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Diana Athill

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Diana Athill
Born(1917-12-21)21 December 1917
Kensington, London, England
Died23 January 2019(2019-01-23) (aged 101)
London, England
OccupationLiterary editor, author, publisher
NationalityBritish
Alma materLady Margaret Hall, University of Oxford
GenreNovels and memoirs
Notable worksAfter a Funeral, Somewhere Towards the End
Notable awardsOBE, PEN/Ackerley Prize, Costa Book Award, National Book Critics Circle Award
RelativesPhilip Athill (nephew)

Diana Athill OBE (21 December 1917 – 23 January 2019) was a British literary editor, novelist and memoirist who worked with some of the greatest writers of the 20th century at the London-based publishing company Andre Deutsch Ltd.[2]

Early life

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Diana Athill was born in Kensington, London, during a World War I Zeppelin bombing raid,[3] daughter of Major Lawrence Francis Imbert Athill (1888–1957) and Alice Katharine (1895–1990), whose father was the biographer William Carr (1862–1925). Diana had a brother, Andrew, and a sister, Patience.[3] Her maternal grandmother was the daughter of James Franck Bright (1832–1920), a Master of University College, Oxford.[4] She was brought up at Ditchingham Hall in Norfolk, a country house owned by her mother's family.[5][6]

Athill graduated from Lady Margaret Hall, Oxford, in 1939[7] and worked for the BBC throughout the Second World War.[8]

Career

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After the war, Athill helped her friend André Deutsch establish the publishing house Allan Wingate, and five years later, in 1952, she was a founding director of the publishing company that was given his name.[9] She worked closely with many Deutsch authors, including Philip Roth, Norman Mailer, John Updike, Mordecai Richler, Simone de Beauvoir, Jean Rhys, Gitta Sereny, Brian Moore, V. S. Naipaul, Molly Keane, Stevie Smith, Jack Kerouac, Charles Gidley Wheeler, Margaret Atwood, and David Gurr.[10][11]

Athill retired from Deutsch in 1993 at the age of 75, after more than 50 years in publishing.[3] She continued to influence the literary world through her revealing memoirs about her editorial career.

The first book of her own writing to appear was the short story collection An Unavoidable Delay (1962), and she published two further works of fiction: a novel entitled Don't Look at Me Like That (1967) and in 2011 another volume of stories, Midsummer Night in the Workhouse. She was best known, however, for her books of memoirs, the first of which was Instead of a Letter in 1963. These memoirs were not written in chronological order, Yesterday Morning (2002) being the account of her childhood. She also translated various works from French.

She appeared on Desert Island Discs in 2004 at the age of 86 and selected a recording of Haydn's The Creation as the most valued of the eight records and Thackeray's Vanity Fair as the book.[12]

In 2008, she won the Costa Book Award for her memoir Somewhere Towards The End, a book about old age.[13] For the same book, she also received the National Book Critics Circle Award in 2009.[14]

Athill was appointed an Officer of the Order of the British Empire (OBE) in the 2009 New Year Honours for services to literature.[15]

In June 2010, she was the subject of a BBC documentary, Growing Old Disgracefully, part of the Imagine series.[16] In 2013, she was listed as one of the 50 best-dressed over-50s by The Guardian.[17]

In 2011, Granta Books published Instead of a Book: Letters to a Friend, a collection of letters from Athill to the American poet Edward Field chronicling their intimate correspondence spanning more than 30 years (he kept all her letters, she kept none of his).[18][19] Granta Books published two further titles by her: Alive, Alive Oh!: And Other Things That Matter in 2015 and A Florence Diary in 2016.

Personal life

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According to journalist Mick Brown, "She attributes her flight from convention to her first love, Tony Irvine, an RAF pilot with whom she fell in love at the age of 15, and who was blessed, she says, 'with a very open approach to life.'"[20] The failure of her relationship with Irvine (referred to as Paul in Instead of a Letter),[11] her "great love", "blighted" many years: "My affairs after that, I kept them trivial if I possibly could. I was frightened of intensity, because I knew I was going to be hurt."[20] Irvine went to war in Egypt, and eventually stopped replying to Athill's letters, then two years later requested an end to their engagement.[3] At the age of 43, Athill suffered a miscarriage.[3]

She called herself a "sucker for oppressed foreigners", an inclination she characterized as a "funny kink" in her maternal instinct: "I never particularly wanted children, but it came out in liking lame ducks."[20] One lover, the Egyptian author Waguih Ghali, a depressive, committed suicide in her flat. Her most remarkable affair, about which she later wrote a book, was "a fleeting, and distinctly odd" relationship with Hakim Jamal, an American Black radical who asserted he was God and was a cousin of Malcolm X. Jamal's other lover, Gale Benson, was murdered by Trinidadian Black Power leader Michael X. Jamal was killed by others a year later.[20] Athill's account of these events was published in 1993 as Make Believe: A True Story.

