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  • Image 11 Doris Mackinnon (30 September 1883 – 10 September 1956) was a Scottish zoologist and academic. Her area of research was parasitic protozoa. In 1927, she was appointed as Chair of Zoology at King's College London becoming the first woman at the College to hold the position of Chair. (Full article...)

    Doris Mackinnon (30 September 1883 – 10 September 1956) was a Scottish zoologist and academic. Her area of research was parasitic protozoa.

    In 1927, she was appointed as Chair of Zoology at King's College London becoming the first woman at the College to hold the position of Chair. (Full article...)
  • Image 12 Tower of St Salvator's College, St Andrews one of the three universities founded in the fifteenth century Education in Medieval Scotland includes all forms of education within the modern borders of Scotland, between the departure of the Romans from Britain in the fifth century, until the establishment of the Renaissance late fifteenth century and early sixteenth century. Few sources on Scottish education survived the Medieval era. In the early Middle Ages, Scotland was an oral society, with verbal rather than literary education. Though there are indications of a Gaelic education system similar to that of Ireland, few details are known. The establishment of Christianity from the sixth century brought Latin to Scotland as a scholarly and written language. Monasteries served as major repositories of knowledge and education, often running schools. In the High Middle Ages, new sources of education arose, such as song and grammar schools designed to train priests with emphases on music and Latin grammar, respectively. The number and size of these schools expanded rapidly after the 1380s. By the end of the Middle Ages, all the main burghs and some small towns had grammar schools. Educational provision was probably much weaker in rural areas, but there were petty or reading schools in rural areas, providing an elementary education. There was also the development of private tuition in the families of lords and wealthy burghers that sometimes developed into "household schools". Girls of noble families were taught in nunneries and by the end of the fifteenth century Edinburgh also had schools for girls. There is documentary evidence for about 100 schools of these different kinds before the Reformation. The Education Act 1496 decreed that all sons of barons and freeholders of substance should attend grammar schools to learn "perfyct Latyne". All this resulted in an increase in literacy, with perhaps 60 per cent of the nobility being literate by the end of the period. (Full article...)
    Tower of St Salvator's College, St Andrews one of the three universities founded in the fifteenth century

    Education in Medieval Scotland includes all forms of education within the modern borders of Scotland, between the departure of the Romans from Britain in the fifth century, until the establishment of the Renaissance late fifteenth century and early sixteenth century. Few sources on Scottish education survived the Medieval era. In the early Middle Ages, Scotland was an oral society, with verbal rather than literary education. Though there are indications of a Gaelic education system similar to that of Ireland, few details are known. The establishment of Christianity from the sixth century brought Latin to Scotland as a scholarly and written language. Monasteries served as major repositories of knowledge and education, often running schools.

    In the High Middle Ages, new sources of education arose, such as song and grammar schools designed to train priests with emphases on music and Latin grammar, respectively. The number and size of these schools expanded rapidly after the 1380s. By the end of the Middle Ages, all the main burghs and some small towns had grammar schools. Educational provision was probably much weaker in rural areas, but there were petty or reading schools in rural areas, providing an elementary education. There was also the development of private tuition in the families of lords and wealthy burghers that sometimes developed into "household schools". Girls of noble families were taught in nunneries and by the end of the fifteenth century Edinburgh also had schools for girls. There is documentary evidence for about 100 schools of these different kinds before the Reformation. The Education Act 1496 decreed that all sons of barons and freeholders of substance should attend grammar schools to learn "perfyct Latyne". All this resulted in an increase in literacy, with perhaps 60 per cent of the nobility being literate by the end of the period. (Full article...)
  • Image 13 Alison "Eilley" Oram Bowers (September 6, 1826 – October 27, 1903) was a Scottish American woman who was, in her time, one of the richest women in the United States, and owner of the Bowers Mansion, one of the largest houses in the western United States. A farmer's daughter, Bowers married as a teenager, and her husband converted to Mormonism before the couple immigrated to the United States. After briefly living in Nauvoo, Illinois, she became an early Nevada pioneer, farmer and miner, and was made a millionaire by the Comstock Lode mining boom. Married and divorced two times, she married a third time and became a mother of three children but outlived them all. Her first two children died in infancy; then her husband; and the third child a few years after. With the collapse of the Nevada mining economy, Eilley Bowers became bankrupt and destitute. Eilley reinvented herself as "The Famous Washoe Seeress", a professional scryer and fortune-teller in Nevada and California. She died penniless in a care home in Oakland, California. (Full article...)

