Xenia Benivolski

Add links
From Wikipedia, the free encyclopedia
Xenia Benivolski
NationalityCanadian
Alma materUniversity of Toronto
Occupations
  • Art curator
  • writer
Years active2003-present

Xenia Benivolski is a curator of contemporary art, sound and music, an art critic and a writer. She founded several collectives and art galleries in Toronto, including The White House gallery,[1] 8-11 gallery,[2] The Feminist Art Museum,[3] and SUGAR. Benivolski has given public lectures at The Power Plant Contemporary Art Gallery[4] the Museum of Contemporary Art Toronto,[5] and the Art Gallery of York University.[6] She contributes to e-flux,[7] Artforum[8] Frieze, and the Wire[9]

Curatorial Projects[edit]

In 2008, Benivolski co-founded The White House Studio Project along with Christy Kunitzky and Jon McCurley (of Life of a Craphead).[1] The idea behind The White House was to rent a residential space and turn it into artist studios.[10][11] It was described as a reaction to Toronto's conservative climate and clawbacks in arts funding.[12] The space was considered one of the best places to see and make art in Toronto, a 2,600 sq. ft. community centre and active exhibition space with a wood shop, zine library and screen printing facilities.[13] The White House was recognized as a valuable space for culture in Toronto by Making Space for Culture, a project led by the City of Toronto.[14]

In 2014, Benivolski co-founded 8–11, an art collective and gallery in Toronto's Chinatown.[2][15] The gallery's original sign, a spoof on 7-Eleven's logo, drew controversy and a cease and desist order after L.A-based DJ Skrillex posted a photo of the gallery on Instagram.[2] The gallery hosted some of the first exhibitions for artists Azza El Siddique, Tau Lewis, and Lotus L. Kang.

In 2016, Benivolski co-founded The Feminist Art Museum with Su-Ying Lee.[16] The goal of the project was to bridge feminist art institutions in North America, and included exhibitions, talks, workshops, and performances.[3] In 2017, The Feminist Art Museum completed a residency at the Santa Fe Art Institute.[17] In 2017, Benivolski was one of four international curators at the 7th Beijing International Art Biennale.[18][19] In 2020, Benivolski curated the first solo exhibition in Canada of work by Latvian-born, Montreal-based artist Zanis Waldheims (1909–93).[20]

Benivolski co-founded SUGAR Contemporary in 2019, a contemporary art gallery near Sugar Beach in Toronto and curated a show by Slavs and Tatars.[21] SUGAR was voted best new art space in Toronto in 2019.[22]

She is a curator and editor of the e-flux project You Can't Trust Music,[23] a web-based art and music project that connects artist and musicians through thematic programs featuring Ryuichi Sakamoto, Shiro Takatani, Julieta Aranda, Ayesha Hameed, Felicia Atkinson, Elin Már Øyen Vister and others.

In 2011 Benivolski organized a donation drive to support the community of Attawapiskat in Northern Ontario after the community declared a state of emergency. Donations of winter clothing, medicine and heaters were driven by truck to Timmins then flown to the remote community.[24]

References[edit]

  1. ^ a b Titanic, Sara (2010-01-01). "The White House". NOW Magazine. Retrieved 2021-03-11.
  2. ^ a b c "8-11 art collective: No Slurpees sold here". thestar.com. 2 March 2015.
  3. ^ a b "Feminist Art Museum". Temporary Art Review. 2017-11-22. Retrieved 2021-03-11.
  4. ^ "The Power Plant - Sunday Scene – Programs & Events – The Power Plant Contemporary Art Gallery – Harbourfront Centre". www.thepowerplant.org. Retrieved 2021-03-11.
  5. ^ "The Innovators Panel". Museum of Contemporary Art Toronto Canada. Retrieved 2021-03-11.
  6. ^ "Do Rocks Listen". AGYU. Retrieved 2022-09-24.
  7. ^ "Pejvak's "If Need Be" by Xenia Benivolski". Art Agenda. Retrieved 2022-09-24.
  8. ^ "Xenia Benivolski on Artforum". Artforum. Retrieved 2022-09-24.
  9. ^ "Xenia Benivolski on Raven Chacon". the Wire. Retrieved 2022-09-24.
  10. ^ Titanic, Sara (2010-01-01). "The White House". NOW Magazine. Retrieved 2021-03-18.
  11. ^ ArtStars* 2 - The White House, retrieved 2021-03-18
  12. ^ Prickett, Sarah Nicole (2012). "The Collective Bargaining of Creative Success". Toronto Standard. Retrieved March 31, 2021.
  13. ^ "The top 7 artist collectives in Toronto". www.blogto.com. Retrieved 2021-03-18.
  14. ^ City of Toronto. "Making Space for Culture" (PDF). toronto.ca. Retrieved March 17, 2021.
  15. ^ "6 New Toronto Art Spaces to Watch". canadianart.ca. Retrieved 2021-03-29.
  16. ^ "Quick Fire: 5 Questions with Feminist Art Museum". Gardiner Museum. 2017-08-16. Retrieved 2021-03-21.
  17. ^ "Feminist Art Museum". Santa Fe Art Institute. Retrieved 2021-03-21.
  18. ^ The Organizing Committee of Beijing International Art Biennale (2016). "Regulations of the 7th Beijing International Art Biennale, China 2017" (PDF). www.aiap-iaa.org. Retrieved March 25, 2021.
  19. ^ "the 7th Beijing International Art Biennale：The Silk Road and World Civilizations". e.cflac.org.cn. Retrieved 2021-03-25.
  20. ^ "Zanis Waldheims – Canadian Art". canadianart.ca. Retrieved 2021-03-28.
  21. ^ Polina, Lasenko (2019). "Pickle Politics: Review" (PDF). www.sfu.ca. Retrieved March 25, 2021.
  22. ^ Heather, Rosemary (2019-12-10). "The best of Toronto's art scene 2019". NOW Magazine. Retrieved 2021-03-11.
  23. ^ "yctm.e-flux.com".
  24. ^ "Communities Responding To Attawapiskat". Retrieved 2021-03-11.
Retrieved from "https://en.wikipedia.org/w/index.php?title=Xenia_Benivolski&oldid=1199238061"