Big Band Bossa Nova (Stan Getz album)

From Wikipedia, the free encyclopedia
Big Band Bossa Nova
Studio album by
ReleasedEnd of October 1962[1]
RecordedAugust 27–28, 1962
CBS 30th Street Studio, New York City
GenreBossa nova, jazz, cool jazz
Length33:30
LabelVerve
V6-8494
ProducerCreed Taylor
Stan Getz chronology
Jazz Samba
(1962)
Big Band Bossa Nova
(1962)
Jazz Samba Encore!
(1963)
Professional ratings
Review scores
SourceRating
Down Beat[2]
Allmusic[3]
The Penguin Guide to Jazz Recordings[4]

Big Band Bossa Nova is a 1962 album by saxophonist Stan Getz with the Gary McFarland Orchestra. The album was arranged and conducted by Gary McFarland and produced by Creed Taylor for Verve Records. This was Getz's second bossa nova album for Verve following Jazz Samba, his very successful collaboration with guitarist Charlie Byrd.

The music was recorded at the CBS 30th Street Studio in New York City on August 27 and 28, 1962.

Music[edit]

The music for the album consists of four songs by Brazilian composers and four original compositions by McFarland. The instrumentation chosen by McFarland eschews the traditional big band format of eight brass and five saxophones for a smaller ensemble featuring four woodwinds and French horn as well as three trumpets and two trombones. The four piece rhythm section is augmented by two percussionists.

McFarland freely mixes his instrumental colors to provide a constantly shifting palette in support of Getz's tenor. Jim Hall, Hank Jones, Doc Severinsen and Bob Brookmeyer are each featured in short solos.

Reception[edit]

Although not reaching the chart heights of its predecessor, the album performed respectably on the charts. On the Billboard Top LP chart, it reached position #13, staying on for 23 weeks.[5]

Noted jazz critic Don DeMichael, writing in the December 6, 1962 issue of Down Beat magazine, awarded the album the top rating of five stars. He said: "Getz' melodic gift was never more evident; even the way he plays "straight" melody is masterful. Few jazzmen have had this gift... and it has to do with singing by means of an instrument, for Getz doesn't just play a solo, he sings it, as can be heard on any of these tracks, most evidently on Triste and Saudade."[2]

About the writing DeMichael says: "McFarland shares in the artistic success of the album. His writing is peerless... he knows the proper combination of instruments to achieve certain sounds and he has the taste not to use all the instruments at hand all the time. His sparing use of the ensemble allows the beauty of the soloist and the material to shine through".[2]

Track listing[edit]

  1. "Manhã de Carnaval" (Morning of the Carnival) (Luiz Bonfá) – 5:48
  2. "Balanço no Samba" (Street Dance) (Gary McFarland) – 2:59
  3. "Melancólico" (Melancholy) (Gary McFarland) – 4:42
  4. "Entre Amigos" (Sympathy Between Friends) (Gary McFarland) – 2:58
  5. "Chega de Saudade" (No More Blues) (Antônio Carlos Jobim, Vinícius de Moraes) – 4:10
  6. "Noite Triste" (Night Sadness) (Gary McFarland) – 4:56
  7. "Samba de Uma Nota Só" (One Note Samba) (Antônio Carlos Jobim, Newton Mendonça) – 3:25
  8. "Bim Bom" (João Gilberto) – 4:31[6]

Personnel[edit]

Production[edit]

  • Produced by Creed Taylor
  • Engineered by George Kneurr and Frank Laico

References[edit]

  1. ^ "Billboard". 1962-11-03. Retrieved 2016-04-20.
  2. ^ a b c Down Beat: December 6, 1962, vol. 29, no. 30
  3. ^ Richard S. Ginell. "Big Band Bossa Nova - Stan Getz | Songs, Reviews, Credits". AllMusic. Retrieved 2016-04-20.
  4. ^ Cook, Richard; Morton, Brian (2008). The Penguin Guide to Jazz Recordings (9th ed.). Penguin. p. 545. ISBN 978-0-141-03401-0.
  5. ^ The Billboard Albums, 6th ed. Joel Whitburn. 2006. Record Research Inc. p. 407. ISBN 0-89820-166-7
  6. ^ a b Liner notes to Verve V6-8494