    Alison "Eilley" Oram Bowers (September 6, 1826 – October 27, 1903) was a Scottish American woman who was, in her time, one of the richest women in the United States, and owner of the Bowers Mansion, one of the largest houses in the western United States. A farmer's daughter, Bowers married as a teenager, and her husband converted to Mormonism before the couple immigrated to the United States. After briefly living in Nauvoo, Illinois, she became an early Nevada pioneer, farmer and miner, and was made a millionaire by the Comstock Lode mining boom. Married and divorced two times, she married a third time and became a mother of three children but outlived them all.

    Her first two children died in infancy; then her husband; and the third child a few years after. With the collapse of the Nevada mining economy, Eilley Bowers became bankrupt and destitute. Eilley reinvented herself as "The Famous Washoe Seeress", a professional scryer and fortune-teller in Nevada and California. She died penniless in a care home in Oakland, California. (Full article...)
  • Image 14 James Innes (c. 1700 – 5 September 1759) was an American military commander and political figure in the Province of North Carolina who led troops both at home and abroad in the service of the Kingdom of Great Britain. Innes was given command of a company of North Carolina's provincial soldiers during the War of Jenkins' Ear, and served as Commander-in-Chief of all colonial soldiers in the Ohio River Valley in 1754 during the French and Indian War. After resigning his commission in 1756, Innes retired to his home on the Cape Fear River. A bequest made by Innes upon his death lead to the establishment of Innes Academy in Wilmington, North Carolina. (Full article...)
    James Innes (c. 1700 – 5 September 1759) was an American military commander and political figure in the Province of North Carolina who led troops both at home and abroad in the service of the Kingdom of Great Britain. Innes was given command of a company of North Carolina's provincial soldiers during the War of Jenkins' Ear, and served as Commander-in-Chief of all colonial soldiers in the Ohio River Valley in 1754 during the French and Indian War. After resigning his commission in 1756, Innes retired to his home on the Cape Fear River. A bequest made by Innes upon his death lead to the establishment of Innes Academy in Wilmington, North Carolina. (Full article...)
  • Image 15 Eduardo Paolozzi's sculpture Newton is based on William Blake's 1795 print Newton (1995) Art in modern Scotland includes all aspects of the visual arts in the country since the beginning of the twentieth century. In the early twentieth century, the art scene was dominated by the work of the members of the Glasgow School known as the Four, led by Charles Rennie Mackintosh, who gained an international reputation for their combination of Celtic revival, Art and Crafts and Art Nouveau. They were followed by the Scottish Colourists and the Edinburgh School. There was a growing interest in forms of Modernism, with William Johnstone helping to develop the concept of a Scottish Renaissance. In the post-war period, major artists, including John Bellany and Alexander Moffat, pursued a strand of "Scottish realism". Moffat's influence can be seen in the work of the "new Glasgow Boys" from the late twentieth century. In the twenty-first century Scotland has continued to produce influential artists such as Douglas Gordon and Susan Philipsz. Scotland possess significant collections of art, like the National Gallery of Scotland and National Museum of Scotland in Edinburgh and the Burrell Collection and Kelvingrove Art Gallery and Museum in Glasgow. Prominent schools of art include the Edinburgh College of Art and the Glasgow School of Art. The major funding body with responsibility for the arts in the country is Creative Scotland. Support is also provided by local councils and independent foundations. (Full article...)
    Eduardo Paolozzi's sculpture Newton is based on William Blake's 1795 print Newton (1995)

    Art in modern Scotland includes all aspects of the visual arts in the country since the beginning of the twentieth century. In the early twentieth century, the art scene was dominated by the work of the members of the Glasgow School known as the Four, led by Charles Rennie Mackintosh, who gained an international reputation for their combination of Celtic revival, Art and Crafts and Art Nouveau. They were followed by the Scottish Colourists and the Edinburgh School. There was a growing interest in forms of Modernism, with William Johnstone helping to develop the concept of a Scottish Renaissance. In the post-war period, major artists, including John Bellany and Alexander Moffat, pursued a strand of "Scottish realism". Moffat's influence can be seen in the work of the "new Glasgow Boys" from the late twentieth century. In the twenty-first century Scotland has continued to produce influential artists such as Douglas Gordon and Susan Philipsz.

