Portal:Record production/FA on display/24

From Wikipedia, the free encyclopedia
Enter the Wu-Tang (36 Chambers) is the debut studio album by the American hip hop group Wu-Tang Clan, released November 9, 1993, on Loud Records and distributed through RCA Records. Recording sessions for the album took place during 1992 to 1993 at Firehouse Studio in New York City, and it was mastered at The Hit Factory. The album's title originates from the martial arts film The 36th Chamber of Shaolin (1978). The group's de facto leader RZA produced the album.

The distinctive sound of Enter the Wu-Tang (36 Chambers) created a blueprint for hardcore hip hop during the 1990s and helped return New York City hip hop to national prominence. Its sound also became greatly influential in modern hip hop production, while the group members' explicit, humorous, and free-associative lyrics have served as a template for many subsequent hip hop records. Serving as a landmark record in the era of hip hop known as the East Coast Renaissance, its influence helped lead the way for several other East Coast hip hop artists, including Nas, The Notorious B.I.G., Mobb Deep, and Jay-Z.

Despite its raw, underground sound, the album had surprising chart success, peaking at #41 on the US Billboard 200 chart, selling 30,000 copies in the 1st week. By 1995, it was certified Platinum by the Recording Industry Association of America and has sold over 2 million copies in the United States. Initially receiving positive reviews from most music critics, Enter the Wu-Tang (36 Chambers) is widely regarded as one of the most significant albums of the 1990s, as well as one of the greatest hip hop albums ever.

Background and recording[edit]

In the late 1980s, cousins Robert Diggs, Gary Grice, and Russell Jones formed a group named Force of the Imperial Master, also known as the All in Together Now Crew. Each member recorded under an alias: Grice as The Genius, Diggs as Prince Rakeem or The Scientist, and Jones as The Specialist. The group never signed to a major label, but caught the attention of the New York rap scene and was recognized by rapper Biz Markie. By 1991, The Genius and Prince Rakeem were signed to separate record labels. The Genius released Words from the Genius (1991) on Cold Chillin' Records and Prince Rakeem released Ooh I Love You Rakeem (1991) on Tommy Boy Records. Both were soon dropped by their labels. Embittered but unbowed, they took on new monikers (The Genius became GZA while Prince Rakeem became RZA) and refocused their efforts. RZA discussed the matter in their release The Wu-Tang Manual (2005), stating "[Tommy Boy] made the decision to sign House of Pain over us. When they dropped me, I was thinking, 'Damn, they chose a bunch of whiteboy shit over me.'" (more...)