Gabor Szilasi

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Gabor Szilasi
Szilasi in 2022.
Born (1928-02-03) 3 February 1928 (age 96)
Budapest, Hungary
Known forPhotographer
SpouseDoreen Lindsay (born 1934)

Gabor Szilasi (born 3 February 1928) is a Canadian artist known for the humanist vision of his social-documentary photography.[1][2]

Career[edit]

Born in Budapest, Hungary in 1928, Gabor Szilasi first became interested in photography while in medical school in 1948.[3] Largely self-taught, Gabor Szilasi started to photograph in Hungary in 1952 when he purchased his first camera, a Zorkij. In 1956, he documented the Hungarian Revolution of 1956 in Budapest and shortly afterwards fled the country.[1]

He emigrated to Canada in 1957, settling in Montreal.[2][4] From 1959 to 1971, he was photographer at the Office du film du Québec. That role involved traveling to photograph subjects throughout rural Quebec.[5] Sam Tata introduced him to the work of Henri Cartier-Bresson and encouraged his social-documentary photography. In 1966, he was introduced to the work of the American documentary tradition as practiced by Paul Strand and Walker Evans while studying at the Thomas More Institute.[1] Throughout the 1960s, he shot personal photographs of friends and of Montreal; they were first exhibited in 1967.[5]

He was photography teacher at the Collège du Vieux Montreal (1970–1980) and associate professor (1980–1995) and then adjunct professor at Concordia University.[6] From 1972 to 1974, Szilasi was a member of a group of Montreal artists called the Group d’action photographique, and his documentary photographs feature numerous members of the city's art scene.[5]

The work he made of communities such as Charlevoix, PQ (1970), Montreal`s art community (1960–1980), or was commissioned to make in Italy, Hungary and Poland (1986, 1987, 1990)[6] or of Hungary to which he returned in 1980, 1994 and 1995[1] aimed at the modernist photography ideal of precision, luminosity and permanence which increased the beauty and historic value of his prints.[7] He used the camera to take views of urban environments, individual portraits or gallery openings.

After 20 years of photographing in black-and-white, around the mid-70s, Szilasi began to use colour to describe certain cultural and social characteristics.[8] He began photographing interiors, mostly living spaces, in colour and later combined colour with black-and-white to convey portraits and interiors. Around 1982, he began photographing electric signs.[8]

He is the subject of Gabor, a 2021 documentary film by Joannie Lafrenière.[9]

Selected exhibitions[edit]

In 1997, the Montreal Museum of Fine Arts organized a travelling retrospective of his work titled Gabor Szilasi: Photographs 1954–1996.[6] Monet's Garden was shown at the Montreal Museum of Fine Arts in 1999.[10] In 2017, Montreal's McCord Museum exhibited a 20-year selection of his unpublished photographs of the art world in Montreal, titled The Art World in Montreal, 1960–1980.[11][4][12]

Awards[edit]

Collections[edit]

His work is included in the collections of the Musée national des beaux-arts du Québec,[2] the Musée d'art contemporain de Montréal,[16] the National Gallery of Canada[1] and many other collections. He is represented by the Stephen Bulger Gallery in Toronto.

Fonds[edit]

In 2021, Library and Archives Canada (LAC) acquired Gabor Szilasi's photographic archives containing more than 80,000 negatives and 42 photographic prints, including negatives of early photographs taken in Hungary during the uprising against the Soviet invasion, as well as photographic prints captured in rural Quebec and Montreal. It became part of the Gabor Szilasi fonds: a collection of the artist’s works that LAC has been compiling since the 1970s.[17]

Personal life[edit]

Szilasi is married to the photographer Doreen Lindsay.[18]

References[edit]

  1. ^ a b c d e "Gabor Szilasi". www.gallery.ca.
  2. ^ a b c "Szilasi, Gabor". Collections | MNBAQ.
  3. ^ a b "Gabor Szilasi photo exhibit in Montreal – RCI | English".
  4. ^ a b "A new McCord Museum publication on photography: Gabor Szilasi". The Suburban Newspaper.
  5. ^ a b c Bassnett, Sarah; Parsons, Sarah (2023). Photography in Canada, 1839–1989: An Illustrated History. Toronto: Art Canada Institute. ISBN 978-1-4871-0309-5.
  6. ^ a b c d "Gabor Szilasi | the Canadian Encyclopedia".
  7. ^ Langford, Martha (2010). "A Short History of Photography, 1900–2000". The Visual Arts in Canada: the Twentieth Century. Foss, Brian, Paikowsky, Sandra, Whitelaw, Anne (eds.). Don Mills, Ont.: Oxford University Press. p. 287. ISBN 978-0-19-542125-5. OCLC 432401392.
  8. ^ a b Murray 1987, p. 166.
  9. ^ Éric Clément, "Un hommage délicat et soigné". La Presse, May 27, 2022.
  10. ^ "Gabor Szilasi". art-history.concordia.ca. Concordia University, Montreal. Retrieved 14 June 2021.
  11. ^ "Gabor Szilasi: The Art World in Montreal, 1960–1980 – McCord Museum". Musee McCord.
  12. ^ "Les vernissages selon Gabor Szilasi". La Presse. 14 November 2019.
  13. ^ "Gabor Szilasi". www.youtube.com. Governor General's Awards. Retrieved 17 August 2022.
  14. ^ "Awards for Canadians". canadagazette.gc.ca. Government of Canada. Retrieved 14 June 2021.
  15. ^ "Gabor Szilasi". www.calq.gouv.qc.ca. Counsel of Arts and Letters of Quebec. Retrieved 14 June 2021.
  16. ^ "Gabor Szilasi, Andor Pasztor, Montréal, 1977, printed of 1979". MAC Montréal.
  17. ^ "Article". www.canada.ca. LAC. Retrieved 28 November 2023.
  18. ^ Harris, David; Szilasi, Gabor (18 May 1997). Gabor Szilasi. McGill-Queen's Press – MQUP. p. 25. ISBN 978-0-7735-1728-8 – via Google Books.

Bibliography[edit]

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