Draft:DeAnn L. Prosia

• Comment: My previous concern remains unfixed and many of the sources appears to be affiliated to the subject, or is the subject talking, making it non-independent. Not all external links in the body are removed, and the wording is still promotional. Also for some of the citation is hard to understand like ebo Gallery: Contemporary Fine Art & Original Prints, DeAnn L. Prosia, About the Artist, Millwood, New York. Is this a website, a book, a sign, or something else? Ca ^{talk to me!} 15:16, 17 June 2024 (UTC)

• Comment: Please remove the External Links from the article body, they are seen as promotional - Rich^T|C|E-Mail 02:19, 17 June 2024 (UTC)

• Comment: You should put the little number references like [1] and [2] next to the claims that they support, not all at the end. Ca ^{talk to me!} 04:12, 13 June 2024 (UTC)

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DeAnn L. Prosia (born March 22, 1963 in Chicago, IL) is an American printmaker best known for her photo-realist architectural line etchings, an intaglio printmaking process which can take her up to 400 hours to complete. Prosia has won over 100 awards for her artwork and is in major Collections (public & private) such as the Rockwell Museum, New York Public Library Print Collection, and Syracuse University Art Collection.

"Like Durer, DeAnn Prosia harnesses an infinite number of marks to reveal an extreme, almost hallucinatory focus in her view of city life." - Andrew Raftery, Professor and Juror for the Center for Contemporary Printmaking FootPrint Exhibition, Rhode Island School of Design.

Process

As a printmaker, Prosia utilizes only line work, in the form of cross-hatching, in her etchings to create the structure, tone, texture, and contrast of her highly detailed city scapes. Line etching is an intalgio printmaking process where acid is used to cut into the unprotected parts of a metal place to create a design. Prosia uses a sharp sewing needle as her scribe, allowing her to build highly detailed imagery with only the use of line.

Detail of DeAnn L. Prosia using an etching needle to draw her image onto a copper plate.

Close up of the line work on DeAnn L. Prosia's etching plate.

Learn more about the intaglio printmaking process here.

Education & Career

Prosia's attended Prospect High School in Mount Prospect, IL (a Northwest suburb of Chicago), where her interest in art developed and was encouraged by her art teachers. This is also where she made her very first etching using a zinc plate with nitric acid. She later attended Northern Illinois University where she earned a BA in Communication Studies with a focus in Advertising and a minor in Art. Prosia also studied pastel drawing with artist Nina Weiss and took life drawing classes at the Art Institute of Chicago.

Prosia’s commitment to printmaking came in 1988 when she met Chicago printmaker, Phillip C. Thompson, whose architectural style, line work and tone caught her eye. Over a three day period he taught her the basics of printmaking. On the fourth day, she ordered her first printing press from Blick, set it up in her Chicago studio apartment, and got to work creating etchings. In 1990, with Thompson’s help, she started doing weekend art festivals.

In the mid 90’s, Prosia left Chicago and spent a year and a half in Erlanger, KY. From there she moved to Monroe, CT where she became a member of the Silvermine Artists Guild and the Society of American Graphic Artists (SAGA) in New York City. In 2002 The Old Print Shop in NYC, began representing her (2002-present).

From 2006 – 2009 Prosia lived in Mainz, Germany. In 2007 she had her first international solo exhibition, “Etchings of DeAnn Prosia” at Art’N’Act Galerie. Her second international solo exhibition followed in 2009, “Mein Mainz”, at Eisenturm Galerie. Art Critic and Reporter for the (Mainz Rhine Newspaper) Martina Koch said of Prosia’s etchings: "When you stand in front of DeAnn L. Prosia's etchings, sometimes you long for a magnifying glass. Her views of the city are so finely drawn and rich in detail that the first fleeting glance is hardly enough to grasp them."

After returning to the States in December, 2009, Prosia settled in Newtown, CT (the same town Martin Lewis lived in from 1932 – 1936). During this time she became more involved in museum and gallery exhibitions which helped get her work into several prominent collections (see list below). In 2010, she gained representation through ebo Gallery in Millwood, NY (2010-present).

