Won Il

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This article is about the South Korean musician. For the Korean given name, see Won-il.
In this Korean name, the family name is Won.
Won Il
원일
Background information
Born (1967-10-19) October 19, 1967 (age 56)
Seoul, South Korea
Occupation(s)Korean traditional music Player, Composer, Conductor, Producer
InstrumentsPiri, Percussions, Electronic gears
Websitewww.facebook.com/il.won.il/
Korean name
Hangul
원일
Hanja
Revised RomanizationWon Il
McCune–ReischauerWŏn Il

Won Il(Korean: 원일; RR: Won Il), stylized as IL WON, is a Korean modern musician mainly based on Korean traditional music. He won four times at the Grand Bell Awards which is often regarded as South Korea's Academy Awards.

Early life[edit]

WON IL was born in Seoul on October 19, 1967. In elementary school, he hit all things that sounded like a musical instrument: hollow gears, such as broken pots, crushed pots, planks, sticks, iron pipes, or bamboo, dig through holes. He mainly played snare drums and recorders, and in middle school he started playing the clarinet in the band. The clarinet he met while blowing the iron pipe was so fascinating that he swelled his mouth to swell.[1]

Thanks to these musical activities, the emotion of deficiency and discomfort that had to be felt in the absence of the birth mother in the home environment as a child was transformed into musical energy. In connection with the band's senior who attended the Korean traditional music high school, Won entered the National Traditional Music High School to major in flute, and the teacher of the original Samulnori who taught Samulnori, Kim Yong-bae recognized the mischievous 'player' in the Korean traditional music high school.[2][1][3]

In that way, Kim Yong-bae's presence and music greatly influenced his music identity. While serving as a class leader and a school president at the Gugak High School, he was fail the college admission to Seoul National University. He established a career as a major in Korean classical music and flute major (1986 student number), led by teacher Jeong Jae-guk, a master of contemporary flutes, and entered the path of a traditional music player in earnest as a minor in percussion including Samulnori.[4]

In college, in an attempt to play accompaniment music in real-time during a traditional dance performance, 'Sorisawi' with his participation as Flute-Percussion was established to try to put into practice the contemporary agony with the music.[5]

At that time, there were also contacts with famous celebrities of the time, who were classified as so-called 'Undongkwon' such as Park Chi-eum,[6] Kim Min-ki, and Yoo In-taek. At the time, in 1988, when the Seoul Olympics were held, on the occasion of Korean Liberation Day, on August 15, the festival of 'Unification Song Hanmadang'[7] was held. At the 'Art Theater Hanmadang', opened as a theater dedicated to Korean traditional play (CEO Yoo In-taek), the festival led by Park Chi-um was the first musical accompaniment to Korean traditional music. 'Sorisawi' performed all accompaniment music as Korean traditional music.[8]

Main career[edit]

Awards[edit]

Year Award Category Recipient Result
1990 National Gugak Contest Grand Prize[19] Won-il Won
1994 Korea Dance Association Awards Music[20][21] Jok-bo Won
1995 Korea Institute of Creative Arts Awards New Generation Best Composer Selection[22] Kkot-sang-yeo Won
1996 Grand Bell Awards Best Music[23] Petals Won
1999 Best Music[24] Spring in My Hometown Won
Chunsa Film Art Awards Best Music[25] Won
Korean Association of Film Critics Awards Best Music[26] Won
Today's Young Artist Awards Traditional Korean Arts[27] Won-il Won
2000 Grand Bell Awards Best Music[28] The Uprising Won
KBS Korean Traditional Music Awards Composition[29] Won-il Won
2008 Grand Bell Awards Best Music[30] Hwang Jin Yi Won
2015 Best Artist of This Year Music[31] Won-il Won

Works[edit]

Discography[edit]

Discography by Won Il[32]
Year Artist Title Label
1996 Won Il A petal Samsung Music
1997 Uhuhboo Project Breakeven point DongA Records
Won Il Asura AK
Dosirak Commandos Yummy omnibus Dosirak Commandos DongA Records/King Records
1998 Won Il Spring In My Hometown Woongjin Media
1999 Puri 移動 Yejeon Media
Won Il The Uprising Sony Music
Won Il The Ring virus Sony Music
2000 Dosirak Commandos 圖時樂特功隊2 Behind Story Doremi Records
2003 Won Il Wonderful Days Fluxus Music/Seoul Records
Won Il Wonderful Days [Special Edition] Fluxus Music
2007 Puri Neo Sound Of Korea Mnet Media
2011 Baramgot Baramgot Universal Music