    Scotland possess significant collections of art, like the National Gallery of Scotland and National Museum of Scotland in Edinburgh and the Burrell Collection and Kelvingrove Art Gallery and Museum in Glasgow. Prominent schools of art include the Edinburgh College of Art and the Glasgow School of Art. The major funding body with responsibility for the arts in the country is Creative Scotland. Support is also provided by local councils and independent foundations. (Full article...)
  • Image 16 Dunstaffnage Castle seen from the east, with the gatehouse in the centre Dunstaffnage Castle (Scottish Gaelic: Caisteal Dhùn Stadhainis) is a partially ruined castle in Argyll and Bute, western Scotland. It lies 3 miles (5 km) NNE of Oban, situated on a platform of conglomerate rock on a promontory at the south-west of the entrance to Loch Etive, and is surrounded on three sides by the sea. The castle and the nearby chapel ruin have been a Historic Scotland property since 1958. Both are Scheduled Ancient Monuments. The castle dates back to the 13th century, making it one of Scotland's oldest stone castles, in a local group which includes Castle Sween and Castle Tioram. Guarding a strategic location, it was built by the MacDougall lords of Lorn, and has been held since the 15th century by the Clan Campbell. To this day there is a hereditary Captain of Dunstaffnage, although they no longer reside at the castle. Dunstaffnage is maintained by Historic Environment Scotland, and is open to the public, although the 16th century gatehouse is retained as the private property of the Captain. The prefix dun in the name means "fort" in Gaelic, while the rest of the name derives from Norse stafr-nis, "headland of the staff". (Full article...)

    Dunstaffnage Castle seen from the east, with the gatehouse in the centre

    Dunstaffnage Castle (Scottish Gaelic: Caisteal Dhùn Stadhainis) is a partially ruined castle in Argyll and Bute, western Scotland. It lies 3 miles (5 km) NNE of Oban, situated on a platform of conglomerate rock on a promontory at the south-west of the entrance to Loch Etive, and is surrounded on three sides by the sea. The castle and the nearby chapel ruin have been a Historic Scotland property since 1958. Both are Scheduled Ancient Monuments.

    The castle dates back to the 13th century, making it one of Scotland's oldest stone castles, in a local group which includes Castle Sween and Castle Tioram. Guarding a strategic location, it was built by the MacDougall lords of Lorn, and has been held since the 15th century by the Clan Campbell. To this day there is a hereditary Captain of Dunstaffnage, although they no longer reside at the castle. Dunstaffnage is maintained by Historic Environment Scotland, and is open to the public, although the 16th century gatehouse is retained as the private property of the Captain. The prefix dun in the name means "fort" in Gaelic, while the rest of the name derives from Norse stafr-nis, "headland of the staff". (Full article...)
  • Image 17 Little playing for Arsenal in 2019 Kim Alison Little MBE (born 29 June 1990) is a Scottish professional footballer who plays as a midfielder for and captains Arsenal of the English FA WSL. Before her retirement from international duty in 2021, Little was vice-captain of the Scotland national team. She begun her senior career at Hibernian, winning the Scottish Premier League, Scottish Women's Cup and Scottish Premier League Cup with the club in the 2006–2007 season. With Arsenal, she is a two time Premier League National Division winner, five time League Cup winner, and three time WSL and FA Cup winner. During her time at Seattle Reign, Little won the Golden Boot and Most Valuable Player awards. Little began representing Scotland at the senior international level in 2007 at age 16, scoring Scotland's first hat trick in 2012, and helping them qualify for Euro 2017 and the 2019 World Cup. She was one of two Scots selected for the Great Britain squad that reached the quarterfinals of the 2012 London Olympics, and again at the delayed 2020 Tokyo Olympics. (Full article...)

    Little playing for Arsenal in 2019

    Kim Alison Little MBE (born 29 June 1990) is a Scottish professional footballer who plays as a midfielder for and captains Arsenal of the English FA WSL. Before her retirement from international duty in 2021, Little was vice-captain of the Scotland national team. She begun her senior career at Hibernian, winning the Scottish Premier League, Scottish Women's Cup and Scottish Premier League Cup with the club in the 2006–2007 season. With Arsenal, she is a two time Premier League National Division winner, five time League Cup winner, and three time WSL and FA Cup winner. During her time at Seattle Reign, Little won the Golden Boot and Most Valuable Player awards.

