Chris Tanner

Christopher Tanner (born December 1955) is an American contemporary artist, actor, singer, performer.

Early life

Chris Tanner was born in a car near Pasadena, California, and grew up in Duarte. His father was a shoemaker and a parametral clerk at the race track. His mother, Sally Tanner, was a commercial artist who was elected to the California State Assembly and authored the Lemon Law.

By age 10, Chris Tanner was taking art lessons from Argie Taylor, a trained artist and mother of one of his school friends who had died. Together they shared their grief through art and became great companions visiting museums, etc. He credits her as the main influence on his work.

Tanner went to CalArts in San Francisco and majored in neon sculpture . Alongside his studies, he acted at Disney World. He graduated in 1979 and moved to New York.

Career

Soon after arriving in New York, the artist became a part of the East Village art scene, which was beginning to boom with art galleries and studios. It became a community which incorporated painters, sculptors, photographers, musicians, poets, dancers, video and performance artists, etc.

Coming to art from the off-Broadway scene, Tanner is an abstractionist whose work has been described as "ebullient, dizzy, and sumptuous" (Art and Antiques, 6/99). In 1985, he took a trip to Taiwan, where he saw all sorts of garishness. This experience became the major underlying inspiration of his style of art expression. He started making lavish gilded frames for his paintings, which became works of art in themselves.

Since the 1980s, the artist's work, best known for its jewel encrusted assemblages and freestanding driftwood sculptures, has contained familiar parts that make his work recognizable. The difference between real and unreal, between decoration and art has been deleted in advance, to imply a culture that is glamorous, and transformative. Chris Tanner's ideology delivers its own formative language. It pushes decoration to the foreground and is then deconstructed into abstractions. His approach is in some way allied with the mid 70's Pattern and Decoration movement (P&D), that brought forth artists such as Miriam Schapiro, Valerie Jaudon, Joyce Kozloff and Robert Kushner; all artists who realized that most of the world's artistic production has grown out of the impulse to adornment. Well-known artist Robert Kushner, active in the pattern-painting movement, took an interest in Tanner's work, especially the experiments with unusual mediums such as large sequins and glitter. He also had a method of encasing his entire canvases in shiny, clear-epoxy.

Tanner is widely collected, especially by designers and architects who appreciate the strong statements of his work. Pavel Zoubok, Paul Bridgewater and Liebman Magnan Gallery have represented him in New York, and he has shown at LaMama Galleria in New York, USA, Galerie Oz in Paris, France and Flatland Gallery in Utrecht, Holland, to name but a few.

Performance

Tanner has created his own company, the Frances Ethel Gum Memorial Players, who have performed throughout the United States in theatres and in conjunction with his exhibitions. Tanner performed at La MaMa since 1979. His first show there was Night Club, directed by John Vacarro. Since then, he presented productions such as Ravaged by Romance, Up, Up and more Up, Jack of Tarts, One must do what one Must do, and Etiquette of Death. Theasy His most recent production Football Head showcased at La Mama, New York in June 2014 as well as at Pangea and Dixon Place.

References

1. Artsy, artist page, 2023 2. artnet, biography, 2022 3. Art Market, article, 2022 3. Atrium Gallery, biography, 2021 4. The Secret Society of Twisted Storytellers, 2020 5. Huffington Post, article, 2017 6. Mutual Art, 2017 7. Howl!, article, 2018 8. Some Serious Business, article, 2018 9. askART, article, 2019 10.Interview, 2016 11.OT Downtown, article, 2015 12.Artes Magazine, article, 2015 13.Theasy, interview, 2014 14.Interview, 2014 15.EV Grieve, article, 2013 16.Ecce Homo: ‘Thomas Lanigan-Schmidt and the Art of Rebellion’,” New York Times, Holland Cotter, July 2013 17.Contemporary Performance, article, 13 June 2012 18.Slant Magazine, interview, 2012 19.The Lo-Down, article, 2012 20.Village Voice, article, 2011 21.Art and Antiques, Edward Gomez, “Drawn Together,” October, 2010 22.Art in America, artnews, article Edward Gomez, June, 2010 23."Cold Water", New York Times, Holland Cotter, August, 2009 (Atrium Gallery) 24.Women's Wear Daily, “Eye Candy,” April, 2007 25.”The Simple Life", Metropolitan Home, March, 2007 26.Exhibitions: What to See Now, “High High the Moon,” Harper's Bazaar, March, 2007 27.Exhibitions: What to See Now, “The Art of Embellishment,” Harper's Bazaar, February, 2005 28.Village Voice, article, 2003 29.Art in America, Matthew Guy Nichols, review, July, 2003 30.“Obsessive Pleasures,” New York Times, Ken Johnson, May 31.“Christopher Tanner,” Elle Decor, October, 2002 32.Review, The New York Observer, September, 2001 33.“Slumming It,” Time Out New York, Michael Phillips, August, 2000 34.“Art as Glamour,” Arts & Antiques, Edward Gomez, June, 1999 35.“Think Pink,” New York Times, Holland Cotter, 1997 37.“Home is Where the Art Is,” New York Times, Holland Cotter, August, 1996 38.Art in America, review, Robert Kushner, June 1995 39.Time Out New York, David Hirsch, 1991

External links

• Artist's website
• Chris Tanner at IMDb