Uranchimeg (Orna) Tsultem

Add links
From Wikipedia, the free encyclopedia
Uranchimeg (Orna) Tsultem
OccupationArt Historian
Academic background
Alma materBerkeley University of California
Academic work
DisciplineArt History, Buddhist Art, Mongolian Art, Contemporary Art

Uranchimeg (Orna) Tsultem is a scholar of the art and culture of Mongolia. She has served as a curator of Mongolian art at the international level since 1997. Her curated exhibits have been shown at Kasumi Tsukuba Center in Tsukuba, Japan, Frauen Museum in Bonn, Germany, E&J Frankel Gallery in New York City, Worth Ryder Gallery and Institute of East Asian Studies at University of California Berkeley, Venice Beinnale, Shanghai Beinnale,[1] the Modern Art Gallery in Ulaanbaatar, and the Sapar Contemporary[2] in New York City.[3] Uranchimeg is the author four books on Mongolia and is the recipient of the Fulbright Fellowship (2002–2005), John W. Kluge Fellowship (2013),[4] the American Council of Learned Societies/Robert Ho Foundation Collaborative Research Award (2014–2016),[5] and the Indiana University Presidential Arts and Humanities Fellowship in 2022.[6][7]

Education and background[edit]

Uranchimeg Tsultem credits her father, Nyam-Osoryn Tsultem (1923–2001)[8]—an artist, a scholar, and a founder of the Fine Arts Zanabazar Museum (1996)—for contributing to her interests in Buddhist and Mongolian modern art.[9][10][5]

Uranchimeg studied art history at Eotvos Lorand University of Budapest[11] before receiving undergraduate (1993) and graduate degrees (1995) in Art History from the Mongolian National University of Arts and Culture. She received a PhD in Art History with a focus on East Asian and Himalayan art history from University of California Berkeley in 2009.[11][12]

Career[edit]

While completing her dissertation at Berkeley, Uranchimeg was a regular contributor to a lecture series on Himalayan and Mongolian art—including lectures at the Asian Art Museum in San Francisco, the Rubin Museum of Art, and at Princeton University.[13] Her career as an educator began at the Mongolian National University of Arts and Culture (1995–2002).[14] She has also held research and teaching positions at Yonsei University in South Korea, National University of Mongolia, the University of Iceland, the University of California Berkeley, and Indiana University.[15]

Uranchimeg is credited for introducing curatorial practice in Mongolia during the mid-1990s.[16][17] Following her first exhibitions, in foreign diplomatic missions and Western embassies in Ulaanbaatar (1993–1995), she curated an international exhibition that featured fifteen contemporary Mongolian artists in 1997 at the Kasumi Research and Training Center in Tsukaba, Japan.[18] From 1999 to 2008, Uranchimeg curated the first corporate collection at Khan Bank of Mongolia; the gallery opened its doors to the public during her tenure.[19] She also curated the first Mongolian contemporary art exhibition in the United States in 2000, Colors From Mongolia. This exhibition was organized by the International Cultural Exchange Society and featured 20 artists at E&J Frankel Gallery in New York City. The exhibit also traveled to SomArts Cultural Center in San Francisco.[20] In 2011, Uranchimeg curated Modern Mongolia: From Steppe to Urban Dynamics, an exhibition of more than twenty, contemporary Mongolian artists at Hanart TZ Gallery in Hong Kong.[21]

In 2013, Uranchimeg was selected by the U.S. Library of Congress Kluge Center to receive a fellowship focused on early 20th century Western explorers in Mongolia and Mongolian foreign policy. She delivered an address on the topic later that year that was prefaced by remarks from the Excellency Altangerel, the Ambassador from the Republic of Mongolia to the United States. The Ambassador noted that the presentation covered a "very important part of Mongolian-US relations" and observed that it was the first time that Mongolia was the topic of a lecture at the Library of Congress.[14]

While at Berkeley, in 2015, Uranchimeg co-chaired and contributed to the development of the Mongolia Initiative program, with support from the U.S Department of Education and the Mongolian government.[9][11][22][23] In that same year, she curated Mongolia's "first appearance" at the Venice Biennale, an international exhibition of contemporary art.[24] In recognition of her work to establish the Mongolia Initiative, Uranchimeg received a certificate a Cultural Envoy of Mongolia in 2017.[25]

In 2019, Uranchimeg was appointed to an endowed position at the Indiana University Herron School of Art and Design, the Edgar and Dorothy Fehnel Chair in International Studies.[11]

In 2022, Uranchimeg received the Indiana University Presidential Arts and Humanities Fellowship. Her plans for the award included the completion a book on contemporary Mongolian art.[7][15]

Books and special issues[edit]

