The 1990s (pronounced "nineteen-nineties"; shortened to "the '90s") was a decade of the Gregorian calendar that began on 1 January 1990, and ended on 31 December 1999.
In the absence of world communism, which collapsed in the first two years of the decade, the 1990s was politically defined by a movement towards the right-wing, including increase in support for far-right parties in Europe[1] as well as the advent of the Hindu nationalist Bharatiya Janata Party[2] and cuts in social spending in the United States,[3] Canada,[4] New Zealand,[5] and the UK.[6] The United States also saw a massive revival in the use of the death penalty in the 1990s, which reversed in the early 21st century.[7] During the 1990s the character of the European Union and Euro were formed and codified in treaties.
A combination of factors, including the continued mass mobilization of capital markets through neo-liberalism, the thawing of the decades-long Cold War, the beginning of the widespread proliferation of new media such as the Internet from the middle of the decade onwards, increasing skepticism towards government, and the dissolution of the Soviet Union led to a realignment and reconsolidation of economic and political power across the world and within countries. The dot-com bubble of 1997–2000 brought wealth to some entrepreneurs before its crash between 2000 and 2001.
The 1990s saw extreme advances in technology, with the World Wide Web, the first gene therapy trial, and the first designer babies[8] all emerging in 1990 and being improved and built upon throughout the decade.
Ideas for a film about the Schindlerjuden (Schindler Jews) were proposed as early as 1963. Poldek Pfefferberg, one of the Schindlerjuden, made it his life's mission to tell Schindler's story. Spielberg became interested when executive Sidney Sheinberg sent him a book review of Schindler's Ark. Universal Pictures bought the rights to the novel, but Spielberg, unsure if he was ready to make a film about the Holocaust, tried to pass the project to several directors before deciding to direct it. (Full article...)
... that Derek Jeter discusses his biracial upbringing and experiencing racism in Michigan in the 1980s and 1990s in The Captain?
... that the singer Luci van Org followed up her mainstream success from the 1990s by starting a "Latin–disco–pop–country crossover" band?
... that Bulkboeken ('bulk books') were cheap reprints of Dutch literary classics, published from 1971 to the late 1990s, and again from 2007?
... that just four days before his death in 2004, David B. McCall received a presidential pardon from George W. Bush for fraud charges dating from the 1990s?
... that despite plans to restore the Sam H. Harris Theatre in the 1990s, it became an entrance to a wax museum?
Enrique Miguel Iglesias Preysler (Spanish pronunciation:[enˈrikemiˈɣeliˈɣlesjasˈpɾejsleɾ]; born 8 May 1975) is a Spanish singer and songwriter. He started his recording career in the mid-1990s on the Mexican label Fonovisa and became the bestselling Spanish-language act of the decade. By the turn of the millennium, he made a successful crossover into the mainstream English-language market. He signed a multi-album deal with Universal Music Group for US$68 million with Universal Music Latino to release his Spanish albums and Interscope Records to release English albums. Enrique is the third and youngest child of Spanish singer-songwriter Julio Iglesias.
In 2010, Iglesias parted with Interscope Records and signed with another Universal Music Group label, Republic Records, to release bilingual albums. In 2015, he parted ways with Universal Music Group after being there for over a decade. He signed with Sony Music and his subsequent albums were to be released by Sony Music Latin in Spanish and RCA Records in English. (Full article...)
