Draft:Florence McLandburgh
| Submission declined on 4 December 2023 by Dan arndt (talk). This submission's references do not show that the subject qualifies for a Wikipedia article—that is, they do not show significant coverage (not just passing mentions) about the subject in published, reliable, secondary sources that are independent of the subject (see the guidelines on the notability of people). Before any resubmission, additional references meeting these criteria should be added (see technical help and learn about mistakes to avoid when addressing this issue). If no additional references exist, the subject is not suitable for Wikipedia. The content of this submission includes material that does not meet Wikipedia's minimum standard for inline citations. Please cite your sources using footnotes. For instructions on how to do this, please see Referencing for beginners. Thank you.
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Comment: Fails WP:NAUTHOR, requires significant coverage about the individual (not inclusions in lists or mentions in passing) in multiple independent secondary sources. Dan arndt (talk) 05:57, 4 December 2023 (UTC)
Florence McLandburgh (1850–1934), who also used the pen name McLandburgh Wilson, was an American writer and poet who regularly contributed to a number of popular magazines, including Scribner's Monthly, Harper's Magazine, Munsey's Mazagine, Ainslee's Magazine, The Atlantic Monthly, The Saturday Evening Post and others.[1] Her work includes the collection, The Automaton Ear and Other Sketches (1876), the titular device in which enables its protagonist to listen to the sounds of the past, functioning as a sonic time viewer.[2]
Her work has been of particular interest to scholars of ideas, technologies and experiences of sound across the late nineteenth and early twentieth centuries.[3][4]
References[edit]
- ^ Contento, William G.; Stephensen-Payne, Phil (2023). "The FictionMags Index — McLandburgh, Florence (1850–1934)"". Retrieved 1 December 2023.
- ^ McLandburgh, Florence (1 December 2023). "The Automaton Ear and Other Sketches". Project Gutenberg. Retrieved 1 December 2023.
- ^ Picker, John M. (2003). Victorian Soundscapes. Oxford & New York: Oxford University Press. pp. 46–47, 166.
- ^ Emmott, James (2011). "Parameters of Vibration, Technologies of Capture, and the Layering of Voices and Faces in the Nineteenth Century". Victorian Studies. 53 (3): 468–478 – via JSTOR.