES which states "A film series article should only be created when the series encompasses at least three films [...] Exceptions may include franchise articles where films are one of several notable and interrelated components (TV series, comics, etc.)." The "Baby Daddy" series does not appear to be related to the films in any coroporate way with the article only stating it was "inspired" by it. The article on the series itself makes no mention of its relation to the films or series. On trying to find a connection myself, I only found the LA Times calling the series derivative of the film, not connected (LA Times: here. The State Journal-Reigster here) Seemingly not different than lets say My Baby's Daddy, which also seems unrelated. here. (Daily Collegian). Or from the article itself withBitch Media which goes into detail comparing to the two works, but makes no suggestion on any canonical or business acumen that they are realted in-universe or through ownership of the brand.

The rest of the article generally rehashes the history of the plots of individual works with critical citations going only towards the film themselves MOS:FILMSERIES suggests above. Without comparisons. This may fall under WP:UNDUE as we have a lack of "depth of detail, the quantity of text, prominence of placement, the juxtaposition of statements, and the use of imagery. In articles relating to a minority viewpoint, such views may receive more attention and space."

Please note, that voting keep or delete on this is not in relation to whether a series exists or not, its whether there is enough discussion from the sources in question to currently make this an article that follows our guidelines. Andrzejbanas (talk) 18:03, 7 October 2024 (UTC)[reply]

  • Additional comment Also, if Baby Daddy did somehow become a part of this 'franchise' you invented (as the article creator)...then its credits would not have only included a 'based on' credit for Coline Serreau, but the original American writers Jim Cruickshank and James Orr would have also not only gotten the same credits, but likely executive producer credits and profit participation. The Hollywood unions are very strict on making sure any idea based on another work gets those originators credits, and the ideas for both the films and the series are very different, especially in headcount. The only two things they share are literally having "Baby" in the title and common library ownership. That's it. Nate (chatter) 01:11, 8 October 2024 (UTC)[reply]
  • Delete The sources so far don't do a good job of establishing Baby Daddy as being part of the same franchise, only as having a similar premise. The remake hasn't entered production, and the last update was in 2022. We're not really hitting MOS:FILMSERIES, and I don't think a set index makes sense for two extant works. hinnk (talk) 07:21, 8 October 2024 (UTC)[reply]
  • Keep I count three films with the French original, and there are several other remakes of it. No idea why we would need more "oversight or commentary" for what is essentially another list. Dimadick (talk) 10:08, 9 October 2024 (UTC)[reply]
  • Comment It's one thing if the article is about the concept as a whole, but this is clearly bent towards Amerocentrism regarding only the films under Disney ownership, which is a major issue with these 'franchise' articles that only grudingly mention their international origination so they can put forth unflitered studio-stan cruft. Nate (chatter) 21:39, 9 October 2024 (UTC)[reply]
Dinosaurs the Terrible Lizards (edit | talk | history | protect | delete | links | watch | logs | views) – (View AfD | edits since nomination)
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Non-notable film. Cited sources only talk about the extinction of dinosaurs without mentioning the film at all. Notability is clearly lacking and fails WP:NFILM. CycloneYoris talk! 04:12, 7 October 2024 (UTC)[reply]

  • Keep per the significant coverage in multiple independent reliable sources.
    1. Berry, Mark F. (2002). The Dinosaur Filmography. Jefferson, North Carolina: McFarland & Company. pp. 84–86. ISBN 978-0-7864-2453-5. Retrieved 2024-10-08 – via Internet Archive.

      The book review the film on pages 84–86 and mentions the film on pages 9, 10, 11, and 357. The book notes: "Commentary: Dinosaurs ... The Terrible Lizards is an unexpectedly polished-looking film, especially in light of the limited resources from which Wah Chang created it. The animation is skilled and the puppets are excellent, without exception. Chang managed to save some time and effort by fashioning more than one head which could be fitted onto the same body, thus converting a Triceratops into a Styracosaurus, then into a Monoclonius, then into a Chasmosaurus, and so on. This tactic helped allow him to parade a small smorgasbord of saurians across the screen, with no fewer than 13 different prehistoric species glimpsed or featured during the film's ten-minute run time. Throughout the film, Chang adds little touches that are unusual for an "educational" film, and that reflect the care he always brought to his art."

