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The reception history of Jane Austen follows a path from modest fame to wild popularity; her novels are both the subject of intense scholarly study and the centre of a diverse fan culture. Austen, the author of such works as Pride and Prejudice (1813) and Emma (1815), is one of the best-known and widely read novelists in the English language. During her lifetime, Austen's novels brought her little personal fame; like many women writers, she published anonymously. At the time they were published, her works were considered fashionable by members of high society but received few positive reviews. By the mid-19th century, her novels were admired by members of the literary elite, but it was not until the 1940s that Austen was widely accepted in academia as a "great English novelist". The second half of the 20th century saw a proliferation of scholarship exploring artistic, ideological and historical aspects of her works. As of the early 21st century, Austen fandom supports an industry of printed sequels and prequels as well as television and film adaptations, which started with the 1940 Pride and Prejudice and includes the 2004 Bollywood-style production Bride and Prejudice. (Full article...)
... that Blaufränkisch(pictured) is known as Lemberger in Washington but winemakers there are having a difficult time marketing the wine because of consumers associating it with a smelly cheese?
After hundreds of workers are taken hostage in an attack at a gas facility near In Aménas, Algeria, a raid by Algerian forces results in dozens of fatalities.
1933 – Choudhry Rahmat Ali(pictured) published a pamphlet entitled "Now or Never" in which he called for the creation of a Muslim state in northwest India that he termed "Pakstan".
The Monteleone chariot is an Etruscan chariot, dated to circa 530 BC, that was uncovered in 1902 at Monteleone di Spoleto in Umbria, Italy, in an underground tomb covered by a mound. It was part of a chariot burial, containing the remains of two human corpses along with two drinking cups. Measuring 131 centimetres (51+5⁄8 inches) in height and designed to be drawn by two horses, the chariot itself is constructed of wood covered with hammered bronze plates and carved ivory decoration. The Monteleone chariot is now in the collection of the Metropolitan Museum of Art in New York City.
Artifact credit: unknown Etruscan sculptor; photographed by the Rogers Fund and the Metropolitan Museum of Art
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