Image 5Rwandan genocide: Genocide victims in Murambi Technical School. Estimates put the death toll of the Rwandan genocide as high as 800,000 people. (from 1990s)
Image 7The federal building that was bombed in the Oklahoma City bombing two days after the bombing, viewed from across the adjacent parking lot. (from 1990s)
Image 14Go-go boots became fashionable again in 1995. They were worn by women of the hip-hop, alternative, and dance subcultures. (from 1990s in fashion)
Image 75The catsuit became a trend in the late 1990s. Normally made of latex, PVC, or spandex, it was often worn with high-heeled boots. (from 1990s in fashion)
Image 88The compact disc reached its peak in popularity in the 1990s, and not once did another audio format surpass the CD in music sales from 1991 throughout the remainder of the decade. By 2000, the CD accounted for 92.3% of the entire market share in regard to music sales. (from 1990s)
Ghibli Experimental Theater On Your Mark (Japanese: ジブリ実験劇場 On Your Mark, Hepburn: Jiburi Jikkengekijō On Yua Māku) is an animated music video created by Studio Ghibli for the song "On Your Mark" by the Japanese rock duo Chage & Aska. The song was released in 1994 as part of the single "Heart". In 1995, Hayao Miyazaki wrote and directed the short film for the song as a side-project after having writer's block with Princess Mononoke. The anime music video is non-linear, providing multiple reiterations and alternate scenes to depict the events. The music video added sound effects to the audio track, but contains no dialogue. Miyazaki purposely misinterpreted the lyrics to present his vision of a world where the surface becomes inhospitable and humans live in an underground city. He made the video cryptic to evoke creative interpretations among viewers.
The music video follows two policemen who raid and massacre a religious cult and find an angelic being, only to have her taken away and confined to a secure laboratory. Haunted by the fate of the angel, the two men formulate a plan and break into the laboratory. Fleeing in an armored truck, the three plummet into an abyss after trying to force past a police aircraft along a narrow, suspended roadway. After a montage of the previous scenes, the armored truck suddenly rockets into an apartment complex, allowing their escape. The three escape to the surface, ignoring the radiation and danger signs, emerging near an encased nuclear reactor. The two men set the angel free and she flies off into the sky. (Full article...)
The film is set in 2029 in the fictional New Port City and follows Motoko Kusanagi, a cyborg public-security agent, who hunts an enigmatic hacker/ghost known as the Puppet Master. The narrative incorporates philosophical themes that focus on self-identity in a technologically advanced world. The music, composed by Kenji Kawai, includes vocals in classical Japanese. The film's visuals were created through a combination of traditional cel animation and CGI animation. (Full article...)
Image 4
Hum Aapke Hain Koun..! (transl. Who am I to you?) also known by the initialism HAHK, is a 1994 Indian Hindi-language musicalromantic drama film written and directed by Sooraj Barjatya and produced by Rajshri Productions. The film stars Madhuri Dixit and Salman Khan and celebrates Indian wedding traditions by means of a story of a married couple and the relationship between their families; a story about sacrificing one's love for one's family. The basic plot is based on studio's earlier film Nadiya Ke Paar (1982), which was based on Keshav Prasad Mishra's Hindi novel Kohbar Ki Shart. The film features music by Raamlaxman who also composed a 14-song soundtrack, an unusually large number of songs for that period.
Hum Aapke Hain Koun..! released on 5 August 1994, and became the highest-grossing film of the year, having grossed between ₹2 billion ($63.8 million) and ₹2.5 billion ($82 million) worldwide, It also became the highest-grossing Indian film at the time of its release. It contributed to a change in the Indian film industry, with new methods of distribution and a turn towards less violent stories. It was the first film to gross over ₹1 billion in India, and when adjusted for inflation, is the highest-grossing Indian film of the 1990s and also one of the highest-earning Bollywood films ever. Box Office India described it as "the biggest blockbuster of the modern era." (Full article...)
Ideas for a film about the Schindlerjuden (Schindler Jews) were proposed as early as 1963. Poldek Pfefferberg, one of the Schindlerjuden, made it his life's mission to tell Schindler's story. Spielberg became interested when executive Sidney Sheinberg sent him a book review of Schindler's Ark. Universal Pictures bought the rights to the novel, but Spielberg, unsure if he was ready to make a film about the Holocaust, tried to pass the project to several directors before deciding to direct it. (Full article...)
The film is loosely inspired by the work of Raymond Chandler. Joel Coen stated, "We wanted to do a Chandler kind of story – how it moves episodically, and deals with the characters trying to unravel a mystery, as well as having a hopelessly complex plot that's ultimately unimportant." The original score was composed by Carter Burwell, a longtime collaborator of the Coen brothers. (Full article...)
