Henrike Naumann
Henrike Naumann | |
|---|---|
| Born | |
| Nationality | German |
| Education | Dresden Academy of Fine Arts Konrad Wolf Film University of Babelsberg |
| Known for | Installation art |
| Website | henrikenaumann |
Henrike Naumann (born 1984 in Zwickau) is a German installation artist.
Life[edit]
Naumann studied stage and costume design at the Dresden Academy of Fine Arts and scenography at the Konrad Wolf Film University of Babelsberg. She lives in Berlin.[1]
After growing up in the youth culture of her home town that she describes as heavily dominated by Neonazis, she uses her installations to address the history of right-wing terrorism and the aesthetic of commonplace homes. She calls furniture the medium of her art.[2] Through a rapidly expanding series of exhibitions, Naumann received significant media exposure in Germany.[3] In addition to her artistic work she also lectures and teaches.[4]
Works[edit]
- Triangular Stories (2012) contrasts hedonistic and Neonazi youth culture in the Nineties[5]
- Aufbau Ost (2016) considers the transformation of the GDR and the integration of East and West Germany using the aesthetics of everyday items[6]
- Das Reich (2017) displays far-right ideology and the Reichsbürger movement symbolized in a spatial installation[7]
- 2000 (2018) relates the Expo 2000 to German reunification[8]
- 14 Words (2018) displays a former East German retail store referencing the National Socialist Underground that mostly murdered retail traders inside their own shops[9]
- DDR Noir (2018) exhibits works of Naumann's own grandfather, the GDR graphical artist Karl Heinz Jakob amidst furniture of the period after reunification[10][11]
- Eurotique (2018) at the Riga International Biennial of Contemporary Art[12][13]
- Ostalgie (2019)[14]
Solo exhibitions
- Generation Loss, with Freunde Aktueller Kunst, Zwickau (2013)
- Intercouture, Musée d'Art Contemporain et Multimédia Echangeur de Limete, Kinshasa, Democratic Republic of Congo (2016)
- 2000, Museum Abteiberg, Mönchengladbach (2018)
- Das Reich, Belvedere 21, Wien
- LVZ-Kunstpreis, Museum der bildenden Künste, Leipzig (2019)
Publications
- Triangular Stories (2012)
- Henrike Naumann - The Effects Can Last Forever (2014)
- Texte zur Kunst #105 (2017)
Prizes, grants and residences
- Filmfest Dresden Public's Choice Award (2011)
- German Embassy, Port-au-Prince, Haiti (2015)
- Maroc Artist Meeting, Marrakesh, Marokko (2015)
- Residency of the Goethe Institute Kinshasa[15] (2016)
- Global cultural exchange grant of the Senate of Berlin (2017)
- Karl Schmidt-Rottluff Stipendium (2018)
- Arts prize of the Leipziger Volkszeitung (2019)[16]
- Max-Pechstein-Förderpreis (2019)
References[edit]
- ^ Henrike Naumann - About
- ^ Ideologie in Sperrholzschrankwänden Kulturschwarm Onlinemagazin May 23 2018.
- ^ Henrike Naumann - Archive
- ^ Möbel erzählen vom Rechtsradikalismus. In: Neues Deutschland. July 30 2019 (neues-deutschland.de).
- ^ Richter, Nikola (11 August 2012). "Die U-30-Party". Der Tagesspiegel (in German). Archived from the original on 27 April 2019.
- ^ Inhabiting Henrike Naumann’s Aufbau Ost AQNB Reviews April 15 2016
- ^ Ideologie in Sperrholzschrankwänden Kulturschwarm Onlinemagazin May 23 2018
- ^ "Henrike Naumann 2000 Mensch. natur. Twipsy". Archived from the original on 2019-08-02. Retrieved 2021-02-18.
- ^ Weil ich nun mal hier lebe
- ^ Henrike Naumann DDR Noir. In: Monopol Magazin. 2018 (monopol-magazin.de).
- ^ Karl Heinz Jakob in the online database "Bildatlas Kunst in der DDR"
- ^ Eurotique on facebook.com.
- ^ Reading with Pauls Bankovskis in the installation „Eurotique“ (Latvian, kurpes.lv).
- ^ Timm, Tobias (17 March 2019). "Die Ostalgie der Schrankwand" [The nostalgia of the wall unit]. Die Zeit (in German). Archived from the original on 12 October 2023. Retrieved 11 October 2023.
- ^ Goethe Institut Kinshasa: Künstlerresidenz
- ^ Schränke und Schmerzen: Henrike Naumann erhält den LVZ-Kunstpreis 2019
External links[edit]
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