User:VanArtGuy/Laiwan

Laiwan is a Vancouver multi-media artist, writer and teacher, born Laiwan Chu, 1961, in Zimbabwe. Her family immigrated to Vancouver in 1977. Educated at Emily Carr College of Art + Design (ECCAD) and Simon Fraser University, Vancouver.^[1]

References[edit]

^ Biographical information from the catalog Quartet for the Year 4698 or 5760: An Improvisation for Four Projectors: a multimedia project by Laiwan and Lori Freedman,.

Bibliography[edit]

Bernstein, Tamara; Canyon, Brice; Davis, Todd; Lacayo, Jessie; Lai, Adrienne; Watson, Scott (2004). Bridger, Steve (ed.). Quartet for the Year 4698 or 5760: improvisation for four projectors. Victoria, BC: Open Space. ISBN 1-895532-11-6.
Stanley, Jack, ed. (1998), livres et collages / books and collages, Galerie Articule, ISBN 2-920306-13-8 {{citation}}: |first= has generic name (help)CS1 maint: multiple names: authors list (link)
distance of distinct vision / point éloigné de vision claire, Front Gallery, the Western Front, 1992 {{citation}}: |first= missing |last= (help)

Notes:

Solo Exhibition Catalogues Canadian Cataloguing in Publication Data CHUNG, Laiwan, FREEDMAN, Lori, Quartet for the Year 4698 or 5760: improvisation for four projectors; Open Space, Victoria, BC, February 22 – March 23, 2002. ISBN I-895532-11-6 1. CHUNG, Laiwan, 1961–; FREEDMAN, Lori, 1958–. i. Bernstein. Tamara. ii. Lacayo, Jessie. Published Visual Work by Laiwan Mix, Vol. 27, No. 2, Fall 2001, pp. 23, 51. West Coast Line (Simon Fraser University), No. 33-34/3, Winter 2001 Special Issue, pp. 54-55. West Coast Line, No. 33-34/2, Fall 2000, pp. 70-89. endnote. Ed. Janet Bellotto and Ana Rewakowicz. Montréal: Rebell, 2000, pp. 48-49. The Capilano Review, Ser. 2, No. 24, Winter 1998, pp. 41-56. West Coast Line, Vol. 28, Nos. 1-2, Spring-Fall 1994 Special Double Issue, pp. 129-132. front, November 1992. Harbour (Montréal), Vol. 1, No. 3, July 1991. The Capilano Review, Ser. 2, No. 6/7, Fall 1991, pp. 112-119. Visible Language. Rhode Island School of Design, Vol. 22, No. 4, 1988. Selected Articles and Reviews Meg Walker, “A Waterfall of Sight & Sound,” Monday Magazine (Victoria), Feb 28-Mar 6 2002, Vol. 28, Issue 9. Robert Amos, “Exploring the issue of improvisation,” Times Colonist (Victoria), February 28 2002. Ivan Jurakic, Review of Excerpts from Machinate, Lola 10, (Toronto), Fall 2001, p. 79. François Dion, “Loop Philosophy,” YYZ: Pheromone LinkTM & Excerpts from Machinate,YYZ Artists’ Outlet, Toronto, May 2001. (Exhibition Essay) Adrienne Lai, “The Persistence of Bodies: Technology, Absence and Subjectivity in Laiwan’s Quartet for the Year 4698 or 5760,” paper presented at the Asian American Studies Conference, Toronto, March 2001. Christine Ross, “Comment taquiner le millénaire?” Le Devoir, Montréal, 21 April 2001, p. C9. Gayle Young, “Bringing it all together: Sound Symposium 2000,” MusicWorks No. 78, Fall 2000, pp. 41-43. Sylvain Campeau, “Laiwan,” Parachute, January 1998, p. 44. Alice Jim, “(Be)Longing,” Fuse, Vol 20, No. 4, Fall 1997, pp. 39-40. Karlyn Koh, “Transmission Ruses: small, medium & not large,” Fuse, Vol 20, No. 1, Winter 1997, pp. 41-43. Lori Motokado, “Imperialist Relationing,” Kinesis, Dec./Jan. 1996, p. 28. Andrea Fatona, “Distance of Distinct Vision/Point éloigné de vision claire,” Diaspora, No. 1, Fall 1993, pp. 23-25. Lynne Wanyeki, “Simply Laiwan,” Angles, December 1992. Arni Runar Haraldsson, “Translating from the Liminal: First and Last Name ‘Laiwan,’” C, Spring 1988, pp. 14-19.

Critical or Poetic Writing by Laiwan “Untitled.” Facing History. Ed. Karen Love. Vancouver: Arsenal Pulp Press, 2002, pp. 31-32. (Poem inspired by photographs by Sharyn Yuen, in the exhibition publication for Facing History, Presentation House Gallery, North Vancouver) “CYBER-PLACE.” Art is All Over. Ed. Karen Henry. Vancouver: ECIAD, 2001, pp. 089-094. (A trialogue with Randy Lee Cutler and Carole Gigliotti for ECIAD’s 75th anniversary publication Art is All Over) Deconstructing Sam Shem’s installation rapture : rupture. Vancouver: Artspeak Gallery, 2000. (Exhibition essay) “Dirty Laundry and Clean Technology: can computers ever be innocent?” The 10th Annual Herland Feminist Film & Video Festival Program. Calgary: herland festival, October 1999, pp. 28-30. “notes towards a body II.” Swallowing Clouds: An Anthology of Chinese-Canadian Poetry. Ed. Andy Quan and Jim Wong- Chu. Vancouver: Arsenal Pulp Press, 1999, pp. 145-151. “and your flesh will be made word: how to smooth the transition from your old analogue body to an ideal body of information.” the loop (Vancouver), Vol. 5, no. 2 September 1999, pp. 22-23. “Illogical Thoughts about Translation: a Science Fiction.” front (Vancouver), March/April 1998, p. 27. “So many pixels…So little time! on tools of information, visuality & digitalization.” Millennium Messages. Seattle: the Canadian Studies Centre, University of Washington, 1997, pp. 8-9. (Second Version) “On Heroics.” Mix (Toronto), Vol. 22, No. 4, Spring 1997, p. 56. “So many pixels…so little time! on tools of information, visuality & digitalization.” front, September/October 1996, pp. 24-29. (First Version) “Notes Against Difference.” Parallelogramme (Toronto), Summer 1993. “The Imperialism of Syntax.” Many Mouthed Birds: an anthology of Chinese Canadian writing. Vancouver: Douglas & McIntyre, 1991.

External links[edit]

[1] Biographical information from the catalog Quartet for the Year 4698 or 5760: An Improvisation for Four Projectors: a multimedia project by Laiwan and Lori Freedman,.

[1]