Ranajit Malla

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Ranajit Malla
King of Bhaktapur
Ranajit Malla on his serpent throne, c.1722
King of Bhaktapur
Reign1722—1769
CoronationMay of 1722
PredecessorBhupatindra Malla
SuccessorPosition abolished
King of Lalitpur (Patan)
Reign1761—1763
PredecessorJaya Prakash Malla
SuccessorDal Mardan Shah
Born26 January 1703
Bhaktapur, Nepal
DiedMay 1771 (aged 68)
Manikarnika Ghat, Varanasi
Present day India
Spouse
​
(m. 1712)​
(queen consort)
  • Jaya Lakshmi (concubine)
  • Riddhi Lakshmi
Issue
  • Bira Narasimha Malla (Devendra Malla) (by Briddhi Lakshmi)
  • Ajjita Singha Malla (by Jaya Lakshmi)
  • Achyuta Singha Malla
  • Abadhutish Malla
  • Manothara Singha Malla
  • Lakshmi Narasingha Malla
  • Jaya Nārayana Malla
Regnal name
Sri Sri Jaya Ranajit Malla Deva
DynastyMalla
FatherBhupatindra Malla
MotherVishva Lakshmi

Ranajita Malla (Nepal Bhasa: 𑐬𑐞𑐖𑐷𑐟 𑐩𑐮𑑂𑐮‎) was the last king of the Malla dynasty who ruled Bhaktapur from 1722 to 1769. After his defeat by the Gorkhali forces of Prithivi Narayan Shah in 1769, he left for Varanasi. He is widely known for his contributions to Nepal Bhasa literature, in particular his plays are generally praised by modern scholars.[1] He has been generally described as a peace loving, simple and religiously devoted monarch who allowed his citizens to advice and criticize him.[1][2] However, his reign was characterized by constant disputes with Kantipur and Gorkha. He is also known for the crisis of succession during his reign when he favored his concubine's issue over his queen consort's, who more generally liked which caused a lot of mutiny in the kingdom especially in cities in like Thimi and Banepa.[3]

Ranajit Malla was described very positively by Capuchin missionaries, particularly due to his friendly attitude towards them and he allowed them to preach Christianity without persecution.[4] During the later parts of his reign, he ruled Lalitpur briefly, after being invited by the city's nobles. He was also, during his later years, generally respected by people in the valley due to him being of old age and the only direct descendant of Yaksha Malla.[5] After he was defeated in the Battle of Bhaktapur, he was per his choice sent into exile in Varanasi, and on its way composed a Newar language song from the hills of Chandragiri, which still remains one of the most popular Classical Newar songs.[6]

Early life[edit]

Ranajit Malla was born on 26 January 1703.[7]

Physical contributions[edit]

Ranajit Malla like many other Malla Kings of Bhaktapur contributed in beautifying Bhaktapur by building many heritages. As Ranajit Malla reign was in a politically unstable period, his contributions are few compared to his forefathers.[8]

Lūn Dhwākhā[edit]

Known among tourists as the Golden gate, Lūn Dhwākhā (Nepal bhasa: 𑐮𑐸𑑃 𑐢𑑂𑐰𑐵𑐏𑐵‎) is the entrance to the Mulā Chwōkā containing the shrine of Taleju.[9] As per the gilt copper inscription on the gate, it was installed on the year 874 of the Nepalese era(=1753AD) by King Ranajit Malla and his Queen Jay(Buddhi) Lakshmi Malla.[8][9] Although it is said that a golden gate on the entrance to the shrine of Taleju was originally planned to be built four generations before Ranajit by King Naresha Malla but none of the kings before him could build it due to the lack of gold.[10] Ranajit however used the profits that he gained from trading with the Tibetans on building the golden gate.[10]

The bell of Taleju[edit]

Right in the front of the Golden gate on a tall platform is a giant bell that is played while doing the Puja of Taleju.[11] This kind of bell is present on the Durbar Square of both Patan and Kathmandu. Locally known as Tagoun Gān(𑐟𑐐𑑂𑐰𑑃𑑅 𑐐𑐵𑑄‎ lit. 'Big bell' ), its sound was once said to be heard anywhere in the town. This bell was installed by Ranajit Malla on 6 January 1737AD.[11]

Sāfukuthi[edit]

Sāfukuthi (Nepal Bhasa: 𑐳𑐦𑐸𑐎𑐸𑐠𑐶‎ lit. 'Library') also sometimes referred as Sākothā was said to be a big library presently located at Sākothā tole in Bhaktapur.[12][13][14] Ranajit Malla is said to have loved collecting old and antique things which were kept in the Sāfukuthi along with various books relating to religion, science and medicine.[13] Most of the books and manuscript present in the library were destroyed by fire during the Battle of Bhaktapur[13][14] and the building itself was completely destroyed during the earthquake of 1833 and 2015.[13]

