Geraldine McCullough

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Geraldine McCullough (1917–2008) was an African American painter, sculptor and art professor. She was best known for her mostly abstract large-scale metal sculpture.

Biography[edit]

Geraldine McCullough was born on December 1, 1917, in Kingston, Arkansas.[1] She received the John D. Steinbecker scholarship to study at the Art Institute of Chicago where she received her B.A. in 1948 and her M.A.E. in 1955.[2] In 1961, she received the first prize at the Art Exhibit of Atlanta University (HBCU). Her first welded sculpture was presented in 1963 at the Century of Negro Progress Exposition in Chicago.[3] Her work Phoenix, a 250-pound welded steel and copper sculpture, won the George D. Widener Gold Medal for Sculpture. Awarded by the Pennsylvania Academy of the Fine Arts in 1964 during their 159th annual exhibition, this distinction brought international attention to her artwork.[4]

In 1967, McCullough was invited by Friendship Exchange to visit Moscow, Leningrad, Alma-Ata and Baku, Soviet Union, Iran, and Prague, Czechoslovakia.[5]

Using materials as varied as brazed sheet copper, sheet brass, rods, and polyester resins in her creations, the artist imbues her sculpture with movement and expressive qualities.[6] Focussing on the inner vitality of the work, the artist executes her work mainly through bronze casting and welding of sheet copper, further enhancing the surface of the sculpture to result in vibrant and dynamic textural expression. According to her own words, McCullough intuitively channels what is on her mind at a given time, shaping her thoughts into large-scale metal sculpture characterized by an expressive intensity comparable to African sculpture. This is most evident in her sculpture Echo 5 from 1993 which evokes a seated African icon with headdress and body scarification. Her abstract welded steel sculptures have been compared by art historians such as Lisa E. Farrington to the artistic aesthetic and work of Barbara Chase-Riboud.[6][5][7]

McCullough has created several large-scale public artworks, including two lifelike representations of Rev. Martin Luther King Jr. She has further served as a professor of Art and Chairwoman of the Art Department at the Rosary College (now Dominican University), in River Forest, Illinois, from 1964 to 1989, and received an honorary doctorate upon her retirement.[8]

McCullough died on December 15, 2008, at the age of 91.[1]

Exhibitions[edit]

McCullough's work has been presented in several seminal exhibitions focussing on African American Women, most importantly: Forever Free: Art by African-American Women 1982–1980, an itinerant exhibition hosted by the Center for the Visual Arts Gallery, Illinois State University; the Joslyn Art Museum; the Montgomery Museum of Fine Arts; the Gibbes Art Gallery; The Art Gallery, University of Maryland, and the Indianapolis Museum of Art (1981–1982) and Three Generations of African American Women Sculptors: A Study in Paradox, an itinerant exhibition hosted by the Afro-American Historical and Cultural Museum (Philadelphia, Pa.) in March–September 1996 and the Center for the Study of African American Life and Culture, Smithsonian Institution, Washington, DC, March–August 1998.[2][9][5]

Her work was further included in a group exhibition at the Brooklyn Museum in 1969 and other significant collective exhibitions including Eleven Black Printmakers, Superman College, Atlanta, Georgia, (1969); 25th Invitational - Sculpture, Illinois State Museum, Springfield, Illinois (1972);The Chicago Style: Sculpture (Eight Artist Invitational), University of Chicago, Chicago, Illinois (1974) Afro-American Art, Sculpture Johnson Museum, Cornell University, Ithaca, New York (1975); Twentieth Century Black American Artists, San Jose Museum of Art, San Jose, California (1976);[5]

In 1970, the Schenectady Museum of Fine Arts, Schenectady, New York, presented a solo exhibition of McCullough's sculptures.[5]

Public sculpture[edit]

Several of Geraldine McCullough's public sculptures are installed in Chicago and across the state of Illinois. The artist has created most notably two large-scale bronze representations of Dr. Martin Luther King, Jr. Our King, Dr. Martin Luther King, Jr created in 1973 is located in Chicago and Martin Luther King, Jr. dedicated in 1988 is installed at the Freedom Corner in Springfield Illinois.[10]

Other public sculptures include Phoenix Rising (1977), located at Maywood Civic Plaza (near 5th Ave. and Fred Hampton Way), Maywood, Illinois; The Bronzeville Walk of Fame in Chicago; The Spirit of Du Sable (1977) at the Du Sable Museum of African American History sculpture garden in Chicago; Millflower (1979) in Geneva, Illinois, and Pathfinder, dedicated in 1982 and located in Oak Park, Illinois where McCullough lived and worked during her last 40 years (1968-2008).[10][11]