  • A monastery on the move: art and politics in later Buddhist Mongolia. University of Hawaii Press, 2021. ISBN 9780824885700
  • Buddhist Art of Mongolia: Cross-Cultural Connections, Discoveries and Interpretations. Special Issue of Cross-Currents, vol. 8, n. 2: 11/2019. ISSN 2158-9666
  • Primary documents of Mongolian art associations. BCI Publishing, 2018. ISBN 9789997833129
  • Монголын дүрслэх урлаг судлалын түүвэр нийтлэлүүд: 1993–2018. Admon Print, 2018. ISBN 9789997832429
  • Монголын Их Хүрээ хийдийн Буддын шашны урла. BCI Publishing, 2016. ISBN 9789997363794

Selected chapters, articles, and museum essays[edit]

  • "'Capitalist Art' and the Invention of Tradition in Twentieth-Century Mongolia." Socialist and Post–Socialist Mongolia, Routledge, 2021.[26]
  • "Contemporary Art of Mongolia in the Era of Globalisation." Asia Pacific Art Papers (QAGOMA), 25 Nov. 2021.[27]
  • "Bayart-Od’s Rich Mongolia: New Appropriation of Tradition in Mongolia." UNESCO Art Collection: Selected Works, edited by UNESCO, UNESCO Publishing, 2021, pp. 116–17.[28]
  • "The Internal Regulations of Gandan Monastery.” Sources of Mongolian Buddhism, edited by Vesna A. Wallace, Oxford University Press, 2020, pp. 436–50.[29]
  • "Tsherin Sherpa: Meditation on Art and Life as Metamorphosis" in Metamorphosis: Recent Painting and Sculpture by Tsherin Sherpa. Herron School of Art and Design, Indianapolis, Indiana, 2020.[30]
  • "Mugi’s Self-Portrait and Maternal Bodies in Post-Socialist Mongolia." Third Text, vol. 33, no. 1, Jan. 2019, pp. 79–104.[31]
  • "Carving and Sculpture in Mongolia." Encyclopedia of East Asian Design, edited by Haruhiko Fujita and Christine Guth, vol. 2, Bloomsbury Academic, 2019, pp. 488–91.[32]
  • "A Case of Allegoresis: A Buddhist Artist and His Patron in Mongolia." Artibus Asiae, vol. 78, no. 1, 2018, pp. 61–94.[33]
  • "Political Ecology in Baatarzorig’s Art: Mongolia Is in Business." Five Heads (Tavan Tolgoi): Art, Anthropology and Mongol Futurism, edited by Hermione Spriggs, Sternberg Press, 2018, pp. 105–19.[34]
  • "Nomin Bold." Documenta 14: Daybook, edited by Quinn Latimer and Adam Szymczyk, Prestel Verlag, 2017.[35]
  • "Zanabazar (1635-1723): Vajrayāna Art and the State in Medieval Mongolia." Buddhism in Mongolian History, Culture, and Society, edited by Vesna A. Wallace, Oxford University Press, 2015, pp. 116–36.[36]
  • "Women Artists of Mongolia" in Raiji Kuroda ed., Women Artists of Asia (Fukuoka: Fukuoka Asian Art Museum, Japan, 2012), pp. 208–215.[37]
  • "Modernity and Tradition in Mongolian Contemporary Art" in Annu Willenius ed., Bare House: Pori, Rotterdam, Ulaanbaatar. Aalto University Publication Series. 2011.[38]
  • "Zanabazar’s Art: The Building of Buddhist State in late Medieval Mongolia" in Meditation. The Art of Zanabazar and His School (Warsaw: State Ethnographic Museum, Poland, 2010), pp. 17–59.[39]
  • "Brief Introduction to Mongolian Modern Art" in Saara Hacklin ed., Mongolia: Perception and Utopia (Kerava Art Museum, Finland, 2008), pp. 28–40.[40]

Selected curatorial projects[edit]

  • Tuguldur Yondonjamts–Separated Geography from a Poem. Herron School of Art and Design, Indianapolis, Indiana, 2021.[41]
  • "Alter/Native Realities of Modern Mongolia." Asphalt Lives and Lines, Universities of Zurich and Fribourg, Switzerland, 2020–2022.[42]
  • Metamorphosis: Recent Painting & Sculpture by Tsherin Sherpa. Herron School of Art and Design, Indianapolis, Indiana, 2020.[43]
  • Mongol Zurag: The Art of Everyday (Uurintuya Dagvasambuu and Baasanjav Choijiljav). Sapar Contemporary, 2019.[44]
  • BEGINNING – 25 Years of Contemporary Mongolian Art & Curatorship. Mongolian National Modern Art Gallery, 2018.[45]
  • Other Home. Mongolia Pavilion. 56th Vince Biennale, Italy, 2015.[46]
  • "Reincarnation." Personal Structures, 56th Venice Biennale, 2015.[47]
  • Ulaanbaatar Pavilion. The Shanghai Inter-City Pavilions’ Project. 9th Shanghai Biennale, 2012.[1]
  • "Modern Mongolia: From Steppe to Urban Dynamics." Hanart TZ Gallery, Hong Kong, 2011.[48]
  • "Modern Visions from Mongolia." Worth Ryder Gallery, UC Berkeley, 2005.[49]
  • "Colors from Mongolia." E&J Frankel Gallery, New York City, 2000.[50]