    2. Thrash, Sarah (June–July 1987). "Dinosaurs: The Terrible Lizards (rev.)". School Library Journal. Vol. 33, no. 10. p. 64. EBSCOhost 5715370.

      The review notes: "Dinosaurs: The Terrible Lizards (rev.). 16mm or videocassette. color. 91⁄2 min. Aims. 1986. #9833. 16mm: $250; videocassette: $190 (Rental: $50). Preview avail. Gr 1–8—This lively, animated film shows the evolution of dinosaurs, iden tifies major types, and describes their physical characteristics. The terms are explained and defined to make them more understandable to younger students, and names are superimposed on the screen. In explaining the environment during the time of the dinosaurs, however, not enough information is included on the changes that took place on the earth, and only one theory about the ending of this period is provided. The organization of the material is clear. The only inconsistency is the inclusion of a fully evolved man and woman that are irrelevant to the time period of the film. An interesting film, useful for individual or group viewing."

    3. Bykerk-Kauffman, Ann (May 1995). "Dinosaurs, the Terrible Lizards (revised)". Journal of Geological Education. 43: 272. doi:10.5408/0022-1368-43.3.266. ISSN 0022-1368. EBSCOhost 508557355.

      The abstract notes: "Dinosaurs, the Terrible Lizards (Revised) ($50), from AIMS Media, is a 10-minute videotape that features the locations of dinosaur finds on a world map; gives a very brief synopsis of the evolution of life on Earth; and focuses on showing, naming, and describing various types of dinosaur. This program is intended for children aged 7–13 years, is very appealing to children, but contains little scientific information."

    4. Garrison, Jim (Winter 1971). "Dinosaurs ... the Terrible Lizards". Cinefantastique. Vol. 1, no. 2. p. 32. Retrieved 2024-10-08 – via Internet Archive.

      The review notes: "Although Dinosaurs...the Terrible Lizards will probably be viewed by only a few fortunate students in the junior high level science classes in the Los Angeles City Schools, its realistic cinematic monsters are as lifelike as any used in a major studio production. Largely a natural history documentary, the film was produced in color by Wah Chang, of "Projects Unlimited" fame, and animated by Douglas Beswick for the Los Angeles Board of Education, and brings to life most of the dinosaurs of the past. There are approximately twelve to fifteen different types of these beasts in the film, including Brontosaurus, Ceolophysis, Stegosaurus, Triceratops, Monoclonius, and the Tyranosaurus Rex. Narrated in laymen's terms, the film explains the general lifecycle of dinosaurs and why they became extinct. It also describes through diagrams how large some dinosaurs were: one diagram compares a Brontosaurus to an ordinary one-story house."

    5. This Film & Video Review Index notes:

      DINOSAURS: THE TERRIBLE LIZARDS [MP]

      Encyclopedia Britannica 1977 24M $320P $25R Order #3504 Previews 7:3 Nov78 p14 Michele Smith

    There is sufficient coverage in reliable sources to allow Dinosaurs: The Terrible Lizards to pass Wikipedia:Notability#General notability guideline, which requires "significant coverage in reliable sources that are independent of the subject".

    Cunard (talk) 10:35, 8 October 2024 (UTC)[reply]

Voltes V: Legacy – The Cinematic Experience (edit | talk | history | protect | delete | links | watch | logs | views) – (View AfD | edits since nomination)
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The film is basically a recap of Voltes V: Legacy. there is an upcoming re-release with new Japanese dubbing and new "never before seen scenes" but there is a lack of information for a separate article. Would be better to have this as a redirect to the source material. Hariboneagle927 (talk) 01:27, 7 October 2024 (UTC)[reply]

Rusty-James (edit | talk | history | protect | delete | links | watch | logs | views) – (View AfD | edits since nomination)
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Fails WP:GNG, no sources cited, tagged for notability since 2017 Questions? four Olifanofmrtennant (she/her) 23:59, 6 October 2024 (UTC)[reply]

Redirect per above. PARAKANYAA (talk) 05:59, 7 October 2024 (UTC)[reply]
Bahirbhoomi (edit | talk | history | protect | delete | links | watch | logs | views) – (View AfD | edits since nomination)
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Fails WP:NF, and does not meet GNG either. Htanaungg (talk) 04:52, 6 October 2024 (UTC)[reply]

