Talk:Jindřich Feld

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Cribbed Material?[edit]

Given the odd punctuation and, particularly, that Feld is deceased, this passage sounds suspiciously like something copied verbatim, or possibly directly translated, from another source:

"Feld has now forged aesthetic guidelines during more than half a century of activity and admits having initially felt close to Martinů, but even more to the French school of Debussy to Messiaen, including Honegger of course: Above all however, he felt akin with the more French side of Stravinsky and Prokofiev as well as the ethnic side of Bartók.

The music of Feld always combines a humanistic sentiment with pleasure and a great beauty."

Lacking any citation, I can't check, but if it's a copyright violation, it should be removed. At the very least, it should be rewritten to reflect that he is no longer living. Drhoehl (talk) 21:35, 30 July 2008 (UTC)[reply]

This section was added largely by the same editor, User:Denis63, who added news of Feld's death before it was available in any public source I am aware of. He explained this in an e-mail exchange and the news did appear on several websites soon after, but I did have to try to explain that we are not a news source. Without apparently much success. Erm. Anyway, I can well believe he wrote it actually, possibly as a eulogy while his friend was still alive. Anycase, happy to try my limited skills at improving the article in the near future; have been mulling over some specific techniques by which to do so. Schissel | Sound the Note! 15:24, 8 January 2009 (UTC)[reply]

Johns cataloguing[edit]

Interesting - usually, when there are two cataloguing systems for composers that begin with the same initial, they are distinguished form each other in some way (Kk for Kirkpatrick as against K for Köchel...) Here we have clarinet quintets by Weber (J. 182, for Jahn) and by Feld (J. 194, for Johns)... odd and difficult to justify. It reminds me of a more obscure conflict, between the cataloguing used for Franz Krommer (much better than the conflicting opus numbers where one opus number refers to several works in his case...) and one of those now often used for Michael Haydn's symphonies (P.), I believe (Padrta vs Perger.) Though in that case apparently Padrta's system is on a Hoboken-style framework (P I:2 for Krommer's second symphony), and Perger with Michael Haydn is just P. 2.) Schissel | Sound the Note! 21:42, 8 January 2009 (UTC) Self-correction: Padrta's cataloguing often shows up as "PadK" or similar perhaps for similar reasons. There may be conflicts like Johns/Jahn, probably are (Kk for Kirkpatrick/K for Köchel avoids this- when remembered...) but this wasn't one of them (again- when remembered.) Schissel | Sound the Note! 16:53, 19 April 2009 (UTC)[reply]

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