Soundtrack[edit]

Year Work Awards Ref.
1995 Cinema on the Road (Korean: 한국영화 씻김; RR: Hangungnyeonghwa Ssitgim)
1996 A Petal Grand Bell Awards, BEST MUSIC
1998 The Power of Kangwon Province
1998 Spring in My Hometown Grand Bell Awards, BEST MUSIC
1999 The Ring Virus
1999 The Uprising Grand Bell Awards, BEST MUSIC
2002 On the Occasion of Remembering the Turning Gate
2003 Sky Blue
2003 A Hilarious Mourning (Korean: 오구; RR: Ogu)
2003 Into the Mirror
2005 O-Nu-Ri (Korean: 오늘이; RR: Oneuri)
2006 Immortal Admiral Yi Sun-sin (TV series) [33]
2007 Hwang Jin Yi Grand Bell Awards, BEST MUSIC
2011 The Showdown
2012 Gabi

Major events[edit]

Filmography[edit]

Radio[edit]

  • Won Il's Evam mayā śrutam (Korean: 원일의 여시아문; RR: Wonirui Yeosiamun) (Gugak FM, 2016-)[34]

Television[edit]

  • Fascinating Silkroad (Korean: 매혹의 실크로드; RR: Maehogui Silkeurodeu) (KBS1, 2019)[35][36]
  • JTBC lecture (Korean: 차이나는 클라스; RR: Chainaneun Keullaseu) 142nd episode (JTBC, 2020)[37]

Bibliography[edit]

  • 동해안 진오귀굿 중 장수굿의 짜임새와 장단구조 : 청보장단을 중심으로, 2001.[38]
  • 음악적 발상의 원천으로서의 굿, 2011.[39]
  • 음대 나와서 무얼 할까, 2015. ISBN 9788970598246

Artistic orientation[edit]

1. Popularity. From his early 'Puri' activity, in his performance, there was an enthusiastic response that was not normally seen in the traditional Korean music audience. In addition, he contributed to securing a young fan base of the Korean music industry by pursuing popular attempts that were not seen in the traditional music world, such as recording music with N.E.X.T, the popular music group, and PANIC O.S.T. By dividing the category of 'National Heritage', which was reinforced and expanded and reproduced by governmental logic such as strengthening national identity which is so-called 'Korean traditional music', he moved the public's attention to the category of 'contemporary music' where creators and enjoyers coexist in creative music genre.

2. Creativity. He is a National Intangible Cultural Property of Korea, and is also awarded the Grand Prize of the National Korean Traditional Contest hosted by the National Gugak Center in the 'Jeongak' field, which can be said to be the music that connects authentic Korean traditional music. However, as mentioned earlier, his role in the Korean traditional music world was not 'Guardian' but 'Innovation'. Beginning in high school, his creative activities continued to evolve and evolved, paying more attention to the needs of the market at the eye of the public rather than stuffed supplies, and contributed to broadening the boundaries of Korean traditional music creativity. Even now, he finds the creative principle of Korean music from native Korean word called 'Sinawi', the oldest Korean music term to replace creative music, and creates a new concept and phenomenon called 'Shin-A-wi (神 我 爲)'.

3. Extensibility. It is an indispensable element to elicit a new phase of access to the unspecified majority. Since childhood, the memories of learning snare drum and recorder, flute and clarinet, kkwaeng-gwali and janggu, and composition and production are imprinted on his genetic map and combined to suit the purpose as a sort of synthesizer, so that they can be output like MIDI. From his early music, represented by <Shinbatnori>, to his numerous artistic events, such as the release of numerous movie music OSTs, opening and closing ceremonies of PyeongChang Olympics and National Sports Festival, his artistic behavior was the convergence of individual music identities, between past and future, East and West genres.

4. Openness. He has been pursuing the 'open structure' of the performance, which is the biggest characteristic of Korean traditional music. It appears narrowly in the musical structure or stage operation of the work, and broadly in his activities and histories. From the fusion music activities of 'Puri' to professional management for European tours in Japan and other countries in the early 1990s, he has taken the method of stepping up the existing frame by the newly introduced elements rather than traditional principles or laws. By doing so, he opened his own experiential horizon. Rather than choosing to continue the institutional music power as a professor at the Korea National University of Arts and as an art director at the National Orchestra orchestra under the National Theater, he chose to take a new course to pursue spirituality and world music at the 'Hwaeom Music Festival' held at Hwaeomsa Temple in Gurye, Jeolla Province. It is a feature that can be seen in.

