Svetislav Stefanovic

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Svetislav Stefanović (Serbian Cyrillic: Светислав Стефановић; Novi Sad, Austria-Hungary, 1 November 1877 – Belgrade, Serbia, Kingdom of Yugoslavia, 18 November 1944)[1] was a physician, poet, literary critic, translator, essayist, and playwright. Stefanović is best remembered in '"the treatment of tuberculosis and comparative literature, with his dissertation on William Shakespeare's Hamlet.[2]

Biography[edit]

Svetislav Stefanović was born to a prominent Serbian family on 1 November 1877 in Novi Sad. He completed his elementary schooling in Futog and Gymnasium in Novi Sad,[3] where he also studied philosophy for two semesters, 1897 and 1898. Stefanović then went to Vienna and Prague where he graduated in 1902 as a medical doctor. In Serbia, he practiced medicine in Jagodina, Obrenovac, and Belgrade before volunteering in the medical corps and participating in the Balkan Wars and the Great War. After the Great Retreat, he worked with Ludwik Hirszfeld in Salonika. After the war Stefanović played an important role in reconstructing the health care system in Serbia.[2]

He was a physician by profession, and the founder of the Department of Pathology. He was a writer and a poet, critic, translator, essayist, and playwright. A modernist and avant-gardist,[4][5] Stefanović's essays and critiques, defended Petković Dis's poetry, and in the interwar period, he defended modernist poetry. He was a friend of most of the contemporary poets of his time, Laza Kostić, Vladislav Petković Dis, Todor Manojlović, Jovan Dučić, Miloš Crnjanski, Milan Rakić, Stanislav Vinaver.[6]

Stefanović was on the list of death row inmates under number 66 in the "Statement of the Military Court of the First Corps of the NOVJ on convicted war criminals in Belgrade", published on the first and second pages of "Politika" on 27 November 1944. The ordinal number of the name in the announcement reads the ideologue of fascism, the translator of Mussolini's "State",[7] the German-Nedić commissioner of the Serbian Literary Cooperative, Jonić's advisor on the issues of prosecuting the writers' cooperative. A member of the German Commission for slandering the Soviet authorities in connection with the German crimes in Vinnytsia."

Svetislav Stefanović was shot before a firing squad on charges of being an enemy of the people and a war criminal in November 1944[8] by Tito's Partizans who usurped the reins of the Royal Yugoslav government then in exile in London.[1] The procedure for political rehabilitation was initiated in 2008 on the basis of a request sent by Tamara Grujić to the District Court in Belgrade. Stefanovć's writings is now beginning to be recognized for its sociological and philosophical vlaue.[9]

Svetislav Stefanović was married to Milana Bota. His son is writer Pavle Stefanović (1902–1985)[10]

Poetry[edit]

  • The Song of the Dead
  • The Great Joy
  • The Impotence of Death
  • Destruction
  • The Triumph of Venus
  • Darkness
  • The Dream of Duke Mandušić
  • Spring[11]
  • Studije o narodnoj poeziji(Studies in National Poetry)[12]

Literary critics "from Skerlić's circle" denied him poetic talent.[13] Gojko Tešić writes that his "critical engagement in defending the concept of modern Serbian poetry" is much more important than Stefanović's poetry. He defended Vladislav Petković Dis poetry in the program article "Honor and Freedom to Creators!" essays in "Bosanska vila" (1912–1913), "Više slobode stiha", "Stih ili pesma?" are significant, and in the interwar period he defended modernist poetry, especially in the essay "Alarm of Criticism and the Youngest Modern" ("Thought", 1921) and in a controversy with Marko Car ("Thought and Politics").

Stefanović was known as a critic of his contemporaries. He thought that too much energy was spent on the war with the old art, instead of releasing the new one. He criticized the artificial construction and lack of intuition and spontaneity in avant-garde poetry. He believed in rebellion, a renewal mission, but also in the return of barbarism and primitivism to literature, believing that they represented a refreshment for the arts. However, in the 1930s, Svetislav Stefanović abandoned the conception he advocated, renounced modernism, became conservative, and switched to the literary right.

