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David Saunders (artist)

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David Saunders
Born1936
Southend-on-Sea, Essex, England
EducationSt Martin's School of Art, Royal Academy Schools
Occupations
  • Artist
  • teacher
  • musician
MovementSystematic, Constructive

David Saunders (born 1936) is an English artist, teacher, and musician.[1] His work is systematic and constructivist. It is mainly exhibited and appreciated in Europe, where it is held in many national collections.

Early life and education

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Saunders was born in 1936 in Southend-on-Sea, Essex.[2] After leaving school, he worked briefly in the advertising industry while taking evening classes held by Vivian Pitchforth at St Martin's School of Art.

Saunders was conscripted into the army and stationed on Salisbury plain, where he enjoyed painting while not on active service. After being discharged, he studied at the Royal Academy Schools under Frederick Gore from 1959 to 1962, where he gained a master's degree.[2]

Career

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After completing his studies, Saunders was appointed to a teaching post at Newport College of Art in 1965, where he first met the painter Jeffrey Steele. In 1967 Saunders started producing "Systematic-Constructive" work.[2] In 1968, Saunders became visiting lecturer at the Portsmouth Polytechnic Art School, appointed by Steele, who was Head of Faculty and who ran the faculty in a similar, non-hierarchical manner to Black Mountain College in North Carolina. Saunders also worked at the nearby Winchester School of Art, where he became the personal tutor to Brian Eno. This was a time of "classical experimental music", inspired by the works of John Cage and Cornelius Cardew.[3] It was around this time that Saunders works were influenced by determinate and indeterminate factors.[4]

In 1968, at the Arts Council of Great Britain Thirtienth Open Exhibition for Painting and Sculpture in Cardiff, Saunders and Steele won the Purchase Prize.[5] This event began a long collaboration between both artists and, one year later, Saunders was one of the founding members of the Systems Group,[2] following a 1969 exhibition in Helsinki.[4]

In 1970, Saunders became artist-in-residence at Sussex University, during which he started to play tenor horn with the Portsmouth Sinfonia. In 1972, Saunders became artist-in-residence at Stedelijk Museum Amsterdam, where he studied the works of Piet Mondrian.[2]

Between 1970 and 1980 Saunders was a visiting lecturer at the Slade School of Fine Art, London University, which he combined with teaching painting, photography and playing music at Liverpool Polytechnic Art School [1]

In the late 1970s, he started looking into colour functions, and in 1986 he co-initiated (with Richard Bell and Nicole Charlett) the touring exhibition Colour Presentations for 6 Artists, with support from the Arts Council of Wales.

In 1989 he also co-initiated (with Richard Bell and Nicole Charlett) the exhibition Complexions which opened at Galerie L'Idee, Zoetermeer, Holland and toured to Dean Clough Contemporary Art Gallery, Halifax with support from the British Council. Saunders was a member of the 56 Group in Wales.[2]

In 1988, aged 52, Saunders stepped away from formal teaching.[1] He maintains his interest in experimental art, and continues to exhibit new works around Europe and Britain.

Art historian Alan Fowler discusses Saunders' earlier work in his 2006 PhD thesis "Constructive Art in Britain 1913 - 2005".[6] Saunders is also mentioned in Alastair Grieve's 2005 book "Constructed Abstract Art in England After the Second World War: A Neglected Avant-Garde".[7]

Music

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Saunders was one of the very few visual artists interested in experimental music.[8] He learnt to read music and play the trombone and tenor horn with the Liverpool "grouplet" of the Portsmouth Sinfonia.[3] Both Saunders and Steele played tenor horn and trombone respectively, on the Portsmouth Sinfonia's first LP, "Portsmouth Sinfonia Plays the Popular Classics", released in 1973 by Columbia Records.

In 1973, Saunders was invited by Clive Langer - of Deaf School fame - to play tenor horn in his band.[8]

Saunders has also been associated with the Ross and Cromarty Orchestra.[9][2]

Personal life

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In 1985, Saunders lived in Clwyd, North Wales, returning to London in 1994.[2] In 2006, he moved to Tarascon-sur-Ariège, France, where he is currently resident.[10]

Selected exhibitions

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Solo

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Group

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  • 1959: Young Contemporaries, RBA Galleries, London [11]
  • 1960: Tomorrow's Artists, Grabowski Gallery, London
  • 1966: Undefined Situation, Howard Roberts Gallery, Cardiff
  • 1967: Survey 67, Camden Arts Centre, London[2]
  • 1968: Wales Now, Welsh Arts Council,[9]
  • 1969: Systeemi•System, Amos Anderson Museum, Helsinki [2][4]
  • 1971: Matrix, Arnolfini Gallery, Bristol[2]
  • 1972: Systems, a touring exhibition organised by the Arts Council and Whitechapel Art Gallery[2]
  • 1983: Four British Constructivists, Engstrom Gallery, Stockholm[2]
  • 1986: Colour Presentations, Gardner Centre Gallery, University of Sussex/Stoke-on-Trent City Museum/Spacex Gallery, Exeter/Swiss Cottage Library Gallery, London [1]
  • 1986: Colour Constructions, Exhibiting Space, London [1]
  • 1986: Systematic and Constructivist Drawings, Wentworth Gallery, University of York [1]
  • 1994: Mostyn Open Exhibition 5, Oriel Mostyn, Mostyn, Wales[2]
  • 2000: Eyes and Ears and Ears and Eyes, The Nunnery, London
  • 2002: Serious Pleasure, Cento Modigliani, Florence
  • 2002: Complexions, Dean Clough Galleries, Halifax
  • 2008: A Rational Aesthetic Southampton City Art Gallery, UK,[1]
  • 2017: Systems 1972, Tate Britain[1]
  • 2018: Transforming Surfaces, Arthouse1 Gallery, London [12]

Works in public collections

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Prints:

Paintings:

References

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  1. ^ a b c d e f g h i j k Saunders, David. "Curriculum Vitae". David Saunders. Retrieved 6 April 2024.
  2. ^ a b c d e f g h i j k l m n o p q Buckman, David (1998), Dictionary of Artists in Britain since 1945, Art Dictionaries Ltd, p. 1072
  3. ^ a b Reeves, Christopher M.; Walker, Aaron (2020). The World's Worst: A Guide to the Portsmouth Sinfonia. Soberscove Press. ISBN 9781940190235.
  4. ^ a b c "Systeemi•System (1969) catalogue". Internet Archive. Retrieved 31 July 2024.
  5. ^ Saunders, David; Steele, Jeffrey. "Arts Council of Great Britain Report 1969". Internet Archive. Arts Council of Great Britain. Retrieved 6 April 2024.
  6. ^ Fowler, Alan (2006), Constructivist Art in Britain 1913-2005, Winchester School of Art, p. 140
  7. ^ Grieve, Alastair (2005), Constructed Abstract Art in England After the Second World War: A Neglected Avant-Garde, Yale University Press, p. 54, ISBN 978-0-300-10703-6
  8. ^ a b Du Noyer, Paul (2013). Deaf School: The Non-Stop Pop Art Punk Rock Party. Liverpool University Press. pp. 39–43. ISBN 978-1-84631-860-3.
  9. ^ a b Saunders, David (1972). SYSTEMS. Arts Council. pp. 40–42.
  10. ^ Saunders, David. "About the Artist". Retrieved 6 April 2024.
  11. ^ Saunders, David (6 July 2002). COMPLEXIONS. Dean Clough Galleries, Halifax.
  12. ^ Saunders, David. "Transforming Surfaces". ArtRabbit. Retrieved 6 April 2024.
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