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Donal McCann

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Donal McCann
Born7 May 1943
Died17 July 1999(1999-07-17) (aged 56)
Dublin, Ireland
OccupationActor

Donal McCann (7 May 1943 – 17 July 1999) was an Irish stage, film, and television actor best known for his roles in the works of Brian Friel[1] and for his lead role in John Huston's last film, The Dead (1987). In 2020, McCann was listed as number 45 on The Irish Times list of Ireland's greatest film actors.[2]

Biography

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Early life

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McCann was born in Terenure in Dublin. His father was John J. McCann, a playwright and politician who served twice as Dublin's Lord Mayor. Although Donal had acted in a production of his father's Give Me a Bed of Roses at Terenure College in 1962, he briefly studied architecture before taking a job as a trainee sub-editor at the Evening Press which allowed him to pursue part-time acting classes at the Abbey School of Actors at the same time. He joined the Abbey Players in the late 1960s.

Career

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Among his most important early roles were Cuchulainn in W. B. Yeats's On Baile Strand (1966), and as Estragon in a seminal production of Samuel Beckett's Waiting for Godot, partnering with Peter O'Toole as Vladimir (1969).

His career included parts in many plays from the Irish literary canon, including Tarry Flynn, The Shaughran, and the Gate Theatre's highly acclaimed production of Seán O'Casey's classic Juno and the Paycock in the 1980s (McCann played the "Paycock" (Captain Boyle) opposite Geraldine Plunkett as Juno and John Kavanagh as Joxer Daly) as well as a subsequent production of O'Casey's The Plough and the Stars.

McCann developed a particularly fruitful relationship with the playwright Brian Friel. He played the role of Gar O'Donnell, the public figure, in a film adaptation of Philadelphia, Here I Come! in 1970 and, despite popular belief, he never played either public or private Gar on stage. He gave a landmark performance as Frank Hardy, the title character, in Faith Healer in 1980 (a role he reprised in 1994), continuing his relationship with Friel through productions of Translations (1988) and Wonderful Tennessee (1993).

Friel has said that McCann's work "contains extraordinary characteristics that go beyond acting ... it is deeply spiritual". Perhaps McCann's most renowned role was as Thomas Dunne in Sebastian Barry's The Steward of Christendom. He won the London Critics Circle Theatre Award (Drama Theatre) as best actor for this role in 1995. He reprised this role in a 1996 production at The Gate Theatre, Dublin and, following a twelve-week run at the Brooklyn Academy of Music in 1997, his "performance of unarguable greatness" (The New York Observer) had Newsweek hailing him as "a world-class star", and The New York Times referring to this "astonishing Irish actor...widely regarded as the finest of them all".

On the London stage, McCann played in Prayer for My Daughter opposite Antony Sher (1978), and was Jean to Dame Helen Mirren's Julie in Miss Julie (1971). This was filmed for the BBC, and McCann would much later play Judge Brack with Fiona Shaw in the title role of Ibsen's Hedda Gabler, a production filmed for the BBC in 1993.

McCann began his film career early, in 1966, in Disney's The Fighting Prince of Donegal (this later became a TV series). More significant roles included the title character's father Shamie in Cal and one of the feuding brothers in Thaddeus O'Sullivan's December Bride (1990–1994). He worked a number of times with Neil Jordan (in Angel, The Miracle and High Spirits).

His best-known film role was as Gabriel Conroy in The Dead (1987), starring opposite Anjelica Huston and directed by her father, John Huston. Significant late roles included Bernardo Bertolucci's Stealing Beauty (1996) and in John Turturro's Illuminata (released in 1999, after McCann's death).

McCann's television work included the featured role of Phineas Finn in the BBC's serialised adaptation of Anthony Trollope's The Pallisers, Willie Burke in RTÉ's Prix Italia drama entry The Burke Enigma (1979) and Barney Mulhall in RTÉ's Strumpet City (1980), as well as many one-off parts.

McCann played in Bob Quinn's Irish-language film Poitín (1979) and in Quinn's somewhat experimental The Bishop's Story (1995). After hearing that McCann was ill, Tom Collins asked Bob Quinn to make a TV documentary about McCann for RTÉ (in 1998) called It Must Be Done Right (after a remark by McCann on his craft). The film aired on RTÉ a week before McCann's death.

Personal life

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In his private life, McCann was a quiet and unassuming man, but he battled both depression and alcoholism all his life.[3] He had many friends in Irish theatre and artistic circles but also across all strata of life. His hobbies included sketching and he was passionate about horse racing.

He died at the age of 56 from pancreatic cancer.

Filmography

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Year Title Role Notes
1966 The Fighting Prince of Donegal Sean O'Toole
1969 Sinful Davey Sir James Campbell
1973 The Mackintosh Man 1st Fireman
1977 Philadelphia, Here I Come Gar (Public)
1978 Poitín Labhrás
1980 The Hard Way Ryan
1982 Angel Bonner
1984 Reflections Edward Lawless
1984 Cal Shamie
1984 Summer Lightning Dr Lestrange
1985 Out of Africa Doctor
1986 Mr. Love Leo
1986 Rawhead Rex Tom Garron
1987 Budawanny Priest
1987 The Dead Gabriel
1988 High Spirits Eamon
1991 December Bride Hamilton Echlin
1991 The Miracle Sam
1992 The Bargain Shop Narrator Voice
1994 The Bishop's Story Priest
1995 Innocent Lies Joe Green Uncredited
1996 Stealing Beauty Ian
1997 The Serpent's Kiss Physician
1998 The Nephew Tony Egan
1998 Illuminata Pallenchio (final film role)

Books

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  • Faith O'Grady, Pat Laffan, eds. 2000. Donal McCann Remembered. (New Island Books)
  • The Fleadh Papers. 1998. Donal McCann: In Conversation with Gerry Stembridge at the Galway Film Fleadh, Sunday 12 July 1998. (Film West)

References

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  1. ^ Murdoch, Alan (20 July 1999). "Obituary: Donal McCann". The Independent. Retrieved 14 December 2014.
  2. ^ Clarke, Donald; Tara Brady (13 June 2020). "The 50 greatest Irish film actors of all time – in order". The Irish Times.
  3. ^ Dixon, Stephen (20 July 1999). "Donal McCann: The finest Irish actor of his generation, with the bravery to expose his inner self on stage". The Guardian. Retrieved 14 December 2014.
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