Talk:Tessitura

Comment

guys, it seems this article seems completely wrong to me. I just don't want to edit it, because I'm not sure wether the term tessitura is used differently in English and German (I'm German, student of musicology). Tessitura refers to the sound quality of pitches in the different ranges of an instrument. For example, tenor and alto sax can play the same pitch, but for the tenor sax this tone would be very high, for the alto it would be low. Though they are playing the same tone and the construction of the instruments is the same, they sound different - one can speak of tension or sharpness here.

Im just whelsh (I thought that was appropriate)

Comment

Tessitura has a number of definitions. When dealing with the tessitura of a piece, it is the range that the majority of the song is written. Generally, this should correlate with the tessitura of the instrument performing it, whether it be voice, saxophone, or whatever. The tessitura of any instrument is the range where it sounds best, as you were saying. For example, I sing counter-tenor, and my tessitura is G3 to C5. I can hit up to F5, and down to D3, but they don't sound as good as the notes in the middle of my range. It's the same for instruments. Sure, you can throw some of the low bass into falsetto by adjusting your embouchure, but it doesn't sound nearly as good as the highest quality notes.

130.108.202.182 (talk) 21:07, 21 March 2009 (UTC)Jay.

Comment

"the music written for the role of Siegfried ranges from C♯3 to C5, but the tessitura is described as high because the tenor phrases are most often in the range of C4 to A5.[1]"

This sounds a bit confusing...isn't an A5 higher than C5? I feel like whoever wrote it meant to say "the range of C4 to A4", as the convention in terms of the number after the letter changes on the C, not the A. A5 is in the the upper soprano range. —Preceding unsigned comment added by 169.233.51.154 (talk) 07:43, 21 May 2010 (UTC)