Prosia also began to affiliate herself with prominent art organizations such as The Allied Artists of America, New York, NY; The Boston Printmakers, Boston, MA; The Audubon Artists, New York, NY; American Women Artists, Lodi, CA; Catharine Lorillard Wolfe Art Club, New York, NY; Center for Contemporary Printmaking], Norwalk, CT; and The Print Club of Albany, Albany, NY.

From 2019-2021, Prosia served as Vice President of SAGA. She began her service by creating an alumni archive featuring over 900 past members. She also formed a group of Regional Committee Members to procure national exhibitions venues throughout the nation and increased visibility by starting social media accounts for the organization.

In 2020, Prosia was added to the roster of represented artists at fYREGALLERY in Braidwood, Australia (2020-present).

From 2021-2023 she served as President of SAGA. During this time, SAGA saw a 21% increase in membership under Prosia’s leadership. During her tenure she was able to secure member exhibitions at the Salmagundi Club, NYC, The Gallery at The Met Store, NYC and The Artists Archives at the Western Reserve, Cleveland, OH. Before her tenure ended, Prosia secured several future exhibitions to ensure the longevity of the program. Some of Prosia’s most notable accomplishments included securing a member show at The Gallery at The Met Store at The Metropolitan Museum of Art and in 2022 she established the annual national juried print exhibition, Mini Gems.

Influences and Style

DeAnn L. Prosia, "Under the Elevated", line etching, 12 x12 in., 2016.

Prosia draws her influences from the printmakers of the early 1900s such as John Taylor Arms (1887 – 1953), Martin Lewis (1881 – 1962), Ernest D. Roth (13) (1879 – 1953), and Samuel Chamberlain (1895 – 1975). She has always been fascinated by how society has historically built beautiful and interesting architecture to fill the needs of people and their everyday lives. If people had to start over, what would they build? Would it be the same?

DeAnn L. Prosia, "Oasis", line etching, 12x12 in., 2022.

Representation

• The Old Printshop, New York, NY (2002-present)
• ebo Gallery, Millwood, NY since 2010
• fYRE GALLERY, Braidwood, Australia since 2020

Collections (Public & Private)

• Rockwell Museum, Corning, NY (A Smithsonian Affiliate)
• New York Public Library Print Collection, New York, NY
• International Exlibris Centre, Sint-Niklaas, Belgium
• Graphic Gallery Fund Collection, Varna, Bulgaria
• Jundt Art Museum, Gonzaga University, Spokane, WA
• Fort Wayne Museum of Art, Fort Wayne, IN
• Gormley Gallery Collection, Notre Dame of Maryland University, MD
• Rutgers University Archives, New Jersey
• Syracuse University Art Collection, Syracuse, NY
• Newark Public Library, Special Collections, Newark, NJ
• Arkansas State University Collection, Jonesboro, AR
• The Douro Museum Printmaking Collection, Peso da Régua, Portugal
• Print Club of Albany, Albany, NY
• K. Caraccio Print Collection, New York, NY

Awards

DeAnn Prosia has received more than 100 different awards ranging from 1st-3rd place, Best in Show, Honorable Mentions, and Purchase Awards. Some of the most notable awards are listed here. A full list of awards can be found on her website www.deannlprosia.com.

• The Ernest D. Roth Memorial Etching Award, 2023
• Jacob Landau Memorial Award for Printmaking, 2023
• The Al Camurati Memorial Award, 2017
• The Salmagundi Club Award for Graphics, 2022
• Distinguished Achievement Award, AWA's Breaking Through: The Rise of American Women Artists, Customs House Museum Exhibition, Clarksville, TN, 2022
• Best in Show, the Anna Hyatt Huntington Horse's Head Award for two-dimensional work, 2021
• Gold Medal of Honor-The Catherine Lorillard Wolfe Art Club 123rd annual Juried Exhibition, The National Arts Club, NYC, 2020
• Audubon Artists Silver Medal of Honor, 2019
• The Jane Peterson Memorial Award, 2018
• The American Women Artists Exhibition Award of Excellence, 2016
• Marquis Who's Who in American Art References Award, 2013