Anti-fairy tale
An anti-fairy tale, also called anti-tale, is a fairy tale which, unlike an ordinary one, has a tragic, rather than a happy ending, with the antagonists winning and the protagonists losing at the end of the story. Whereas fairy tales paint a magical, utopian world, anti-fairy tales paint a dark world of nastiness and cruelty. Such stories incorporate horror, black comedy, mean-spirited practical jokes on innocent characters, sudden and often cruel plot twists, and biting satire. [1][2] The term (German: Antimärchen) was introduced by André Jolles[1] in his Einfache Formen (1930).[3]
Examples of anti-fairy tales include "The Fisherman and His Wife", and "The Swineherd".[1] A recent example is Fabien Vehlmann's graphic novel Beautiful Darkness.[4]
The term is also used to refer to remakes of traditional "happy" fairy tales into "unhappy" ones.[2]
See also[edit]
References[edit]
- ^ a b c The Greenwood Encyclopedia of Folktales and Fairy Tales: A-F, article "Anti-fairy tale", p. 50
- ^ a b Catriona McAra, David Calvin, Anti-Tales: The Uses of Disenchantment, Cambridge Scholars Publishing, May 25, 2011, ISBN 1443830550, p. 4
- ^ André Jolles: Einfache Formen. Legende, Sage, Mythe, Rätsel, Spruch, Kasus, Memorabile, Märchen, Witz. Niemeyer, Halle (Saale) 1930 (Forschungsinstitut für Neuere Philologie Leipzig: Neugermanistische Abteilung; 2) p. 242.
- ^ Why Beautiful Darkness Is The Ultimate Anti-Fairytale
Further reading[edit]
- Lutz Röhrich, Märchen mit schlechtem Ausgang" ("Fairy Tales with Bad Ending"), In: Hessische Blätter für Volkskunde. 49-50 (1958) 236-248
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