    Little began representing Scotland at the senior international level in 2007 at age 16, scoring Scotland's first hat trick in 2012, and helping them qualify for Euro 2017 and the 2019 World Cup. She was one of two Scots selected for the Great Britain squad that reached the quarterfinals of the 2012 London Olympics, and again at the delayed 2020 Tokyo Olympics. (Full article...)
  • Image 18 William McTaggart Spring (1864) Scottish art in the nineteenth century is the body of visual art made in Scotland, by Scots, or about Scottish subjects. This period saw the increasing professionalisation and organisation of art in Scotland. Major institutions founded in this period included the Institution for the Encouragement of the Fine Arts in Scotland, the Royal Scottish Academy of Art, the National Gallery of Scotland, the Scottish National Portrait Gallery and the Glasgow Institute. Art education in Edinburgh focused on the Trustees Drawing Academy of Edinburgh. Glasgow School of Art was founded in 1845 and Grays School of Art in Aberdeen in 1885. Henry Raeburn, most famous for his intimate portraits of leading figures in Scottish life, was the first significant artist to pursue his entire career in Scotland. His pupils included the brothers William, Archibald and Andrew Robertson. The next generation of portrait painters included David Watson and John Watson Gordon. Significant Glasgow artists included John Graham-Gilbert and Daniel Macnee. David Wilkie emerged as of one of the most influential British artists of the century in a variety of forms. Alexander Nasmyth helped formulate the tradition of Scottish landscape painting, which focused in the mid-nineteenth century on the Highlands. It was taken into the late nineteenth century by artists including Horatio McCulloch, Joseph Farquharson and William McTaggart. Towards the end of the century a number of artist colonies were founded, particularly in coastal communities such as Pittenweem and Kirkcudbright. Wilkie was instrumental in the development of genre painting, which was pursued by artists including John Burnet, Alexander George Fraser and Walter Geikie. He also helped inspire the interest in Spanish and oriental painting, continued by William Allan, David Roberts and John Phillip. (Full article...)
    William McTaggart Spring (1864)

    Scottish art in the nineteenth century is the body of visual art made in Scotland, by Scots, or about Scottish subjects. This period saw the increasing professionalisation and organisation of art in Scotland. Major institutions founded in this period included the Institution for the Encouragement of the Fine Arts in Scotland, the Royal Scottish Academy of Art, the National Gallery of Scotland, the Scottish National Portrait Gallery and the Glasgow Institute. Art education in Edinburgh focused on the Trustees Drawing Academy of Edinburgh. Glasgow School of Art was founded in 1845 and Grays School of Art in Aberdeen in 1885.

