Das verschleierte Bild zu Sais

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"The Veiled Image at Sais" ("Das verschleierte Bild zu Saïs") is a 1795 ballad by Friedrich Schiller using ancient Greek, Egyptian and biblical motifs.

Development history

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Schiller refers with his ballad to the motif of the veiled Isis, a very popular theme in artistic as well as intellectual contexts at that time. Furthermore, in the context of contemporary Freemasonry this motif has great significance and thus Schiller already takes it up in his essay Die Sendung Moses (1790), which is strongly inspired by the Freemason Karl Leonard Reinhold.^[1] Then he also takes up the motif in his writing Vom Erhabenen (1793). This a philosophical work theorizing the sublime and it is inspired by Immanuel Kant, who used the veiled Isis of Sais as prime example for the sublime. Schiller's ballad is based on Plutarch's written record about a statue of Athena-Isis in the Egyptian city of Sais,^[2] in which Plutarch states the statue bore an inscription saying "I am all that has been and is and shall be; and no mortal has ever lifted my veil."^[3] A further basis is an anecdote of Pausanias, which is about a young man going mad by illegally opening the holy chest of a mystery cult. Both fundamental story elements, the veiled Isis as well as the mental disease from the illegal view of the holy mysteries, are already treated in Die Sendung Moses.

Literature

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Primary literature

Friedrich Schiller: Sämtliche Werke. Bd. 1. München 1962. pp. 224–226, 239–240.

Secondary literature

Jan Assmann: Das verschleierte Bild zu Sais. Schillers Ballade und ihre ägyptischen und griechischen Hintergründe. Leipzig 1999.
George Cebadal: Goethe, Schiller und die verschleierte Wahrheit. Ein kleiner Beitrag zur Mysterienkultur in Goethes "Faust"-Dichtung und der Weimarer Klassik. Norderstedt 2019.

References

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^ George Cebadal: Goethe, Schiller und die verschleierte Wahrheit. Ein kleiner Beitrag zur Mysterienkultur in Goethes "Faust"-Dichtung und der Weimarer Klassik. Norderstedt 2019. p. 11.
^ Jan Assmann: Das verschleierte Bild zu Sais. Schillers Ballade und ihre ägyptischen und griechischen Hintergründe. Leipzig 1999. p. 13-16.
^ Plutarch: Isis and Osiris. Cap. 9.

External links

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v t e Friedrich Schiller
Plays	The Robbers Fiesco Intrigue and Love Körner's Morning Don Carlos Wallenstein Wallenstein's Camp The Piccolomini Wallenstein's Death Mary Stuart The Maid of Orleans The Bride of Messina William Tell Die Huldigung der Künste Demetrius
Libretti	Semele
Selected poems	Ode to Joy Resignation Die Götter Griechenlandes Das verschleierte Bild zu Sais Die Teilung der Erde Xenien Der Handschuh Der Taucher Die Kraniche des Ibykus Ritter Toggenburg Der Gang nach dem Eisenhammer Der Ring des Polykrates Der Kampf mit dem Drachen Die Bürgschaft Das Lied von der Glocke Nänie Der Antritt des neuen Jahrhunderts Das Siegesfest
Selected prose works	The Criminal of Lost Honour The Ghost-Seer A magnanimous act
Selected philosophical works	The Theatre Considered as a Moral Institution Über den Grund des Vergnügens an tragischen Gegenständen Augustenburger Briefe On Grace and Dignity Über das Pathetische Kallias-Briefe On the Aesthetic Education of Man On Naïve and Sentimental Poetry Über das Erhabene
Historical works	What is universal history and why does one study it?
Journals	Wirtembergisches Repertorium Thalia Die Horen
Memorials	Berlin Chicago Columbus Milwaukee (with Goethe) Syracuse (with Goethe) Weimar (with Goethe)
Related	Johann Kaspar Schiller (father) Elisabetha Dorothea Schiller (mother) Charlotte von Lengefeld (wife) Carl Christoph von Lengefeld (father-in-law) Louise von Lengefeld (mother-in-law) Karl von Schiller (son) Ernst von Schiller (son) Emilie von Gleichen-Rußwurm (daughter) Ludwig von Gleichen-Rußwurm (grandson) Alexander von Gleichen-Rußwurm (great-grandson) Christophine Reinwald (sister) Wilhelm Friedrich Hermann Reinwald (son-in-law) Weimar Classicism Play drive Skull Friedrich Schiller (1923 film) Friedrich Schiller – The Triumph of a Genius (1940 film) Beloved Sisters (2014 film)

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