Literary contribution[edit]

Among all the kings of Bhaktapur, Ranajit Malla is considered a pioneer in Nepal bhasa literature. Most of the songs in old songbooks of Bhaktapur bear his signature.[15][16] He himself was a prolific singer himself and was said to have spent more time reciting poems and songs than the politics of the kingdom.[16][17] Besides songs, he also wrote various plays like Indrābijaya, Ushāharan, Krishnacharitra. He also authored many books like Rukmaniharan, Pshatdarshana etc.[8] Most of his works were written in the Newari script in a Newari-cum-Sanskrit language.[15]

Mohar silver coin of king Ranajit Malla, struck in Nepal Sambat 842 (=AD 1722). Reverse
Mohar silver coin of king Ranajit Malla, struck in Nepal Sambat 842 (=AD 1722). Reverse
Mohar silver coin of King Ranajit Malla, struck in Nepal Sambat 842 (=AD 1722). Obverse
Mohar silver coin of King Ranajit Malla, struck in Nepal Sambat 842 (=AD 1722). Obverse

Many of Ranajit Malla's creations are devotional Dāphā and Rāga songs. His works still quite popular among the singers of Bhaktapur.[17] One of his most popular work is a Newari song he wrote for the annual Biska Jatra titled 'Thō thēn jāgū rasan'.[18] This song written in the seasonal Pahan Charhe tune is still sung as a seasonal song during Biska Jatra in Bhaktapur.[18] Hé Síva Bhairava is another song sung before the chariot procession of Biska Jatra and is also written by Ranajit Malla in the Bhairava Rāga.[16][17][19]

As Ranajit Malla aged, his interest in singing started to increase. By the time of the Battle of Bhaktapur, the old Ranajit had almost given up on politics and spent most of his time on singing devotional songs.[17] As he was singing hymns and ragas while waiting for Yama to take him, Bhaktapur was mostly in the hands of his sons who were supportive of the Gorkha King.[17] The invading king took advantage of Ranajit's political weakness and bribed his illegitimate sons who secretly helped the invaders during the Battle and even opened the city gates of Bhaktapur during the Battle to allow the invaders in the city.[17]

After being defeated in the Battle of Bhaktapur by the Gorkhalis, Ranajit Malla was sent to Kashi under his own choice by the Gorkhali King.[8] Deeply saddened by having to leave his kingdom, he composed a Rāga song, expressing his sorrows in the hills of Chandragiri where he looked at his kingdom for the last time before leaving for Kashi.[20] He is said to have recited this song while crying uncontrollably.[20][21] The first lines of the song appear below.[21]

Ranajit Malla has 30 dramas credited to his name and was a prolific writer like his father Bhupatindramalla. So far, only one of these dramas has been published and was written in the Maithili language. This was titled the Mādhavānala-Kāmakandalā-nātaka.[22]

Relations with other kingdoms[edit]

Ranajit Malla's reign was the most politically messy period in Bhaktapur. The internal conflict among his sons and his queens weakened Bhaktapur form the inside.[10] On top of that Bhaktapur was frequently attacked by both Kantipur and Yela.[10] In order to get military strengthen Bhaktapur Ranajit hoped an alliance with the Kingdom of Gorkha by allowing the Gorkha Prince Prithvi Narayan Shah, who had been rejected by Jaya Prakash Malla of Kantipur, to study in Bhaktapur and also established a Miteri^ relation between his eldest son Birnarasimha Malla and the Gorkha Prince.[10][8] Prithivi Narayan Shah, seeing the prosperity of the Malla kingdoms developed an ambition to conquer the kingdoms and become the king of these prosperous kingdoms.[23]

Battle of Bhaktapur[edit]

Main article: Battle of Bhaktapur

When both Kantipur and Yela fell to the Gorkha kingdom, the kings of both these kingdoms came to Bhaktapur seeking refuge.