5. Spirituality. The intrinsic dimension and essential characteristic to be experienced as the ultimate value of his music is that he leads the spiritual experience of the subject through 'doing music'. When this is done jointly in the music field, it creates a magnetic field of greater influence, and this is the 'phenomena' to be observed in the 'Sinawi' project he has been trying to realize. This phenomenon created a multiplicity and atypical melody flow called Sinawi, which began with musical “live songs in the field”, and songs played in shamanism or at the theater. This is an attempt. Shortly after he was newly appointed as the artistic director of Gyeonggi Provincial Orchestra Orchestra under the Seoul Arts Center in 2020, the name of the representative orchestra of Gyeonggi-do, which is 25 years old, has been renamed as 'Gyeonggi Sinawi Orchestra'. Expression.

References[edit]

  1. ^ a b "[21세기 문화 문화인] 작곡가 원일씨" (in Korean). 서울칼럼니스트모임. 2000-10-16.
  2. ^ "국악인 원일, 한국 음악의 22세기 지도를 그리다 : COVER STORY" (in Korean). Retrieved 2020-03-18.
  3. ^ Gowman, Philip (14 June 2013). "The Timbre of Moonlight: Won Il on bringing traditional instruments to a modern audience". London Korean Links. Retrieved 1 June 2020.
  4. ^ "전통음악/전설의 풍물, 미래의 가락". 한겨레21 문화 (in Korean). Retrieved 2020-03-19. 김용배가 국립국악고등학교에 출강하면서 새끼사물을 키웠으니 이들이 곧 원일, 허윤정, 김웅식 등이다. 이들을 사랑해서 쇠에다 이름까지 써서 주었다.
  5. ^ "그들의 이력서 : 젊은 베르테르, 다르게 쓰는 결말 - 예술감독 원일". 월간 공진단 (in Korean). 2019.
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  7. ^ "예술극장 한마당 8월15일 개관". 매일경제 (in Korean). Retrieved 2020-04-27.
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  9. ^ "국가무형문화재 제46호 피리정악 및 대취타 (피리正樂 및 大吹打)". Heritage Portal (in Korean). Retrieved 2020-04-27.
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  17. ^ 김, 지헌 (2019-06-26). "제100회 전국체전 서울개최 D-100…성화 첫 전국 봉송". Yonhap News Agency (in Korean). Retrieved 2020-04-27.
  18. ^ "예술감독". 경기시나위오케스트라. Retrieved 2020-04-27.
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  23. ^ 김, 명환 (1996-04-28). "제34회 대종상 「애니깽」작품-감독상". The Chosun Ilbo (in Korean). Retrieved 2020-05-17.
  24. ^ "'아름다운 시절'작품상". The Chosun Ilbo (in Korean). 1999-04-09. Retrieved 2020-05-17.
  25. ^ "아름다운 시절 또 "償"". Incheon Ilbo (in Korean). 1999-02-08. Retrieved 2020-05-17.
  26. ^ "映評賞 최우수작품상에 「아름다운 시절」". Munhwa Ilbo. Retrieved 2020-05-17.
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  28. ^ 임, 범 (2000-04-18). "박하사탕 대종상 휩쓸어". The Hankyoreh. Retrieved 2020-05-17.
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  31. ^ 고, 은지 (2015-11-23). "올해 최우수 예술가에 한명옥 예술감독 등 8명". Yonhap News Agency (in Korean). Retrieved 2020-05-17.
  32. ^ "원일 (Won, Il)". maniadb (in Korean).
  33. ^ "'불멸의 이순신' 시청자들, OST 발매 서명운동". 스타뉴스 (in Korean). 2005-07-11. Retrieved 2020-04-27.
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  37. ^ "차이나는 클라스 142회 다시보기". JTBC (in Korean). 2020-01-29. Retrieved 2020-04-27.
  38. ^ 일, 원 (2001). "동해안 진오귀굿 중 장수굿의 짜임새와 장단구조". 한국공연예술연구논문선집 (in Korean) (3). 한국예술종합학교 전통예술원.
  39. ^ 일, 원 (2011). "음악적 발상의 원천으로서의 굿". 민족미학 (in Korean) (10). 민족미학회: 2.
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