List of postmodernist composers

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Lists of classical composers
by era and century
Medieval (500–1400)
Renaissance (1400–1600)
Baroque (1600–1760)
Classical (1730–1820)
Romantic (1815–1910)
Modernist (1890–1950)
Postmodernist (since 1930)
20th century (1901–1999)
21st century (since 2000)

Lists of composers by philosophical stance: Postmodernist composers

This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources.

Canada[edit]

Estonia[edit]

Finland[edit]

France[edit]

Germany[edit]

Greece[edit]

Hungary[edit]

Italy[edit]

Norway[edit]

Poland[edit]

United Kingdom[edit]

United States[edit]

See also[edit]

Sources[edit]

  1. ^ Nicole V. Gagné, Historical Dictionary of Modern and Contemporary Classical Music, Historical Dictionaries of Literature and the Arts (Lanham, MD: Scarecrow Press, 2012): pp. 199–200. ISBN 0-8108-6765-6.
  2. ^ Maria Cizmic, Transcending the Icon: Spirituality and Postmodernism in Arvo Pärt’s Tabula Rasa and Spiegel im Spiegel, Twentieth-Century Music 5, no. 1 (March 2008): 45-78
  3. ^ Alastair Williams, Between modernism and postmodernism, The Routledge Research Companion to Modernism in Music, (Routledge, 2019). ISBN 9781315613291
  4. ^ Christopher Butler, After the Wake: An Essay on the Contemporary Avant-Garde (Oxford: Clarendon Press; New York: Oxford University Press, 1980): p. 7; Nadia Mankowskaya, "L'esthétique musicale et le postmodernisme", New Sound: International Magazine for Music, no. 1 (1993): 91–100, citation on p. 91; Christian Ofenbauer, "Vom Faltenlegen: Versuch einer Lektüre von Pierre Boulez' Notation(s) I(1)", Musik-Konzepte, nos. 89–90 (1995): pp. 55–75 (passim); Nadežda Andreevna Petrusëva, "Новая форма в новейшей музыке" [The Formal Innovations of Postmodern Music], Muzyka i vremâ: Ežemesâčnyj naučnyj kritiko-publicističeskij žurnal, no. 8 (2003): 45–48, citation on p. 45.
  5. ^ a b Christopher Butler, After the Wake: An Essay on the Contemporary Avant-Garde (Oxford: Clarendon Press; New York: Oxford University Press, 1980): p. 7.
  6. ^ a b c d Beate Kutschke, "The Celebration of Beethoven’s Bicentennial in 1970: The Antiauthoritarian Movement and Its Impact on Radical Avant-garde and Postmodern Music in West Germany", The Musical Quarterly 93, nos. 3–4 (Fall–Winter 2010): 560–615, citation on p. 582.
  7. ^ a b David Beard and Kenneth Gloag, Musicology: The Key Concepts (New York: Routledge, 2005): p. 142. ISBN 978-0-415-31692-7.
  8. ^ Steven Connor, "The Decomposing Voice of Postmodern Music". New Literary History 32, no. 3: Voice and Human Experience (Summer 2001): 467–83, citation on pp. 477–78; Jonathan Kramer, "The Nature and Origins of Musical Postmodernism", in Postmodern Music/Postmodern Thought, edited by Judy Lochhead and Joseph Aunder, 13–26 (New York: Routledge, 2002): p. 14. ISBN 0-8153-3820-1.
  9. ^ Geoffrey Morris, "The Guitar Works of Aldo Clementi", Contemporary Music Review 28, no. 6 (Aldo Clementi: Mirror of time I, 2009): pp. 559–86, citation on 559.
  10. ^ Christopher Butler, After the Wake: An Essay on the Contemporary Avant-Garde (Oxford: Clarendon Press; New York: Oxford University Press,1980): p. 7.
  11. ^ Rickards, Guy (2017). "PAUS Odes & Elegies". Gramophone.
  12. ^ a b c d David Beard and Kenneth Gloag, Musicology: The Key Concepts (New York: Routledge, 2005): p. 143. ISBN 978-0-415-31692-7.
  13. ^ Jonathan Kramer, "The Nature and Origins of Musical Postmodernism", in Postmodern Music/Postmodern Thought, edited by Judy Lochhead and Joseph Aunder, pp. 13–26 (New York: Routledge, 2002): p. 13. ISBN 0-8153-3820-1.
  14. ^ Christopher Fox, "Tempestuous Times: The Recent Music of Thomas Adès", The Musical Times 145, No. 1888 (Autumn 2004): 41–56, citation on p. 53.
  15. ^ a b c Georgina Born, Rationalizing Culture: IRCAM, Boulez, and the Institutionalization of the Musical Avant-Garde (Berkeley, Los Angeles, and London: University of California Press, 1995): p. 56).
  16. ^ Nicole V. Gagné, Historical Dictionary of Modern and Contemporary Classical Music, Historical Dictionaries of Literature and the Arts (Lanham, MD: Scarecrow Press, 2012): pp. 90–91. ISBN 0-8108-6765-6.
  17. ^ Robert Carl, "Six Case Studies in New American Music: A Postmodern Portrait Gallery", College Music Symposium 30, no. 1 (Spring 1990): pp. 45–63, citation on pp. 45–48.
  18. ^ Robert Carl, "Six Case Studies in New American Music: A Postmodern Portrait Gallery", College Music Symposium 30, no. 1 (Spring 1990): pp. 45–63, citations on pp. 45, 51–54; Jonathan Kramer, "The Nature and Origins of Musical Postmodernism", in Postmodern Music/Postmodern Thought, edited by Judy Lochhead and Joseph Aunder, 13–26 (New York: Routledge, 2002): p. 13. ISBN 0-8153-3820-1.
  19. ^ Nicole V. Gagné, Historical Dictionary of Modern and Contemporary Classical Music, Historical Dictionaries of Literature and the Arts (Lanham, MD: Scarecrow Press, 2012): pp. 12, 19. ISBN 0-8108-6765-6.
  20. ^ Freeman, John W. (1997). The Metropolitan Opera Stories of the Great Operas, Volume 2, p.15. ISBN 9780393040517.
  21. ^ Robert Carl, "Six Case Studies in New American Music: A Postmodern Portrait Gallery", College Music Symposium 30, no. 1 (Spring 1990): pp. 45–63, citation on pp. 45, 59–63.
  22. ^ Nicole V. Gagné, Historical Dictionary of Modern and Contemporary Classical Music, Historical Dictionaries of Literature and the Arts (Lanham, MD: Scarecrow Press, 2012): pp. 44–45, 208. ISBN 0-8108-6765-6.
  23. ^ Georgina Born, Rationalizing Culture: IRCAM, Boulez, and the Institutionalization of the Musical Avant-Garde (Berkeley, Los Angeles, and London: University of California Press, 1995): p. 56; Jann Pasler, "Postmodernism", Grove Music Online. Oxford Music Online (accessed 11 December 2015) (subscription required).
  24. ^ Jonathan Kramer, "The Nature and Origins of Musical Postmodernism", in Postmodern Music/Postmodern Thought, edited by Judy Lochhead and Joseph Aunder, 13–26 (New York: Routledge, 2002): p. 14. ISBN 0-8153-3820-1.
  25. ^ David Beard and Kenneth Gloag, Musicology: The Key Concepts (New York: Routledge, 2005): p. 144. ISBN 978-0-415-31692-7.
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