Her longest relationship was with the Jamaican playwright Barry Reckord. The affair lasted eight years, but he shared her flat for forty. She described it as a "detached" sort of marriage.[20]

She moved into a flat in a north London residence for the "active elderly" at the end of 2009,[21] saying about this decision: "Almost at once on arrival at the home I knew that it was going to suit me. And sure enough, it does. A life free of worries in a snug little nest....".[22] Even during her old age, she reemphasized that she had no regrets about not having her own children, saying: "I dearly love certain young people of my acquaintance and am happy to have them in my life, but am I sorry that they are not my descendants? No...."[23]

Athill died at a hospice in London on 23 January 2019, aged 101, following a short illness.[24][25][26]

Her nephew and heir, the art historian Philip Athill,[27] is managing director of the dealership and gallery, Abbott and Holder.[28]

Selected bibliography

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Fiction

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  • 1962: An Unavoidable Delay, short stories
  • 1967: Don't Look at Me Like That: a novel. London: Chatto & Windus. New edition, Granta Books, 2001. ISBN 978-1862074415[29]
  • 2011: Midsummer Night in the Workhouse, short stories. London: Persephone Books. ISBN 978-1903155820

Autobiography

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References

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  1. ^ "Diana Athill". Front Row. 26 April 2013. BBC Radio 4. Retrieved 18 January 2014.
  2. ^ Athill, Diana (5 January 2008), "'Getting things right': Recalling her life as one of the 20th century's most acclaimed editors, Diana Athill, who has just turned 90, was a pioneer of the confessional memoir. Her new book is about ageing". The Guardian.
  3. ^ a b c d e Pattullo, Polly (24 January 2019), "Diana Athill obituary" in The Guardian. Retrieved 24 January 2019.
  4. ^ "Mr. William Carr". The Times. London. 29 January 1925. p. 7.
  5. ^ "Parks and Gardens UK". Archived from the original on 26 February 2012.
  6. ^ Preston, John (11 January 2011), "Diana Athill: Being the other woman was what I was best at", The Daily Telegraph. Retrieved 1 November 2016.
  7. ^ Prominent alumni, Lady Margaret Hall, Oxford, UK.
  8. ^ Cambridge Women's Peace Collective (1984). My Country is the Whole World: An Anthology of Women's Work on Peace and War. Pandora Press. p. 140. ISBN 978-0-86358-004-8. Retrieved 24 May 2021. Worked for the BBC during the Second World War and afterwards as a publisher.
  9. ^ Athill, Diana (3 August 2001), Chapter One, Stet. Excerpted in The Guardian.
  10. ^ "Stet: An Editor's Life (review)", Publishers Weekly, 1 March 2001.
  11. ^ a b Cochrane, Kira (5 January 2009), "Not bad for 91", The Guardian.
  12. ^ "Diana Athill". Desert Island Discs. BBC. 2004. Retrieved 3 July 2010.
  13. ^ "Costa Winners 2006 – present" (PDF). costabookawards.com. Archived from the original (PDF) on 28 October 2012. Retrieved 3 January 2013.
  14. ^ "All Past National Book Critics Award Winners and Finalists". bookcritics.org. Archived from the original on 27 April 2019. Retrieved 3 January 2013.
  15. ^ "No. 58929". The London Gazette (Supplement). 31 December 2008. p. 9.
  16. ^ Athill, Diana (29 June 2010). "Diana Athill: 'Who is that woman who looks like me?'". The Telegraph.
  17. ^ Cartner-Morley, Jess (28 March 2013). "The 50 best-dressed over-50s – in pictures". The Guardian.
  18. ^ "Diana Athill introduces Instead of a Book: Letters to a Friend", YouTube, 3 November 2011.
  19. ^ Eichenberger, Bill (7 June 2012), "Diana Athill's 'Letters to a Friend' is one side of an interesting friendship", Cleveland.com.
  20. ^ a b c d e Brown, Mick (23 September 2011), "Diana Athill on letters, lovers & letting go". The Telegraph. Retrieved 21 August 2012.
  21. ^ Wagner, Erica "Diana Athill", The Gentlewoman, Issue 14, Autumn & Winter 2016.
  22. ^ Athill, Diana (17 April 2009). "Diana Athill: Why I moved into an old people's home". The Guardian.
  23. ^ Athill, Diana (16 November 2012). "Diana Athill: why I never became a gran". The Guardian. ISSN 0261-3077. Retrieved 28 March 2019.
  24. ^ "Writer Diana Athill dies aged 101". BBC News. 24 January 2019. Retrieved 28 March 2019.
  25. ^ Lea, Richard (24 January 2019). "Diana Athill, writer and editor, dies aged 101". The Guardian.
  26. ^ Fox, Margalit (24 January 2019). "Diana Athill Dies at 101; Wrote Cleareyed Memoirs of Love and Sex". The New York Times. Retrieved 24 January 2019.
  27. ^ Armitstead, Claire (15 December 2017). "Diana Athill: 'Enjoy yourself as much as you can without doing any damage to other people'". The Guardian. Retrieved 9 February 2019. Her beloved nephew and heir, Phil Athill
  28. ^ "Gallery History". Abbott and Holder. Archived from the original on 9 February 2019. Retrieved 9 February 2019.
  29. ^ Stein, Sadie (22 July 2023). "Diana Athill's Only Novel, About Coming of Age in 1950s London". The New York Times. ISSN 0362-4331. Retrieved 2 August 2024.
  30. ^ "A Review of Diana Athill's Stet: An Editor's Life". theeditingco.com. Retrieved 2 August 2024.
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