Gallery[edit]

  • King Ranajit Malla of Bhaktapur sitting on his throne as depicted in a Vishnu Paubha, dated August 1722 CE
    King Ranajit Malla of Bhaktapur sitting on his throne as depicted in a Vishnu Paubha, dated August 1722 CE
  • The Golden gate as the entrance to the former palace of Bhaktapur
    The Golden gate as the entrance to the former palace of Bhaktapur
  • Stone images of Ranajit Mala (right) and his father Bhupatindra Malla (left) as the guardians of the entrance to the Bhairava Chwōkā, Bhaktapur Durbar Square
    Stone images of Ranajit Mala (right) and his father Bhupatindra Malla (left) as the guardians of the entrance to the Bhairava Chwōkā, Bhaktapur Durbar Square
  • The Taleju bell of Bhaktapur
    The Taleju bell of Bhaktapur
  • Bronze image of a young Ranajit Malla at the National museum of Nepal
  • Miniature of Ranajita Malla
    Miniature of Ranajita Malla

See also[edit]

References[edit]

Citations[edit]

  1. ^ a b Bajracarya, Santaharsha (1988). Juju Ranajit Mallaya Shada Darshana (in Newari). Sahitya Vayaba.
  2. ^ Dhaubhadel, Om Prasad (September 2020). "Ranajita Malla ra satbahale rajkumara haru" (PDF). Bhaktapur (in Nepali). Vol. 286. Bhaktapur Municipality. pp. 33–38.
  3. ^ Regmi 1966, p. 343.
  4. ^ Alsop, Ian (11 March 2021). "Christians at the Malla Court: The Capuchin 'piccolo libro'". Asian Art.
  5. ^ Regmi 1966, p. 235.
  6. ^ Widdess, Richard (2016-12-05). Dāphā: Sacred Singing in a South Asian City: Music, Performance and Meaning in Bhaktapur, Nepal. Routledge. ISBN 978-1-351-94627-8.
  7. ^ Raj, Yogesh (2018). Ranahār (in Nepali). Nepal: Nepa~Laya. pp. 147–151. ISBN 9789937921244.
  8. ^ a b c d e Upadhaya, Prof Shreeram Prasasd (2009). Nepal ko Prachin tatha Madhyakalin Itihas (in Nepali). Nepal: Ratna Pustak Bhandar. pp. 202–206. ISBN 978-9993304555.
  9. ^ a b "The Golden gate; one epic contribution of King Ranjit Malla". Retrieved 2021-12-23.
  10. ^ a b c d e Bijukchenn, Yogendraman (2019). Khwopa ko Pahichan-Sthaniya Padhyakram (in Nepali). Nepal: Bhaktapur Municipality. pp. 39 and 171.
  11. ^ a b "Taleju bell; the greatest bell of Bhaktapur Durbar Square". Retrieved 2021-12-23.
  12. ^ "Short overview of libraries in Nepal" (PDF). nla.org.np. Retrieved 2021-12-23.
  13. ^ a b c d Bijukchenn, Yogendraman (2021). Khwopa ko Pahichan Bagh Dui (in Nepali). Nepal: Bhaktapur Municipality. p. 29.
  14. ^ a b "Eight Library Day Celebration" (PDF). Nepal National Library.
  15. ^ a b Widdess, Richard (2016-11-29), Butler Schofield, Katherine; Orsini, Francesca (eds.), "8. Text, Orality, and Performance in Newar Devotional Music", Tellings and Texts : Music, Literature and Performance in North India, OBP collection, Cambridge: Open Book Publishers, pp. 231–245, ISBN 978-2-8218-7616-3, retrieved 2021-12-21
  16. ^ a b c Wolf, Richard; Blum, Stephen; Hasty, Christopher (2019). Thought and Play in Musical Rhythm. Oxford University Press. ISBN 978-0-19-084148-5.
  17. ^ a b c d e f Markham, Elizabeth (2017-06-13). "Richard Widdess, Dāphā: Sacred Singing in a South Asian City: Music, Meaning and Performance in Bhaktapur, Nepal (Farnham and Burlington, VT: Ashgate, 2013). xxviii + 336 pp. $149.95/£75. ISBN 978-1-4094-6601-7 (hb)". Music Analysis. 36 (2): 296–309. doi:10.1111/musa.12096.
  18. ^ a b Bijukchenn, Yogendraman (2020). Khwopa ko Pahichan Bagh Dui (in Nepali). Nepal: Bhaktapur Municipality. p. 278.
  19. ^ Dattātraya Dāphā Bhajan || He Śiva Bhairava || Ranajit Malla's Composition, retrieved 2021-12-26
  20. ^ a b "Anguished cry of a defeated ruler: a raga song composed by Ranajit Malla. - Free Online Library". www.thefreelibrary.com. Retrieved 2021-12-26.
  21. ^ a b Dhungel, Ramesh (January 2007). "A Rāga song composed by Ranajit Malla" (PDF). Contribution to Nepalese Studies. 34: 95–102.
  22. ^ Yadav, Ramawatar (2011). "Medieval Maithili stagecraft in the Nepalamandala: the Bhaktapur school". Contributions to Nepalese Studies.
  23. ^ "Götz Hagmüller and Suresh Shrestha: The Eight Cornered Gift: Why was the Mandap not destroyed this time?". www.asianart.com. Retrieved 2021-12-23.

Bibliography[edit]

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