  • Keep passes WP:NF, and GNG reliable multiple published news sources 1,2,3,4,5,6,7,8.
Msnlalithprem (talk) 18:23, 6 October 2024 (UTC)[reply]
  • Keep according to the references mentioned in the article.
Induvadhone (talk) 03:09, 10 October 2024 (UTC)[reply]
The World Without US (edit | talk | history | protect | delete | links | watch | logs | views) – (View AfD | edits since nomination)
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No signs of significant coverage. The article currently references sources such as IMDb, Amazon, and the film's website that are either non-independent or fail to convey notability. A quick search fails to turn up additional coverage such as reviews. RunningTiger123 (talk) 19:48, 4 October 2024 (UTC)[reply]

Asian Cinemas (edit | talk | history | protect | delete | links | watch | logs | views) – (View AfD | edits since nomination)
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Fails WP:ORG; does not demonstrate sufficient notability, as it lacks significant coverage in independent, reliable sources. Furthermore, the content appears to be largely promotional and fails to adhere to Wikipedia's standards for verifiability and neutrality. Shinsi Bohansetr (talk) 07:01, 4 October 2024 (UTC)[reply]

Hamilton International Film Festival (edit | talk | history | protect | delete | links | watch | logs | views) – (View AfD | edits since nomination)
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Article about a smalltown film festival, not properly sourced as having any strong claim to passing inclusion criteria for film festivals. As always, film festivals are not "inherently" notable just for existing, and have to be shown to have reliable source coverage to pass WP:GNG and WP:NORG -- but this is referenced to just one hit of purely local coverage and two primary sources that aren't support for notability at all, and a Google search mostly found glancing namechecks of this in coverage of films or filmmakers rather than coverage about this.
There's also an ambiguity problem here, as there's a Canadian film festival (without an article yet) that's officially just the "Hamilton Film Festival" but does sometimes get mistakenly called the "Hamilton International Film Festival" -- and a significant number of the hits in the Google search meant the Canadian one and were thus irrelevant here. I also had to unlink almost every single inbound wikilink to this article (except the disambiguatory hatnote in New Zealand's Hamilton Underground Film Festival, which is now the only inbound left), because every single actor or film that was linking here as a "notable because awards" play was referenced to a source that explicitly verified that the Canadian one was the intended topic.
Since I'm still waiting for my restored access to Newspapers.com, I'm willing to withdraw this if somebody with better access to other databases of archived US media coverage than I've got (or unbroken Newspapers.com) can find more than I was able to find on Google, but nothing here is "inherently" notable enough to exempt it from having to be referenced better than this. Bearcat (talk) 16:01, 3 October 2024 (UTC)[reply]

The following discussion is an archived debate of the proposed deletion of the article below. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a deletion review). No further edits should be made to this page.

The result was redirect‎ to Hannah (name)#Fictional characters 2. Owen× 15:34, 10 October 2024 (UTC)[reply]

Hanna (character) (edit | talk | history | protect | delete | links | watch | logs | views) – (View AfD | edits since nomination)
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According to my Google search, this character is not individually notable from the film or television series. Sources only mention the character in passing, or not in a way that would meet SIGCOV or individual notability. As for the sources in the article, they are also passing and do not prove individual notability. (Keep in mind that the character is a main character, so obviously there will be a lot of sources, but for individual notability, there should be at least a few reliable, secondary sources about the specific character and their impact, just in case any fights break out if I don't say this.)

I'd say a delete is best because whichever page shall this article redirect to would be hard to decide. Spinixster (trout me!) 14:46, 3 October 2024 (UTC)[reply]

The above discussion is preserved as an archive of the debate. Please do not modify it. Subsequent comments should be made on the appropriate discussion page (such as the article's talk page or in a deletion review). No further edits should be made to this page.
Mazhanoolkkanavu (edit | talk | history | protect | delete | links | watch | logs | views) – (View AfD | edits since nomination)
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PROD removed with statement "Google/English language websearch is not good for Malayalam culture". If that is the case, why is it that Google Malayalam also yields nothing [1]. Changing the year parameter to today yields an unrelated music video of a similar name. Please find a review or two before keeping this. DareshMohan (talk) 06:23, 3 October 2024 (UTC)[reply]

