Urban Kiz

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Urban Kiz is a couple dance derived from Kizomba. The origin is the result of exportation of Kizomba abroad, as well the Angolan community in diaspora introduction of the Kizomba into different countries mainly Portugal, France, UK, the Netherlands and Spain between 1980 and 2003. It was first popularized in social media sites such as YouTube and Vimeo. Dancer Moun started dancing since 2008, but was not known yet as reference as Urban Kiz. Curtis Seldon started in 2011 and Dancer Enah Lebon started in 2012. However, Urban Kiz was created in Paris somewhere during 2013. by Curtis Seldon and Cherazad (also spelled Sherazad) Benyoucef who were the first to change the way to dance. The dance still went under various names, such as Kizomba 2.0, French Style Kizomba, New Style Kizomba, because no consensus was reached on a final name. The dance style evolved influenced by Ghetto-Zouk Tarraxa and remixes with R&B, Rap, Dance and Hip Hop. The newly created dance was still sold as Kizomba although it changed from Kizomba completely. After fights in 2015 the new name Urban Kiz was created and publicly announced. Though there is some controversy around the origins of the style, it's widely accepted that the brand Urban Kiz was pioneered in Paris by famous dancers Curtis Seldon, Enah Lebon and Moun.[1]

Jessica Marie of The Kiz Lab on her Website goes in length about historical presentation of Urban Kiz. At one point she noted: "It's important to acknowledge that while Moun, Enah, and Curtis are often recognized as the creators of this dance, numerous artists, DJs, organizers, and dancers played crucial roles in its development. The creation of this dance was a collaborative effort spanning multiple years and involving a diverse array of individuals. It's essential to make room for and honor the contributions of both named and unnamed participants, representing people of all races, backgrounds, and dance styles."[2]

Style of dance[edit]

So the Urban stands for the more Ghetto-Zouk, Hip Hop- and RnB-inspired Kizomba music it was danced to and the Kiz is only there to show that it was influenced by Kizomba. Urban Kiz is not the short form for Urban Kizomba, but unfortunately, many misuse the Kiz to still sell it as Kizomba. As the music changed, the dancers made new interpretations on how to move to this music. As in many urban styles of dancing, the dance is also more in tune with the music.[3] Urban kiz dancers synchronize their body movement to the music by using elements that are also present in Hip Hop, such as stops, taps, and isolations. Furthermore, while in Kizomba, the dance is more grounded, in Urban Kiz, the legs are straight and the body has more tension and movement energy. The figures often require movement along straight lines or changing direction only at perpendicular angles or reversing direction. The ability to do different Urban Kiz figures also depends on the capacity of the leader and follower to apply the so-called "&-principle".[4] The &-principle means that a step forward or backward does not directly lead to a shift of body weight, but it first starts with a tap of the moving foot (10-20% of body weight on that foot) and is followed by a gradual bodyweight transfer to that foot. Pivots and pirouettes of the lady are also more common in Urban Kiz than in Kizomba, although they did appear in Kizomba and especially in Semba (Kizomba was derived mainly from Semba influences), but not as much, since the chest-to-chest frame did not allow for it as much. The Urban Kiz music has many dynamic changes of pace, with transitions to a slower tempo (bridge in music), accelerations and breaks. Contratempos are also often performed and preferably in synchronization with the Urban Kiz and Ghetto-Zouk-beat.[5] Kizomba is completely different because the Kizomba music which is faster than Getto-Zouk and asks for continuous movement with fewer breaks, circular and you dance more grounded with soft knees. But Kizomba is also danced to Ghetto-Zouk but different as it is done by Urban Kiz dancers.

Criticism[edit]

Many pioneers of this new style believe that there are more similarities than differences between Urban Kiz and Kizomba. Urban Kiz receives criticism from the original Kizomba dancers, that say that if Urban Kiz differs so much from Kizomba it should not be called Kizomba so that the original dance style from Angola is preserved. The name is still disputed due to the misuse of the Kiz in Urban Kiz. Many believe that Angola and Kizomba should be credited along as the dance style spreads around the world. Lots of elements of Tarraxinha are also visible in the new style. Some critics compared it to making a croissant with a lot of chili, give another name and hide its origin while marketing it. This is causing a lot of misunderstanding and confusion. It is being said[by whom?] that it is also disrespectful towards the Angolan Kizomba community because Kizomba is an Angolan Cultural heritage, although has been widely spread by all the countries in the PALOP.

Widespread[edit]

As of 2020 Urban Kiz is danced in many countries, and still spreading fast all over the world. Though the dance and culture are still most prevalent in Europe, Urban Kiz is featured annually in dozens of dance and music festivals across all six developed continents.[6]

References[edit]

  1. ^ Enah Lebon (2015-07-26), KIZOMBA introduce URBAN KIZ, retrieved 2018-10-31
  2. ^ Jessica Marie, HISTORY OF URBAN KIZ, retrieved 2024-03-24
  3. ^ Kramp, K.H. (2021-09-08). URBAN KIZ: A new vision on partner dance - Ch. Musicality. Kelvin Kramp. ISBN 9789090344300. Retrieved 2022-02-16.
  4. ^ Kramp, K.H. (2021-09-08). URBAN KIZ: A new vision on partner dance - Ch. Technique. Kelvin Kramp. ISBN 9789090344300. Retrieved 2022-02-16.
  5. ^ B.M MUSICTV (2015-05-21), URBAN KIZ ?? Interview with Eddy Vents & Moun, retrieved 2018-10-31
  6. ^ "Kizomba World Official Kizomba Festivals Calendar". Kizomba World - Kizomba Festivals Calendar - Artists Dancers Dj's. Retrieved 2022-03-24.