User:Emmaosmundson/sandbox
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== History ==
Origins[edit]
Early Recording[edit]
Performance[edit]
Plot[edit]
Character[edit]
Costume[edit]
Music[edit]
Movement[edit]
Tradition[edit]
Legacy[edit]
| This is a user sandbox of Emmaosmundson. You can use it for testing or practicing edits. This is not the sandbox where you should draft your assigned article for a dashboard.wikiedu.org course. To find the right sandbox for your assignment, visit your Dashboard course page and follow the Sandbox Draft link for your assigned article in the My Articles section. |
Spring Semester Preliminary Bibliography:
Bigoness, Jen. “An Octoroon Study Guide.” Artists Rep, Artists Rep, Sept. 2017, www.artistsrep.org/assets/Study-Guides/An-Octoroon-Study-Guide.pdf.
Bordman, Gerald, and Thomas S. Hischak. “Naturalism.” The Oxford Companion to American Theatre, 2004, pp. The Oxford Companion to American Theatre.
Brown, H. M. Leitmotiv and Drama : Wagner, Brecht, and the Limits of 'Epic' Theatre. Clarendon Press ; Oxford University Press, 1991.
Buchanan, I. “Epic Theatre.” A Dictionary of Critical Theory, 2010, pp. A Dictionary of Critical Theory.
Cooney, and Zola, Kevin, Émile. “Naturalism in the Theater.” 2013, pp. 45–47.
Marker, Lise-Lone. David Belasco; Naturalism in the American Theatre. Princeton University Press, 1974.
“Realism and Naturalism Theatre Conventions.” The Drama Teacher, www.thedramateacher.com/realism-and-naturalism-theatre-conventions/.
Reinelt, Janelle G. After Brecht : British Epic Theater. University of Michigan Press, 1994.
Schumacher, Claude. Naturalism and Symbolism in European Theatre, 1850-1918. Cambridge University Press, 1996.
Williams, Kirk. “Anti-Theatricality and the Limits of Naturalism.(Critical Essay).” Modern Drama, vol. 44, no. 3, 2001, pp. 284–299.
Fall Semester Preliminary Bibliography:
Astrana Marín, Luis. Lope De Vega. 1. ed.]. ed., Barcelona, Editorial Juventud, 1963.
Carson, Margaret, et al. Stages of conflict: a critical anthology of Latin American theater and performance. 4th ed., Ann Arbor, MI, University of Michigan Press, 2008.
Hayes, Francis C. Lope De Vega. New York, Twayne Publishers, 1967.
Henríquez Puentes, Patricia. "Rabinal Achi o Danza del Tun. Asuntos sobre el legado de un don." Atenea [Chile], no. 502, 2010, p. 55+. Academic OneFile, go.galegroup.com.ez-proxy.brooklyn.cuny.edu:2048/ps/i.do?p=AONE&sw=w&u=cuny_broo39667&v=2.1&it=r&id=GALE%7CA304167169&asid=3af006aba49905ceb76804491b03f64a. Accessed 24 Sept. 2017.
Hutcheson, Matthew Fontaine Maury. “Cultural memory and dance-Dramas of Guatemala: history, performance, and identity among the Achi Maya of Rabinal.” State University of New York at Buffalo, Proquest Information and Learning Company, 2004.
Lewis, Matthew C., “A Comparative Analysis of Parallel Revisionism in the Plays Rabinal Achí and Zoot Suit” (2010). All Theses and Dissertations. Paper 2395.
Sabene, Kerstin. “Maya dance drama, the Rabinal Achí.” Revue Magazine, 9 Dec. 2016, www.revuemag.com/2016/12/maya-dance-drama-the-rabinal-achi/. Accessed 17 Sept. 2017.
Sharpe, Susanna. “Rethinking Maya Studies: A Conversation with Ruud van Akkeren.” Portal, 5 Aug. 2016, llilasbensonmagazine.org/2016/08/05/rethinking-maya-studies-a-conversation-with-ruud-van-akkeren/. Accessed 17 Sept. 2017.
Tedlock, and Tedlock, Dennis. Rabinal Achi : a Mayan Drama of War and Sacrifice. Oxford ; New York, Oxford University Press, 2003.
Zarrilli, Phillip B, et al. Theatre Histories: An Introduction. 1st ed., New York, NY, Routledge, 2006.