Rank
|
Page title
|
Views
|
Daily average
|
Assessment
|
Importance
|
1
|
Banksy
|
258,682
|
8,344
|
B
|
Mid
|
2
|
PDF
|
178,474
|
5,757
|
B
|
High
|
3
|
Adobe Photoshop
|
105,250
|
3,395
|
C
|
Mid
|
4
|
Bauhaus
|
67,926
|
2,191
|
B
|
Top
|
5
|
Tron
|
61,506
|
1,984
|
B
|
Low
|
6
|
Advertising
|
55,940
|
1,804
|
C
|
High
|
7
|
Ideogram
|
50,271
|
1,621
|
Start
|
Mid
|
8
|
Printing press
|
50,237
|
1,620
|
B
|
High
|
9
|
Dash
|
50,050
|
1,614
|
B
|
Low
|
10
|
Adobe Illustrator
|
48,743
|
1,572
|
C
|
Mid
|
11
|
Heart symbol
|
46,655
|
1,505
|
Start
|
Mid
|
12
|
Graphic design
|
42,288
|
1,364
|
C
|
Top
|
13
|
Gender symbol
|
35,492
|
1,144
|
Start
|
Low
|
14
|
Helvetica
|
33,461
|
1,079
|
C
|
High
|
15
|
Web design
|
28,865
|
931
|
C
|
High
|
16
|
Adobe Acrobat
|
24,621
|
794
|
C
|
Mid
|
17
|
Adobe Flash
|
24,080
|
776
|
C
|
Unknown
|
18
|
GIMP
|
22,561
|
727
|
B
|
Low
|
19
|
Jumpman (logo)
|
22,498
|
725
|
Start
|
Low
|
20
|
Typography
|
22,100
|
712
|
C
|
Mid
|
21
|
Typeface
|
21,107
|
680
|
B
|
Mid
|
22
|
Pantone
|
18,927
|
610
|
Start
|
Low
|
23
|
Minimalism
|
18,846
|
607
|
C
|
Mid
|
24
|
Triptych
|
16,661
|
537
|
C
|
Low
|
25
|
Shepard Fairey
|
16,273
|
524
|
B
|
Low
|
26
|
Barber's pole
|
15,939
|
514
|
B
|
Low
|
27
|
Behance
|
15,751
|
508
|
Stub
|
Low
|
28
|
Mascot
|
15,179
|
489
|
Start
|
Low
|
29
|
No symbol
|
14,902
|
480
|
C
|
Low
|
30
|
Stationery
|
14,712
|
474
|
Start
|
Low
|
31
|
Adobe InDesign
|
14,329
|
462
|
Start
|
High
|
32
|
Swoosh
|
14,281
|
460
|
Start
|
Low
|
33
|
Raster graphics
|
14,266
|
460
|
C
|
Low
|
34
|
Eric Carle
|
13,977
|
450
|
C
|
Low
|
35
|
Ambigram
|
13,872
|
447
|
B
|
Mid
|
36
|
De Stijl
|
13,721
|
442
|
C
|
Mid
|
37
|
Corporate Memphis
|
13,449
|
433
|
Start
|
Low
|
38
|
Susan Kare
|
13,305
|
429
|
B
|
High
|
39
|
Voxel
|
13,228
|
426
|
C
|
Unknown
|
40
|
3D computer graphics
|
13,168
|
424
|
C
|
Mid
|
41
|
Creative director
|
12,799
|
412
|
Start
|
Mid
|
42
|
Parsons School of Design
|
12,001
|
387
|
C
|
Low
|
43
|
Saul Bass
|
11,823
|
381
|
B
|
High
|
44
|
Graphic designer
|
11,596
|
374
|
Start
|
Top
|
45
|
Desktop publishing
|
11,571
|
373
|
C
|
Mid
|
46
|
Photograph manipulation
|
11,368
|
366
|
C
|
Low
|
47
|
Paul Rand
|
11,285
|
364
|
B
|
High
|
48
|
Alfred A. Knopf
|
10,354
|
334
|
C
|
Low
|
49
|
Comparison of European road signs
|
10,225
|
329
|
List
|
Low
|
50
|
Poster
|
10,188
|
328
|
C
|
High
|
51
|
User interface design
|
10,098
|
325
|
C
|
Low
|
52
|
Visual communication
|
9,968
|
321
|
Start
|
High
|
53
|
Adobe Dreamweaver
|
9,711
|
313
|
C
|
Mid
|
54
|
PostScript
|
9,564
|
308
|
C
|
High
|
55
|
I Love New York
|
8,968
|
289
|
Start
|
Low
|
56
|
Alpha compositing
|
8,711
|
281
|
Start
|
Unknown
|
57
|
Craig Braun
|
8,066
|
260
|
B
|
Unknown
|
58
|
Peter Blake (artist)
|
7,981
|
257
|
C
|
High
|
59
|
Procreate (software)
|
7,920
|
255
|
C
|
Mid
|
60
|
Three hares
|
7,867
|
253
|
B
|
Mid
|
61
|
Peter Saville (graphic designer)
|
7,856
|
253
|
C
|
Low
|
62
|
Out-of-home advertising
|
7,575
|
244
|
Start
|
Low
|
63
|
Mood board
|
7,381
|
238
|
Start
|
Low
|
64
|
List of airline liveries and logos
|
7,373
|
237
|
List
|
Low
|
65
|
Native American mascot controversy
|
6,916
|
223
|
GA
|
Low
|
66
|
Image editing
|
6,501
|
209
|
C
|
Mid
|
67
|
List of works by Banksy
|
6,215
|
200
|
List
|
Low
|
68
|
Letterpress printing
|
6,104
|
196
|
C
|
High
|
69
|
Eric Haze
|
6,102
|
196
|
Start
|
Unknown
|
70
|
Josef Albers
|
6,059
|
195
|
C
|
Low
|
71
|
Marker pen
|
5,948
|
191
|
Start
|
Low
|
72
|
Art director
|
5,698
|
183
|
Start
|
Mid
|
73
|
Spatial anti-aliasing
|
5,481
|
176
|
Start
|
Mid
|
74
|
Style guide
|
5,412
|
174
|
Start
|
Mid
|
75
|
Signage
|
5,237
|
168
|
Start
|
Mid
|
76
|
László Moholy-Nagy
|
5,206
|
167
|
C
|
Unknown
|
77
|
Anti-aliasing filter
|
5,115
|
165
|
C
|
Low
|
78
|
Dribbble
|
5,084
|
164
|
Start
|
Low
|
79
|
Edward Tufte
|
5,046
|
162
|
B
|
Mid
|
80
|
2D computer graphics
|
4,888
|
157
|
C
|
Mid
|
81
|
Visual design elements and principles
|
4,838
|
156
|
C
|
Unknown
|
82
|
Lisa Frank Incorporated
|
4,799
|
154
|
Start
|
Low
|
83
|
Neon sign
|
4,772
|
153
|
Start
|
Mid
|
84
|
International Typographic Style
|
4,765
|
153
|
Start
|
Unknown
|
85
|
Univers
|
4,740
|
152
|
C
|
Low
|
86
|
Harvey Ball
|
4,722
|
152
|
C
|
Low
|
87
|
Everydays: the First 5000 Days
|
4,527
|
146
|
Stub
|
Low
|
88
|
Paula Scher
|
4,513
|
145
|
C
|
Unknown
|
89
|
Sustainable design
|
4,490
|
144
|
C
|
Mid
|
90
|
Film poster
|
4,482
|
144
|
B
|
Low
|
91
|
J. Walter Thompson
|
4,440
|
143
|
Start
|
Low
|
92
|
Milton Glaser
|
4,383
|
141
|
C
|
Mid
|
93
|
Book design
|
4,375
|
141
|
C
|
Unknown
|
94
|
Harvey balls
|
4,308
|
138
|
Start
|
Low
|
95
|
Wanted poster
|
4,262
|
137
|
Start
|
Low
|
96
|
Minimalism (visual arts)
|
4,214
|
135
|
C
|
Low
|
97
|
Mike Winkelmann
|
4,203
|
135
|
Start
|
Low
|
98
|
Business card
|
4,086
|
131
|
Start
|
Unknown
|
99
|
Communication design
|
3,830
|
123
|
Start
|
Low
|
100
|
Page layout
|
3,821
|
123
|
B
|
Mid
|
101
|
Massimo Vignelli
|
3,820
|
123
|
C
|
High
|
102
|
Ben Day process
|
3,812
|
122
|
Start
|
Mid
|
103
|
