Talk:Fatimah Tuggar

Further reading

I've removed this looong list from the article page to here, the Talk page. Some sources aoppear to be works by Tuggar, others may be works about Tuggar, or something else - it's unclear and of no use unless we know the purpose of the list. If any of the secondary sources say something significant about Tuggar, I strongly suggest they are added as inline citations. Sionk (talk) 11:53, 5 May 2013 (UTC)

1. Abel, Elizabeth, Barbara Christian, and Helene Moglen, eds. 1997. Female Subjects in Black and White: Race, Psychoanalysis, Feminism. Berkeley: University of California Press.
2. Bennett, Lennie. 2002. The Ironic Eye. St. Petersburg Times, November 10, 10F.
3. Bobo, Jacqueline. 1995. Black Women as Cultural Readers. New York: Columbia University Press.
4. Braidotti, Rosi. 2002. Metamorphoses: Towards a Materialist Theory of Becoming. Malden, Mass.: Blackwell.
5. Castells, Manuel. 2000. Materials for an Exploratory Theory of the Network Society. British Journal of Sociology 51(1):5–24.
6. Conveyance. 2001. Directed by Fatimah Tuggar. New York: BintaZarah Studios.
7. Everett, Anna. 2002. The Revolution Will Be Digitized: Afrocentricity and the Digital Public Sphere, In Afrofuturism, ed. Alondra Nelson, special issue of Social Text 20(2):125–46.
8. Fusion Cuisine. 2000. Directed by Fatimah Tuggar. New York: Kitchen; BintaZarah Studios.
9. Gaines, Jane. 1988. White Privilege and Looking Relations: Race and Gender in Feminist Film Theory. Screen 29(4):12–27.
10. Gever, Martha. 1990. The Feminism Factor: Video and Its Relation to Feminism. In Illuminating Video: An Essential Guide to Video Art, ed. Doug Hall and Sally Jo Fifer, 226–41. San Francisco: Apeture.
11. Janus, Elizabeth. 2001. Fatimah Tuggar: Art and Public. Artforum 39(5):147.
12. Juhasz, Alexandra. 1995. AIDS TV: Identity, Community, and Alternative Video. Durham, N.C.: Duke University Press.
13. Kaplan, Amy. 1998. Manifest Domesticity. American Literature 70(3):581–606. Kasfir, Sidney Littlefield. 1999. Contemporary African Art. London: Thames & Hudson.
14. Kincaid, Jamaica. 1988. A Small Place. New York: Farrar, Straus & Giroux. Kino, Carol. 2001.
15. Fatimah Tuggar at Greene Naftali. Art in America 89(9):155–56.
16. Kolko, Beth E., Lisa Nakamura, and Gilbert B. Rodman, eds. 2000. Race in Cyberspace. New York: Routledge.
17. Kondo, Dorinne. 1997. Fabricating Masculinity: Gender, Race, and Nation in the Transnational Circuit. In her About Face: Performing Race in Fashion and Theater, 157–86. New York: Routledge.
18. The Lady and the Maid. 2000. Directed by Fatimah Tuggar. New York: BintaZarah Studios.
19. Meditation on Vacation. 2002. Directed by Fatimah Tuggar. New York: Museum of Moden Art.
20. Milani, Joanne. 2002. Continental Divide. Tampa Tribune, December 1, 12.
21. Mitchell, W. J. T. (1992) 2001. The Reconfigured Eye: Visual Truth in the Postphotographic Era. Cambridge, Mass.: MIT Press.
22. Morrison, Toni. 1993. Playing in the Dark: Whiteness and the Literary Imagination. New York: Vintage.
23. Muhammad, Erika. 1999. Black High-Tech Documents. In Struggles for Representation: African American Documentary Film and Video, ed. Phyllis R. Klotman and Janet K. Cutler, 298–314. Bloomington: Indiana University Press.
24. Nelson, Alondra. 2002. Introduction: Future Texts. In Afrofuturism, ed. Alondra Nelson, special issue of Social Text 20(2):1–15.
25. Robo Makes Dinner. 2000. Directed by Fatimah Tuggar. New York: Binta Zarah Studios.
26. Scenes from the Micro-War. 1985. Directed by Sherry Milner. Chicago: Video Data Bank.
27. Semiotics of the Kitchen. 1975. Directed by Martha Rosler. Video short. New York:Electronic Arts Intermix.
28. Shapin, Steven, and Simon Schaffer. 1985. Leviathan and the Air-Pump: Hobbes, Boyle, and the Experimental Life. Princeton, N.J.: Princeton University Press.
29. Sobchack, Vivian. 2000a. At the Still Point of the TurningWorld: Meta-morphing and Meta-stasis. In Meta-morphing: Visual Transformation and the Culture of Quick-Change, ed. Vivian Sobchack, 131–58. Minneapolis: University of Minnesota Press.
30. Spigel, Lynn. 1992. Make Room for TV: Television and the Family Ideal in Postwar America. Chicago: University of Chicago Press.
31. Suburbia. 1998. Directed by Fatimah Tuggar. New York: BintaZarah Studios.Tranberg, Dan. 2001.
32. Works on Feminist Theme Reflect Individual Visions.Cleveland Plain Dealer, Art and Life sec., E1.
33. Tuggar, Fatimah. Fusion Cuisine. Unpublished artists’s statement, the Kitchen, New York. 2000.

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