Translations[edit]

Stefanović also translated literary works from German, Italian, French, Hungarian, Hebrew and English.[2] He translated several Walt Whitman poems.[14] and Edgar Allan Poe[15] Also, Stefanović translated William Shakespeare's Othello,[16] Hamlet,[17] and Twelfth Night[18] works by Dante Gabriel Rossetti,[19] W. B. Yeats, Oscar Wilde,[20] and others.

Literature[edit]

  • Gojko Tešić: "Anthology of Serbian Avant-garde Poetry 1902–1934", Svetovi, Novi Sad, 1994.
  • Gojko Tešić: "Serbian avant-garde in a polemical context", Novi Sad, Svetovi, 1991.
  • Stanislav Vinaver: Sun and shadows. Songs of Mr. Svetislava Stefanovića , Štampa, XI / 180, 2. VII 1912.
  • Milivoj Nenin: "Svetislav Stefanović – forerunner

References[edit]

  1. ^ a b "Stefanović Svetislav". Otvorenaknjiga.komisija1944.mpravde.gov.rs. Retrieved 7 July 2022.
  2. ^ a b c Marius Turda, ed. (2015). The History of East-Central European Eugenics, 1900-1945. Bloomsbury Publishing. p. 506. ISBN 9781472531360.
  3. ^ Spomenica o stogodišnjici Srp. Prav. Vel. Gimnazije u Novom Sadu. Parna štamparija Đorđa ivkovića. 1910. p. 119.
  4. ^ Maria Falina (2018). A History of Modern Political Thought in East Central Europe. Oxford University Press. p. 251. ISBN 978-0-19-873715-5.
  5. ^ Johan Strang; Marja Jalava; Stefan Nygård, eds. (2018). Decentering European Intellectual Space. Verlag Ferdinand Schöningh. p. 155. ISBN 9789004364530.
  6. ^ "Archived copy". Archived from the original on 2019-01-07. Retrieved 2021-11-09.{{cite web}}: CS1 maint: archived copy as title (link)
  7. ^ Tibor Várady (2021). People in Spite of History. Central European University Press. p. 102. ISBN 9789633864081.
  8. ^ Boško Novaković (1971). Živan Milisavac (ed.). Jugoslovenski književni leksikon [Yugoslav Literary Lexicon] (in Serbo-Croatian). Novi Sad (SAP Vojvodina, SR Serbia): Matica srpska. p. 509.
  9. ^ Milosavljević, Olivera (July 7, 2010). "Stare vrednosti za novo vreme (Svetislav Stefanović, nekad i sad)". Sociologija. 52 (4): 399–420 – via Ceeol.com.
  10. ^ Mileva Maric (2003). In Albert's Shadow. Johns Hopkins University Press. p. 53. ISBN 9780801878565.
  11. ^ "Svetislav Stefanović - Wikisource, the free online library". En.wikisource.org.
  12. ^ Alan Dundes (1996). The Walled-Up Wife: A Casebook. University of Wisconsin Press. p. 144. ISBN 9780299150730.
  13. ^ ""Serbian people", August 30, 1943" (JPG). Ubsm.bg.ac.rs. Retrieved 7 July 2022.
  14. ^ Acta Neophilologica : Volumes 9–13. Filozofska fakulteta Univerze v Ljubljani. 1976. pp. 42, 43, 58.
  15. ^ Rabbi Eric Carlson (1996). A Companion to Poe Studies. Greenwood Press. p. 526. ISBN 9780313265068.
  16. ^ Československá akademie věd (1908). Věstník - Československá akademie věd. Vol. 17. ČSAV. p. 465.
  17. ^ Svetislav Stefanović (March 1923). "Otelo. Hamlet. Dela Viljema Šekspira". The Slavonic Review. 1 (3): 693–695. JSTOR 4201678.
  18. ^ The Year's Work in English Studies. Vol. 3. English Association. 1923. pp. 79, 219.
  19. ^ The Routledge History of East Central Europe Since 1700. Taylor & Francis. 2017. p. 273. ISBN 9781351863438.
  20. ^ Alison Bashford; Philippa Levine, eds. (2010). The Oxford Handbook of the History of Eugenics. Oxford University Press, USA. p. 402. ISBN 9780195373141.
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