References[edit]

  1. ^ a b "The Shanghai Inter-City Pavilions' Project focuses on the interesting connections and energy exchanges between people and cultures which, in nowadays globalized world, are more likely to be identified within local communities rather than in national contexts". Biennial Foundation. 2012-09-26. Retrieved 2023-01-25.
  2. ^ "Mongol Zurag: The Art of Uurintuya Dagvasambuu and Baasanjav Choijiljav". SAPAR CONTEMPORARY. Retrieved 2023-01-25.
  3. ^ "The Mongolia Foundation – About". www.mongoliafoundation.org. Retrieved 2022-11-25.
  4. ^ "S-U | Past Resident Scholars | Scholars in Residence | The John W. Kluge Center at the Library of Congress | Programs | Library of Congress". Library of Congress, Washington, D.C. 20540 USA. Retrieved 2022-12-27.
  5. ^ a b "Fusion Art on the Move: The Mongolian Melting Pot". Buddhistdoor Global. Retrieved 2022-12-27.
  6. ^ "Mongolia Unveiled". Society for Asian Art. Retrieved 2022-11-25.
  7. ^ a b "IU Presidential Arts and Humanities Fellowship 2022 Recipients". Research Impact. Retrieved 2022-11-25.
  8. ^ Archive, Asia Art. "Nyam Osoryn Tsultem". aaa.org.hk. Retrieved 2023-02-19.
  9. ^ a b Khantushig, B (January 9, 2021). "Ts. Uranchimeg: I'm continuing my father's work". The UB Post. p. 7.
  10. ^ "Five Questions with Assistant Professor Uranchimeg Tsultem". Herron School of Art + Design. Retrieved 2022-12-26.
  11. ^ a b c d Wells-Ditton, Theresa (November 26, 2019). "Herron Names Endowed Chair". Inside Indiana Business. Archived from the original on December 27, 2022. Retrieved December 26, 2022.
  12. ^ "Uranchimeg Orna Tsultem Ц. Уранчимэг". www.mongolian-art.de. Retrieved 2022-12-25.
  13. ^ "Lecture Series — "Orna" Uranchimeg Tsultem". tibetan-museum-society.org. Retrieved 2022-11-25.
  14. ^ a b "Prior to Lenin: U.S. Diplomacy & Western Explorers in Early-20th-Century Mongolia". Library of Congress, Washington, D.C. 20540 USA. Retrieved 2022-11-25.
  15. ^ a b "Q + A with Uranchimeg Tsultem: More IU Research: Research Impact: Indiana University". Research Impact. Retrieved 2022-11-25.
  16. ^ "Uranchimeg Orna Tsultem Ц. Уранчимэг". www.mongolian-art.de. Retrieved 2023-02-05.
  17. ^ "'Beginning' contemporary art exhibition to open". MONTSAME News Agency. Retrieved 2023-02-05.
  18. ^ "The Mongolia Foundation – About". www.mongoliafoundation.org. Retrieved 2023-02-05.
  19. ^ Annual Report. 2007. Khan Bank. https://www.khanbank.com/uploads/users/2-admin/report/2007_en.pdf
  20. ^ Writer, Jesse Hamlin, Chronicle Staff (2000-08-15). "Mongolian Art's True Nature / Contemporary works on view at SomArts". SFGATE. Retrieved 2023-02-04.{{cite web}}: CS1 maint: multiple names: authors list (link)
  21. ^ Chang, Tsong-zung (2015-10-02). "Modern Mongolia: from steppe to urban dynamics". Inter-Asia Cultural Studies. 16 (4): 587–597. doi:10.1080/14649373.2015.1103069. ISSN 1464-9373. S2CID 146329701.
  22. ^ "Mongolia Initiative (MI) | Institute of East Asian Studies". ieas.berkeley.edu. Retrieved 2023-02-04.
  23. ^ "Mongolia Initiative". Mongolia Initiative, University of California, Berkeley. Archived from the original on October 20, 2016. Retrieved February 4, 2023.
  24. ^ "ВЕНЕЦИЙН 56-Р ОЛОН УЛСЫН ДҮРСЛЭХ УРЛАГИЙН БИЕННАЛЬ". Монголын Урлагийн Зөвлөл. Retrieved 2023-02-05.
  25. ^ "Ts.Uranchimeg becomes Mongolian Cultural Envoy". MONTSAME News Agency. Retrieved 2023-02-19.