Relisted to generate a more thorough discussion and clearer consensus.
Please add new comments below this notice. Thanks, plicit 06:28, 10 October 2024 (UTC)[reply]

Khomlang Laman (edit | talk | history | protect | delete | links | watch | logs | views) – (View AfD | edits since nomination)
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No WP:SIGCOV sources were found to meet WP:GNG, and there are no multiple nationally known critical reviews to meet WP:NFILM. The article cites unreliable sources, such as YouTube and BookMyShow. GrabUp - Talk 12:09, 30 September 2024 (UTC)[reply]

Relisted to generate a more thorough discussion and clearer consensus.
Relisting comment: Delete or redirect?
Please add new comments below this notice. Thanks, plicit 13:10, 7 October 2024 (UTC)[reply]

House/Wife (edit | talk | history | protect | delete | links | watch | logs | views) – (View AfD | edits since nomination)
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Not meeting notability criteria WP:NFF. - The9Man Talk 09:53, 30 September 2024 (UTC)[reply]

Relisted to generate a more thorough discussion and clearer consensus.
Please add new comments below this notice. Thanks, Owen× 13:28, 7 October 2024 (UTC)[reply]

Nightmare Theater (edit | talk | history | protect | delete | links | watch | logs | views) – (View AfD | edits since nomination)
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Fairly new article about a non-notable TV show; created by a new editor. No sources; no formatting. Mvcg66b3r (talk) 16:45, 27 September 2024 (UTC)[reply]

This was one of Utah's longest running television shows and was very popular. I will be updating sources. As for formatting I will learn and improve the page. Intergalacticlanguage (talk) 17:09, 27 September 2024 (UTC)[reply]
Why wasn’t this drafted so that the creator can be helped, instead of having to defend the page at an Afd, which is pretty stressful? Draft, please, if the creator and other users agree, speedy-draft, if such a thing exists. I don’t think that nominating a new page 20 minutes after it was created was the best approach. ’Not ready for Main space”, sure but explain it and draftify is, if the creator is a newcomer/apparently not very experienced contributor, the most constructive path imv. -My, oh my! (Mushy Yank) 21:48, 27 September 2024 (UTC)[reply]
  • Formatted the page roughly. The claim that it was the longest show in Utah and coverage might be enough to Keep this. If not, redirect and merge (in)to KTVX#History please. Very opposed to deletion.-My, oh my! (Mushy Yank) 22:41, 27 September 2024 (UTC)[reply]
  • Comment: Please note that the Utah TV show in this article is entirely distinct from the Indiana TV show of the same name starring Sammy Terry. The Sammy Terry character was on Indiana TV from 1962 to 1989, occasionally thereafter, continuously makes personal appearances, and still produces web content; Sammy Terry has plenty of reliable sources (print news and at least one book), far beyond what the article currently references. If this article survives, it should be moved to something like Nightmare Theater (Utah), with Nightmare Theater being a redirect to Sammy Terry or a disambiguation page. Vadder (talk) 23:26, 27 September 2024 (UTC)[reply]
    • I would agree that, even if enough sourcing demonstrating notability could be found, the Utah show is not the primary topic. The Indiana show has much more material to work with. Sammi Brie (she/her • tc) 15:37, 29 September 2024 (UTC)[reply]
      I did the initial page, and I believe Nightmare Theater (Utah) would be the proper title. This would avoid confusion with all the other Nightmare Theater and Theatres out there. While the show was broadcast on a Salt Lake City station, it was received statewide. Intergalacticlanguage (talk) 16:15, 29 September 2024 (UTC)[reply]

Relisted to generate a more thorough discussion and clearer consensus.
Please add new comments below this notice. Thanks, Doczilla Ohhhhhh, no! 22:08, 4 October 2024 (UTC)[reply]

