M. A. Yewdale

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M. A. Yewdale
Born
Muriel Agnes Fraser

(1908-03-09)9 March 1908[1]
Died6 January 2000(2000-01-06) (aged 91)[1][2]
EducationThe Art Institute of Vancouver, University of British Columbia
Known forPainter
MovementModernism,
Post-Impressionism,
Expressionism

Muriel Agnes Yewdale (née Fraser) (1908–2000) was a 20th-century Canadian artist.[3]

Born in Grand Rapids, Manitoba, in 1908,[4] Yewdale grew up in northern Manitoba before attending a private school in Prince Albert, Saskatchewan. In 1929, she married Harry Yewdale. In 1930, they moved to Vancouver, British Columbia, and fifteen years later relocated to Burnaby.[4] She attended the Vancouver School of Art between 1957 and 1961. One of her teachers was Jack Shadbolt, and she remained friends with him and his wife, Doris Shadbolt.[5] She graduated from the University of British Columbia (1963–1965) with a Bachelor of Fine Arts degree. Yewdale didn't start painting until she was 48 years old.[5] She suffered tragedy in her life, as her son died in 1972, her husband in 1974, and her daughter in 1989.[6]

Yewdale's early work was sometimes abstract.[5] Her home was surrounded by forest in the 1950s and 1960s, and her paintings often featured trees and aspects of a nearby creek or bog.[5][7] The forest was eventually cut down for development, and so she painted its destruction as well.[6] Earlier works were concerned with accurate representation, while later paintings recorded events, often in series.[7] Yewdale's painting technique utilized brushstrokes similar to those of the Impressionists, with her colours unmixed on the palette. She preferred to paint en plein air, giving herself three hours to complete each large canvas.[5][7] In addition to landscapes and abstracts, she also produced still-lifes. Furthermore, besides oil paintings, her output encompassed drawings, watercolours, ink, pastels, mosaics, and sculptures.[8]

Her work was rarely shown during her active painting career, which lasted from the late 1950s to around the mid-1970s.[7] Infrequent displays included the British Columbia Artists' annual exhibitions at the Vancouver Art Gallery in 1961 and 1966. Other venues were the local University Women's Club,[7] and most notably, at the Ceperly Art Gallery in Burnaby in 1999, shortly before her death.[9] Yewdale's paintings passed to her grandson, Jase Maxwell,[5] who exhibited some of her artwork in 2006 at North Vancouver.[8]

An exhibition catalogue of her work, Hidden Forest: The Art of M. A. Yewdale was published by the Burnaby Art Gallery in 1999.[10]

References[edit]

  1. ^ a b "British Columbia Artists: Artists - Y". Sim Publishing. Retrieved 30 January 2006.
  2. ^ "Untitled". The Vancouver Sun (obituary). 8 January 2000. Retrieved 30 January 2022 – via Newspapers.com Free access icon.
  3. ^ "Yewdale, M.A." Government of Canada: Artists in Canada. Retrieved 30 January 2022.
  4. ^ a b "Artist Biography". Hidden Forest: The Art of M. A. Yewdale (exhibition catalogue). Burnaby, British Columbia: Visual Arts Burnaby. 1999.
  5. ^ a b c d e f Mackie, John (27 January 2006). "An Artist In Her Own Rite (part 1)". The Vancouver Sun. Retrieved 30 January 2022 – via Newspapers.com Free access icon.
  6. ^ a b Mackie, John (27 January 2006). "An Artist In Her Own Rite (part 2)". The Vancouver Sun. Retrieved 30 January 2022 – via Newspapers.com Free access icon.
  7. ^ a b c d e Thomson, Grace Eiko (1999). "Muriel Yewdale, Painter". Hidden Forest: The Art of M. A. Yewdale. By Dobbs, Sarah (exhibition catalogue). Burnaby, British Columbia: Visual Arts Burnaby.
  8. ^ a b Pang, Yumimi (12 March 2006). "Private passion revealed: Artist's work seen for the first time at N. Van gallery". North Shore News. ProQuest 361465795 – via ProQuest.
  9. ^ "An Artist Place: An Exhibition of Landscape Painting". The Vancouver Sun. 16 September 1999. Retrieved 30 January 2022 – via Newspapers.com Free access icon.
  10. ^ Dobbs, Sarah; Thomson, Grace Eiko. "Hidden Forest: The Art of M. A. Yewdale". City of Burnaby: Burnaby Art Gallery. Retrieved 30 January 2022.

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