Global spread of the printing press
|
3,652
|
117
|
B
|
High
|
104
|
Rabbits and hares in art
|
3,639
|
117
|
C
|
Low
|
105
|
Saul Steinberg
|
3,441
|
111
|
Start
|
Mid
|
106
|
Cigarette card
|
3,348
|
108
|
Start
|
Mid
|
107
|
Harry Beck
|
3,309
|
106
|
C
|
Low
|
108
|
QuarkXPress
|
3,227
|
104
|
Start
|
High
|
109
|
Raster graphics editor
|
3,217
|
103
|
Start
|
Low
|
110
|
Motion graphic design
|
3,199
|
103
|
Stub
|
Mid
|
111
|
D. Udaya Kumar
|
3,194
|
103
|
Start
|
Low
|
112
|
Debbie Millman
|
3,154
|
101
|
Start
|
Low
|
113
|
Exit sign
|
3,126
|
100
|
Start
|
Low
|
114
|
The Medium Is the Massage
|
3,118
|
100
|
Start
|
Low
|
115
|
Matthew Carter
|
3,101
|
100
|
Start
|
Mid
|
116
|
Web banner
|
3,085
|
99
|
Start
|
Mid
|
117
|
Digital signage
|
3,065
|
98
|
Start
|
Mid
|
118
|
Polyptych
|
2,996
|
96
|
Start
|
Low
|
119
|
PGF/TikZ
|
2,958
|
95
|
Start
|
Low
|
120
|
Pentagram (design firm)
|
2,837
|
91
|
Start
|
High
|
121
|
Color code
|
2,810
|
90
|
Start
|
Mid
|
122
|
Chip Kidd
|
2,801
|
90
|
Start
|
Low
|
123
|
Visiting card
|
2,789
|
89
|
Start
|
Unknown
|
124
|
Comparison of raster graphics editors
|
2,751
|
88
|
C
|
Mid
|
125
|
Screen space ambient occlusion
|
2,721
|
87
|
Start
|
Low
|
126
|
Ed Thrasher
|
2,633
|
84
|
Stub
|
Low
|
127
|
David Carson (graphic designer)
|
2,632
|
84
|
Start
|
Low
|
128
|
Digital on-screen graphic
|
2,581
|
83
|
Start
|
Low
|
129
|
Vector graphics editor
|
2,566
|
82
|
Start
|
Mid
|
130
|
Cover art
|
2,535
|
81
|
Start
|
High
|
131
|
History of CAD software
|
2,533
|
81
|
Start
|
Low
|
132
|
Jessica Walsh
|
2,464
|
79
|
C
|
Mid
|
133
|
Extinction symbol
|
2,356
|
76
|
Start
|
Low
|
134
|
Stefan Sagmeister
|
2,334
|
75
|
C
|
High
|
135
|
Commercial art
|
2,304
|
74
|
Start
|
Mid
|
136
|
John Kiss (artist)
|
2,292
|
73
|
B
|
Unknown
|
137
|
Richard Saul Wurman
|
2,236
|
72
|
Start
|
Unknown
|
138
|
Depth map
|
2,129
|
68
|
Start
|
Low
|
139
|
Warming stripes
|
2,095
|
67
|
B
|
Mid
|
140
|
Ben Shahn
|
2,076
|
66
|
B
|
Low
|
141
|
Graphic communication
|
2,069
|
66
|
C
|
Mid
|
142
|
Suki Lopez
|
2,051
|
66
|
C
|
Low
|
143
|
History of graphic design
|
2,045
|
65
|
C
|
Unknown
|
144
|
Isotype (picture language)
|
2,039
|
65
|
Start
|
Low
|
145
|
Alfred A. Knopf Sr.
|
2,027
|
65
|
Start
|
Low
|
146
|
John Maeda
|
1,991
|
64
|
Start
|
Unknown
|
147
|
Jan Tschichold
|
1,976
|
63
|
Start
|
Unknown
|
148
|
Emily Carr University of Art and Design
|
1,965
|
63
|
Start
|
Mid
|
149
|
Vignette (graphic design)
|
1,918
|
61
|
Start
|
Mid
|
150
|
AARON
|
1,905
|
61
|
Start
|
Low
|
151
|
Gerald Holtom
|
1,897
|
61
|
Start
|
Low
|
152
|
British Airways ethnic liveries
|
1,895
|
61
|
Start
|
Low
|
153
|
ASCII porn
|
1,891
|
61
|
Stub
|
Low
|
154
|
Josef Müller-Brockmann
|
1,888
|
60
|
Start
|
Unknown
|
155
|
Pen & Pixel
|
1,883
|
60
|
Start
|
Unknown
|
156
|
Alexey Brodovitch
|
1,881
|
60
|
B
|
Low
|
157
|
Grid (graphic design)
|
1,838
|
59
|
Start
|
Low
|
158
|
Hermann Zapf
|
1,807
|
58
|
C
|
Low
|
159
|
Secession (art)
|
1,802
|
58
|
B
|
Unknown
|
160
|
Cassandre
|
1,782
|
57
|
Start
|
Mid
|
161
|
Herbert Bayer
|
1,779
|
57
|
Start
|
Mid
|
162
|
Adobe FreeHand
|
1,777
|
57
|
B
|
Mid
|
163
|
Leo Lionni
|
1,753
|
56
|
C
|
Low
|
164
|
Picnik
|
1,750
|
56
|
Start
|
Low
|
165
|
British Rail Double Arrow
|
1,733
|
55
|
C
|
Low
|
166
|
Particle system
|
1,727
|
55
|
C
|
High
|
167
|
Ecological design
|
1,660
|
53
|
Start
|
Low
|
168
|
Bruno Munari
|
1,650
|
53
|
C
|
Mid
|
169
|
Otl Aicher
|
1,570
|
50
|
Start
|
High
|
170
|
List of common 3D test models
|
1,567
|
50
|
List
|
Low
|
171
|
April Greiman
|
1,564
|
50
|
C
|
Mid
|
172
|
Obama logo
|
1,558
|
50
|
B
|
Mid
|
173
|
Blob emoji
|
1,544
|
49
|
Start
|
Low
|
174
|
Kuwahara filter
|
1,528
|
49
|
C
|
Low
|
175
|
Irma Boom
|
1,510
|
48
|
Start
|
Unknown
|
176
|
Chermayeff & Geismar & Haviv
|
1,466
|
47
|
Start
|
High
|
177
|
S. Neil Fujita
|
1,465
|
47
|
Start
|
Low
|
178
|
Creative Market
|
1,456
|
46
|
Start
|
Low
|
179
|
Michael Bierut
|
1,444
|
46
|
C
|
High
|
180
|
Tadanori Yokoo
|
1,440
|
46
|
Start
|
Low
|
181
|
Seymour Chwast
|
1,427
|
46
|
C
|
Mid
|
182
|
The Designers Republic
|
1,418
|
45
|
C
|
Low
|
183
|
Herb Lubalin
|
1,392
|
44
|
Start
|
Mid
|
184
|
ISO 690
|
1,327
|
42
|
C
|
Unknown
|
185
|
Section (typography)
|
1,326
|
42
|
Start
|
Low
|
186
|
Storyboard artist
|
1,318
|
42
|
Start
|
Mid
|
187
|
Web typography
|
1,315
|
42
|
B
|
Low
|
188
|
Visual hierarchy
|
1,287
|
41
|
B
|
Unknown
|
189
|
Yinka Ilori
|
1,280
|
41
|
B
|
Mid
|
190
|
List of desktop publishing software
|
1,280
|
41
|
List
|
Unknown
|
191
|
Bill Gold
|
1,277
|
41
|
C
|
Low
|
192
|
American Institute of Graphic Arts
|
1,271
|
41
|
Start
|
Unknown
|
193
|
Bumper sticker
|
1,270
|
40
|
Start
|
Low
|
194
|
Cartographic design
|
1,255
|
40
|
B
|
Unknown
|
195
|
Design management
|
1,245
|
40
|
GA
|
Top
|
196
|
Shigetaka Kurita
|
1,238
|
39
|
Start
|
Low
|
197
|
Stanley Morison
|
1,228
|
39
|
Start
|
Mid
|
198
|
Atkinson Hyperlegible
|
1,175
|
37
|
C
|
Low
|
199
|
Kirby Jenner
|
1,166
|
37
|
Start
|
Low
|
200
|
GUI
|
1,160
|
37
|
Redirect
|