    Henry Raeburn, most famous for his intimate portraits of leading figures in Scottish life, was the first significant artist to pursue his entire career in Scotland. His pupils included the brothers William, Archibald and Andrew Robertson. The next generation of portrait painters included David Watson and John Watson Gordon. Significant Glasgow artists included John Graham-Gilbert and Daniel Macnee. David Wilkie emerged as of one of the most influential British artists of the century in a variety of forms. Alexander Nasmyth helped formulate the tradition of Scottish landscape painting, which focused in the mid-nineteenth century on the Highlands. It was taken into the late nineteenth century by artists including Horatio McCulloch, Joseph Farquharson and William McTaggart. Towards the end of the century a number of artist colonies were founded, particularly in coastal communities such as Pittenweem and Kirkcudbright. Wilkie was instrumental in the development of genre painting, which was pursued by artists including John Burnet, Alexander George Fraser and Walter Geikie. He also helped inspire the interest in Spanish and oriental painting, continued by William Allan, David Roberts and John Phillip. (Full article...)
  • Image 19 The Black Island (French: L'Île noire) is the seventh volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. Commissioned by the conservative Belgian newspaper Le Vingtième Siècle for its children's supplement Le Petit Vingtième, it was serialised weekly from April to November 1937. The story tells of young Belgian reporter Tintin and his dog Snowy, who travel to England in pursuit of a gang of counterfeiters. Framed for theft and hunted by detectives Thomson and Thompson, Tintin follows the criminals to Scotland, discovering their lair on the Black Island. The Black Island was a commercial success and was published in book form by Casterman shortly after its conclusion. Hergé continued The Adventures of Tintin with King Ottokar's Sceptre, while the series itself became a defining part of the Franco-Belgian comics tradition. In 1943, The Black Island was coloured and re-drawn in Hergé's distinctive ligne-claire style for republication. In the mid-1960s, Hergé's British publishers requested a major revision of the story, for which he sent his assistant Bob De Moor to Britain on a research trip; on his return, Studios Hergé produced a revised, third edition of the story, serialised in Tintin magazine. The Black Island introduces the recurring villain Dr. Müller, and has been widely cited as one of the most popular instalments in the series. The story was adapted for the 1957 Belvision animation Hergé's Adventures of Tintin, the 1980–81 West End play Tintin and the Black Island, the 1991 Ellipse/Nelvana animated series The Adventures of Tintin, and the 1992–93 BBC Radio 5 dramatisation of the Adventures. (Full article...)
    The Black Island (French: L'Île noire) is the seventh volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. Commissioned by the conservative Belgian newspaper Le Vingtième Siècle for its children's supplement Le Petit Vingtième, it was serialised weekly from April to November 1937. The story tells of young Belgian reporter Tintin and his dog Snowy, who travel to England in pursuit of a gang of counterfeiters. Framed for theft and hunted by detectives Thomson and Thompson, Tintin follows the criminals to Scotland, discovering their lair on the Black Island.

    The Black Island was a commercial success and was published in book form by Casterman shortly after its conclusion. Hergé continued The Adventures of Tintin with King Ottokar's Sceptre, while the series itself became a defining part of the Franco-Belgian comics tradition. In 1943, The Black Island was coloured and re-drawn in Hergé's distinctive ligne-claire style for republication. In the mid-1960s, Hergé's British publishers requested a major revision of the story, for which he sent his assistant Bob De Moor to Britain on a research trip; on his return, Studios Hergé produced a revised, third edition of the story, serialised in Tintin magazine. The Black Island introduces the recurring villain Dr. Müller, and has been widely cited as one of the most popular instalments in the series. The story was adapted for the 1957 Belvision animation Hergé's Adventures of Tintin, the 1980–81 West End play Tintin and the Black Island, the 1991 Ellipse/Nelvana animated series The Adventures of Tintin, and the 1992–93 BBC Radio 5 dramatisation of the Adventures. (Full article...)
  • Image 20 Dubh Artach skerry and lighthouse in 2014 Dubh Artach (/duː ˈɑːrtɑːx/; Scottish Gaelic: [t̪uh ˈarˠʃt̪əx]) is a remote skerry of basalt rock off the west coast of Scotland lying 18 miles (29 km) west of Colonsay and 15 miles (24 km) south-west of the Ross of Mull. A lighthouse designed by Thomas Stevenson with a tower height of 145 feet (44 m) was erected between 1867 and 1872 with a shore station constructed on the isle of Erraid. The rock is subject to extraordinary sea conditions with waves of 92 feet (28 m) or more being encountered by the keepers. Despite these adverse conditions several men served the light for lengthy periods until it was automated in 1971. Dubh Artach is the official name of the lighthouse, although the skerry itself is also known as Dhu Heartach. Various interpretations have been provided for the original meaning of the Gaelic name, of which "The Black Rock" is the most likely. (Full article...)

    Dubh Artach skerry and lighthouse in 2014

    Dubh Artach (/d ˈɑːrtɑːx/; Scottish Gaelic: [t̪uh ˈarˠʃt̪əx]) is a remote skerry of basalt rock off the west coast of Scotland lying 18 miles (29 km) west of Colonsay and 15 miles (24 km) south-west of the Ross of Mull.