18 (British Board of Film Classification) (edit | talk | history | protect | delete | links | watch | logs | views) – (View AfD | edits since nomination)
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Article appears to lack standalone notability, and much of it is unsourced and may be WP:OR. What references there are do not establish WP:SIGCOV:
1 is just a list of the BBFC's ratings.
2 is primary.
3 comes the closest to SIGCOV, but is mostly about 9 Songs as a case study for general film censorship in the UK, and only briefly mentions the 18 rating.
4 just links to the Channel 4 website. Probably a dead link.
5 is WP:USERG and essentially just a list.
6 covers a completely different rating system and never mentions the BBFC, or Cannibal Holocaust, as it is claimed to. I have no idea why this is cited, and it might just be a mistake.
7-9 are primary.
The external link is just describing the rating, and BFI has pages that go into similar detail about the other ratings.
Google Scholar lists many articles that briefly refer to the 18 rating, but none that focus substantially on it. [5] This article comes the closest, but is mostly a comparison of British and French rating systems in their entirety, and covers the 15 rating in just as much detail. Google Books and JSTOR similarly list several books/articles that mention the 18 rating, but none that give it substantial focus. All of them focus either on film censorship in the UK, or the BBFC as a whole. Those that do discuss the 18 rating, such as [6], discuss other ratings in similar detail. The 18 rating might be mentioned more often than the others in secondary sources, but this is because it is the rating censored films usually have. The 18 rating itself is never the main topic, and does not have SIGCOV. Discussion of the 18 rating individually, while definitely more than WP:TRIVIALMENTIONs, appears insufficient to establish standalone notability compared to the U-15 ratings.
The BBFC is the only rating system I'm aware of that has individual pages for specific ratings. The standard practice is to include information about ratings on the system's page, as with Pan-European Game Information or Freiwillige Selbstkontrolle der Filmwirtschaft. Ratings from other systems with their own pages tend to be notable due to their rarity, and their articles are usually lists, such as List of NC-17 rated films or List of AO-rated video games. The BBFC 18 rating is not particularly rare, so it does not meet what appear to be the criteria for a standalone page (a list would be far too long). Most of the content of this article is already covered in British Board of Film Classification, History of British film certificates, and Film censorship in the United Kingdom. There is already ample information here on the 18 rating, and this article should redirect to British Board of Film Classification#Current certificates. Masskito (talk) 21:21, 26 September 2024‎ (UTC)[reply]

Relisted to generate a more thorough discussion and clearer consensus.
Please add new comments below this notice. Thanks, Star Mississippi 18:17, 3 October 2024 (UTC)[reply]

  • Keep. Satisfies GNG. Obviously this has massive coverage in books and periodicals, which comes up immediately on even the most cursory search. I could point, for example, to this discussion of changes to the scope of the classification: [7] [8] [9]. James500 (talk) 15:47, 4 October 2024 (UTC)[reply]
List of fictional primates in film (edit | talk | history | protect | delete | links | watch | logs | views) – (View AfD | edits since nomination)
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A vast majority of list is WP:LISTCRUFT and fails WP:LISTCRIT. I would also support a merge back into List of fictional primates if the outcome isn't deletion. SirMemeGod15:05, 24 September 2024 (UTC)[reply]

That’s the issue though. This list could easily be merged back into the main article with no length or accessibility issues arising, which is what I assume SPLITLIST concerns. SirMemeGod21:17, 24 September 2024 (UTC)[reply]
It could, maybe, everything is feasible. But should it? SPLITLIST says "Regardless, a list or table should be kept as short as is feasible for its purpose and scope. Too much statistical data is against policy." Note that there are FIVE detailed lists on the page: this one and List of fictional primates in comics, List of fictional primates in television, List of fictional primates in animation List of fictional primates in literature. If you merge back one, you merge back all the other and then you have an awful navigation experience. I would go even further, and suggest to undo the redirect for List_of_fictional_primates_in_video_games but that might be discussed later maybe. I probably won't make any further comments here. Decide what you think best. -My, oh my! (Mushy Yank) 21:41, 24 September 2024 (UTC)[reply]

Relisted to generate a more thorough discussion and clearer consensus.
Please add new comments below this notice. Thanks, The Herald (Benison) (talk) 17:28, 1 October 2024 (UTC)[reply]

I would support synthesizing the pages with repeated info. There is a list of fictional monkeys listed on the [[Pet Monkey]] page, which doesn't fit the other content on that page. I think those fictional characters need to be filtered and moved elsewhere. Monkeywire (talk) 17:40, 8 October 2024 (UTC)[reply]