NA
|
201
|
Paste up
|
1,155
|
37
|
Start
|
Low
|
202
|
Frederic Goudy
|
1,146
|
36
|
Start
|
Mid
|
203
|
Tibor Kalman
|
1,146
|
36
|
Start
|
Mid
|
204
|
George Lois
|
1,109
|
35
|
Start
|
Low
|
205
|
Page footer
|
1,103
|
35
|
Start
|
Low
|
206
|
Michael Okuda
|
1,072
|
34
|
Start
|
Mid
|
207
|
For position only
|
1,068
|
34
|
Stub
|
Low
|
208
|
Alan Fletcher (graphic designer)
|
1,055
|
34
|
Start
|
High
|
209
|
Adobe ImageReady
|
1,046
|
33
|
Stub
|
Low
|
210
|
Alston Purvis
|
1,018
|
32
|
Start
|
Low
|
211
|
99designs
|
1,000
|
32
|
Start
|
Low
|
212
|
Kyle Cooper
|
990
|
31
|
C
|
Low
|
213
|
Leonard Baskin
|
987
|
31
|
Start
|
Low
|
214
|
MyPaint
|
980
|
31
|
Start
|
Low
|
215
|
XX (novel)
|
980
|
31
|
Stub
|
Low
|
216
|
Porter Garnett
|
966
|
31
|
Start
|
Low
|
217
|
Jonathan Hoefler
|
962
|
31
|
Start
|
Unknown
|
218
|
Richard Amsel
|
955
|
30
|
C
|
Low
|
219
|
PicMonkey
|
938
|
30
|
Stub
|
Low
|
220
|
Joshua Davis (designer)
|
923
|
29
|
Start
|
Low
|
221
|
Tomato (design collective)
|
910
|
29
|
Stub
|
Low
|
222
|
Print design
|
903
|
29
|
Stub
|
Mid
|
223
|
Lucian Bernhard
|
895
|
28
|
Start
|
Mid
|
224
|
Graphic design occupations
|
892
|
28
|
Start
|
Mid
|
225
|
Push Pin Studios
|
891
|
28
|
C
|
Low
|
226
|
Pix4D
|
878
|
28
|
Stub
|
Unknown
|
227
|
Dedication (publishing)
|
866
|
27
|
C
|
Low
|
228
|
Page header
|
862
|
27
|
Stub
|
Low
|
229
|
John Pasche
|
861
|
27
|
Start
|
High
|
230
|
Emory Douglas
|
852
|
27
|
C
|
Low
|
231
|
User experience evaluation
|
849
|
27
|
Start
|
Low
|
232
|
Armin Hofmann
|
842
|
27
|
Stub
|
Mid
|
233
|
William Addison Dwiggins
|
835
|
26
|
Start
|
Unknown
|
234
|
NCAA Native American mascot decision
|
834
|
26
|
C
|
Low
|
235
|
Jonathan Barnbrook
|
831
|
26
|
Start
|
Low
|
236
|
Daniel Sotomayor
|
830
|
26
|
Start
|
Low
|
237
|
Modo (software)
|
830
|
26
|
Start
|
Low
|
238
|
Maxime Plescia-Büchi
|
823
|
26
|
Start
|
Low
|
239
|
Vizrt
|
809
|
26
|
Start
|
Low
|
240
|
Municipal device of Chicago
|
782
|
25
|
Stub
|
Low
|
241
|
21 21 Design Sight
|
781
|
25
|
Start
|
Low
|
242
|
Polish School of Posters
|
778
|
25
|
C
|
Low
|
243
|
Retail design
|
773
|
24
|
C
|
Low
|
244
|
You mean a woman can open it?
|
760
|
24
|
Start
|
Low
|
245
|
Steven Heller (design writer)
|
723
|
23
|
Start
|
Low
|
246
|
Visual variable
|
723
|
23
|
C
|
Mid
|
247
|
International Council of Design
|
713
|
23
|
Start
|
Mid
|
248
|
Design studies
|
706
|
22
|
C
|
Mid
|
249
|
Noesis (software)
|
705
|
22
|
Start
|
Low
|
250
|
Java 3D
|
697
|
22
|
Start
|
Low
|
251
|
Cipe Pineles
|
695
|
22
|
Start
|
High
|
252
|
Ellen Lupton
|
694
|
22
|
Start
|
Unknown
|
253
|
Error diffusion
|
690
|
22
|
C
|
Low
|
254
|
Separation of content and presentation
|
682
|
22
|
Start
|
High
|
255
|
Edward McKnight Kauffer
|
677
|
21
|
Start
|
Mid
|
256
|
Human Rights Logo
|
672
|
21
|
Start
|
Mid
|
257
|
Zuzana Licko
|
664
|
21
|
C
|
Low
|
258
|
Camera-ready
|
656
|
21
|
Start
|
Low
|
259
|
Shigeo Fukuda
|
650
|
20
|
Start
|
Low
|
260
|
Trade card
|
640
|
20
|
Unknown
|
Mid
|
261
|
Chorochromatic map
|
637
|
20
|
B
|
Unknown
|
262
|
Elaine Bass
|
626
|
20
|
C
|
Low
|
263
|
Muriel Cooper
|
624
|
20
|
C
|
Unknown
|
264
|
Reid Miles
|
615
|
19
|
Start
|
Low
|
265
|
Will H. Bradley
|
614
|
19
|
Start
|
Low
|
266
|
Jane Davis Doggett
|
600
|
19
|
Start
|
Unknown
|
267
|
Content designer
|
598
|
19
|
Start
|
Mid
|
268
|
Henry Wolf
|
597
|
19
|
Start
|
Unknown
|
269
|
Reggie Parks
|
597
|
19
|
Start
|
Unknown
|
270
|
Bradbury Thompson
|
585
|
18
|
Start
|
Low
|
271
|
List of graphic designers
|
559
|
18
|
List
|
Low
|
272
|
Paul Bacon (designer)
|
559
|
18
|
C
|
Low
|
273
|
2020 Summer Olympic pictograms
|
556
|
17
|
C
|
Low
|
274
|
Alex Steinweiss
|
548
|
17
|
Start
|
Low
|
275
|
Duospaced font
|
547
|
17
|
Start
|
Low
|
276
|
Louise Fili
|
544
|
17
|
C
|
Low
|
277
|
Henry Steiner
|
539
|
17
|
C
|
Unknown
|
278
|
Chimping
|
532
|
17
|
Start
|
Low
|
279
|
Ed Benguiat
|
531
|
17
|
C
|
Low
|
280
|
Gail Anderson (graphic designer)
|
522
|
16
|
C
|
Low
|
281
|
Sheila Levrant de Bretteville
|
521
|
16
|
C
|
Unknown
|
282
|
Lella Vignelli
|
520
|
16
|
B
|
Mid
|
283
|
Web content development
|
519
|
16
|
Start
|
Mid
|
284
|
Emigre (magazine)
|
509
|
16
|
Start
|
Mid
|
285
|
Karoly Grosz (illustrator)
|
497
|
16
|
GA
|
Mid
|
286
|
Adobe GoLive
|
496
|
16
|
Start
|
Low
|
287
|
Pablo Ferro
|
495
|
15
|
C
|
Low
|
288
|
Jacqueline Casey
|
489
|
15
|
C
|
Unknown
|
289
|
Lester Beall
|
482
|
15
|
Stub
|
Mid
|
290
|
Jules Siegel
|
482
|
15
|
Stub
|
Low
|
291
|
Image fidelity
|
482
|
15
|
Start
|
Low
|
292
|
Piet Zwart
|
478
|
15
|
Start
|
Low
|
293
|
Mobirise
|
476
|
15
|
Start
|
Unknown
|
294
|
Annie Atkins
|
466
|
15
|
Start
|
Low
|
295
|
Irina Blok
|
465
|
15
|
Start
|
Low
|
296
|
Hamid Nadimi
|
463
|
14
|
Redirect
|
NA
|
297
|
Yusaku Kamekura
|
457
|
14
|
C
|
Low
|
298
|
Keith Roberts
|
457
|
14
|
C
|
Low
|
299
|
DTP artist
|
456
|
14
|
Stub
|
Low
|
300
|
Chicago Athenaeum
|
452
|
14
|
Start
|
Low
|
301
|
Screen space directional occlusion
|
450
|
14
|
Stub
|
Low
|
302
|
Icon design
|
438
|
14
|
Start
|
Unknown
|