Collections[edit]

The artist's work is included in numerous private and public collections including Howard University, Washington, D.C.; Concordia College, River Forest, Illinois; The Oak Park River Forest Museum, Oakpark, Illinois; Oakland Museum, Oakland, California; Schenectady Museum, Schenectady, New York; Du Sable Museum of African American History, Chicago, Illinois, and Muriel Ziek Foundation.[5][10][12]

Awards, honors[edit]

Geraldine McCullough has received local, national and international distinctions throughout her artistic career. In 1964, she was most notably distinguished with the George D. Widener Memorial Gold Medal for sculpture during the 159th Annual Exhibition of the Pennsylvania Academy of the Fine Arts which awarded her national and international recognition. Subsequently, she was invited by Friendship Exchange to visit Moscow, Lenningrad, Alma-Ata and Baku, Soviet Union, Iran, and Prague, Czechoslovakia.[4][5] In 2000, she received the Oak Park (IL) Area Arts Council's Joseph Randall Shapiro Award in recognition of her significant contributions to the arts and was commissioned to design the Shapiro Award trophy.[13]

Other awards and distinctions include the Basic Excellence Award, Art Institute of Chicago, Chicago, Illinois (1945); Purchase Award, Atlanta University, Atlanta, Georgia (1959); First prize at the Art Exhibit of Atlanta University (1961); First Prize, Chicago Art Institute Alumni (1968); Black Academy of Arts & Letters, New York, New York, Third Annual Awards (1972); "Sculptor of the Year", The Links, Incorporated, Washington, D.C (1974); Purchase Award, Johnson Museum, Cornell University, Ithaca, New York (1975); Outstanding Achievement Award, Y.W.C.A.Chicago, Illinois (1975), and the "Hard-Hat Award" for Monumental Sculpture, Illinois Arts Council—Art Week, Civic Center Plaza, Chicago, Illinois (1979).[5]

References[edit]

  1. ^ a b "Geraldine McCullough". The HistoryMakers. Retrieved 2023-05-25.
  2. ^ a b 3 generations of African American women sculptors : a study in paradox. Leslie King-Hammond, Tritobia H. Benjamin, Carolyn Elizabeth Shuttlesworth-Davidson, Roslyn A. Walker, Afro-American Historical and Cultural Museum, Equitable Gallery, Museum of African-American Life and Culture, California Afro-American Museum. Philadelphia: Afro-American Historical and Cultural Museum. 1996. ISBN 0-9652110-0-2. OCLC 35706071.{{cite book}}: CS1 maint: others (link)
  3. ^ "Geraldine McCullough". The History Makers. March 30, 2003. Retrieved May 15, 2023.
  4. ^ a b "A Gold Medal For Talent. High school art teacher wins top prize for welded scrap metal sculpture". Ebony (June). 1964.
  5. ^ a b c d e f g h Fonvielle-Bontemps, Jacqueline (1980). Forever Free: Art by African-American Women 1862-1980. Alexandria, Virginia: Stephenson. pp. 100, 192–193.
  6. ^ a b King-Hammond, Leslie (1995). Gumbo Ya Ya: Anthology of Contemporary African-American Women Artists. New York: Midmarch Arts Press. p. 161.
  7. ^ Farrington, Lisa E. (2005). Creating their own image: the history of African-American women artists. Oxford: Oxford Univ. Press. ISBN 978-0-19-516721-4.
  8. ^ Kates, Joan Giangrasse (December 4, 2008). "Geraldine McCullough: 1917-2008: Oak Park sculpture served as mentor to area artists". Chicago Tribune. ProQuest 420748834. Retrieved May 13, 2023.
  9. ^ Institution, Smithsonian. "3 generations of African American women sculptors : a study in paradox / guest curators: Leslie King-Hammond and Tritobia Hayes Benjamin ; editor, Carolyn Shuttlesworth ; contributors, Roslyn Adele Walker ... et al". Smithsonian Institution. Retrieved 2023-04-13.
  10. ^ a b c "SIRIS - Smithsonian Institution Research Information System". siris-artinventories.si.edu. Retrieved 2023-05-28.
  11. ^ "Geraldine McCullough | Oak Park River Forest Museum". oprfmuseum.org. Retrieved 2023-05-28.
  12. ^ Inside OPRF Museum- John Farson, Roosevelt Middle School, Geraldine McCullough, retrieved 2023-05-28
  13. ^ "Geraldine McCullough, Noted Artist, Honored". Jet. 97 (17): 6. 2000 – via Gale General OneFile.
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