Relisted to generate a more thorough discussion and clearer consensus.
Please add new comments below this notice. Thanks, Liz Read! Talk! 19:41, 8 October 2024 (UTC)[reply]

La légende de Thierry Mauvignier (edit | talk | history | protect | delete | links | watch | logs | views) – (View AfD | edits since nomination)
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None of the (non primary) sources here even mention the documentary, they're all on La Légende des seigneurs assassins (which this is a documentary about the making of??? why would someone make an article on the making of film and not the actual main film???). Even with that all the sources here are quite regional French sources under what is required from NFILM, so I have no clue if that other film is notable (could be, just judging off what's in the page). This was deleted on frwiki 3 years ago; I think this and several related articles (Thierry Mauvignier, Dylan Besseau, Guillaume Gevart) may have some promotional stuff going on here and on simple wikipedia but it is difficult to tell what exactly is happening here. There is this I found in a search which might be ok but it is the only thing. PARAKANYAA (talk) 09:10, 24 September 2024 (UTC)[reply]

Relisted to generate a more thorough discussion and clearer consensus.
Please add new comments below this notice. Thanks, The Herald (Benison) (talk) 09:42, 1 October 2024 (UTC)[reply]

Relisted to generate a more thorough discussion and clearer consensus.
Please add new comments below this notice. Thanks, plicit 11:14, 8 October 2024 (UTC)[reply]

Trouble Sleeping (film) (edit | talk | history | protect | delete | links | watch | logs | views) – (View AfD | edits since nomination)
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Article about a film of unclear release status, not adequately sourced as the subject of sufficient reliable source coverage to exempt it from the primary notability criteria at WP:NFILM.
This has gone through multiple cycles of "is it released or not?" in the past decade; it was claimed as "upcoming" when the article was created in 2015, then was edited in 2017 to claim that it had been released in 2015, and then got edited again in 2020 to indicate that it was still unreleased -- meanwhile, IMDb claims it was released in 2018, which has proven entirely unverifiable, while this piece in Screen Anarchy claims it was "long-hibernating" when it was "finally released" in 2022, but even that piece is just a short blurb wrapping a YouTube promo clip, not substantive or GNG-building coverage about the film.
As always, however, films are not all "inherently" notable just because they exist, and have to show passage of WP:GNG on coverage about them -- but three of the five footnotes here are unreliable junk that isn't helping to build GNG at all, the two acceptable sources (Dread Central and The Wrap) both have to be discounted if the film didn't come out in 2015 as they claimed it was supposed to, and that Screen Anarchy blurb is the only new thing that's been published in any GNG-worthy reliable source since 2015 at all, which means even the best sources here aren't good enough if they're all either short blurbs or inaccurate problems.
Especially given that there are such unresolved questions about when this was ever actually released in the first place, there's just nothing here of enough enduring significance to exempt it from having to have much, much better referencing than this. Bearcat (talk) 21:07, 22 September 2024 (UTC)[reply]

Neither "Heyuguys" nor "This Is Film" are reliable sources of GNG-building film reviews at all — film reviews have to come from reputable and established publications to build a film's notability, not just any random WordPress blogger that you can find on the internet. And while AIPT is better, it isn't enough to vault a film over GNG all by itself if it's the only GNG-worthy review that can be found. And I didn't question that the film has been released, but we've got three conflicting claims about when it was released with no fully satisfactory resolution to the matter of whether it belongs in Category:2015 films, Category:2018 films or Category:2022 films — of which it must be in one of those three, with absolutely no leeway for any "then just don't categorize it for year of release at all" opt-outs, so we can't just handwave that away as a non-issue. "Has been released" is not an instant notability freebie at WP:NFILM in and of itself — even a film that has been released still has to pass GNG on proper reliable source coverage about it, and can't park its notability on blogs or primary sources just because it's available for streaming somewhere. Bearcat (talk) 17:31, 23 September 2024 (UTC)[reply]

Relisted to generate a more thorough discussion and clearer consensus.
Please add new comments below this notice. Thanks, Liz Read! Talk! 23:19, 29 September 2024 (UTC)[reply]

Relisted to generate a more thorough discussion and clearer consensus.
Please add new comments below this notice. Thanks, asilvering (talk) 02:06, 7 October 2024 (UTC)[reply]