303
|
SK1 (program)
|
436
|
14
|
Start
|
Mid
|
304
|
Dawn Baillie
|
430
|
13
|
Start
|
Low
|
305
|
Bruce Rogers (typographer)
|
429
|
13
|
Start
|
Mid
|
306
|
Herbert Matter
|
427
|
13
|
Start
|
Mid
|
307
|
Inkie
|
426
|
13
|
Start
|
Mid
|
308
|
Angela Guzman
|
425
|
13
|
Start
|
Unknown
|
309
|
Production artist
|
424
|
13
|
Stub
|
Low
|
310
|
Mick Haggerty
|
421
|
13
|
Stub
|
Unknown
|
311
|
Edward Fella
|
420
|
13
|
Start
|
Mid
|
312
|
Robert Brownjohn
|
406
|
13
|
Start
|
Unknown
|
313
|
Artkraft Strauss
|
405
|
13
|
Start
|
Low
|
314
|
News design
|
392
|
12
|
Start
|
High
|
315
|
Earnest Elmo Calkins
|
391
|
12
|
C
|
Mid
|
316
|
Ruth Ansel
|
385
|
12
|
Start
|
Low
|
317
|
Ehrenstein illusion
|
378
|
12
|
C
|
Low
|
318
|
Comprehensive layout
|
374
|
12
|
Start
|
Mid
|
319
|
Emigre Fonts
|
374
|
12
|
Start
|
Low
|
320
|
Willem Sandberg
|
373
|
12
|
Start
|
Unknown
|
321
|
Lance Wyman
|
367
|
11
|
Start
|
Unknown
|
322
|
Brian Collins (designer)
|
364
|
11
|
C
|
Low
|
323
|
Charles Bigelow (type designer)
|
356
|
11
|
Start
|
Low
|
324
|
Oswald Bruce Cooper
|
355
|
11
|
B
|
Low
|
325
|
Barbara Stauffacher Solomon
|
354
|
11
|
Stub
|
Unknown
|
326
|
Ladislav Sutnar
|
353
|
11
|
Stub
|
Low
|
327
|
Samuel Burgess-Johnson
|
347
|
11
|
Start
|
Low
|
328
|
Desk pad
|
343
|
11
|
Stub
|
Low
|
329
|
John Gilroy (artist)
|
342
|
11
|
Stub
|
Low
|
330
|
23 Envelope
|
342
|
11
|
Start
|
Low
|
331
|
ROSTA posters
|
341
|
11
|
Stub
|
Low
|
332
|
Alvin Lustig
|
339
|
10
|
Start
|
Unknown
|
333
|
Python Anghelo
|
338
|
10
|
Start
|
Low
|
334
|
Joseph Binder (graphic designer)
|
338
|
10
|
C
|
Low
|
335
|
Jessica Wallenfels
|
335
|
10
|
C
|
Low
|
336
|
Peter Corriston
|
324
|
10
|
Stub
|
Low
|
337
|
Creative brief
|
324
|
10
|
Start
|
Low
|
338
|
TVBoy
|
323
|
10
|
Start
|
Low
|
339
|
Leif Podhajsky
|
314
|
10
|
Start
|
Mid
|
340
|
Georg Olden (graphic designer)
|
312
|
10
|
Stub
|
Low
|
341
|
Seashore (software)
|
311
|
10
|
Start
|
Low
|
342
|
Tom Geismar
|
309
|
9
|
Stub
|
Unknown
|
343
|
3D Slash
|
305
|
9
|
Start
|
Low
|
344
|
National Design Awards
|
302
|
9
|
List
|
Mid
|
345
|
Steve Jenkins (author)
|
296
|
9
|
C
|
Low
|
346
|
Bea Feitler
|
295
|
9
|
Start
|
Low
|
347
|
Cey Adams
|
295
|
9
|
C
|
Low
|
348
|
Art Chantry
|
294
|
9
|
Start
|
Mid
|
349
|
Richard Turley (graphic designer)
|
293
|
9
|
C
|
Low
|
350
|
List of AIGA medalists
|
291
|
9
|
List
|
Unknown
|
351
|
Giorgia Lupi
|
291
|
9
|
Start
|
Low
|
352
|
Marian Bantjes
|
290
|
9
|
Start
|
Low
|
353
|
Aviary (image editor)
|
289
|
9
|
Start
|
Low
|
354
|
Peter Mendelsund
|
288
|
9
|
Start
|
Low
|
355
|
Unimark International
|
287
|
9
|
Start
|
Low
|
356
|
Ernie Cefalu
|
285
|
9
|
Start
|
Low
|
357
|
German Design Award
|
285
|
9
|
Start
|
Unknown
|
358
|
Bob Gill (artist)
|
279
|
9
|
Start
|
Low
|
359
|
William Rose (illustrator)
|
278
|
8
|
GA
|
Low
|
360
|
Katherine McCoy
|
277
|
8
|
B
|
High
|
361
|
Henryk Tomaszewski (poster artist)
|
275
|
8
|
Start
|
Low
|
362
|
Bayer Cross Leverkusen
|
274
|
8
|
Redirect
|
Low
|
363
|
Goal structuring notation
|
274
|
8
|
Stub
|
Mid
|
364
|
MtPaint
|
273
|
8
|
C
|
Low
|
365
|
Jean-Pascal Fournier
|
270
|
8
|
Stub
|
Unknown
|
366
|
Marc Balet
|
267
|
8
|
Start
|
Low
|
367
|
The Beatles Illustrated Lyrics
|
266
|
8
|
Start
|
Low
|
368
|
See Red Women's Workshop
|
266
|
8
|
Start
|
Unknown
|
369
|
Daniel Berkeley Updike
|
264
|
8
|
Start
|
Low
|
370
|
William Golden (graphic designer)
|
262
|
8
|
C
|
Low
|
371
|
Mirko Hanák
|
261
|
8
|
Stub
|
Low
|
372
|
Karlsruhe University of Arts and Design
|
261
|
8
|
C
|
Low
|
373
|
Haibao
|
257
|
8
|
Stub
|
Low
|
374
|
Carlo Vivarelli
|
256
|
8
|
Stub
|
Unknown
|
375
|
Michael Wolff (graphic designer)
|
254
|
8
|
Stub
|
Low
|
376
|
Tom Eckersley
|
254
|
8
|
C
|
Unknown
|
377
|
Max Huber (graphic designer)
|
254
|
8
|
Start
|
Mid
|
378
|
Michael Cho (illustrator)
|
250
|
8
|
Stub
|
Low
|
379
|
Jan van Krimpen
|
249
|
8
|
Start
|
Mid
|
380
|
Out of Home Advertising Association of America
|
248
|
8
|
Stub
|
Low
|
381
|
Pegasus (artist)
|
246
|
7
|
Start
|
Low
|
382
|
Vignelli Associates
|
244
|
7
|
C
|
High
|
383
|
Visual brand language
|
243
|
7
|
Start
|
Low
|
384
|
Ootje Oxenaar
|
238
|
7
|
Stub
|
Unknown
|
385
|
International Design Awards
|
233
|
7
|
Stub
|
Low
|
386
|
Xanti Schawinsky
|
231
|
7
|
Start
|
Unknown
|
387
|
Michael Rock (graphic designer)
|
230
|
7
|
Start
|
Low
|
388
|
Paul Brooks Davis
|
230
|
7
|
Start
|
Mid
|
389
|
Rajie Cook
|
229
|
7
|
C
|
Low
|
390
|
Gary Grimshaw
|
228
|
7
|
B
|
Unknown
|
391
|
First Things First 2000 manifesto
|
228
|
7
|
Start
|
Low
|
392
|
Emily Oberman
|
227
|
7
|
C
|
Low
|
393
|
Kii Arens
|
226
|
7
|
C
|
Unknown
|
394
|
Gui Bonsiepe
|
226
|
7
|
Stub
|
Unknown
|
395
|
Richard Hollis
|
225
|
7
|
Stub
|
Unknown
|
396
|
Gudrun Zapf von Hesse
|
225
|
7
|
B
|
Low
|
397
|
Brett Wickens
|
223
|
7
|
Start
|
Low
|
398
|
Lettering guide
|
222
|
7
|
Start
|
Low
|
399
|
Away3D
|
221
|
7
|
B
|
Low
|
400
|
Paul Kuhr
|
221
|
7
|
Start
|
Low
|
401
|
Jobbing press
|
221
|
7
|
Start
|
Mid
|
402
|
Dori Tunstall
|
220
|
7
|
C
|
High