  26. ^ Tsultemin, Uranchimeg (2021), ""Capitalist Art" and the invention of tradition in twentieth-century Mongolia", Socialist and Post–Socialist Mongolia, pp. 133–152, doi:10.4324/9780367350598-8, ISBN 9780367350598, S2CID 233819195, retrieved 2023-02-19
  27. ^ Tsultemin, Uranchimeg (2021-11-25). "Contemporary Art of Mongolia in the Era of Globalisation". QAGOMA Asia Pacific Art Papers. Retrieved 2023-02-19.
  28. ^ UNESCO (2021-11-19). UNESCO Art Collection Selected works. UNESCO Publishing. ISBN 978-92-3-100474-2.
  29. ^ Wallace, Vesna A. (2020-01-06). Sources of Mongolian Buddhism. Oxford University Press. ISBN 978-0-19-090071-7.
  30. ^ "Herron presents Tsherin Sherpa's work in new series devoted to international artists and art". news.iu.edu. Retrieved 2023-02-19.
  31. ^ Tsultemin, Uranchimeg (2019-01-02). "Mugi's Self-Portrait and Maternal Bodies in Post-Socialist Mongolia". Third Text. 33 (1): 79–104. doi:10.1080/09528822.2018.1546458. ISSN 0952-8822. S2CID 149555147.
  32. ^ Fujita, Haruhiko; Guth, Christine (2019-10-31). Encyclopedia of East Asian Design. Bloomsbury Academic. ISBN 978-1-350-03647-5.
  33. ^ "ARTIBUS ASIAE". Retrieved 2023-02-19.
  34. ^ Spriggs, Hermione (2018). Five Heads (Tavan Tolgoi): Art, Anthropology and Mongol Futurism. Sternberg Press. ISBN 978-3-95679-429-2.
  35. ^ Latimer, Quinn; Szymczyk, Adam (April 2017). Documenta 14: Daybook. Prestel. ISBN 978-3-7913-5655-6.
  36. ^ Wallace, Vesna A. (2015). Buddhism in Mongolian History, Culture, and Society. Oxford University Press. ISBN 978-0-19-995866-5.
  37. ^ Archive, Asia Art. "Women In-Between: Asian Women Artists 1984–2012". aaa.org.hk. Retrieved 2023-02-19.
  38. ^ Wilenius, Annu (2011). Bare house. PoriRotterdamUlaanbaatar. Pori Art Museum. ISBN 978-952-5648-24-9.
  39. ^ "Medytacje : sztuka Dzanabadzara i jego Szkoly | WorldCat.org". www.worldcat.org. Retrieved 2023-02-19.
  40. ^ Hacklin, Saara; Vehviläinen, Vesa; Wilenius, Annu (2008). Mongolia: perception and utopia. [Kerava]: Kerava Art Museum. ISBN 978-952-9642-39-7.
  41. ^ "Past Exhibitions: Exhibitions: Galleries: Herron School of Art + Design: Indiana University–Purdue University Indianapolis". Herron School of Art + Design. Retrieved 2023-02-19.
  42. ^ "Alter/Native realities of modern Mongolia – Asphalt: Lines & Lives". Retrieved 2023-02-19.
  43. ^ "Past Exhibitions: Exhibitions: Galleries: Herron School of Art + Design: Indiana University–Purdue University Indianapolis". Herron School of Art + Design. Retrieved 2023-02-19.
  44. ^ "Mongol Zurag: The Art of Uurintuya Dagvasambuu and Baasanjav Choijiljav". SAPAR CONTEMPORARY. Retrieved 2023-02-19.
  45. ^ "BEGINNING – 25 Years of Contemporary Mongolian Art & Curatorship". ART AVENUE. 2018. Retrieved 2023-02-19.
  46. ^ "Biennale Arte 2015 2015 | Biennale Arte 2015 – National Participations". La Biennale di Venezia. 2017-10-23. Retrieved 2023-02-19.
  47. ^ Global Art Affairs Foundation (2015). Personal Structures: Crossing Borders (PDF). Italy: Global Art Affairs Foundation. pp. 266–267.
  48. ^ "Modern Mongolia: From Steppe to Urban Dynamics, Hanart TZ Gallery - artinasia.com". www.artinasia.com. Retrieved 2023-02-27.
  49. ^ "Modern Visions from Mongolia with introduction by Ts. Uranchimeg" (PDF). Caucasus and Central Asia Newsletter (8): 19. Fall 2005.
  50. ^ "Colors from Mongolia. Twenty of Mongolia's Finest Artists". www.abebooks.com. 2000. Retrieved 2023-02-27.

External links[edit]

Retrieved from "https://en.wikipedia.org/w/index.php?title=Uranchimeg_(Orna)_Tsultem&oldid=1210020574"