    A lighthouse designed by Thomas Stevenson with a tower height of 145 feet (44 m) was erected between 1867 and 1872 with a shore station constructed on the isle of Erraid. The rock is subject to extraordinary sea conditions with waves of 92 feet (28 m) or more being encountered by the keepers. Despite these adverse conditions several men served the light for lengthy periods until it was automated in 1971. Dubh Artach is the official name of the lighthouse, although the skerry itself is also known as Dhu Heartach. Various interpretations have been provided for the original meaning of the Gaelic name, of which "The Black Rock" is the most likely. (Full article...)
  • Image 21 Celtic fans at the Estadio Olímpico in Seville The Bhoys from Seville is a nickname used to refer to Celtic F.C.'s team and fans during Celtic's 2002–03 UEFA Cup campaign, which culminated in their defeat in the final against F.C. Porto in Seville, Spain. Around 60,000 Celtic fans travelled to support their team in the final. The name "The Bhoys from Seville" is a play on words from the book and film The Boys from Brazil, the nickname of Celtic F.C. (The Bhoys), and the location of the final (Seville). This UEFA Cup campaign was Celtic's most successful in Europe since their run to European Cup Final in 1970, and the first time in 23 years that they had remained in European competition beyond Christmas. Although they lost in the final against F.C. Porto, the team has been compared to Celtic's European Cup winning team in 1967, the Lisbon Lions. The estimated 80,000 Celtic supporters who travelled to Seville for the final received widespread praise for their exemplary conduct, and were later awarded Fair Play Awards from UEFA and FIFA "for their extraordinarily loyal and sporting behaviour". The support of the Celtic supporters and the team's performance during the campaign provided the inspiration for a number of books, television programmes and DVDs, primarily highlighting the experiences of the travelling fans. (Full article...)
    Picture of Celtic within the Esatdio Olimpico in Seville
    Celtic fans at the Estadio Olímpico in Seville

    The Bhoys from Seville is a nickname used to refer to Celtic F.C.'s team and fans during Celtic's 2002–03 UEFA Cup campaign, which culminated in their defeat in the final against F.C. Porto in Seville, Spain. Around 60,000 Celtic fans travelled to support their team in the final. The name "The Bhoys from Seville" is a play on words from the book and film The Boys from Brazil, the nickname of Celtic F.C. (The Bhoys), and the location of the final (Seville). This UEFA Cup campaign was Celtic's most successful in Europe since their run to European Cup Final in 1970, and the first time in 23 years that they had remained in European competition beyond Christmas.

    Although they lost in the final against F.C. Porto, the team has been compared to Celtic's European Cup winning team in 1967, the Lisbon Lions. The estimated 80,000 Celtic supporters who travelled to Seville for the final received widespread praise for their exemplary conduct, and were later awarded Fair Play Awards from UEFA and FIFA "for their extraordinarily loyal and sporting behaviour". The support of the Celtic supporters and the team's performance during the campaign provided the inspiration for a number of books, television programmes and DVDs, primarily highlighting the experiences of the travelling fans. (Full article...)
  • Image 22 Loch Arkaig in Lochaber. The treasure of Loch Arkaig, sometimes known as the Jacobite gold, was a large amount of specie provided by Spain to finance the Jacobite rising in Scotland in 1745, and rumoured still to be hidden at Loch Arkaig in Lochaber. (Full article...)
    Loch Arkaig in Lochaber.

    The treasure of Loch Arkaig, sometimes known as the Jacobite gold, was a large amount of specie provided by Spain to finance the Jacobite rising in Scotland in 1745, and rumoured still to be hidden at Loch Arkaig in Lochaber. (Full article...)
  • Image 23 Thurso (pronounced /ˈθɜːrzoʊ/; Scots: Thursa, Scottish Gaelic: Inbhir Theòrsa [ˈiɲɪɾʲ ˈhjɔːrˠs̪ə]) is a town and former burgh on the north coast of the Highland council area of Scotland. Situated in the historical County of Caithness, it is the northernmost town on the island of Great Britain. From a latitudinal standpoint, Thurso is located further north than the southernmost point of Norway and in addition lies more than 500 miles (800 km) north of London. It lies at the junction of the north–south A9 road and the west–east A836 road, connected to Bridge of Forss in the west and Castletown in the east. The 34-mile (55 km) River Thurso flows through the town and into Thurso Bay and the Pentland Firth. The river estuary serves as a small harbour. At the 2011 Census, Thurso had a population of 7,933. The population of the larger Thurso civil parish including the town and the surrounding countryside was estimated to be 12,057 in 2021. (Full article...)