|
403
|
European Design Awards
|
220
|
7
|
Stub
|
Low
|
404
|
Kiyoshi Awazu
|
219
|
7
|
C
|
Low
|
405
|
Gilbert (typeface)
|
219
|
7
|
Start
|
Low
|
406
|
Rudy VanderLans
|
217
|
7
|
Stub
|
Unknown
|
407
|
Bruce Blackburn
|
216
|
6
|
Start
|
Low
|
408
|
Mark Farrow
|
216
|
6
|
Start
|
Mid
|
409
|
R. O. Blechman
|
212
|
6
|
Start
|
Low
|
410
|
Screen reading
|
211
|
6
|
Start
|
Unknown
|
411
|
Mehemed Fehmy Agha
|
210
|
6
|
Start
|
Mid
|
412
|
Rudolph Ruzicka
|
210
|
6
|
Start
|
Low
|
413
|
Lawrence C. Wroth
|
209
|
6
|
Start
|
Low
|
414
|
Mackey Saturday
|
208
|
6
|
Start
|
Mid
|
415
|
Hans Rudi Erdt
|
207
|
6
|
Start
|
Unknown
|
416
|
Alliance Graphique Internationale
|
206
|
6
|
Stub
|
Low
|
417
|
Curve (tonality)
|
206
|
6
|
Stub
|
Mid
|
418
|
Derek Birdsall
|
204
|
6
|
Start
|
Low
|
419
|
Colin Forbes (graphic designer)
|
203
|
6
|
Stub
|
Mid
|
420
|
Corporate design
|
202
|
6
|
Redirect
|
Mid
|
421
|
Deena Mohamed
|
202
|
6
|
C
|
Low
|
422
|
Pulsonix
|
202
|
6
|
Start
|
Unknown
|
423
|
Officina Bodoni
|
202
|
6
|
Start
|
Low
|
424
|
Bob Cato
|
202
|
6
|
Start
|
Low
|
425
|
David Costa (graphic designer)
|
201
|
6
|
Start
|
Low
|
426
|
Bob Noorda
|
200
|
6
|
C
|
Mid
|
427
|
Patrick Clair
|
200
|
6
|
C
|
Low
|
428
|
Impossible Dream (advertisement)
|
200
|
6
|
Start
|
Low
|
429
|
Dard Hunter
|
200
|
6
|
Start
|
Low
|
430
|
Dan Friedman (graphic designer)
|
198
|
6
|
Start
|
Mid
|
431
|
Thomas Spitzer
|
197
|
6
|
Start
|
Low
|
432
|
Erik Nitsche
|
197
|
6
|
Stub
|
Unknown
|
433
|
Elaine Lustig Cohen
|
195
|
6
|
C
|
Low
|
434
|
RAWGraphs
|
192
|
6
|
Start
|
Low
|
435
|
Bob Pepper (illustrator)
|
190
|
6
|
Start
|
Low
|
436
|
Web template
|
190
|
6
|
Redirect
|
NA
|
437
|
Jerry Dior
|
188
|
6
|
Start
|
Low
|
438
|
Deborah Sussman
|
188
|
6
|
C
|
Low
|
439
|
Margo Chase
|
185
|
5
|
C
|
Low
|
440
|
William S. Harvey
|
185
|
5
|
Start
|
Low
|
441
|
Armando Testa
|
183
|
5
|
C
|
Low
|
442
|
Representative image
|
182
|
5
|
Stub
|
Low
|
443
|
Matrix Feminist Design Co-operative
|
181
|
5
|
C
|
Low
|
444
|
Frank Parkinson Newbould
|
180
|
5
|
Stub
|
Low
|
445
|
Art Directors Club Hall of Fame
|
178
|
5
|
List
|
Low
|
446
|
Carin Goldberg
|
178
|
5
|
Start
|
Low
|
447
|
Lucille Tenazas
|
178
|
5
|
C
|
Low
|
448
|
Carnegie Mellon School of Design
|
178
|
5
|
Start
|
Mid
|
449
|
Neue Grafik
|
177
|
5
|
Start
|
Low
|
450
|
Best Art Vinyl
|
174
|
5
|
List
|
Low
|
451
|
Quentin Fiore
|
174
|
5
|
C
|
Low
|
452
|
Rudolph de Harak
|
173
|
5
|
Start
|
Low
|
453
|
Philip B. Meggs
|
172
|
5
|
Start
|
Mid
|
454
|
The Longing for Less
|
172
|
5
|
Stub
|
Low
|
455
|
Lou Dorfsman
|
170
|
5
|
Start
|
Low
|
456
|
Reynold Ruffins
|
169
|
5
|
C
|
Low
|
457
|
Invisible Creature
|
168
|
5
|
Stub
|
Low
|
458
|
Arnold Armitage
|
168
|
5
|
Stub
|
Low
|
459
|
Jer Thorp
|
167
|
5
|
Start
|
Unknown
|
460
|
Rolf Weijburg
|
166
|
5
|
Start
|
Unknown
|
461
|
Jessica Helfand
|
164
|
5
|
Start
|
Unknown
|
462
|
MetaDesign
|
164
|
5
|
Start
|
Low
|
463
|
M & Co. (design firm)
|
164
|
5
|
Start
|
Mid
|
464
|
News Bunny
|
163
|
5
|
Start
|
Low
|
465
|
Michael Patrick Cronan
|
163
|
5
|
C
|
Low
|
466
|
Template generator
|
162
|
5
|
Start
|
High
|
467
|
Hans Schleger
|
161
|
5
|
C
|
Mid
|
468
|
Michael Schwab (designer)
|
159
|
5
|
Stub
|
Unknown
|
469
|
Roger Black (graphic designer)
|
158
|
5
|
Start
|
Low
|
470
|
List of Art on the Underground Tube map covers
|
158
|
5
|
List
|
Unknown
|
471
|
James Victore
|
156
|
5
|
Stub
|
Unknown
|
472
|
Saffron Brand Consultants
|
156
|
5
|
Start
|
Mid
|
473
|
Ammunition Design Group
|
154
|
4
|
Start
|
Low
|
474
|
Object co-segmentation
|
153
|
4
|
C
|
Low
|
475
|
Rosmarie Tissi
|
153
|
4
|
Stub
|
Unknown
|
476
|
Ray-traced ambient occlusion
|
152
|
4
|
Stub
|
Low
|
477
|
Rick Poynor
|
152
|
4
|
Stub
|
Low
|
478
|
Jay Alders
|
151
|
4
|
C
|
Low
|
479
|
Yorgo Tloupas
|
151
|
4
|
B
|
Low
|
480
|
Matt Gondek
|
150
|
4
|
Start
|
Low
|
481
|
P. Scott Makela
|
150
|
4
|
C
|
Low
|
482
|
Nabil Abou-Harb
|
150
|
4
|
C
|
Low
|
483
|
Józef Mroszczak
|
149
|
4
|
Start
|
Unknown
|
484
|
Patrick Thomas (graphic artist)
|
146
|
4
|
Start
|
Low
|
485
|
Rod Dyer
|
145
|
4
|
Stub
|
Low
|
486
|
Broadcast designer
|
142
|
4
|
Stub
|
Mid
|
487
|
Zoltron
|
141
|
4
|
C
|
Unknown
|
488
|
Adrian Shaughnessy
|
139
|
4
|
C
|
Low
|
489
|
Sustainable furniture design
|
139
|
4
|
Stub
|
Low
|
490
|
Tomoko Miho
|
139
|
4
|
Start
|
Low
|
491
|
Sandy Dvore
|
138
|
4
|
Start
|
Low
|
492
|
Hussain Almossawi
|
136
|
4
|
C
|
Low
|
493
|
Society of Graphic Designers of Canada
|
136
|
4
|
Start
|
Low
|
494
|
Papervision3D
|
136
|
4
|
Start
|
Unknown
|
495
|
Michael Doret
|
135
|
4
|
Start
|
Low
|
496
|
Robert Blakeley
|
135
|
4
|
C
|
Low
|
497
|
George Macy
|
135
|
4
|
Start
|
Low
|
498
|
E. C. Stoner
|
134
|
4
|
GA
|
Low
|
499
|
Design School Kolding
|
133
|
4
|
Start
|
Unknown
|
500
|
J. Abbott Miller
|
133
|
4
|
Start
|
Low
|
501
|
Television presentation
|
133
|
4
|
Start
|
Low
|
502
|
E-Types
|
132
|
4
|
Stub
|
Low
|
503
|
8vo (design)
|
132
|
4
|
Stub
|
Low
|
504
|
Colorway
|
125
|
4
|
Stub
|
NA
|
505
|
Jugate
|
125
|
