Telegraph Column (Damascus)
| Telegraph Column | |
|---|---|
 View of the monument circa 1965. | |
| Artist | Raimondo D'Aronco |
| Year | early 1900s |
| Type | Monument |
| Medium | cast-iron |
| Subject | the finishing of the telegraph line between the Syrian capital and the holy sites in the Hijaz |
| Location | Damascus, Syria |
| 33°30′46″N 36°17′53″E / 33.51265°N 36.29817°E | |
The Telegraph Column, located in Damascus, Syria, is a commemorative monument celebrating the completion of the telegraph line between that city and Hajj sites, in the former Ottoman Empire. It was designed by Raimondo D'Aronco.
History[edit]
Monuments such as this and the Jezreel Valley Railway monument in Haifa were designed to commemorate the "charitable works" of Abdul Hamid II for his people; the railway would be used to carry pilgrims to the Hajj and the telegraph would allow rapid communication between the two locations. [1]
Description[edit]
The monument consists of a cast-iron column on stone base [2] adorned with representations of telegraph lines and insulators running along the pole. The notable feature of the monument is the mosque on top of the column, "in the place on the upper part of the capital traditionally reserved for emperors, kings, saints, war heroes […], and explorers […] and other great men, a clear statement that a Western model was not always acceptable without fundamental change". The mosque at the top of the column is a scale replica of the Yıldız Hamidiye Mosque at the entrance of the Yıldız Palace in Istanbul. Inscriptions on the base in Arabic and Ottoman Turkish explain how it is now the Sultan-caliph that makes decisions on such matters as telegraphs, railroads and highways, instead of Europeans. [3]
The current monument is designed in an Art-Nouveau styling and breaks from an earlier design that would have used an obelisk on a pedestal with four fountains. Opened in the early 1900s, it "is an elegant, bulbous column festooned with faux telegraph wires". The use of architecture atop the column instead of a figurative statue serves as a unique indication of Ottoman power. [4]
The monument is a focal point of Marjeh Square in Damascus. It served as a symbol of the municipal administration until circa 2010 [5]
References[edit]
- ^ Karateke, Hakan T. (2001). "Interpreting Monuments: Charitable Buildings, Monuments, and the Construction of Collective Memory in the Ottoman Empire". Wiener Zeitschrift für die Kunde des Morgenlandes. 91 (183–199): 183–199. JSTOR 23863325. Retrieved November 12, 2020.
- ^ "Marjeh Square". memim.com. Retrieved November 14, 2020.
- ^ KREISER, Klaus (1997). "PUBLIC MONUMENTS IN TURKEY AND EGYPT, 1840-1916". Muqarnas: An Annual on the Visual Culture of the Islamic World, Volume 14. Leiden: Brill. ISBN 9004108726.
- ^ Christensen, Peter H. (2017). Germany and the Ottoman Railways: Art, Empire, and Infrastructure. Yale University Press. ISBN 978-0300228472.
- ^ Weber, Stefan (2020). "Monument commemorating the installation of the Hijaz-Damascus telegraph connection, Beirut". Museum With No Frontiers. Retrieved November 14, 2020.