Disney initially envisioned Toy Story 2 as a direct-to-video sequel. The film began production in a building separated from Pixar, on a small scale, as most of the main Pixar staff were busy working on A Bug's Life (1998). When story reels proved promising, Disney upgraded the film to a theatrical release, but Pixar was unhappy with the film's quality. Lasseter and the story team redeveloped the entire plot in one weekend. Although most Pixar features take years to develop, the established release date could not be moved and the production schedule for Toy Story 2 was compressed into nine months. (Full article...)
Several studios and producers fought to secure the film rights one year before the novel was published. Producers Sydney Pollack and Mark Rosenberg acquired the rights in December 1986 and hired Pierson to write the script. After an unsuccessful pre-production development at United Artists, the project moved to Warner Bros., and Pakula was brought in to rewrite the script with Pierson before signing on as the film's director in January 1989. Principal photography commenced in July 1989 and concluded in October of that year, with a budget of $20 million. Filming took place on locations in Detroit, Windsor, Ontario, and New Jersey, and on soundstages at Kaufman Astoria Studios in New York. (Full article...)
The film was written by Jeanette Winterson, directed by Beeban Kidron and produced by Phillippa Gregory, the same creative team that collaborated on Winterson's Oranges Are Not the Only Fruit in 1990. Winterson intended the screenplay to be reminiscent of a fairy tale, and was unhappy at being asked to write a new ending for its American release. (Full article...)
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The Frighteners is a 1996 supernaturalcomedy horror film directed by Peter Jackson and co-written with Fran Walsh. The film stars Michael J. Fox, Trini Alvarado, Peter Dobson, John Astin, Dee Wallace Stone, Jeffrey Combs, R. Lee Ermey and Jake Busey. The Frighteners tells the story of Frank Bannister (Fox), an architect who develops psychic abilities allowing him to see, hear, and communicate with ghosts after his wife's murder. He initially uses his new abilities to befriend ghosts, whom he sends to haunt people so that he can charge them handsome fees for "exorcising" the ghosts. However, an entity posing as the Grim Reaper appears, able to attack the living and the dead, prompting Frank to investigate the supernatural presence.
Jackson and Walsh conceived the idea for The Frighteners during the script-writing phase of Heavenly Creatures. Executive producer Robert Zemeckis hired the duo to write the script, with the original intention of Zemeckis directing The Frighteners as a spin-off film of the television series, Tales from the Crypt. With Jackson and Walsh's first draft submitted in January 1994, Zemeckis believed the film would be better off directed by Jackson, produced by Zemeckis and funded/distributed by Universal Studios. The visual effects were created by Jackson's Weta Digital, which had only been in existence for three years. This, plus the fact that The Frighteners required more digital effects shots than almost any movie made until that time, resulted in the eighteen-month period for effects work by Weta Digital being largely stressed. (Full article...)
Bound was the first film directed by the Wachowskis, and they took inspiration from Billy Wilder to tell a noir story filled with sex and violence. Financed by Dino De Laurentiis, the film was made on a tight budget with the help of frugal crew members including cinematographer Bill Pope. The directors initially struggled to cast the lesbian characters of Violet and Corky before securing Tilly and Gershon. To choreograph the sex scenes, the directors employed sex educator Susie Bright as an ad hocintimacy coordinator, and she also made a cameo appearance in the film. (Full article...)
After numerous unsuccessful attempts to develop a Fantasia sequel, The Walt Disney Company revived the idea shortly after Michael Eisner became chief executive officer in 1984. Development paused until the commercial success of the 1991 home video release of Fantasia convinced Eisner that there was enough public interest and funds for a sequel, to which he assigned Disney as executive producer. The music for six of the film's eight segments is performed by the Chicago Symphony Orchestra conducted by James Levine. The film includes The Sorcerer's Apprentice from the 1940 original. Each new segment was produced by combining traditional animation with computer-generated imagery. Fantasia 2000 is also generally linked to the Disney Renaissance, as it commemorates to Walt Disney's third animated feature film. (Full article...)
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