4
|
C
|
Low
|
506
|
Bram de Does
|
124
|
4
|
Start
|
Mid
|
507
|
Art Sims
|
124
|
4
|
Start
|
Unknown
|
508
|
Fatpaint
|
123
|
3
|
Start
|
Low
|
509
|
Safiya al Bahlani
|
122
|
3
|
Start
|
Low
|
510
|
Base Design
|
122
|
3
|
Stub
|
Unknown
|
511
|
Marina Willer
|
122
|
3
|
Stub
|
Unknown
|
512
|
Paul Sahre
|
122
|
3
|
Start
|
Low
|
513
|
Louis Oppenheim
|
118
|
3
|
Start
|
Low
|
514
|
Association of Registered Graphic Designers
|
118
|
3
|
Start
|
Low
|
515
|
Timothy Cole
|
117
|
3
|
Start
|
Low
|
516
|
The Ant Farm
|
113
|
3
|
Stub
|
Low
|
517
|
Norman Ives
|
111
|
3
|
C
|
Low
|
518
|
Tony Chambers
|
110
|
3
|
C
|
Mid
|
519
|
John Casado
|
109
|
3
|
Start
|
Mid
|
520
|
Italpinas
|
109
|
3
|
Stub
|
Low
|
521
|
Antonio Peticov
|
108
|
3
|
C
|
Low
|
522
|
Demian Conrad
|
107
|
3
|
C
|
Unknown
|
523
|
Rack card
|
107
|
3
|
Stub
|
Low
|
524
|
Jaap Drupsteen
|
106
|
3
|
Stub
|
Unknown
|
525
|
Khoi Vinh
|
106
|
3
|
Stub
|
Low
|
526
|
Tony Lane
|
105
|
3
|
Stub
|
Low
|
527
|
Andrew Blauvelt
|
105
|
3
|
Start
|
Low
|
528
|
Abraham Nathanson
|
105
|
3
|
Start
|
Low
|
529
|
Bruno Monguzzi
|
104
|
3
|
Start
|
Unknown
|
530
|
Graphical time warping
|
104
|
3
|
C
|
Low
|
531
|
Frederic G. Melcher
|
104
|
3
|
Start
|
Low
|
532
|
Inge Druckrey
|
103
|
3
|
Start
|
Low
|
533
|
Student design competition
|
103
|
3
|
Start
|
Low
|
534
|
Clement Mok
|
102
|
3
|
Stub
|
Low
|
535
|
Graphics coordinator
|
102
|
3
|
Start
|
Low
|
536
|
Henry Lewis Bullen
|
101
|
3
|
Start
|
Low
|
537
|
Lisa Strausfeld
|
101
|
3
|
C
|
Low
|
538
|
Deborah Adler
|
101
|
3
|
Start
|
Low
|
539
|
David Dees
|
100
|
3
|
Stub
|
Unknown
|
540
|
Will Burtin
|
100
|
3
|
B
|
Mid
|
541
|
Jost Hochuli
|
99
|
3
|
Start
|
Low
|
542
|
Colin Elgie
|
98
|
3
|
Stub
|
Unknown
|
543
|
Noiseless
|
98
|
3
|
Start
|
Low
|
544
|
Steven Brower
|
98
|
3
|
Start
|
Low
|
545
|
Leon Friend
|
97
|
3
|
Start
|
Low
|
546
|
Hisui Sugiura
|
97
|
3
|
Start
|
Mid
|
547
|
Karl Bickel
|
97
|
3
|
C
|
Low
|
548
|
Jason Munn
|
97
|
3
|
C
|
Low
|
549
|
Simon Halfon
|
96
|
3
|
Stub
|
Low
|
550
|
Sun Raster
|
96
|
3
|
Start
|
Low
|
551
|
May Massee
|
96
|
3
|
C
|
Unknown
|
552
|
Epica Awards
|
96
|
3
|
Start
|
Low
|
553
|
Astrid Stavro
|
95
|
3
|
Start
|
Low
|
554
|
Amanda Marie
|
95
|
3
|
C
|
Unknown
|
555
|
Axel Bertram
|
95
|
3
|
C
|
Unknown
|
556
|
Chemical X (artist)
|
93
|
3
|
Start
|
Unknown
|
557
|
Stefan G. Bucher
|
93
|
3
|
C
|
Low
|
558
|
Lo-Type
|
90
|
2
|
Stub
|
Low
|
559
|
John J. Graham
|
90
|
2
|
Start
|
Unknown
|
560
|
Stefanie Posavec
|
90
|
2
|
Start
|
Unknown
|
561
|
Kit Hinrichs
|
89
|
2
|
C
|
Low
|
562
|
Dennis Kois
|
89
|
2
|
Start
|
Low
|
563
|
Lorraine Wild
|
89
|
2
|
Stub
|
Low
|
564
|
Rick Valicenti
|
89
|
2
|
C
|
High
|
565
|
Jim Phillips (illustrator)
|
88
|
2
|
Unknown
|
Low
|
566
|
The Gehenna Press
|
87
|
2
|
C
|
Low
|
567
|
ICE Advertisements
|
86
|
2
|
Start
|
Low
|
568
|
Lee Moyer
|
86
|
2
|
C
|
Low
|
569
|
David Plunkert
|
85
|
2
|
Stub
|
Unknown
|
570
|
Angus Hyland
|
84
|
2
|
Start
|
Low
|
571
|
Pino Tovaglia
|
83
|
2
|
Start
|
Mid
|
572
|
Mag+
|
83
|
2
|
C
|
Low
|
573
|
Autonomous Design Group
|
83
|
2
|
Stub
|
Unknown
|
574
|
Burkey Belser
|
82
|
2
|
Start
|
Low
|
575
|
George Tscherny
|
82
|
2
|
Start
|
Mid
|
576
|
E-Lab
|
82
|
2
|
Unknown
|
Unknown
|
577
|
Gene Mackles
|
82
|
2
|
Unknown
|
Unknown
|
578
|
Chepman and Myllar Press
|
82
|
2
|
C
|
Low
|
579
|
David Berman (graphic designer)
|
81
|
2
|
Start
|
Low
|
580
|
Sandra Eisert
|
81
|
2
|
B
|
Mid
|
581
|
Alexander Isley
|
79
|
2
|
Start
|
Low
|
582
|
Carl Fischer (photographer)
|
79
|
2
|
C
|
Low
|
583
|
Association of Professional Design Firms
|
79
|
2
|
Stub
|
Low
|
584
|
Kevin Reagan
|
78
|
2
|
Stub
|
Low
|
585
|
Robert E. Pearlman
|
78
|
2
|
C
|
Low
|
586
|
Giovanni Pintori
|
78
|
2
|
Start
|
Mid
|
587
|
Decorative Designers
|
77
|
2
|
Start
|
Low
|
588
|
Matt Willey
|
77
|
2
|
Stub
|
Low
|
589
|
Fré Cohen
|
76
|
2
|
Start
|
Low
|
590
|
Woody Pirtle
|
76
|
2
|
Start
|
Low
|
591
|
Louise Sandhaus
|
75
|
2
|
Start
|
Mid
|
592
|
Paul Giambarba
|
75
|
2
|
Start
|
Low
|
593
|
Artwork (graphic arts)
|
74
|
2
|
Stub
|
Mid
|
594
|
Malcolm Grear
|
74
|
2
|
Start
|
Low
|
595
|
Carbone Smolan Agency
|
73
|
2
|
C
|
Low
|
596
|
Paul Soulellis
|
73
|
2
|
C
|
Low
|
597
|
Visualizer (advertising)
|
72
|
2
|
Redirect
|
Low
|
598
|
Olga Kaljakin
|
72
|
2
|
Stub
|
Low
|
599
|
Rufus Segar
|
72
|
2
|
Start
|
Low
|
600
|
William Drenttel
|
72
|
2
|
Start
|
Low
|
601
|
John Gall (designer)
|
70
|
2
|
Start
|
Low
|
602
|
Germano Facetti
|
70
|
2
|
Stub
|
Low
|
603
|
Rudolf Modley
|
70
|
2
|
C
|
Unknown
|
604
|
Ernst Bettler
|
69
|
2
|
Start
|
Low
|
605
|
Burt Goldblatt
|
69
|
2
|
Start
|
Low
|
606
|
Modern College of Design
|
69
|
2
|
Stub
|
Low
|
607
|
Chrysler Design Award
|
69
|
2
|
List
|
Unknown
|
608
|
Franzisca Baruch
|
68
|
2
|
GA
|
Low
|
609
|
Michael Gericke
|
67
|
2
|
C
|
Low
|
610
|
Lou Nolan (artist)
|
67
|
2
|
Start
|
Unknown
|
611
|
Roy Kuhlman
|
67
|
2
|
Start
|
Low
|
612
|
Guo Chunning
|
67
|
2
|
Stub
|
Unknown
|
613
|
Hansje van Halem
|
66
|
2
|
Start
|
Low
|
614
|
Doremus & Co.