    Thurso (pronounced /ˈθɜːrz/; Scots: Thursa, Scottish Gaelic: Inbhir Theòrsa [ˈiɲɪɾʲ ˈhjɔːrˠs̪ə]) is a town and former burgh on the north coast of the Highland council area of Scotland. Situated in the historical County of Caithness, it is the northernmost town on the island of Great Britain. From a latitudinal standpoint, Thurso is located further north than the southernmost point of Norway and in addition lies more than 500 miles (800 km) north of London.

    It lies at the junction of the north–south A9 road and the west–east A836 road, connected to Bridge of Forss in the west and Castletown in the east. The 34-mile (55 km) River Thurso flows through the town and into Thurso Bay and the Pentland Firth. The river estuary serves as a small harbour. At the 2011 Census, Thurso had a population of 7,933. The population of the larger Thurso civil parish including the town and the surrounding countryside was estimated to be 12,057 in 2021. (Full article...)
  • Image 24 Meantime is a 2022 crime fiction novel by the Scottish comedian Frankie Boyle. The story follows drug addict Felix McAveety's unfocused investigation into his friend Marina's death. It is set in Glasgow, Scotland, shortly after the 2014 independence referendum. Felix is aided by the crime fiction writer Jane, the left-wing activist Amy and his depressed neighbour Donnie. They meet Chong, who seems to believe reality is simulated, and find signs that British Intelligence are involved in Marina's death. Though he had written non-fiction before, Meantime was Boyle's first novel; he wrote parts of the novel in hotels after stand-up performances and while wandering his hometown Glasgow. The book was published by Baskerville, a new crime fiction imprint of John Murray, on 21 July 2022. It was nominated for Bloody Scotland's Debut of the Year award. (Full article...)
    Meantime is a 2022 crime fiction novel by the Scottish comedian Frankie Boyle. The story follows drug addict Felix McAveety's unfocused investigation into his friend Marina's death. It is set in Glasgow, Scotland, shortly after the 2014 independence referendum. Felix is aided by the crime fiction writer Jane, the left-wing activist Amy and his depressed neighbour Donnie. They meet Chong, who seems to believe reality is simulated, and find signs that British Intelligence are involved in Marina's death.

    Though he had written non-fiction before, Meantime was Boyle's first novel; he wrote parts of the novel in hotels after stand-up performances and while wandering his hometown Glasgow. The book was published by Baskerville, a new crime fiction imprint of John Murray, on 21 July 2022. It was nominated for Bloody Scotland's Debut of the Year award. (Full article...)
  • Image 25 Squire's Hill, north Belfast, the area of the murders The 1971 Scottish soldiers' killings took place in Northern Ireland during The Troubles. On 10 March 1971, the Provisional Irish Republican Army (IRA) shot dead three off-duty British soldiers of the 1st Battalion, Royal Highland Fusiliers. The soldiers were from Scotland and two were teenage brothers. They were lured from a pub in Belfast where they had been drinking, driven to a remote location and shot by the roadside. Three British soldiers had been killed before this, but all had been killed during rioting. The deaths led to public mourning and protests against the IRA. Pressure to act spurred a political crisis for the Northern Ireland Government, which led to the resignation of James Chichester-Clark as Prime Minister of Northern Ireland. The British Army raised the minimum age needed to serve in Northern Ireland to 18 in response to this incident. In 2010, a memorial was dedicated to the three soldiers near the site of their deaths. (Full article...)

    Squire's Hill, north Belfast, the area of the murders

    The 1971 Scottish soldiers' killings took place in Northern Ireland during The Troubles. On 10 March 1971, the Provisional Irish Republican Army (IRA) shot dead three off-duty British soldiers of the 1st Battalion, Royal Highland Fusiliers. The soldiers were from Scotland and two were teenage brothers. They were lured from a pub in Belfast where they had been drinking, driven to a remote location and shot by the roadside. Three British soldiers had been killed before this, but all had been killed during rioting.

    The deaths led to public mourning and protests against the IRA. Pressure to act spurred a political crisis for the Northern Ireland Government, which led to the resignation of James Chichester-Clark as Prime Minister of Northern Ireland. The British Army raised the minimum age needed to serve in Northern Ireland to 18 in response to this incident. In 2010, a memorial was dedicated to the three soldiers near the site of their deaths. (Full article...)
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