|
66
|
2
|
Stub
|
Low
|
615
|
Ron Miriello
|
66
|
2
|
C
|
Low
|
616
|
Jennifer Morla
|
65
|
2
|
C
|
Low
|
617
|
Michael Manwaring
|
65
|
2
|
Start
|
Low
|
618
|
Antigirl
|
65
|
2
|
C
|
Low
|
619
|
Michael Hertz Associates
|
65
|
2
|
Start
|
Low
|
620
|
Gordon Andrews (industrial designer)
|
65
|
2
|
C
|
Low
|
621
|
AutoCollage 2008
|
64
|
2
|
Stub
|
Low
|
622
|
Harrie Geelen
|
63
|
2
|
Stub
|
Unknown
|
623
|
Sons of Chaos
|
63
|
2
|
C
|
Low
|
624
|
Semi-Permanent
|
63
|
2
|
Start
|
Low
|
625
|
Italo Lupi
|
62
|
2
|
Start
|
Low
|
626
|
Söre Popitz
|
62
|
2
|
Start
|
Low
|
627
|
Tod Lippy
|
62
|
2
|
C
|
Low
|
628
|
Alexis Georgacopoulos
|
62
|
2
|
Start
|
Low
|
629
|
Fons Hickmann
|
62
|
2
|
Start
|
Low
|
630
|
Paul Shaw (design historian)
|
62
|
2
|
Stub
|
Low
|
631
|
Steve Duenes
|
61
|
1
|
Start
|
Low
|
632
|
Lorraine Louie
|
60
|
1
|
Stub
|
Low
|
633
|
Digital typography
|
60
|
1
|
Redirect
|
NA
|
634
|
Neal Layton
|
60
|
1
|
Stub
|
Low
|
635
|
Michael Vanderbyl
|
60
|
1
|
Stub
|
Low
|
636
|
WRDSMTH
|
59
|
1
|
Start
|
Unknown
|
637
|
Jurriaan Schrofer
|
58
|
1
|
Stub
|
Unknown
|
638
|
Tony DiSpigna
|
56
|
1
|
Start
|
Low
|
639
|
Homer Lee
|
56
|
1
|
Stub
|
Low
|
640
|
Gene Federico
|
55
|
1
|
Start
|
Low
|
641
|
Hans Neuburg
|
55
|
1
|
Stub
|
Unknown
|
642
|
Number Seventeen (design)
|
55
|
1
|
Stub
|
Unknown
|
643
|
Julia Hasting
|
54
|
1
|
C
|
Unknown
|
644
|
Bitmap textures
|
54
|
1
|
Stub
|
Low
|
645
|
Clive Piercy
|
54
|
1
|
C
|
Low
|
646
|
Huda Smitshuijzen AbiFarès
|
53
|
1
|
Start
|
Low
|
647
|
Vicente Rojo Almazán
|
53
|
1
|
Stub
|
Unknown
|
648
|
Rob Carter
|
53
|
1
|
Start
|
Low
|
649
|
List of Adobe Flash software
|
52
|
1
|
List
|
Low
|
650
|
Roland Hobart
|
52
|
1
|
C
|
Mid
|
651
|
O'Plérou
|
52
|
1
|
Stub
|
Low
|
652
|
Meredith Davis
|
52
|
1
|
Start
|
Low
|
653
|
Thomas Maitland Cleland
|
51
|
1
|
Start
|
Low
|
654
|
Noel Martin
|
50
|
1
|
Start
|
Low
|
655
|
Ben Blank
|
50
|
1
|
Start
|
Low
|
656
|
Jayme Odgers
|
50
|
1
|
Stub
|
Low
|
657
|
Walter Herdeg
|
50
|
1
|
B
|
Mid
|
658
|
Stephen H. Horgan
|
49
|
1
|
Stub
|
Low
|
659
|
A Smile in the Mind
|
48
|
1
|
Start
|
Unknown
|
660
|
Noreen Morioka
|
48
|
1
|
Start
|
Unknown
|
661
|
Deva Pardue
|
48
|
1
|
Start
|
Unknown
|
662
|
The History of Graphic Design
|
48
|
1
|
Start
|
Low
|
663
|
Peter Seitz
|
48
|
1
|
Start
|
Low
|
664
|
The Blockhouse of Boston
|
48
|
1
|
C
|
Low
|
665
|
Ougrapo
|
48
|
1
|
Stub
|
Unknown
|
666
|
Jianping He
|
47
|
1
|
C
|
Unknown
|
667
|
Edley ODowd
|
47
|
1
|
Start
|
Low
|
668
|
Emmett McBain
|
47
|
1
|
Start
|
Unknown
|
669
|
Nico de Haas
|
46
|
1
|
Stub
|
Unknown
|
670
|
Catherine Zask
|
45
|
1
|
C
|
Low
|
671
|
Romana Javitz
|
44
|
1
|
C
|
Low
|
672
|
Graphex
|
44
|
1
|
Redirect
|
NA
|
673
|
Alvin Eisenman
|
44
|
1
|
Stub
|
Low
|
674
|
Rudi Bass
|
43
|
1
|
Start
|
Unknown
|
675
|
John G. Agar (lawyer)
|
43
|
1
|
Start
|
Low
|
676
|
Gene Greif
|
43
|
1
|
Stub
|
Low
|
677
|
Will Ransom
|
43
|
1
|
Unknown
|
Unknown
|
678
|
Graphic Thought Facility
|
43
|
1
|
Stub
|
Unknown
|
679
|
Pablo Martín (graphic designer)
|
43
|
1
|
Start
|
Unknown
|
680
|
Gideon Amichay
|
43
|
1
|
Start
|
Low
|
681
|
Fabrizio Schiavi
|
42
|
1
|
Start
|
Low
|
682
|
FXT1
|
42
|
1
|
Start
|
Low
|
683
|
Robert L. Leslie
|
42
|
1
|
Start
|
Low
|
684
|
Ismar David
|
42
|
1
|
Stub
|
Low
|
685
|
Melbert B. Cary Jr.
|
41
|
1
|
Start
|
Low
|
686
|
It is. A Magazine for Abstract Art
|
41
|
1
|
B
|
Low
|
687
|
Comparison of user features of chatbots
|
40
|
1
|
Redirect
|
NA
|
688
|
Makoto Saitō (designer)
|
40
|
1
|
Stub
|
Low
|
689
|
Dorothy Shepard
|
40
|
1
|
Start
|
Unknown
|
690
|
Anne-Birthe Hove
|
40
|
1
|
Stub
|
Low
|
691
|
Joseph Blumenthal (printer)
|
39
|
1
|
C
|
Mid
|
692
|
Trevor Johnson (designer)
|
39
|
1
|
Stub
|
Unknown
|
693
|
Jarlath Hayes
|
39
|
1
|
Start
|
Low
|
694
|
Paul Dumas
|
39
|
1
|
Start
|
Low
|
695
|
Robert Rabinowitz
|
39
|
1
|
Stub
|
Low
|
696
|
Donald M. Anderson
|
38
|
1
|
Start
|
Low
|
697
|
Laurie Haycock Makela
|
38
|
1
|
C
|
Low
|
698
|
Signal (typeface)
|
38
|
1
|
Start
|
Low
|
699
|
Adam and Sophie Gimbel Design Library
|
38
|
1
|
Stub
|
Low
|
700
|
Simon C. Page
|
38
|
1
|
Start
|
Low
|
701
|
Clarence P. Hornung
|
38
|
1
|
Start
|
Low
|
702
|
Eric Thake
|
38
|
1
|
C
|
Low
|
703
|
Paul Balin
|
37
|
1
|
Stub
|
Low
|
704
|
Georgianna Stout
|
36
|
1
|
Start
|
Low
|
705
|
Jerome Snyder
|
36
|
1
|
Start
|
Low
|
706
|
Louis Silverstein
|
36
|
1
|
Stub
|
Low
|
707
|
Jo Mazelis
|
36
|
1
|
C
|
Mid
|
708
|
Dennis Ichiyama
|
35
|
1
|
Start
|
Unknown
|
709
|
Leo Obstbaum
|
35
|
1
|
Start
|
Unknown
|
710
|
Mike Warren (designer)
|
35
|
1
|
C
|
Unknown
|
711
|
Herbert Temple Jr.
|
35
|
1
|
C
|
Low
|
712
|
Paul Clark (designer)
|
35
|
1
|
C
|
Unknown
|
713
|
Faride Mereb
|
34
|
1
|
Start
|
Unknown
|
714
|
Thomas Letts
|
34
|
1
|
Start
|
Low
|
715
|
Gertrude Huston
|
33
|
1
|
C
|
Low
|
716
|
Robert Ballagh postage stamp designs
|
32
|
1
|
List
|
Low
|
717
|
ANY (magazine)
|
32
|
1
|
Stub
|
Low
|
718
|
Jauhien Kulik
|
32
|
1
|
Start
|
Low
|
719
|
JESS3
|
32
|
1
|
Start
|
Low
|
720
|
Hiwa Pashaei
|
32
|
1
|
C
|
Low
|
721
|
Linked by Air
|
32
|
1
|
C
|
High
|
722
|
Alan Peckolick
|
31
|
1
|
Start
|
Unknown
|
723
|
Michael Hendrix
|
31
|
1
|
C
|
Low
|
724
|
Ann Willoughby
|
31
|
1
|
C
|
Low
|
725
|
Janet Froelich
|
30
|
0
|
Start
|
Low
|
726
|
Commercial character design
|
30
|
0
|
Stub
|
Low
|
727
|
Jacques Koeweiden
|
30
|
0
|
Start
|
Low
|
728
|
Urso Chappell
|
30
|
0
|
Stub
|
Low
|
729
|
Rob Roy Kelly
|
30
|
0
|
Start
|
Low
|
730
|
Gruye-Vogt Organization
|
30
|
0
|
Start
|
Low
|
731
|
Marget Larsen
|
30
|
0
|
Start
|
Low
|
732
|
Michael Mabry
|
30
|
0
|
Stub
|
Unknown
|
733
|
Dafi Kühne
|
29
|
0
|
C
|
Low
|
734
|
Francesco Torniello
|
29
|
0
|
Start
|
Low
|
735
|
Yang Sung-chun
|
28
|
0
|
Start
|
Low
|
736
|
Linas Garsys
|
28
|
0
|
Stub
|
Low
|
737
|
Harry Lapow
|
28
|
0
|
C
|
Low
|
738
|
Anna Sipkema
|
28
|
0
|
C
|
Unknown
|
739
|
Bernie Haynes Robynson
|
27
|
0
|
Start
|
Low
|
740
|
Helene Nonné-Schmidt
|
27
|
0
|
Start
|
Low
|
741
|
Joel Robinson (graphic designer)
|
27
|
0
|
Start
|
Low
|
742
|
Henry Watson Kent
|
27
|
0
|
C
|
Low
|
743
|
Assil Diab
|
27
|
0
|
Start
|
Low
|
744
|
Independent Publishing Resource Center
|
27
|
0
|
Start
|
Low
|
745
|
The Poster
|
27
|
0
|
Stub
|
Low
|
746
|
William A. Kittredge
|
26
|
0
|
Start
|
Low
|
747
|
Maggie Baylis
|
26
|
0
|
Start
|
Unknown
|
748
|
Frank Rocholl
|
26
|
0
|
C
|
Low
|
749
|
Fra Paalman
|
26
|
0
|
C
|
Low
|
750
|
Alison Forbes
|
26
|
0
|
C
|
Low
|
751
|
Erik Heyl
|
26
|
0
|
Start
|
Unknown
|
752
|
Raymond Ameijide
|
26
|
0
|
Stub
|
Low
|
753
|
Friedrich Kurt Fiedler
|
25
|
0
|
Start
|
Unknown
|
754
|
Edward Epstean
|
25
|
0
|
Start
|
Low
|
755
|
Evert Bloemsma
|
25
|
0
|
Start
|
Unknown
|
756
|
100 Beste Plakate
|
25
|
0
|
Start
|
Low
|
757
|
Gail Swanlund
|
25
|
0
|
Start
|
Unknown
|
758
|
Brett Yasko
|
24
|
0
|
C
|
Low
|
759
|
Do Good Design
|
24
|
0
|
Stub
|
Low
|
760
|
Henrietta Condak
|
24
|
0
|
Start
|
Unknown
|
761
|
Stratford Press (Cincinnati)
|
24
|
0
|
C
|
Low
|
762
|
Advertising Producers Association
|
24
|
0
|
Stub
|
Low
|
763
|
Strategy visualization
|
24
|
0
|
Stub
|
Low
|
764
|
Wiesław Rosocha
|
24
|
0
|
Stub
|
Low
|
765
|
Roger Ferriter
|
24
|
0
|
Start
|
Low
|
766
|
Sally Carns
|
24
|
0
|
Stub
|
Low
|
767
|
Jennifer Kinon
|
24
|
0
|
Stub
|
Unknown
|
768
|
Web button
|
24
|
0
|
Redirect
|
Low
|
769
|
Lita Talarico
|
23
|
0
|
Start
|
Low
|
770
|
Morton Goldsholl Associates
|
23
|
0
|
Start
|
Low
|
771
|
Monica Ulmanu
|
23
|
0
|
Stub
|
Unknown
|
772
|
The Electronic Font Foundry
|
23
|
0
|
Stub
|
Low
|
773
|
Basmah Felemban
|
22
|
0
|
Start
|
Low
|
774
|
Elmer Adler
|
22
|
0
|
Start
|
Low
|
775
|
Ray Nash
|
22
|
0
|
Start
|
Low
|
776
|
Tinc (retail)
|
22
|
0
|
Stub
|
Low
|
777
|
Communicate: Independent British Graphic Design since the Sixties
|
22
|
0
|
Stub
|
Unknown
|
778
|
Elsa Jernås
|
21
|
0
|
Start
|
Low
|
779
|
Stanisław Czerski
|
20
|
0
|
Stub
|
Unknown
|
780
|
Kim Rees
|
20
|
0
|
Start
|
Unknown
|
781
|
List of trademarks featuring Native Americans
|
20
|
0
|
List
|
Low
|
782
|
Karen TenEyck
|
20
|
0
|
Start
|
Unknown
|
783
|
GumCo
|
20
|
0
|
Stub
|
Low
|
784
|
Boudewijn Ietswaart
|
20
|
0
|
C
|
Low
|
785
|
América Sánchez
|
20
|
0
|
Stub
|
Low
|
786
|
Erkki Ruuhinen
|
19
|
0
|
Start
|
Unknown
|
787
|
Marion Sampler
|
19
|
0
|
C
|
Low
|
788
|
Paul Bennett (typographer)
|
19
|
0
|
Stub
|
Unknown
|
789
|
Institute of Designers in Ireland
|
19
|
0
|
Start
|
Low
|
790
|
Carl Purington Rollins
|
19
|
0
|
Start
|
Low
|
791
|
Pieter Brattinga
|
18
|
0
|
Stub
|
Unknown
|
792
|
Sony Ziris
|
18
|
0
|
Start
|
Mid
|
793
|
Calori & Vanden-Eynden
|
18
|
0
|
Start
|
Low
|
794
|
Michel Wlassikoff
|
18
|
0
|
Stub
|
Low
|
795
|
Norman T.A. Munder
|
18
|
0
|
C
|
Mid
|
796
|
Jan V. White
|
17
|
0
|
Start
|
Low
|
797
|
75B
|
17
|
0
|
Start
|
Low
|
798
|
Norman Wilson (graphic designer)
|
17
|
0
|
Start
|
Unknown
|
799
|
The Firecracker Press
|
17
|
0
|
Start
|
Low
|
800
|
Tevfik Fikret Uçar
|
17
|
0
|
Start
|
Low
|
801
|
Willy de Majo
|
17
|
0
|
C
|
Unknown
|
802
|
P. J. Conkwright
|
17
|
0
|
Start
|
Low
|
803
|
Moses Bahelfer
|
16
|
0
|
Start
|
Unknown
|
804
|
John Charles Norman
|
16
|
0
|
Stub
|
Low
|
805
|
LiveQuartz
|
16
|
0
|
Start
|
Low
|
806
|
Jabbar Gasimov
|
16
|
0
|
Start
|
Low
|
807
|
Bob Salpeter
|
16
|
0
|
Start
|
Low
|
808
|
Abel Mignon
|
14
|
0
|
Start
|
Low
|
809
|
Charles Burki
|
14
|
0
|
Stub
|
Low
|
810
|
Adobe Illustrator CS6 (Macintosh)
|
13
|
0
|
Redirect
|
NA
|
811
|
Trickett & Webb
|
13
|
0
|
Unknown
|
Unknown
|
812
|
Ryszard Grzyb
|
13
|
0
|
Stub
|
Low
|
813
|
Suranga Udari
|
13
|
0
|
Start
|
Low
|
814
|
Gyorgy Bp. Szabo
|
12
|
0
|
Start
|
Low
|
815
|
Société des designers graphiques du Québec
|
12
|
0
|
Start
|
Low
|
816
|
Futuracha Pro
|
12
|
0
|
Stub
|
Low
|
817
|
Harmen Liemburg
|
12
|
0
|
Start
|
Unknown
|
818
|
3D Artist
|
11
|
0
|
Redirect
|
Low
|
819
|
Warren Group – Studio Deluxe
|
11
|
0
|
Start
|
Low
|
820
|
Agrafka Creative Workshop
|
11
|
0
|
Start
|
Low
|
821
|
Don Trousdell
|
10
|
0
|
Start
|
Low
|
822
|
Pierre Kleykamp
|
10
|
0
|
Start
|
Unknown
|
823
|
Kijuro Yahagi
|
10
|
0
|
Start
|
Low
|
824
|
Ivo Puhonny
|
10
|
0
|
Start
|
Low
|
825
|
Standing Committee of Trade Unions in the Graphic Industry
|
9
|
0
|
Stub
|
Low
|
826
|
Ivan Ivanitsky
|
9
|
0
|
Start
|
Low
|
827
|
Alfred H. Howard
|
8
|
0
|
Stub
|
Unknown
|
828
|
Marie Victor Poterlet
|
7
|
0
|
Start
|
Low
|
829
|
Gerrit Willem Ovink
|
7
|
0
|
Stub
|
Low
|
830
|
Burton Emmett
|
7
|
0
|
Start
|
Unknown
|
831
|
Piet Gerards
|
7
|
0
|
Start
|
Unknown
|
832
|
VertigoXmedia
|
6
|
0
|
Stub
|
Low
|
833
|
Péter Virágvölgyi
|
6
|
0
|
C
|
Low
|
834
|
J. Thompson Willing
|
6
|
0
|
Start
|
Low
|
835
|
Alioum Moussa
|
6
|
0
|
Start
|
Low
|
836
|
Glenn Goluska
|
5
|
0
|
Stub
|
Unknown
|
837
|
Hugo Puttaert
|
5
|
0
|
Start
|
Low
|
838
|
Graphical design
|
2
|
0
|
Redirect
|
NA
|
839
|
Karmele Leizaola
|
2
|
0
|
C
|
Unknown
|
840
|
Spectrum Award for Advertising
|
2
|
0
|
Redirect
|
Low
|
841
|
AIGA, the professional association for design
|
2
|
0
|
Redirect
|
NA
|
842
|
Ari Forman
|
0
|
0
|
Redirect
|
NA
|